Album Review – Minneriket / Gjennom Meg Går Ingen Til Hvile (2022)

A lecture in Romantic Black Metal by one of the driving forces of the current Norwegian scene, dedicated in loving memory to those we have lost.

Four years after the excellent Anima Sola, Norwegian Romantic Black Metal band Minneriket, the brainchild of vocalist and multi-instrumentalist Stein Akslen, returns with another blast of awesomeness in the form of Gjennom Meg Går Ingen Til Hvile, or ““through me no one goes to rest” from Norwegian. Produced and mixed by Stein himself at Hagall Studios, recorded on various location throughout the world (with all field-recordings done by Stein on location in Norway out in nature to supplement the compositions on the album), mastered by Niklas Kveldulfsson, and displaying a classic logo by Christophe Szpajdel of Lord of the Logos and front cover photography by Eivind Nilsen of Clean Shot Photography beautifully portraying model Lise Marie Sommerstad, the album features a pretty big roster of session musicians, some being amateurs, some being more known people. “In total I have been working on this album for about 6 years now. There’s a lot of memories tied up on it, and it will be dedicated in loving memory to those we have lost. Some of the lyrics on the album actually dates back about 17 years, so I’ve used this album to really go full circle,” commented Stein, who also had some interesting words to say about the field-recordings. “That had me sleeping outside in the forests for a few nights to record an owl, and all other sounds – including wolves – are real. There are no samples at all on the album.”

Birds chirping and the gentle sound of the piano ignite the opening tune Så Kald En Jord (“so call a land”), evolving into a fusion of atmospheric music and primeval Black Metal to the hellish gnarls by Stein in paradox with the song’s smooth female vocals, offering us all over eight minutes of cryptic passages, sharp guitars and rhythmic beats. Then the instrumental piece Hjemlengsel (“homesickness”) will bring peace and sorrow to our blackened hearts thanks to the stunning cello by guest Norlene Olmedo, followed by Begravelsens Hjerteslag (“the heartbeat of the funeral”), another bold and multi-layered creation by Stein where the finesse of its operatic vocals walks hand in hand with the heavy-as-hell sounds crafted by our Norwegian multi-instrumentalist in a thrilling fusion of Melodic and Atmospheric Black Metal. Regnbuer I Gråtoner (“rainbows in shades of gray”) is another beautiful metal voyage by Stein and his guests, and it’s impressive how he manages to make each and every song so unique with his bass and drums generating a rumbling ambience perfect for his devilish growls; whereas in Sorg Og Savn (“grief and loss”) we face doomed words darkly declaimed by Stein and guest Ingrid.mariea (“Dear friends, dear family / I will leave you behind / I am the lifeless rain of autumn / Without you I will shine / My wounds are yours to reap and harvest”) while the music pierces our minds mercilessly.

The serene and atmospheric interlude Solnedgang (“sunset”) will soothe our damned souls before Stein comes ripping once again in Hvil I Fred (“rest in peace”), starting in a delicate manner to the sound of the waves crashing on the rocks before exploding into more of his trademark Black Metal. Moreover, once again the heaviness of the guitars and drums beautifully clashes with enfolding keys and piano notes, not to mention how stunning the female vocalizations sound and feel. After that, delicate piano notes permeate the air in Forglemmegei (“forget-me-not”), a well-engendered (albeit a bit too long) intermission that sets the tone for Nåde (“grace”), bringing forward over 13 minutes of what feels like the soundtrack to a dark and sinister movie, with Stein blending three or four songs into one massive beast while alternating between obscure passages and sheer dementia in the form of Black Metal, ending in an epic and enfolding manner before the outro 11379 brings to our ears a stylish exhibit of folk and classic elements, with the sounds of the piano and flute adding an extra touch of delicacy to the album.

A must-listen for fans of Myrkur, Jinjer, Cradle of Filth, Dimmu Borgir, Arch Enemy and Evanescence, among several others, Gjennom Meg Går Ingen Til Hvile undoubtedly represents a huge step forward in the career of the multi-talented Stein, and if you want to put your hands on such distinguished album of extreme music you can purchase it from Minneriket’s own BandCamp page. In addition, don’t forget to also follow Stein and his Black Metal alter-ego on Facebook and on Instagram, to subscribe to his YouTube channel, and to stream more of his stylish compositions on Spotify. As mentioned by Stein, Gjennom Meg Går Ingen Til Hvile is much more than just another metal album, but a music representation of his own memories intertwined with the sounds of nature, deserving our full admiration and respect and, therefore, positioning Minneriket as one of the driving forces of the current underground Black Metal scene.

Best moments of the album: Regnbuer I Gråtoner, Hvil I Fred and Nåde.

Worst moments of the album: Forglemmegei.

Released in 2022 Independent

Track listing
1. Så Kald En Jord 8:42
2. Hjemlengsel 2:04
3. Begravelsens Hjerteslag 7:31
4. Regnbuer I Gråtoner 6:44
5. Sorg Og Savn 5:32
6. Solnedgang 1:42
7. Hvil I Fred 5:31
8. Forglemmegei 3:44
9. Nåde 13:17
10. 11379 3:17

Band members
Stein Akslen – lead vocals, guitars, field-recordings, synths, additional instruments

Guest musicians
Misstiq – keys
Māra Lisenko – vocals
Christina Rotondo – vocals
Niklas Kveldulfsson – drums
Ingrid.mariea – vocals
Maria Kosma – bass
Margarita Chernova – strings
Norlene Olmedo – cello
Kyba – vocals
Elvann – harp
Kim Fleuchaus – flute
Thomas Englmann – saxophone
Jenny Modeman – additional vocals
C80 – additional keys
Li – gong
Temu – additional vocals
Elsewhere Choir – choir

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