Album Review – Diabolizer / Murderous Revelations (2025)

The torchbearers of diabolical abomination unite once again armed with their sophomore opus, dragging us down into the fiery abysses of Turkish Death Metal without warning.

Having remained a consistent force in the underground, Kadıköy, Turkey’s own malevolent Death Metal beast Diabolizer is back from the pits of the netherworld with their sophomore offering, the ruthless Murderous Revelations, following up on their venomous debut EP Apokalypse and their critically acclaimed, demolishing first full-length album Khalkedonian Death. Recorded at Mezar Sound Studios (vocals and drums) and by the band members on their own (guitars and bass), mixed and mastered by Emre Bingöl, and displaying a sulfurous, incendiary artwork by Dechristianize Art, the new album by vocalist Abomination, guitarists Can and Mustafa, bassist Malik, and drummer Aberrant brings to our avid ears savage riffing and blasting drums with gargantuan vocals, dragging us down into its fiery abysses without warning.

Just like in their previous album it’s pedal to the metal already from the very first second in Into the Depths of Diseased Minds, a lecture in Death Metal spearheaded by the demonic guttural by Abomination; and Aberrant destroys his enemies like a bulldozer in Hogtied in Razorwire, offering us all exactly what we need to bang our heads like true servants of chaos and hatred. Purulent Divinity in Black Flames carries one of the darkest song names ever crafted by Diabolizer, and the music exhales all that darkness thanks to the Stygian, visceral riffs by Can and Mustafa, supported by the thunderous bass by Malik, followed by Seeds of the Dethroned, the epitome of Turkish Death Metal at its finest, with the band blasting our faces with their demented riffs and solos, nonstop beats and fills, and the always venomous roars by Aberration.

Then investing in an absurdly heavy, neck-breaking sonority, the band will pulverize our cranial skulls in Set the World Ablaze (Infernal Dawn), one of those Death Metal songs that transpire brutality, violence and obscurity, whereas Bloodsteam Bonegrinder beautifully summarizes their core essence, with the inhumane growls by Aberration walking hand in hand with the apocalyptic, lethal riffage by Can and Mustafa until the very end. As mentioned already, those Turkish savages definitely know how to properly name their songs, with Deathmarch of the Murderous Tyrant showcasing an overdose of infuriated beats and fills by Aberrant that sound like the soundtrack to Armageddon. And finally, there’s no hope in sight as their last breath of vile and grim Death Metal comes in the form of Into the Jaws of Cerberus, with Can and Mustafa once again delivering crisp, striking riffs and solos in the name of extreme music.

From the frantic aggression of the instruments to the savagery displayed in the vocals, everything about Murderous Revelations feels like a strong continuation from their supreme debut album in 2021, which already saw them establish a loyal following. Hence, don’t forget to follow those unrelenting, talented Turkish servants of death on Facebook and on Instagram, to stream their devastating music on Spotify, and above all that, to purchase their demented new album from their own BandCamp, from the Dark Descent Records’ BandCamp, or from the Me Saco Un Ojo Records’ BandCamp, keeping the fires of old school, no shenanigans Death Metal burning like the pits of hell. The return of Diabolizer is an essential moment in the Death Metal calendar for 2025, and you better not miss it or you’ll have to face their fury and suffer in the hands of one of the best bands in the current extreme music scene worldwide.

Best moments of the album: Into the Depths of Diseased Minds, Seeds of the Dethroned, Bloodsteam Bonegrinder and Deathmarch of the Murderous Tyrant.

Worst moments of the album: None.

Released in 2025 Dark Descent Records/Me Saco Un Ojo Records

Track listing
1. Into the Depths of Diseased Minds 4:51
2. Hogtied in Razorwire 5:15
3. Purulent Divinity in Black Flames 5:41
4. Seeds of the Dethroned 4:25
5. Set the World Ablaze (Infernal Dawn) 5:21
6. Bloodsteam Bonegrinder 4:06
7. Deathmarch of the Murderous Tyrant 4:15
8. Into the Jaws of Cerberus 5:03

Band members
Abomination – vocals
Can – guitars
Mustafa – guitars
Malik – bass
Aberrant – drums

Metal Chick of the Month – Esthibaliz Rojas

esthibaliz01

Oh mother night put thy arms around me…

Fans of Symphonic Metal with operatic vocals, rejoice! Let me introduce you to one of the most promising and accomplished female singers in the entire Latin America, a woman who, despite being really young at age, has already built a respectful career and a more than solid background in music, which obviously translates into pure delight when she hits the stage and treats us with her potent and delicate vocals. Her real full name is Rebeca Estibaliz Ramos Rojas, but you might already know her by Esthibaliz RojasEstibaliz Ramos or even by her artistic nickname Esthibaliz Bathory, a stylish wordplay with her own name and the name of Countess Elizabeth Bathory. Well, let’s say that this vampirical moniker totally suits our charming and metallic diva, and I’ll show you why.

Born on October 4, 1983 in Mexico City, capital of the always fun country of Mexico, and raised in a small family by her mother, grandmother and older brother, our talented Mexican lyric-coloratura soprano (who’s also an actress, composer and teacher) has nurtured a profound passion for performing arts since she was a little girl, taking part in school choirs and “estudiantinas” (or student music groups), studying classical dance and watching musical plays with great interest, especially the ones from English composer Andrew Lloyd Webber. At the age of 15 she was advised by her friends and family that she should take singing lessons and pursue a professional career in music, and that’s exactly what she did by studying for two years at the Escuela Superior de Composición y Arreglo Musical (ESCAM), and by getting a bachelor’s degree in singing at the Escuela Superior de Música (CNA). In addition, Esthibaliz has also taken private singing classes with Mexican soprano Guadalupe Pérez Arias and with Mexican-Italian mezzo-soprano Eugenia Sutti. During her studies, she already started her career in music by joining the Sociedad Coral Cantus Hominum, a symphonic choir led by Mexican tenor Leonardo Villeda.

However, if there’s one type of music that truly touches her heart, it’s our beloved Heavy Metal, especially its subgenres Symphonic and Progressive Metal as they represent the perfect fusion of opera and metal music, with bands such as Rhapsody (or Rhapsody of Fire), Dream Theater and Nightwish becoming an important part of her life and the biggest inspiration for her career. It was then in 2006 when she replied to an ad requesting a female singer for a Gothic Rock band that she met guitarist Christian García, who invited her to join Mexican Gothic Metal band Erszebeth, leading to the recording of the album La Condesa Inmortal (or “The Immortal Countess”, in English) in 2007, and the album Equilibrio in 2013. By the way, all lyrics and vocal melodies found in Equilibrio were written by Esthibaliz. If you want to take a listen at the music by Erszebeth, simply go to YouTube where you’ll find excellent songs such as Equilibrio.

In 2008, Esthibaliz started a relationship with singer and composer Mario del Rio, founder and leader of the bands Oblivion Requiem and Rip Rapunzel, consequently becoming the female singer for Rip Rapunzel and releasing in 2010 their first album entitled Broken Tales. For instance, you can listen to her beautiful voice with Rip Rapunzel in the song Corazon de Plomo, and with Oblivion Requiem she recorded the song Time to Say Goodbye, for the 2008 album Sampler Carpe Noctem Vol. 1. As a matter of fact, there are so many other bands, projects and live performances where we can admire the gentle vocals by Esthibaliz it’s hard to name all of them without forgetting a few, but I’ll try my best. Our Mexican diva has already lent her voice to the eccentric project Dueto Amaterasu, as you can see in the song Terra (Wanderer of Time), from Final Fantasy VI; doing vocals and choirs in a Mexican project focused on cover songs named Los Abortos De Tu Jefa; singing the song In Dreams live in 2008 with Mexican Heavy Metal band Exsecror Vecordia, and recording the studio song Soledad, from the 2009 album Escapulario by Mexican Gothic Rock band Vía Dolorosa; as well as participating in the personal project by Oswaldo de León, guitarist for Mexican group La Castañeda.

This slideshow requires JavaScript.

Perhaps the most promising project/band in heavy music featuring Esthibaliz nowadays is Mexican/Argentine Symphonic Metal band Melphomene, and this one deserves a more detailed explanation so distinct it is. In Greek mythology, Melpomene (without the “h”) is one of the two theater Muses, initially being the Muse of singing and musical harmony but later being recognized as the Muse of Tragedy. A myth says that Melpomene had all the riches that a woman could have, such as beauty, money and men, but even having it all she could not be happy, leading to the true drama of life. This is the perfect depiction of the music played by Melphomene, which can be testified in songs such as Mother Night and Maiden & Death, and many others in their official YouTube channel.

Apart from all those metal and non-metal bands, our Mexican beauty has also taken part in several plays and musicals, only showcasing how limitless her talent and passion for music and arts are. In 2010, she played a role in “Alicia Más Allá Del Espejo” by Adrian Gallardo, and adaptation of the 1865 novel Alice’s Adventures In Wonderland by Lewis Carroll; and in 2012, Philip von Reutter, director and founder of  “Canto en Movimiento”, invites her to be part of their cast for a series of presentations in Florence, Italy, becoming part of their coaching team (one of her favorite duties, by the way) in 2013 and getting ready to perform the plays “Verdi Ritrovato” and “Future Sound” in London, England that same year.

And in case you thought she would simply settle down after all that, you might be surprised with everything else she’s also engaged in. In 2011, Esthibaliz becomes interested in the Speech Level Singing technique, learning its vocal technique, style, scenic expression and contemporary interpretation at the International Vocal Training school founded by Seth Riggs and Michael Jackson. In addition to that, she also joined the Centro Cultural Virginia Fábregas to begin a career in Musical Comedy, taking theatrical dancing, Jazz, tap, ballet, acting, vocal and speech classes. Well, it looks like there isn’t a limit for our tenacious “mamacita” when it comes to expanding her boundaries in music and arts.

Lastly, if you know Spanish or if you’re studying it and already have a relatively good understanding of the language, there is a 20-minute interview Esthibaliz gave to a program called CINECAFÉ & + in 2015 where she talks about her personal life and career in a nice and relaxed way. Although I could have translated everything she’s talking about and made your lives a little easier, I won’t do that because I consider this a great motivation for you all to learn one of the top languages in the world. I guess watching the gorgeous Esthibaliz talking about heavy music and arts in her mother tongue for 20 minutes beats any grammar book hands down, no matter how good the book might be, don’t you agree? And as today, November 2, is the popular Mexican holiday named “Día de los Muertos” (or “Day of the Dead” in English), why not enjoying Esthibaliz providing her own medley for Rosemary’s Baby, The Exorcist and The Omen themes as part of the celebrations? Or maybe you prefer watching our screaming diva unleashing hell in her cover version for the unparalleled classic Nemesis, by Arch Enemy, or even Chop Suey, by System Of A Down? There’s a lot more to relish at her official YouTube channel, in case you’re interested in seeing more of our Mexican babe in action. I’m sure you’ll have a very good time enjoying Esthibaliz and her unique voice, no doubt about that.

Esthibaliz Rojas’ Official Facebook page
Esthibaliz Rojas’ Official YouTube channel
Esthibaliz Rojas’ Official Twitter
Esthibaliz Rojas’ Official Instagram
Erszebeth’s Official Facebook page
Melphomene’s Official Facebook page