Terrifying and exhilarating at the same time, the debut opus by this Avantgarde Black and Death Metal entity describes an infinite cycle of creation, transformation and destruction of which we are unaware prisoners.

The brainchild of James Oskarbski, a musician from Poughkeepsie, New York, in the United States, already active in Execrable and 8 Hour Animal, the ruthless Avantgarde Black/Death Metal entity Odious Spirit plays dark, experimental heavy music with hypnotic and minimal guitars, succeeding in the miraculous aim of fusing together Voivod, Immolation and Mick Barr’s Ocrilim in long and trance-inducing songs, exactly like what can be found in the project’s debut effort The Treason of Consciousness. Written, recorded and mixed by James himself, mastered by Alan Douches at West West Side Music, wrapped in a majestic cover painting by Martín Riveros Baxter (with visual design by Francesco Gemelli), and featuring guest musicians Cullen Gallagher on bass and Daniel Torgal on drums, the album is characterized by James’ dense intertwining of guitars, capable of creating cosmic psychedelic vortices that engulf everything and which are often pushed towards heights of paroxysmal violence, terrifying and exhilarating at the same time, while the philosophical themes of the lyrics are refracted in its fractal folds, centered on concepts of space and time, repetition and decadence, thus describing an infinite cycle of creation, transformation and destruction of which we are unaware prisoners.

Like a creature oozing sheer doom and darkness, the trio begins their infernal feast of Black and Death Metal in Long Stretch of Bleeding Light, with James’ cadaverous roars walking hand in hand with the experimental, intricate kitchen by Cullen and Daniel; whereas 11 minutes of wicked experimentations, caustic riffs and venomous beats and fills are offered by such an amazing entity hailing form the United States in The Hissing Pyre, presenting a sick guitar work by James who delivers nonstop scorching riffs that will burn your soul mercilessly. In other words, it can’t get any more intricate and demented than this, flowing into the one hundred percent experimental tune Illuminations, a phantasmagorical creation by Odious Spirit that will drag you to the netherworld before Gnawing the Fabric of Time offers an overdose of cryptic, poetic lyrics gnarled by James (“Placed him there / To fight the strand / Bleeding man / Bleeding man / To fight the strand / Denied”) while the music is a hurricane of unrelenting, visceral Black and Death Metal.  Lastly, we’re treated to over eight minutes of the hammering drums by Daniel and the rumbling bass lines by Cullen in Unbending Follicle, Unending Blight, while James continues to extract darkness and rage from his axe, therefore piercing our damned minds ruthlessly.

James and his untamed beast named Odious Spirit are waiting for you on Instagram with more details about such an interesting project of the underworld, and if you’re brave enough to put your hands on one of the most caustic albums of the current scene (available in full on YouTube and on Spotify), you can grab your copy of it from the I, Voidhanger Records’ BandCamp page, as well as from Metal Odissey in both the United States and Europe in CD format. The violence and heaviness found in The Treason Of Consciousness, plus of course its unique psychedelic and experimental vibe, make it a must-listen for anyone looking for a breathe of fresh air in heavy music, and I can’t wait to see what’s next for Odious Spirit as the years go by and the project continues to explore new lands and sounds exactly like what was done in its debut effort.

Best moments of the album: The Hissing Pyre and Gnawing the Fabric of Time.

Worst moments of the album: None.

Released in 2024 I, Voidhanger Records

Track listing
1. Long Stretch of Bleeding Light 6:46
2. The Hissing Pyre 11:02
3. Illuminations 5:18
4. Gnawing the Fabric of Time 4:02
5. Unbending Follicle, Unending Blight 8:31

Band members
James Oskarbski – vocals, guitars

Guest musicians
Cullen Gallagher – bass
Daniel Torgal – drums