Album Review – Replicant / Infinite Mortality (2024)

A New Jersey-based Technical/Avantgarde Death Metal outfit takes things further still armed with their dissonant and impactful third full-length offering.

After having smashed prevailing standards for the style with their unique approach on their highly lauded 2021 album Malignant Reality, New Brunswick, New Jersey-based Technical/Avantgarde Death Metal outfit Replicant takes things further still with their new full length, entitled Infinite Mortality, finding ways to make their music even more convoluted and impactful while retaining their trademark dissonant and catchy sound. Mixed and mastered by AJ Viana at AJ Viana Productions, and displaying a sensational artwork by Alli Tuttle, the new album by Mike Gonçalves on vocals, bass and guitars, Pete Lloyd on guitars, synths and high-frequency transmissions, and Itay Keren on guitars, vocals and void channels, supported by session drummer James Applegate, is a must-listen for fans of Norse, Resin Tomb, Ulcerate and Terra Builder, among others, setting new standards for others yet again, giving more than what could be expected from Replicant having already established their identity.

Dirty, visceral riffs kick off the six-minute dissonant feast titled Acid Mirror, with James sounding like a stone crusher on drums, therefore offering Mike all he needs to roar like a mad entity in a very technical yet experimental and obscure aria. Their experimentations and eerie noises continue to pierce our minds in Shrine to the Incomprehensible, where the guitars by Mike, Pete and Itay once again bring forward a mechanized, wicked vibe to the music, not to mention the metallic bass by Mike, resulting in a lecture in Dissonant Death Metal; and the band shows no mercy four our damned souls in Orgasm of Bereavement, offering an overdose of heaviness, insanity and complexity where James once again blasts his drums in great fashion supported by the thunderous bass by Mike, albeit a little less detailed than the other songs. After that, Reciprocal Abandonment offers us all an amazing fusion of Technical Death Metal with more modern, avantgarde and groovy sounds, with the band again exploding our senses with their electrifying, demented riffs and Mike’s trademark brutal vocals.

Then ethereal, otherworldly sounds permeate the air in the interlude SCN9A before the band comes crushing our souls one more time with the infuriated tune Pain Enduring, where all band members are on absolute fire, blasting an amalgamation of harsh and intricate sounds tailored for lovers of the genre. Moreover, their guitars match perfectly with the fury delivered by James on drums, resulting in one of the strongest songs of the album; whereas Nekrotunnel presents nuances of the old school Death Metal crafted by Cannibal Corpse, which adds endless savagery and gore to the band’s trademark demented music while also showcasing rumbling, pulverizing sounds flowing from their guitars and bass. Then we face Dwelling on the Threshold, the shortest of all songs (excluding of course the interlude), perfect for banging our heads nonstop like savages while Mike keeps roaring and vociferating rabidly and the music remains as dense and disturbing as possible. Lastly, one final onrush of vile Death Metal, high-frequency sounds, wicked passages and the always massive drums by James is offered to us all in Planet of Skin, a full-bodied, utterly enfolding creation by Replicant, putting a beyond dissonant and vibrant ending to the multi-layered Infinite Mortality.

You can show your support to those amazing musicians by following them on Facebook and on Instagram, by streaming their music on Spotify, and of course by purchasing your favorite version of Infinite Mortality from the band’s own website, from their BandCamp page, or from the Transcending Obscurity Records’ regional webstores by clicking HERE, HERE or HERE, including the wooden CD box, the wooden LP box, the regular LP, the digipak CD, and the full body print cassette, as well as some amazing combos with albums form other bands like Maere and Resin Tomb, and you can also click HERE for all things Replicant. Infinite Mortality is dissonant yet melodic, obscure yet visceral, and old school yet innovative, turning it into a must-have for admirers of the most experimental and unique side of extreme music.

Best moments of the album: Shrine to the Incomprehensible, Pain Enduring and Planet of Skin.

Worst moments of the album: Orgasm of Bereavement.

Released in 2024 Transcending Obscurity Records

Track listing
1. Acid Mirror 6:37
2. Shrine to the Incomprehensible 5:58
3. Orgasm of Bereavement 3:31
4. Reciprocal Abandonment 6:03
5. SCN9A 1:00
6. Pain Enduring 4:50
7. Nekrotunnel 4:07
8. Dwelling on the Threshold 2:48
9. Planet of Skin 9:10

Band members
Mike Gonçalves – vocals, bass, guitars
Pete Lloyd – guitars, synths, high-frequency transmissions
Itay Keren – guitars, vocals, void channels

Guest musician
James Applegate – drums (session)

Concert Review – Cannibal Corpse & Mayhem (Rebel, Toronto, ON, 09/27/2023)

An unforgettable night of mayhem, blood and chaos for all metalheads in Toronto, courtesy of two of the most important names in the history of extreme music.

***Review by Kevin Ibbitson, with photos by Keith Ibbitson of Lower Eastside Photography***

OPENING ACTS: Blood Incantation and Gorguts

The line up of CANNIBAL CORPSE, MAYHEM (the one true), GORGUTS and BLOOD INCANTATION steamrolled through Rebel on Wednesday evening on their North American Tour 2023, wreaking havok in their wake and leaving many fans satiated by the experience. The crowd got their money’s worth. It was my First time seeing these bands and honestly it was one of the best shows I’ve been to this year. Thanks Gus! The crowd was enthusiastic and bustling with energy. The pit was nuts the whole show and there was constant crowd surfing.

I’ve gotta say that the staff and security were friendly and welcoming (especially the guy in the box office who helped out with my review ticket situation). The line to get in wasn’t too crazy unlike the Parking lots. Traffic is always a bitch in this city but my brother and I avoided Lakeshore and took the back way down Lesley St. to Unwin Ave., then up Cherry St. to Polson St.. Easy as pie. Once in the venue I met some of the other media in attendance (Pedro From A&P Reacts, Jason and Kim from The Metal Pit). Such awesome people, it was great meeting them all. After grabbing a cold one I went and got settled in a decent spot foregoing my usual habit of hitting the merch stand early as the lines were crazy long.

The Lights went low and first up Was Denver Colorado’s own BLOOD INCANTATION with a short but fantastic three song set of their spacy/psychedelic brand of death metal. The pit instantly went into action as soon as the music started and soon after the crowd surfing began creating a fun atmosphere that was contagious. I wish they played a little bit longer but they gained a new fan out of me in the process. After their set I noticed the lines for merch were significantly shorter so I decided to queue up. How could I not cop a shirt or two?

Setlist
Inner Paths (to Outer Space)
Awakening From the Dream of Existence to the Multidimensional Nature of Our Reality (Mirror of the Soul)
Obliquity of the Ecliptic

Band members
Paul Riedl – vocals, guitars
Morris Kolontyrsky – guitars
Jeff Barrett – bass
Isaac Faulk – drums

While Standing in line, Sherbrooke Quebec’s resident Tech Death lords GORGUTS layed down a phenomenal set, whipping the crowd into a frenzy but alas, I was stuck in line but fret not, I was still able to enjoy the band from afar as the speaker set-up at Rebel is pretty decent as well as having TV monitors at every bar so I was still able to gauge their performance and the crowd’s reaction. Got an awesome shirt out of it and was glad they were still accepting cash because after all I’m still a f**king caveman apparently. Gorguts rules!

Setlist
Rottenatomy
Disincarnated
Bodily Corrupted
Orphans of Sickness
Obscura

Band members
Luc Lemay – vocals, guitars
Kevin Hufnagel – guitars
Colin Marston – bass
Patrice Hamelin – drums

MAYHEM

I met up with my brother Keith (photographer @lowereastsidephotography) out on the patio during the intermission. The moon was almost full, the air was cool and calm, setting up the vibe for the next band. A band that many in the crowd came to see, one of the original pioneers of the Norwegian black metal scene, the one true MAYHEM. The crowd packed it in even tighter, I couldn’t get anywhere near the pit so I had to hang back and enjoy it from a distance. Mayhem proceeded to absolutely kill it and the fans were just eating it up. The crowd surfing was absolutely nuts, even Mayhem’s bassist Necrobutcher pointed to a crowd surfer with a liberty spiked mohawk as he was jettisoned towards the stage. The band feeding off of the crowd’s energy as the crowd was feeding off theirs. After the first three songs, Keith met up with me to show me his selfie he got with George “Corpsegrinder” Fisher at the side of the stage (lucky f**ker). We decided to check out more merch while Mayhem was destroying it on stage and to our surprise Luc Lemay (guitarist and lead vocalist) of Gorguts was running his own merch stand. We were greeted with a handshake and a thank you from Luc for coming to the show which was nice. Luc was one of the most friendly and down to earth people I have ever had the pleasure of meeting. So nice in fact that when the internet went down he accepted whatever cash we had on hand (we had half of what they were worth) for a signed limited edition picture disc of the album ” The Erosion Of Sanity” and a shirt. He totally didn’t have to do that at all and we appreciated the hell out of that. Such an awesome dude. Mayhem finishes their extra long set, everyone was ecstatic at this point, having an incredible night.

Setlist
Worthless Abominations Destroyed
Crystalized Pain in Deconstruction
Malum
My Death
Voces Ab Alta
Freezing Moon
Life Eternal
De Mysteriis Dom Sathanas
Silvester Anfang
Deathcrush
Carnage
Pure Fucking Armageddon

Band members
Attila Csihar – vocals
Teloch – guitars
Ghul – guitars
Necrobutcher – bass
Hellhammer – drums

CANNIBAL CORPSE

Finally it was time for a band that I have always wanted to see but never had the time or money but as luck would have it an opportunity arose thanks to Gustavo Scuderi of The Headbanging Moose for hooking me up with a review ticket, taking his place as he is out west having a great time seeing his lifelong favorite band Iron Maiden. Currently promoting their amazing new album Chaos Horrific, American death metal institution CANNIBAL CORPSE is a band that is best heard live. Did I say heard? I meant felt. Cannibal Corpse is a band that is felt not heard. George “Corpsegrinder” Fisher’s gutturals are as concussive as a mac truck doing dentistry. At times I was at the back of the venue and the vocals were like a kick in the gut. What can I say other than Cannibal Corpse absolutely f**king rules!!! And I loved every second of it. The pit was absolutely insane and, in fact, the crowd was one of the best I’ve ever been in. Such an amazing atmosphere to be a part of. George’s crowd control and banter is always legendary and he is certainly one of the best frontmen in metal. I love watching the security guards reactions during George’s intro to “I Cum Blood”. I don’t have to tell you that everyone fails his headbanging challenge, I mean how can you even compete with that neck? You must “RESPECT THE NECK”. Props to the soundboard technicians. Great sound all night and I didn’t even have to use my ear protection. I left the show completely satisfied and I can’t wait to see them and any one of the other bands the next time they come to town. They all left me wanting more. Great show 10/10!

Setlist
Scourge of Iron
Blood Blind
Disfigured
Evisceration Plague
Inhumane Harvest
Death Walking Terror
Chaos Horrific
I Cum Blood
Summoned for Sacrifice
Pounded Into Dust
Disposal of the Body
Pit of Zombies
Stripped, Raped and Strangled
Hammer Smashed Face

Band members
George “Corpsegrinder” Fisher – vocals
Rob Barrett – lead and rhythm guitar
Erik Rutan – lead guitar
Alex Webster – bass guitar
Paul Mazurkiewicz – drums

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