Just hit play and enjoy a feast of heavy, catchy and groovy compositions, brought forth by four promising British musicians who are constantly challenging themselves and pushing the boundaries of progressive music.
If you have never visited Kingston upon Hull, usually abbreviated to Hull, a city and unitary authority in the East Riding of Yorkshire, England, you’re missing all the vitality and distinctiveness of the city’s culture and heritage. For instance, you can go check their Humber Mouth literature festival, the annual Hull Jazz Festival, as well as several other exhibitions, theaters and concerts. Such cultural richness could only translate into amazing heavy music, which is exactly the case with Alternative Rock/Metal band Age of Atlas, who are releasing their first full-length album entitled Of Tongue and Tide. Of Flame and Honey., following on from their debut EP The Scale of Things to Come, from 2014.
With Peter Measures on vocals, Mikey Scott on drums and the two nearly identical twins Keelan and Kye Beavers on guitar and bass, respectively (which is probably the main reason why they are in perfect synchronicity at all times), this very technical Hull-based group formed in the year of 2012 is highly recommended for fans of the progressive heavy music played by Coheed and Cambria and Tides of Man, among many other distinct bands. Self-recorded at Mikey’s own studio Fruit Trade Music and featuring a beautiful artwork by James Fenwick Illustration, Of Tongue and Tide. Of Flame and Honey. epitomizes everything Age of Atlas are today in a feast of gripping riffs, stunning breaks and poetic vocal lines, obviously pointing to an absolutely bright future that lies ahead for this talented quartet.
The progressive and sharp opening track Sleight Of Hand Of Glory already offers the listener a taste of what Age of Atlas are capable of, with its alternative and psychedelic intro being boosted by the metallic bass lines by Kye before lead singer Peter Measures starts firing his modern poetry (“The thunder in your tongue finger lisps the blood from the thumb / Your hunter handed stitching yearns and breaks and comes undone”), not to mention the elements of Blues and Jazz added to the musicality which end up expanding its range even more. And that’s only the beginning, as the punchy riffs by Keelan and the roaring drums by Mikey steal the show in Natural Sciences, a hybrid of Dream Theater and Gojira with a Hard Rock twist. Despite being considerably heavy for many average radio listeners, I’m more than sure this electrifying tune could still be played at any rock n’ roll radio station in the world and become an instant hit. While that doesn’t happen, you can keep enjoying the intricacy provided by Kye on bass and the spot-on guitar solos by Keelan in For The Feast That Follows, some sort of “controlled craziness” that works really well from start ot finish, bringing pure awesomeness to our ears.
Presenting a modernized ambience, Father Of The Fear Of Falling is a soulful and technical composition where the complexity provide by Mikey on drums flawlessly supports the alternating moments of melodious softness and headbanging riffs found throughout the entire music; while Echoes Of Empire, presenting even more tempo changes and a passionate performance by Peter on vocals, is another sonic experiment for fans of Progressive Metal, with its backing vocals adding an extra touch of liveliness to the song. In The Brackening, highly influenced by Groove Metal but still having Progressive Rock as its core element, pay good attention to the “battle” between brothers Keelan and Kye with their unstoppable stringed weapons while Peter continues to blast his fiery vocal lines. An in Dead Eyed Sigils Of Our Failures Against Distance the band presents a more mainstream approach through smooth and progressive Hard Rock lines. This can be considered the most generic (or least innovative) of all tracks, albeit being well-crafted and offering a solid performance by Peter supported by the song’s background keyboards.
Background electronic effects, rumbling bass lines and a headbanging rhythm make listening to the excellent Ambering a very positive experience, displaying even hints of pop music in certain moments. Furthermore, the last piece of the song is one of those progressive journeys loved by fans of the genre, which should sound incredible if played live. Then we have Needer, sounding heavier and sharper at first, but getting back to the band’s harmonious experimentations. Needless to say how bass and drums get inside your head and shake your brain in a good way, another remarkable characteristic of the music by Age of Atlas. And the icing on the cake comes in the form of an almost 7-minute aria of progressiveness named Gyromancer: it doesn’t matter if you prefer heavier and crazier sounds or a more serene complexity, the band brings forward all variations of Progressive Metal and Rock in this powerful tune, and the final result will certainly electrify the rest of your day.
As any other creative progressive band, Age of Atlas do not settle down at all and are already working on writing and refining new material for a follow up second album. While we wait for the next chapter in their promising career, let’s visit their Facebook page, YouTube channel and SoundCloud to know more about the band and to enjoy more of their music. And as an early Christmas gift (and to show how nice the citizens of Hull are), Of Tongue and Tide. Of Flame and Honey. is available as a free download for fans who sign up to the band’s mailing list (which you can do by clicking HERE). “We’ll always try and push ourselves in new ways and writing new material, working on new songs, is the most enjoyable way of challenging ourselves.” says vocalist Peter, and we must all agree that as long as they keep challenging themselves and releasing albums like Of Tongue and Tide. Of Flame and Honey., the future of progressive and groovy music looks more than good not only for Kingston upon Hull, but for the entire world.
Best moments of the album: Sleight Of Hand Of Glory, Natural Sciences and The Brackening.
Worst moments of the album: Dead Eyed Sigils Of Our Failures Against Distance.
Released in 2016 Independent
1. Sleight Of Hand Of Glory 4:26
2. Natural Sciences 3:06
3. For The Feast That Follows 3:49
4. Father Of The Fear Of Falling 3:43
5. Echoes Of Empire 4:08
6. The Brackening 5:28
7. Dead Eyed Sigils Of Our Failures Against Distance 4:37
8. Ambering 3:25
9. Needer 3:57
10. Gyromancer 6:52
Peter Measures – vocals
Keelan Beavers – guitar
Kye Beavers – bass
Mikey Scott – drums