Concert Review – Obituary (The Phoenix Concert Theatre, Toronto, ON, 05/07/2023)

The right mindset, the right night in Toronto, with tons of metalheads celebrating the unparalleled Death Metal by one of the pillars of the genre worldwide.

OPENING ACTS: Ingrown, Blood Incantation and Immolation

The city of Toronto had the pleasure of enjoying another ass-kicking celebration of Death Metal last night thanks again to Noel Peters of Inertia Entertainment, bringing to the city a fantastic combo of pure heaviness with the bands INGROWN, BLOOD INCANTATION, IMMOLATION and OBITUARY to The Phoenix Concert Theatre. There was a massive line to get into the venue, plus another huge line to get to the merch stands before entering the floor section, which means several people missed the first band of the night, unfortunately. Maybe they could have opened the doors a little earlier, at 6pm or even at 5:30pm, because only 30 minutes between doors and the first band is definitely not enough for getting in, getting some merch, having a beer and chatting with friends. Nothing that would damage the quality of the night, though.

Having said that, a half empty venue was there to enjoy the Hardcore by Boise, Idaho-based act INGROWN precisely at 7pm, including myself and my buddy Keith Ibbitson of Lower Eastside Photography, one of the two photographers that were there in time for Ingrown, by the way. Playing several songs from their 2021 album Gun, the trio formed of Calvin Ross Hansen, Alex Marshall and Dave Shaffer didn’t waste too much time talking and simply hammered their instruments nonstop, and despite the lack of mosh pit action due to most fans still trying to enter the venue or grab some merch, it was a solid and freakin’ heavy performance, proving why those American metallers carry the Great Seal of the State of Idaho with them. If you want to know more about their pulverizing Harcore, you can find all of their creations on BandCamp and on Spotify, alright?

Setlist
Waste
Fool
Shell
Chain
Slip Away
Grunt
Snake Stomp
Gun
Hard Time

Band members
Calvin Ross Hansen – vocals, guitars
Alex Marshall – bass
Dave Shaffer – drums 

After a very short break, it was time for Denver, Colorado’s own Sci-Fi Death Metal entity BLOOD INCANTATION to take us on a journey to outer space with their technical and pulverizing Death Metal, spearheaded by the relatively shy while speaking, but utterly demonic while playing, Paul Riedl on vocals and guitars. Paul mentioned it was the band’s first visit to Toronto since 2019, and judging by the reaction of the crowd, who ignited some insane mosh pits while the quartet was flawless on stage, I must say their Torontonian fans have more than missed their live performances for the past few years. Their setlist might have been short, with only five songs in total including the excellent The Giza Power Plant and Slave Species of the Gods, from their 2019 opus Hidden History of the Human Race, but each song had enough elements, energy and complexity to put a huge smile on the faces of everyone at the venue, resulting in a first-class performance by one of the most underrated bands of the current Death Metal scene.

Setlist
Starspawn
Chaoplasm
The Giza Power Plant
Slave Species of the Gods
Hovering Lifeless

Band members
Paul Riedl – vocals, guitars
Morris Kolontyrsky – guitars
Jeff Barrett – bass
Isaac Faulk – drums

Although Obituary were the main attraction of the night, there were countless fans at The Phoenix Concert Theatre eager to see New York’s own Death Metal institution IMMOLATION kicking some ass on stage, blending classics form their amazing career with songs from their most recent album, Acts of God, released last year, including the opener An Act of God, The Age of No Light, Blooded, and the closer Let the Darkness In. Bassist and vocalist Ross Dolan and his henchmen were on fire throughout their entire show, just like when they opened for Cannibal Corpse in the city last November, which obviously inspired the fans to ignite some wicked mosh pits that took the whole floor section at times. The most peculiar moments of their concert were, first, when fans started chanting “Fuck Trudeau!”, but Ross didn’t fall for that and said that was not the place for politics, that we should all leave that shit outside and enjoy their music; and then when Dan Lilker from Nuclear Assault came out on stage before the song Under the Supreme. Why didn’t he stay for the entire song no one knows, and I also think Nuclear Assault could have been part of the night (even if it was just Toronto), but that’s fine. In the end, it was a memorable Death Metal party by Immolation, and I’m sure we’ll see them back in the city really soon (as mentioned by Ross by the end of their performance).

Setlist
Abandoned
An Act of God
The Age of No Light
Harnessing Ruin
Despondent Souls
Blooded
World Agony
Destructive Currents
Providence
Under the Supreme
Let the Darkness In

Band members
Ross Dolan – vocals, bass
Robert Vigna – guitars
Alex Bouks – guitars
Steve Shalaty – drums

OBITUARY

It was already past 9pm when Florida’s Death Metal titans OBITUARY ignited their flawless, pulverizing performance, even more infernal than when they opened for Amon Amarth in Toronto last December, closing the night on a high note as expected. This time properly promoting their demolishing new album Dying of Everything, playing nothing more, nothing less than SIX songs form the album, those being The Wrong Time, Barely Alive, War, Weaponize the Hate, My Will to Live, and the title-track Dying of Everything already as part of the encore, and you know an album is THAT good when the reaction of everyone at The Phoenix Concert Theatre was simply superb, with endless circle pits, some brutal headbanging and everyone raising their horns to one of the pillars of Death Metal worldwide.

Of course the band spearheaded by the iconic John Tardy also played some insane classic the likes of Redneck Stomp and Slowly We Rot, making it absolutely worth it heading to the venue on a rainy Sunday night. I was also impressed with the overall quality of their stage, with the lighting, the smoke and all other elements looking awesome from start to finish, and if you think of the size of the venue that becomes even more insane. That proves how much Obituary (and the other bands, of course) care about their fans, always delivering an electrifying performance no matter what. There wasn’t a lot of talking from John nor any of the other band members, and I’m fine with that because I want to see them kicking ass with their music, which probably happened because of the tight schedule before hitting the curfew at around 11pm. I’m sure Obituary, just like Immolation, will return to Toronto before we can say “Death Metal” based on their happiness after the concert was over, and I’m sure all fans that attended their concert last night can’t wait for that to happen.

Setlist
Snortin’ Whiskey (Pat Travers Band song)
Redneck Stomp
Sentence Day
A Lesson in Vengeance
Visions in My Head
The Wrong Time
Barely Alive
Slow Death
Find the Arise
Weaponize the Hate
My Will to Live
Chopped in Half
Turned Inside Out

Encore:
War
Dying of Everything
I’m in Pain
Slowly We Rot
Cat Scratch Fever (Ted Nugent song)

Band members
John Tardy – vocals
Kenny Andrews – lead guitars
Trevor Peres – rhythm guitars
Terry Butler – bass
Donald Tardy – drums

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Album Review – Black Hole Deity / Lair Of Xenolich EP (2021)

This new American entity comes ripping with their debut dimension-altering listening experience, overflowing their supernatural and sci-fi-themed Death Metal.

When you put together past and present members of ruthless metal acts like Chaos Inception, Malignancy, Fear Factory, Cruelty Exalted and Calcemia, the result is obviously going to be demolishing to say the least. That’s exactly what vocalist Chris White, guitarists Alec Cordero and Cam Pinkerton, and renowned drummer Mike Heller, collectively known as Birmingham, Alabama-based Death Metal horde Black Hole Deity, have to offer us all in their debut EP entitled Lair Of Xenolich, highly recommended for fans of the likes of Nocturnus, Morbid Angel, Hate Eternal and Deeds of Flesh, just to name a few. Produced and mixed by Mike Heller at Heaven and Heller Studios, re-amped and mastered by Lasse Lammert at LSD Studios, and featuring a blasphemous artwork by Chris Kiesling from Misanthropic Art, Lair Of Xenolich is a dimension-altering listening experience, bringing to our ears supernatural and sci-fi-themed Death Metal, sounding progressive yet dark and brutal throughout its intense 16 minutes of music.

Mike showcases all his brutality and skills behind his drums in the fulminating opening tune Razed Earth Edict, where the band goes straight to the point, with Chris’ demented roars complementing their razor-edged riffs flawlessly. Then in Railgun Combat we’re treated to venomous lyrics barked by Chris (“Incandescent / Blaze through steel corridors / Priming our armaments / To sear their flesh / Break the covenant / Carnage in the church of Nihilanth / Bursts of plasma, claims their souls”) while Alec and Cam continue to kill with their stringed axes in another bestial Death Metal exhibit by the quartet, and featuring guest violinist Ally Storch, Hypersleep Dementia is a melodic and introspective interlude that will penetrate deep inside our psyche before the band comes ripping in Multiverse Incantations, with Mike hammering his drums mercilessly accompanied by the obscure riffage by Alec and Cam, resulting in a headbanging extravaganza with absolutely no shenanigans nor any artificial elements. And lastly, the title-track Lair Of Xenolich will offer your avid ears three minutes of top-of-the-line Death Metal, with Alec’s soulful solos and Mike’s crushing beats adding an extra touch of malignancy to the overall result, therefore putting an amazing ending to the album.

After all is said and done, although we’re talking about just 16 minutes of music, let’s say the dexterity, rage and intensity those four horsemen of Death Metal put into the making of the EP make it sound like a full-bodied album, pointing to an exciting future ahead of them full of wicked, multi-layered releases. Hence, don’t forget to show Black Hole Deity your appreciation by following them on Facebook, and especially by purchasing Lair Of Xenolich from the Everlasting Spew Records’ BandCamp page or webstore (and soon from other retailers like Apple Music and Amazon), keeping the fires of underground Death Metal burning bright and, of course, inspiring us to slam into the pit like true metalmaniacs to the furious sound of their top-of-the-line sci-fi inspired creations.

Best moments of the album: Razed Earth Edict and Lair Of Xenolich.

Worst moments of the album: None.

Released in 2021 Everlasting Spew Records

Track listing
1. Razed Earth Edict 4:22
2. Railgun Combat 3:28
3. Hypersleep Dementia 1:49
4. Multiverse Incantations 4:10
5. Lair Of Xenolich 3:03

Band members
Chris White – vocals
Alec Cordero – lead guitar
Cam Pinkerton – rhythm guitar, bass, backing vocals
Mike Heller – drums

Guest musician
Ally Storch – violin on “Hypersleep Dementia”