Let’s all dive into the incendiary deep waters of Technical and Progressive Death Metal ruled by one of the most talented and innovative names of the South American metal scene.
Ladies and gentlemen, get ready to be absolutely stunned by the music crafted by four extremely talented guys hailing from Santiago, the beautiful capital of Chile, who seem to have mastered the art of blending sheer aggression and tons of progressiveness infused with atmospheric and melancholic passages. I’m talking about a Technical/Progressive Death Metal four-piece unity that goes by the name of Target, who released earlier this year their sophomore full-length opus, the amazing Deep Water Flames, one of the best metal albums of 2019 so far without a shadow of a doubt, and I’m sure you’ll agree with that after listening to such imposing and dense album of extreme music.
Formed in the year of 2002, the band now comprised of lead singer Andrés Piña, guitarist Luis Soto, bassist Rodrigo Castro and drummer Rodrigo Arias put on a lot of hard work, passion for heavy music and talent into the making of Deep Water Flames. Recorded and mixed in Santiago by Erick Martínez at Orange Studio, mastered in Sweden by Jens Bogren at Fascination Street Recording Studios, and featuring dark and flammable artwork, design and graphics by Dehn Sora, from Paris, France, Deep Water Flames sounds and feels like a tribute to all things Progressive and Death Metal, captivating all your senses from its first notes until its climatic grand finale, therefore positioning Target as one of the best and most innovative names of the underground scene in South America.
The intro Immerse is absolutely eerie and atmospheric from the very first second, reaching deep inside your soul and warming up your mind for the bold and crushing Inverted Gloaming, featuring Juan Escobar (Aphonic Threnody, AstorVoltaires, Tetractys, Mar de Grises) on vocals. Sounding utterly wicked and experimental, this excellent tune is led by Rodrigo’s insane beats and fills, while Andrés screams in a deranged and visceral way, resulting in a lecture in contemporary Progressive Death Metal. Then once again offering madness in the form of music, the band brings forth No Solace Arises, where Luis is on fire with his razor-edged strings, or in other words, this is a neck-breaking tune where the band’s “Rodrigos” shake the foundations of the earth with their beats and bass punches, making it feel like we’re listening to three or four songs all at once.
As obscure and atmospheric as its predecessors, Oceangrave is a flawless fusion of intricacy and rage, sounding as if Lamb of god went full progressive, showcasing ominous passages blended with Luis’ evil guitar lines and Rodrigo Castro’s damned, thunderous bass roars; followed by Surge Drift Motion, which begins in full force with both Luis and Rodrigo Castro shredding their strings mercilessly. Put differently, it’s a heavier-than-hell version of classic Progressive Metal spiced up by Andrés’ roars, with the piercing guitar solos by the band’s stringed duo being the icing on the cake. Submerged is a futuristic and melancholic instrumental bridge that will mesmerize you and prepare you for the pulverizing Drowned in an Everlasting Mantra, starting in a purely experimental mode before Rodrigo Arias begins exterminating his drums beautifully. Furthermore, sheer violence emanates from every riff and beat, with the deep, bestial growls by Andrés seeming inspired by Deathcore while the instrumental pieces remind me of the gripping music by bands like Gojira and Opeth.
The following song, entitled Blackwaters, couldn’t have started in a more demented way, with its eccentric notes morphing into another brutal feast of progressive sounds where Rodrigo Castro’s bass lines are more imposing than ever. Hence, it’s highly recommended for either slamming into the pit or simply witnessing the band playing it to perfection on stage; and get ready for over nine minutes of the most devastating and intricate form of Progressive Death Metal you can think of in Random Waves, featuring Jeronimo Ruiz (Entrefuego), who brings insanity to the music with his vocals, remaining completely wicked, vile and cinematic until the very end. And lastly, the band offers us the serene outro Emerge, where its piano notes and background elements will embrace you and make you feel comfortable in darkness.
You should definitely take a very good and detailed listen at this magnificent album of Technical and Progressive Death Metal made in Chile on YouTube and on Spotify, and after being hypnotized by Target’s heavy and complex sounds you can purchase Deep Water Flames directly from the band’s BandCamp page, from the Australis Records’ BandCamp page, from Apple Music, from Amazon or from CD Baby. Furthermore, if I were you I would go for the digipak version of the album as it’s simply fantastic. I got it from Australis Records, and let me tell you those guys did a beautiful job producing the physical CD format of such distinct album. Also, don’t forget to follow Target on Facebook and to subscribe to their YouTube channel, and let your body and mind dive into the incendiary deep waters of progressive and heavy music ruled by those extremely talented Chilean musicians.
Best moments of the album: Inverted Gloaming, Oceangrave and Drowned in an Everlasting Mantra.
Worst moments of the album: None.
Released in 2019 Australis Records
1. Immerse 2:15
2. Inverted Gloaming 6:11
3. No Solace Arises 5:28
4. Oceangrave 5:21
5. Surge Drift Motion 5:42
6. Submerged 2:14
7. Drowned in an Everlasting Mantra 5:24
8. Blackwaters 6:31
9. Random Waves 9:13
10. Emerge 3:59
Andrés Piña – vocals
Luis Soto – guitars
Rodrigo Castro – bass
Rodrigo Arias – drums
Jeronimo Ruiz – vocals on “Random Waves”
Juan Escobar – vocals & instrumental arrangements on “Immerse”, “Inverted Gloaming” and “Emerge”