Album Review – Lifetaker / Herbsthunde EP (2025)

These German Grindcore and Sludge Metal marauders are back with a caustic new EP, a concentrated, precisely articulated sonic language in which madness and surrender blur into one another.

After crushing the souls of the infields with their 2022 sophomore album Der letzte Raum, Dortmund, Germany-based Grindcore/Hardcore/Sludge Metal marauders (and proud supporters of the antifascist movement) Lifetaker are back in action with a short but extremely aggressive and caustic EP, titled Herbsthunde, which translates from German as “autumn dogs”, or whatever the band means with that, always navigating somewhere between noise, punk, and destructive sonic expression. Presenting themselves as a trio for the first time, formed of KonstanJn Schepes on vocals, Alexander Kämper on the guitars and synths, and Gerrit Vocke on bass, vocals and machines, the band delivers in their new EP a concentrated, precisely articulated sonic language in which madness and surrender blur into one another, continuing to dismantle the boundaries of extreme music since their inception back in 2018.

Totsignal (“dead signal”) is absolutely harsh and experimental from the very first second, with the visceral sounds and demented growls blasted by the trio sending shivers down our spines; and Gerrit turns their music into the sounds of heavy machinery in Schattenkabinett (“shadow cabinet”), while KonstanJn  keeps vociferating rabidly for our total delight. Then leaning towards the music crafted by Nine Inch Nails and Marilyn Manson, it’s time for Alpha Centurio, sounding more like Industrial or Experimental Metal than their early Grindcore, followed by Maschinensturm (“machine storm”), and the name of the song says it all, a dissonant, experimental and caustic display of the band’s new sound led by the wicked synths by Alexander and the evil machines by Gerrit. Lastly, we have Herbsthunde der Karpaten (“autumn dogs of the Carpathians”), another song with a very poetic name showcasing a menacing atmosphere that goes on until the very end.

Guitar walls, analog interference patterns, and synthetically distorted cries form an intense acoustic field in Herbsthunde (available in full on YouTube and on Spotify), devoid of comfort, but marked by uncompromising clarity. All that creativity and courage to explore new lands while staying true to their roots is what makes the music by Lifetaker so compelling, and in order to join them in such a unique sonic experience you can find those guys on Facebook and on Instagram, and of course put your dirty hands on their even dirtier new offering by grabbing a copy of it from their own BandCamp. Because Lifetaker are more than ready to take your life armed with the undisputed noises found in Herbsthunde, and you better be prepared as those guys most definitely won’t take no for an answer.

Best moments of the album: Schattenkabinett and Alpha Centurio.

Worst moments of the album: None.

Released in 2025 Ván Records/Summer Darling Tapes

Track listing
1. Totsignal 4:08
2. Schattenkabinett 3:01
3. Alpha Centurio 3:26
4. Maschinensturm 3:52
5. Herbsthunde der Karpaten 4:57

Band members
KonstanJn Schepes – vocals
Alexander Kämper – guitar, synths
Gerrit Vocke – bass, vocals, machines