Album Review – Majesty Of Revival / Pinnacle (2022)

One of Ukraine’s most prominent bands returns with their fifth full-length opus, continuing with their sonic experimentations while still loyal to their metal roots.

Following up on the successful releases of their 2016 album Dualism and their 2019 album Timeless, Uzhhorod, Ukraine-based Symphonic Power Metal explorers Majesty Of Revival are back in action with their fifth full-length installment, entitled Pinnacle, continuing with their eccentric experimentations while at the same time remaining loyal to their metal roots. Recorded, engineered, mixed and mastered by the band’s mastermind Dimitriy Pavlovskiy at Beast Sound Studios and displaying a stylish artwork by Ursula Tabaka, Pinnacle is about the experience of our thoughts, about casual situations that happen around us or with ourselves, problems that surround us daily like domestic violence, blind idolizing, struggles in front of big challenges, leadership, money issues and so on, consisting of 13 cross-genre and progressive compositions filled with subjective visual descriptions and tactile audio figures carefully brought into being by the aforementioned Dimitriy Pavlovskiy on vocals and guitars, Myroslav Danko also on the guitars, Vitalii Popfalushi on bass, Maestone on keyboards and Marvin on drums. In other words, you’re in for a ride with those Ukrainian metallers who will take you on a journey through the vast lands of progressiveness in the name of good music with their newborn opus.

Dimitriy and Myroslav begin their DragonForce-inspired riff attack in the opening tune Open, blending Progressive and Symphonic Metal to the pounding beats by Marvin, while You Have A Message (Welcome to GULAG) reminds me of some of the best creations by Mastodon with their own Ukrainian touch, presenting an amazing job done by Vitalii on bass by generating a venomous paradox with the stylish keys by Maestone. In Rebellion we have powerful lyrics declaimed by Dimitriy (“Fear has been born among us / Tied our hands with hardest chains / Cowardice grows like mushrooms under autumn rain / Left no word unspoken / Though desecration will touch all of you said / Let this silence to be banned / Let this silence be broken”) amidst a melodic, Hard Rock-ish sonority, followed by Mindcrime, featuring vocalist David Readman of Pink Cream 69, bringing forward another round of the band’s whimsical sounds with Maestone kicking some ass on keyboards supported by the Stratovarius-inspired beats by Marvin. Then featuring vocalist Kärtsy Hatakka (Waltari), trumpetist Volodymyr Shchobak and guitarist Vasil Dovganych, the band offers us all Fool, an imposing tune also presenting elements from rap music in its vocals, and Deliverance, featuring violinist Veronika Shestakova, where the band keeps embellishing the airwaves with their Progressive and Symphonic Power Metal.

In At All Costs a change in pace fills our ears with Dimitriy’s melancholic vocals embraced by a serene musicality led by Maestone’s keys and piano, resulting in a stunning ballad by those Ukrainian metallers, and it’s then time to hit the dance floor to the sound of the groovy Bury Me Part II: Dig Me Up, where Vitalii is once again on fire with his metallic bass punches. The band shows no sign of slowing down in Citylights; quite the contrary, they keep firing their Melodic Power Metal riffs, solos and keys for our total delight, which is also the case in the hard-hitting extravaganza Stone, with Dimitriy also delivering his demonic side through his deep, enraged roars. Things Are Not What They Seem, featuring guest vocals by Anzhelika Zyzych, brings forward more of their whimsical lyrics (“Sweet misguidance crucified us / Funeral bells won’t stop your yearning / Now its time for tables turning / Demolition in progress / But nothing will force you to confess / Desolation, commotion / Curtain call your emotions”) supported by a huge dosage of Progressive Rock and Metal, whereas their second to last explosion of melodious sounds, progressiveness and insanity comes in the form of Guardians, with Vitalii, Maestone and Marvin generating a stunning wall of sounds in the background. Lastly, the acoustic guitars by Dimitriy and Myroslav will soothe your soul in Overcome?, putting a melancholic, delicate ending to such multi-layered and detailed album, and if you go for the BandCamp edition you’ll also receive two bonus tracks, one being the instrumental version for Stone while the other, named Вартові, is “Guardians” but with Ukrainian lyrics.

Dimitriy and the boys are waiting to hear from you on Facebook and on Instagram, where you can find news about the band, their tour dates and so on, and don’t forget to also subscribe to their YouTube channel for more of their intricate and melodic creations. The excellent Pinnacle, which is available in full on YouTube and on Spotify, and on sale from the band’s own BandCamp page (or simply click HERE for all locations where you ca buy or stream the album, including a very interesting USB wooden flash drive version), will not only please all longtime fans of the band, but it will also attract the attention of newcomers to the world of Majesty Of Revival, proving once again this Ukrainian outfit is undoubtedly going places thanks to their undeniable creativity and feeling. If the album will become the pinnacle of their career no one knows for sure, but we must admit it’s becoming more and more difficult for them to top their own creations with each album released.

Best moments of the album: You Have A Message (Welcome to GULAG), Mindcrime, Stone and Guardians.

Worst moments of the album: Fool.

Released in 2022 Massive Sound Recordings

Track listing
1. Open 4:04
2. You Have A Message (Welcome to GULAG) 4:38
3. Rebellion 3:46
4. Mindcrime 5:01
5. Fool 4:37
6. Deliverance 4:17
7. At All Costs 3:11
8. Bury Me Part II: Dig Me Up 3:24
9. Citylights 4:02
10. Stone 6:12
11. Things Are Not What They Seem 4:17
12. Guardians 4:54
13. Overcome? 3:35

BandCamp bonus tracks
14.Stone (Instrumental version) 6:12
15.Вартові 4:54

Band members
Dimitriy Pavlovskiy – vocals, guitars, choirs
Myroslav Danko – guitars, vocals, choirs
Vitalii Popfalushi – bass, vocals, choirs
Maestone – keyboards, backing vocals, choirs
Marvin – drums

Guest musicians
Kärtsy Hatakka – vocals on “Fool”
Vasil Dovganych – guitars on “Fool”
Volodymyr Shchobak – trumpet on “Fool”
David Readman – vocals on “Mindcrime”
Veronika Shestakova – violin on “Deliverance”
Anzhelika Zyzych – female voice on “Things Are Not What They Seem”, choirs
Rostik Groshick, Andy Brok & Yriy – choirs

Album Review – Unwanted Guest / Grave Metallum (2022)

Influenced by the rock and metal bands he grew up with in the 80’s and 90’s, a British vocalist and multi-instrumentalist invites us all to listen to his first solo album.

Influenced by the rock and metal bands he grew up with in the 80’s and 90’s, coupled with his unique melodic writing style, England-based NWOBHM band Seventh Son guitarist Dave Fox takes on his solo project under the name Unwanted Guest, a dream come true for Dave himself that was only possible due to the timeout taken by Seventh Son during the Covid-19 pandemic (like what happened with most bands). After the release of the project’s 2021 four-track self-titled debut EP (with all proceeds going to UK’s biggest mental health charity Mind), Dave and his Unwanted Guest are back this year with a full-length opus titled Grave Metallum, offering us all 12 amazing tracks of retro-modernist metal music all written, sung, played and produced by Dave himself, and I’m sure you’ll have a very good time enjoying the full album it doesn’t matter if you’re familiar with Dave’s work with Seventh Son or not.

As you hit play the Hard Rock riffs by Dave will kick off the opening tune Autopsy, a solid tune where his Myles Kennedy-like vocals add an extra dosage of electricity to the overall result, and keeping the energy level high it’s time for Dave to slash his guitar in great fashion in Birth Machine Baby, showcasing not only a pleasant pace but also a catchy and exciting chorus (“One hundred years from now none of us will be around / We’re singing ‘welcome to the nation’ / Birth machine baby coming at you maybe / Save all your dying for me”). The song that carries the name of the project, Unwanted Guest, reminds me a lot of some of the best creations by Velvet Revolver and Stone Temple Pilots spiced up by its 70’s-inspired background keys, whereas the title-track Grave Metallum is a song in honor of all of our deceased rock and metal heroes with Dave being on fire with both his riffs and beats while at the same time he explains why rock is hanging by a thread (but will never actually die). Future Not Fear presents another round of his fusion of Progressive Rock and Metal with more straightforward Rock N’ Roll sounds, with Dave once again hypnotizing us all with his Deep Purple-inspired keys, and there’s no sign of slowing down as he keeps fueling our inner rockin’ fire with Blood on the Saw, bringing forward heavy, dirty riffs combined with more of his classic vocals.

Our lone wolf keeps embellishing the airwaves with his piercing riffs and solos in the Rock N’ Roll party Load Shift, also drinking from his beloved 90’s rock and metal fountain, resulting in an awesome option to add to your road trip playlist. Waterfall not only has a chorus that is as catchy as it can be (“Down the waterfall / One last breath to call / Down the waterfall / Into the darkness”), but it could also be played at any radio station anywhere in the world with Dave doing an amazing job armed with his guitar and bass, whereas Only One Chance sounds a bit generic compared to the rest of the album, albeit Dave still showcases his trademark riffs and melodic vocals during the whole song, of course. Back to a more metallic, thrilling mode it’s time for Takin’ All the Money, where it’s impressive how he is capable of sounding like the dynamic duo Scott Weiland and Slash all by himself in a thrilling hybrid of classic Rock N’ Roll with modern-day Hard Rock; and Dave’s rockin’ feast has no time to end, so grab a cold beer and hit the dance floor to the sound of the awesome Brain Shadow, presenting an amazing pace full of groove and feeling with his sharp riffs walking hand in hand with his old school keys. And finally, let’s all bang our freakin’ heads one last time with Dave in Every Part of Me, also blending progressiveness with more modern sounds while also displaying interesting vocal effects.

After listening to Grave Metallum in its entirety, which by the way you can do on Spotify, you’ll feel extremely energized and ready to rock with the multi-talented Dave Fox, who’s waiting for you on Facebook and on Twitter to provide you with news about Unwanted Guest and other nice-to-know details about his career. Furthermore, in order to show him all your support, go grab your copy of Grave Metallum from the project’s BandCamp page, or click HERE for all locations where you can buy or stream his music. As opposed to the name of the project, I’m sure Dave and his Unwanted Guest will be a very welcome guest to your collection of rock and metal albums, inspiring this multi-talented British musician to keep kicking some ass armed with his vocals and all instruments in the project’s future releases.

Best moments of the album: Birth Machine Baby, Unwanted Guest, Future Not Fear and Brain Shadow.

Worst moments of the album: Only One Chance.

Released in 2022 Independent

Track listing
1. Autopsy 3:12
2. Birth Machine Baby 4:24
3. Unwanted Guest 4:39
4. Grave Metallum 4:45
5. Future Not Fear 3:38
6. Blood on the Saw 3:25
7. Load Shift 3:13
8. Waterfall 3:53
9. Only One Chance 3:52
10. Takin’ All the Money 2:51
11. Brain Shadow 4:23
12. Every Part of Me 3:56

Band members
Dave Fox – vocals, all instruments

Album Review – Oathbringer / Tales of Glory (2022)

Let’s head into the battlefield together with this promising Serbian band armed with their debut opus, offering us all an overdose of pure, unfiltered Heavy Metal.

Formed in the city of Kragujevac, Serbia at the end of 2019 as a project of guitarist Lazar “Berserker” Zakić under the name Riddle of Steel, the incendiary Heavy Metal army currently known as Oathbringer is set to release their debut opus, entitled Tales of Glory, bringing to our metallic ears an overdose of pure, unfiltered metal music. Recorded at Studio Coolijana, produced by Marko Petković Petko, and displaying a dark, heathen artwork by Velio Josto, known for his work with bands such as Vulture, Enforcer, Riot V, Iron Angel and Warlord, Tales of Glory offers the listener a selection of classic Heavy and Power Metal songs carefully brought forth by the aforementioned Lazar “Berserker” Zakić on the guitars together with his bandmates Miloš “Priestkiller” Stošić on vocals and bass, Petar “Axxer” Đorđević also on the guitars, and Bora “Helldiver” Petrović on drums, pointing to a promising future ahead of those Serbian warriors.

Simply hit play and the epic intro Arrival will invite you to the world of Oathbringer before the band comes ripping in Odin’s Call, where Lazar and Petar rev up their engines to the sound of their stringed axes while Bora dictates the pace with his classic beats, not to mention how powerful Miloš sound with both his vocals and bass. More of the band’s old school Heavy Metal infused with groovy and dirty sounds is offered to us all in Hail to the King, a headbanging party led by the raspy vocals by Miloš with Bora pounding his drums like the hammer of Thor (as the guys from Manowar would say); whereas putting the pedal to the metal it’s time for the quartet to head into the battlefield to the sound of Stand or Fall, a high-octane Heavy and Power Metal hymn where the band’s guitar duo is on absolute fire with their raw, visceral riffs and solos.

Venturing through Hard Rock lands the band inspires us to raise our horns to Alone in the Night, bringing to our ears another thrilling performance by Lazar and Petar on the guitars; and an acoustic, ethereal start to the melancholic vocals by Miloš kick off the Lord of the Rings-inspired ballad The Ring, sounding utterly beautiful from start to finish and, of course, very enfolding and epic. Then back to their heaviest mode it’s time for the breathtaking Shayol Ghul, with Bora kicking some serious ass behind his drums while also reminding me of the fastest tunes by Stratovarius with a Power Metal twist. The band continues to blend the heaviness of Thrash Metal with the epicness of the music by Manowar in Moria, which should work really well if played live due to its headbanging rhythm and catchy chorus, ending in a classy way to the sound of a piano. In addition, as a bonus the band offers us all the demo version for Under the Spell, from when the band was still called Riddle of Steel. As it’s “just” a demo it’s not as detailed as the rest of the album, but that doesn’t mean it’s not as powerful and in line with the band’s core sound.

After all is said and done, you’ll certainly feel the urge to grab your sword and shield and head into the battlefield together with the guys from Oathbringer, and you can start doing so by following them on Facebook and on Instagram for news, tour dates and other cool info about the band. Furthermore, don’t forget to show your utmost support to the Serbian underground by purchasing the excellent Tales of Glory by clicking HERE, keeping the fires of classic Heavy and Power Metal burning in the beautiful country of Serbia. Oathbringer were capable of turningtheir tales of glory into first-class metal music in their first full-length album, and I’m sure that when their sophomore album is released they’ll sound even stronger, more focused and more powerful for our total delight.

Best moments of the album: Hail to the King, Stand or Fall and Shayol Ghul.

Worst moments of the album: Under the Spell.

Released in 2022 RTR Records

Track listing
1. Arrival 0:50
2. Odin’s Call 4:20
3. Hail to the King 3:49
4. Stand or Fall 3:46
5. Alone in the Night 4:16
6. The Ring 4:02
7. Shayol Ghul 5:29
8. Moria 6:01

Bonus track
9. Under the Spell (demo) 4:32

Band members
Miloš “Priestkiller” Stošić – vocals, bass
Lazar “Berserker” Zakić – guitars
Petar “Axxer” Đorđević – guitars
Bora “Helldiver” Petrović – drums

Guest musician
Luka Milošević – guitars on “Under the Spell”

Metal Chick of the Month – Kristina Vega

Save me, for the punishment of my head…

Let’s turn up the heat here at The Headbanging Moose in this month of June and properly kick off the summer season in the Northern Hemisphere with a metal lady that will absolutely stun you with her powerful vocals and onstage presence. A metal singer and vocal coach known for her work with bands the likes of Born In Exile, SerapiS, and Cobra Spell, she has a fantastic vocal range that allows her to sing not only metal but pretty much any music style, which explains why she’s becoming more and more famous, respected and admired in the current music scene. I’m talking about the multi-talented Kristina Vega, also known as Kris Vega, carrying the flag of Catalan metal wherever she goes armed with her fulminating voice. I bet you’re eager to know more about such skillful musician as much as Kris is waiting for you to join her in her quest for heavy music.

Born and raised in Barcelona, Spain, Kris had her first contact with metal music when she was only eight years old, more specifically a Rammstein song which she has tattooed on her arm (which we’ll talk about shortly). When she was 16 she had a band called MOTH (which didn’t last for too long according to Kris herself), she also spent five years with a Japanese music group where she used to write music and do the guttural vocals, then three more years with a Blues band, and another metal group called Lunes 12. However, Kris had to take a break from music for a while, getting back in action in the metal scene after seeing an ad asking for a vocalist for a local band. It didn’t take long for Born In Exile to take its desired shape and form, catapulting our diva to stardom right after the band’s first release. Furthermore, growing up in the golden years of Nu Metal helped her to detect all her registers, to play with different techniques of singing and to find her way as a vocalist, having also thoroughly studied how harsh vocals, textured voice and hyper-compression techniques work in order to reach different types of sound. A formed vocal coach by Rodrigo Llamazares at Vocal Studio (a specialist in vocal coaching for teachers), she actually started studying electric bass at the age of 14, and two years later she recorded her first album as a bass player and a guttural vocalist.

Formed in 2012 in Barcelona by drummer JuanMa Ávila and guitarists Carlos Castillo and Rodrigo Baez (all from the band Corelyn) with the goal of creating a project with progressive influences inside Heavy Metal that would please fans of bands the likes of Symphony X, Opeth, Dream Theater, Rush, Myrath, Leprous and Circus Maximus, among others, the unstoppable Melodic Progressive Metal outfit known as Born In Exile has been on a roll since its inception, all of course multiplied by one thousand after Kris joined the band in August 2015 with her melodic, raspy and soaring vocals, having recorded with the band their debut opus Drizzle of Cosmos, in 2017, which by the way led the band to play at Barcelona Rock Fest in 2018, their sophomore album Transcendence, in 2020, and an EP titled Live at Vampire Fest, in 2021. Kris mentioned in one of her interviews that she recorded a cover version for Queen’s “The Show Must go On” as a reply to the band’s ad where they were searching for a new vocalist, followed by a short meeting with JuanMa and Carlos, and both were absolutely mesmerized by her vocals, which you can enjoy in all its glory in songs such as Fields On Fire, The Lighthouse of the Haunted Keeper, Enchantress, One More Line, Ziggurat, Revenant and Torch.

Apart from her career with Born In Exile, our talented diva can also be seen blasting her unparalleled vocals with the bands Cobra Spell, Uneven Frame and SerapiS, as aforementioned. As a matter of fact, Kris has just started her stint with Cobra Spell, the Dutch Heavy Metal/Hard Rock outfit led by guitarist Sonia Anubis (Burning Witches, Crypta), having replaced the band’s original vocalist Alexx Panza about a month ago, and although she hasn’t recorded anything in the studio yet with the band you can already enjoy her visceral vocals with Cobra Spell on the road, as she’s now touring with the band despite the extremely short time to rehearse with them. It’s not clear if Barcelona-based Nu Metal project Uneven Frame is still active as there are no news from the band since 2020, but it would definitely be interesting to see what Kris can do in a more alternative style (and you can take a listen at their demos on their YouTube channel); and regarding Progressive Metal project SerapiS, recently formed by Kris together with guitarist Joaco Luís (Mollitiam, Born In Exile), you can enjoy the band’s first three singles on Spotify, or go to YouTube to be stunned by Act I: Defiance, Act II: Dissidence, and Act III: Wistfulness, pointing to a very interesting future ahead of them.

Our multi-talented Kris can also be seen as a guest vocalist for the songs Our Demise, from the 2021 album The Harbour in Me, by Spanish Symphonic Power Metal act Embersland, and The Breathless Season Bane, from the 2021 album Portraits, by Spanish Atmospheric Black Metal horde Perennial Isolation; and as a metal vocal coach at the Metal Academy School of Music, the first school completely devoted to Heavy Metal and Hard Rock founded in 2017 in Barcelona, and as a voice actress for The Monster Factory, a Montreal, Canada-based company specialized in the conception of voices for monsters, zombies, aliens and many more creatures in the video game and film industries provided by metal vocalists the likes of our unstoppable diva.

Highly influenced by a wide variety of styles, from bands like Tool, Arch Enemy, Opeth, Leprous, Slipknot and Jinjer to vocalists like Freddie Mercury and Mónica Naranjo, Kris has already performed in over 500 concerts, singing not only Heavy Metal and Hard rock, but also Blues, Soul, Death, Progressive and Experimental Metal, proving not only how skillful she is, but also how experienced she already is in the music industry. As mentioned, having listened to her first metal song at the young age of eight, more specifically the song Klavier, from the album Sehnchust by Rammstein, thanks to the father of one of her neighbours, Kris quickly moved on to other bands and artists such as Linkin Park, Slipknot, Machine Head, System of a Down, Otep and Arch Enemy, being right now a huge fan of Jinjer, In This Moment, Gojira, Opeth, Devin Townsend, Myrath and Twelve Foot Ninja. When asked if she listens to any bands that she considers some sort of “guilty pleasure”, Kris mentioned Nino Bravo, from her childhood years, Azul y Negro, from her teens, and Evanescence, when she was in her 20’s. In addition, when questioned if she prefers Nightwish or Epica, she said she doesn’t really enjoy their voices, being a much bigger fan of stronger vocals the likes of Jinjer and Battle Beast.

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An avid reader of everything surrounding the voice anatomy, Kris is also writing a book to help singers who are just starting their careers and trying to find their own voice, focusing on all obstacles a vocalist might find along the way as for example not being told what’s working and what’s not, which by the way happened to her in the beginning of her career. She believes anyone can sing as long as it represents your own voice and delivers the desired message, always working not only her students’ voices but also their fears, their landscapes and so on, trying to transfer as much courage and strength to all of them during her classes.

It was right after the release of Drizzle of Cosmos that Kris and her bandmates from Born In Exile began touring on a more professional level, having played in different countries and festivals, such as Barcelona Rock Fest. She mentioned that when the band received an email informing they were selected to open that festival she almost cried of pure joy, also saying their performance at the festival was one of the most memorable moments of her life so far. She mentioned in one of her interviews how difficult it is to perform onstage for a massive festival crowd, the importance of being mentally prepared, and the energy shared with the crowd. Still talking about touring, Kris said that she loves to play alongside renowned bands as everything feels a lot more professional, and that although organizing tours (especially outside of Spain) is a lot of work, all that effort is definitely worth it.

As a prominent woman in Heavy Metal, Kris commented on how she sees the role of women in the current metal scene and the type of treatment she receives from men. She mentioned that despite a few bad experiences and situations in her career, one of the most beautiful things in her life is the fact she’s extremely well treated by her bandmates, who support her in everything and the whole feminist movement. However, she believes women in metal should stop fighting against each other for different reasons and realize that they’re stronger when united, saying it’s important to stop thinking like a man and avoid at all costs using sexist words and expressions that are stuck inside our minds thanks to the way we’re taught those things by our society. Moreover, Kris also faced some criticism and sexism when she decided to move from her hairdresser job (which she had been doing since she was 15) to pursue her career in music. She used to listen to things such as being a vocalist or working with music doesn’t pay your bills, doesn’t put food on the table, that she should get a “real” job, and so on, but that didn’t stop her from becoming the awesome vocalist she is today.

Regarding the metal scene these days, she said she thinks the musical landscape is unfair, complaining about an empty venue for an excellent band that goes all the way from Australia to Spain, for example, which is frustrating for the musicians involved. In addition, she said she would like to encourage all bands to have more respect and companionship among themselves, and to see more support to local bands by inviting them to open for the foreign headliners, just like what happened to Born In Exile during Barcelona Rock Fest where the band might have played for only 30 minutes, but according to Kris herself it was good enough to show the crowd what they got. And to be honest, even if they had played for only five minutes that would have been more than enough for the metalheads at the festival to witness how amazing the music by Born In Exile is and how powerful Kris’ vocals are, always singing about love, pain, real-life experiences and other related topics, therefore adding an extra personal touch to her thrilling performance.

As aforementioned, Kris is an accomplished vocal coach, offering vocalists not only from Barcelona but from all around the world different options to work with her, including more basic, free courses through the Metal Academy School of Music, or intensive online and in-person courses (which you can get more details by contacting her by email), and she’s waiting for you to begin a very productive and fun partnership in the name of rock and metal music. By the way, you can also click HERE to check all of her official links where you can get to know more about Kris and her career. Lastly, in case you decide to take vocal classes with Kris and it starts to rain, that might be a very good sign, and the reason for that is quite funny. When she was asked about something curious that has already happened with Born In Exile, she said that every time the band is about to do something important, it rains, it doesn’t matter if it’s the recording of a new album, signing with a record label, playing at a famous venue, or anything else. In other words, let’s join the incendiary Kristina Vega in her quest for heavy music, and may the rain fall down on us for many decades to come together with such inspiring musician.

Kristina Vega’s Official Facebook page
Kristina Vega’s Official Instagram

Kristina Vega’s Official Twitter
Born In Exile’s Official Facebook page
Born In Exile’s Official Instagram
Born In Exile’s Official YouTube channel
Born In Exile’s Official Twitter

Album Review – Böllverk / Heading For The Crown (2022)

Get ready to bang your heads nonstop to the debut album by this Bavarian act, offering powerful Teutonic material forged in the gloriously timeless style of early Accept, Warlock and Running Wild.

Formed in 2018 in Aschaffenburg, a city in Bavaria, Germany, and after a few lineup changes, the talented Heavy Metal squad Böllverk has finally unleashed their debut effort, entitled Heading For The Crown, offering pithy, refreshing and powerful Teutonic material forged in the gloriously timeless style of early Accept, Warlock and Running Wild for the old school-addicted battlevest banger fraction. Currently comprised of Svenja on vocals, Zahn and Raphi on the guitars, Tim on bass and Angelo on drums, Böllverk are on absolute fire in Heading For The Crown, with the classic artwork by Bastian Kraus and the sharp recording, mixing and mastering by Rolf Munkes at Empire Studios giving an even stronger vibe to the entire album, inspiring us all to head into the battlefield together with the band in the name of our beloved old school Heavy Metal.

The incendiary guitars by Zahn and Raphi kick off the pure, unfiltered Heavy Metal tune Ask The Angel, Listen To The Devil, an awesome way to start the album with the galloping drums by Angelo walking hand in hand with the 80’s-inspired vocals by Svenja, and more of their fusion of the classic music played by Iron Maiden, Accept, Judas Priest and Warlock is offered to us all in Let’s Ride Till Dawn, with the band’s guitar duo dictating the rhythm with their spot-on riffs and solos. Good Morning Rock’n’Roll is one of those “breakfast songs” highly recommended for all metalheads worldwide, bringing forward a beautiful hybrid of Heavy Metal and Hard Rock where Svenja’s piercing vocals are complemented by the raspy, Motörhead-infused roars by Zahn; whereas the title-track Heading For The Crown is an in-your-face, straightforward metal extravaganza led by the crushing drums by Angelo, supported by the rumbling bass by Tim.

Zahn’s evil roars boost the high-pitched screams by Svenja in The 7th No (IS A KO), another Hard Rock feast where the sound of the guitars will slash your ears mercilessly, and it’s time to bang our heads nonstop together with Böllverk in Master Of Thunder, another sharp, no shenanigans creation by the quintet showcasing a heavy and melodic kitchen by Tim and Angelo. Then venturing through the realms of Southern and Stoner Metal the band offers us all Live Fast, with Zahn taking the lead on vocals. It’s a good song, but it lacks the epicness of the rest of the album, though. Zahn keeps screaming in Next Level Of Service while Svenja fires her trademark Doro-inspired vocals lines, all spiced up by another round of their flammable riffs and thunderous bass lines, and last but not least, we’re treated to more of their rumbling Heavy Metal in the form of Someday We Will Die, clearly inspired by the classics from the NWOBHM and, therefore, ending the album on a thrilling note.

You can get to know more about Böllverk by following those Teutonic metallers on Facebook and on Instagram, staying up to date with all of their news, tour dates, plans for the future and so on, and you can also send them your feedback about their music as I’m sure the entire band would love to hear from you. In addition, in order to show your support and appreciation for ass-kicking underground German metal you should definitely purchase a copy of Heading For The Crown from the band’s own BandCamp page, as well as stream the album in its entirety on Spotify. Böllverk didn’t need to reinvent the wheel with Heading For The Crown to sound awesome, showing how powerful Heavy Metal still is and, of course, not only pointing to a bright future ahead of the band, but also providing us metalheads with one more excellent reason for keep banging our heads until the very end.

Best moments of the album: Ask The Angel, Listen To The Devil, Good Morning Rock’n’Roll and Someday We Will Die.

Worst moments of the album: Live Fast.

Released in 2022 Independent

Track listing
1. Ask The Angel, Listen To The Devil 6:05
2. Let’s Ride Till Dawn 3:27
3. Good Morning Rock’n’Roll 4:25
4. Heading For The Crown 4:49
5. The 7th No (IS A KO) 4:37
6. Master Of Thunder 6:26
7. Live Fast 4:20
8. Next Level Of Service 3:56
9. Someday We Will Die 5:50

Band members
Svenja – vocals
Zahn – guitars, vocals
Raphi – guitars
Tim – bass
Angelo – drums

Album Review – Axel Rudi Pell / Lost XXIII (2022)

Mr. Axel Rudi Pell and his henchmen are back with another thrilling album consisting of ten deeply melodic Hard Rock songs.

For more than thirty years, Bochum, Germany-based guitarist and songwriter Axel Rudi Pell has released new albums at regular intervals with his Heavy Metal/Hard Rock band Axel Rudi Pell, and it couldn’t have been any different now in 2022 as Axel and his henchmen Johnny Gioeli on vocals, Volker Krawczak on bass, Ferdy Doernberg on keyboards and Bobby Rondinelli on drums have just unleashed upon us their 21st album to date, the excellent Lost XXIII, following up on their 2020 album Sign of the Times. Mixed by Thomas Geiger, produced by Axel Rudi Pell himself, mastered by Ulf Horbelt, and displaying a classic artwork by Thomas Ewerhard, Lost XXIII consists of ten deeply melodic Hard Rock songs showcasing a number of fast-paced highlights and surprising compositions, putting a huge smile on the faces of all diehard fans of such talented guitarist as well as to newcomers to his metallic world.

Lost XXIII Prequel, one of their trademark intros to pretty much all of their albums, sets the stage for Johnny and Axel to kick some ass in Survive, where Johnny flawlessly declaims the song’s catchy chorus (“Will we survive? / Who is our enemy? / Restrictions for all, can’t you see? / Will we survive? / Searching for destiny / Unchaining the souls to be free / Will we survive?”) while Bobby dictates the pace with his heavy and melodic beats. And let’s keep raising our horns to the dirty and thrilling Hard Rock by Axel and his crew in the dancing tune No Compromise, with Volker and Bobby doing an awesome job with their old school kitchen, whereas the electrifying riffs by Axel will keep penetrating deep inside your mind in Down on the Streets, while Ferdy brings forth those 70’s-inspired keys we all love so much. Johnny will make the hearts of Hard Rock lovers from all over the world melt with the deep, soulful ballad Gone with the Wind, all spiced up by the passionate keys by Ferdy, followed by Freight Train, another song that sounds like a heavier version of Bon Jovi in the band’s career, presenting a solid instrumental always boosted by Johnny’s soaring vocals.

Putting the pedal to the metal it’s time for the high-octane tune Follow the Beast, showcasing an incredibly addictive chorus (“Follow the beast / The end is in sight, the end’s coming near / Follow the beast / Dark clouds all over the sea / Follow the beast / There’s no way out, living in fear / Follow the beast / Stay close to me, don’t disappear”), with Bobby being on fire behind his drums while Axel embellishes the airwaves with his stylish riffs and solos. Then Ferdy’s gentle piano kicks off the romantic Fly with Me, where needless to say Johnny steals the spotlight with another striking vocal performance while Axel extracts sheer passion from his strings, proving metal bands don’t need to play at the speed of light to sound majestic. Johnny takes a break while his bandmates jam in great fashion in the instrumental tune The Rise of Ankhoor, spearheaded by the virtuoso Axel armed with his incendiary guitar, pumping us up for the title-track Lost XXIII, a traditional Axel Rudi Pell aria exhaling epicness, magic and darkness, with Ferdy’s keys nicely complementing Axel’s riffs in a bold and powerful feast full of melancholy beautifully transformed into words by Johnny, putting a stunning ending to the album.

Axel Rudi Pell Lost XXIII Deluxe Box Set

Such beautiful and pleasant album of our beloved Heavy Metal and Hard Rock can be appreciated in its entirety on YouTube and on Spotify, but of course if I were you I would add it to your collection of metal albums by clicking HERE, or even better, you can grab the superb Lost XXIII Deluxe Box Set from Nuclear Blast or from Napalm Records. In addition, Axel and his team of amazing musicians are waiting for you on Facebook and on Instagram, where you can stay updated on their tour dates, and based on the high quality of the music found in Lost XXIII their upcoming shows will surely be awesome. And just like that we have more of the thrilling music by Mr. Axel Rudi Pell to enjoy until the band releases new material, most probably in 2024, for our total delight.

Best moments of the album: Survive, No Compromise, Gone with the Wind and Follow the Beast.

Worst moments of the album: Freight Train.

Released in 2022 SPV/Steamhammer

Track listing
1. Lost XXIII Prequel (Intro) 1:47
2. Survive 5:02
3. No Compromise 4:57
4. Down on the Streets 4:46
5. Gone with the Wind 8:56
6. Freight Train 6:08
7. Follow the Beast 5:02
8. Fly with Me 5:42
9. The Rise of Ankhoor 3:48
10. Lost XXIII 8:35

Band members
Johnny Gioeli – vocals
Axel Rudi Pell – guitar
Volker Krawczak – bass
Ferdy Doernberg – keyboards
Bobby Rondinelli – drums

Album Review – Abbath / Dread Reaver (2022)

Riff-maestro Abbath Doom Occulta returns with total metal mayhem in the form of his third full-length opus, cementing his place among the Black Metal hierarchy.

After the successful releases of his 2016 debut self-titled album and the 2019 opus Outstrider, Bergen, Norway-based Black Metal riff-maestro Abbath Doom Occulta is ready to cement his place among the metal hierarchy with Dread Reaver, his third album with his eponymous project Abbath. Recorded at Dub Studio with additional recordings at Bergen Lydstudio, produced by Endre Kirkesola and Dag Erik Nygaard, mixed by Abbath himself and Endre Kirkesola, and mastered by Maor Appelbaum at Maor Appelbaum Mastering, Dread Reaver might not represent a revolution in Black Metal, but it’s indeed a vibrant and visceral album of extreme music by the aforementioned Abbath on vocals, guitars and bass together with Ole André Farstad on lead and acoustic guitars, Mia Wallace on bass, and Ukri Suvilehto on drums, offering the listener his signature blend of blistering Speed Metal, traditional metal influences, and of course a touch of ice cold Black Metal, the perfect recipe for total metal mayhem.

Let’s cut to the chase and join Abbath in pitch black darkness to the opening tune Acid Haze, a demolishing Black Metal extravaganza led by the scorching riffs by Abbath and Ole supported by the bestial bass by Mia and the infernal beats by Ukri, and continuing their path of devastation the band brings forward Scarred Core, showcasing more of Mia’s crushing bass jabs while Abbath roars the song’s austere words like a demonic entity and Ole delivers an ass-kicking guitar solo made in hell. Then a sinister acoustic intro sets the stage for Abbath to kill again in Dream Cull, sounding less violent but absolutely obscure and evil from start to finish with Ukri dictating the song’s galloping pace; whereas Ukri keeps hammering his drums in Myrmidon accompanied by the razor-edged riffs by Abbath and Ole. In other words, it’s Abbath’s trademark Black Metal infused with hints of classic Heavy Metal and Hard Rock, and the final result is obviously awesome.

Mia’s rumbling bass returns in The Deep Unbound, a bestial composition that will smash you like an insect to the venomous growling by Abbath; and more of the band’s raw Black Metal is offered in Septentrion, with the pounding drums by Ukri walk hand in hand with the incendiary riffage by Abbath and Ole. Their rendition to Metallica’s Trapped Under Ice (check out an original live version of it HERE) is indeed a fun ride, with Abbath’s raspy vocals adding a touch of malignancy to the overall result; and our Norwegian black metaller still has a lot of fuel to burn together with his horde in The Book Of Breath, another straightforward Black Metal tune where Ukri fires violent, melodic beats nonstop, while the title-track Dread Reaver closes the regular version of the album with a dense and heavy atmosphere spearheaded by Abbath’s demonic gnarls and Mia’s smashing bass lines. However, if you go for the physical edition of the album you’ll be treated to an amazing bonus track, the band’s fun cover version for Motörhead’s Make My Day (check the original version HERE), where Abbath sounds like Lemmy incarnate on vocals for our total delight.

Abbath’s brand new effort can be appreciated in its entirety on YouTube and on Spotify, and of course if you consider yourself a true servant of Norwegian Black Metal you can purchase your favorite version of the album by clicking HERE, and also support Abbath and his horde by following the band on Facebook and on Instagram to stay up to date with their news, tour dates and so on. With Dread Reaver it feels like Abbath is reaching the desired shape and form of his music and style, and hopefully he’ll keep delivering high-quality Black Metal for admirers of the genre for many years to come now that he seems to be free from drugs and alcohol, focusing only on what really matters, which is crafting devilish music just the way we like it in the name of darkness.

Best moments of the album: Acid Haze, Myrmidon and The Deep Unbound.

Worst moments of the album: Septentrion.

Released in 2022 Season of Mist

Track listing
1. Acid Haze 4:51
2. Scarred Core 3:29
3. Dream Cull 4:15
4. Myrmidon 4:33
5. The Deep Unbound 4:07
6. Septentrion 4:28
7. Trapped Under Ice (Metallica cover) 3:59
8. The Book Of Breath 4:35
9. Dread Reaver 4:43

CD bonus track
10. Make My Day (Motörhead cover) 4:16

Band members
Abbath – vocals, guitars, bass
Ole André Farstad – lead and acoustic guitars
Mia Wallace – bass on “Acid Haze”, “Scarred Core”, “The Deep Unbound” and “Dread Reaver”
Ukri Suvilehto – drums

Album Review – Cauchemar / Rosa Mystica (2022)

Behold the fully realized expression of this French-Canadian band’s signature sound of somber traditional doom they have been perfecting since their inception.

Rising from their moss-covered crypt, French-Canadian Heavy/Doom Metal act Cauchemar is back with their third full-length opus, darkly titled Rosa Mystica, the band’s first offering since the 2019 compilation Trapped Under Ice. Meticulously composed and rehearsed to perfection, recorded at No Man’s Land Studio, and displaying a stylish cover art by Russian artist Valeria Sakseeva, the album is a fully realized expression of Cauchemar’s signature sound of somber traditional doom the band has been perfecting since their inception in 2007 in Montreal, Quebec, Canada, delivered with the vigor of Heavy Metal. The atmosphere on Rosa Mystica is spacious and rustic, gilded by the warm glow of stained-glass luminescence, all carefully brought into being by frontwoman Annick Giroux and her French-language incantations, guitarist François Patry and his austere muscular riffs, and bassist Andres Arango and drummer Joel Ladouceur’s vaulted geometry.

An atmospheric, grim intro to the acoustic guitars by François kicks off the old school opening song Jour de colère (or “day of wrath” in English) while Andres and Joel generate a rumbling ambience with their respective bass and drums, offering Annick all she needs to powerfully shine on vocals, whereas blending the epicness of classic Heavy Metal with the obscurity of Doom Metal the quartet offers us all the excellent Rouge sang (“blood red”), with Annick taking the lead with her solid vocals while François keep extracting fire from his riffs. Leaning towards pure Doom Metal, Notre-Dame-sous-Terre (“Notre-Dame-under-Earth”) is a Stygian composition by Cauchemar with Joel delivering those sluggish beats we love so much, and more of the blazing riffs and solos by François embellish the airwaves in Danger de nuit (“danger at night”), accompanied by the low-tuned bass by Andres in a thrilling hybrid of Heavy and Doom Metal with classic Hard Rock.

The title-track Rosa mystica brings to our ears another round of their cryptic Doom Metal spearheaded by the slow and steady drums by Joel. Needless to say, the guitar lines by François are a thing of beauty, whereas adding elements from Speed and Thrash Metal to their core sonority we’re treated to the high-octane aria Le tombeau de l’aube (“the tomb of dawn”), showcasing another spot-on performance by Joel on drums. Volcan (“volcano”), featuring a guest guitar solo by Alan Jones, is an old school Doom Metal chant with Blackened Doom nuances slightly less visceral than its predecessors but still very enjoyable; and last but not least, François’ acoustic guitars and the low-tuned bass by Andres kick off the melancholic La sorcière (“the witch”), offering our ears six minutes of mesmerizing doom enhanced by a guest guitar solo by Chany Pilote that puts a beyond climatic ending to the album.

Annick and her henchmen are waiting for your feedback on their music on Facebook and on Instagram, and of course if you want to show your total support to the Canadian underground you can purchase a copy of Rosa Mystica from the band’s own BandCamp page, or if you’re in Canada, in the United States or other non-EU country you can also get the album from the Temple of Mystery webstore as a CD, an LP or as a very special gold “Die Hard” version with a 4-page insert, a woven patch, a sticker and an 11″ x 17″ A3 poster, as well as from Record Shop X. In other words, let the atmospheric music found in Rosa Mystica penetrate deep inside your soul, keeping the fires of underground doom burning bright thanks to the talent and hard work of one of the torchbearers of the Québécoise scene.

Best moments of the album: Rouge sang, Danger de nuit and Le tombeau de l’aube.

Worst moments of the album: Volcan.

Released in 2022 Temple of Mystery

Track listing
1. Jour de colère 6:18
2. Rouge sang 3:11
3. Notre-Dame-sous-Terre 5:49
4. Danger de nuit 4:51
5. Rosa mystica 5:28
6. Le tombeau de l’aube 2:50
7. Volcan 5:22
8. La sorcière 6:07

Band members
Annick Giroux – vocals
François Patry – guitars
Andres Arango – bass
Joel Ladouceur – drums

Guest musicians
Alan Jones – guitar solo on “Volcan”
Chany Pilote – guitar solo on “La sorcière”

Album Review – Alunah / Strange Machine (2022)

Welcome to the “Strange Machine” driven by this unstoppable Hard Rock and Doom Metal entity, showcasing the band in their most diverse yet focused light.

Hailing from Sabbath City, the unstoppable Hard Rock/Doom Metal entity Alunah continues to tread their own path in 2022 with a fantastic new album, titled Strange Machine, following up on their critically acclaimed 2019 opus Violet Hour. Written and rehearsed during the pandemic whilst overcoming numerous personal struggles, recorded at the famous Foel Studio, and displaying a stylish artwork by Mariano Peccinetti, the album shows frontwoman Siân Greenaway, guitarist Matt Noble, bassist Daniel Burchmore and drummer Jake Mason in their most diverse yet focused light, overflowing with groove, blues, psychedelia and ferocity, therefore welcoming us all to the “Strange Machine” driven by such distinguished band.

And you better get ready for a wicked voyage to the sound of the title-track Strange Machine, with Jake taking the lead with his Doom Metal beats while Siân is absolutely mesmerizing on vocals, all spiced up by the razor-edged riffs by Matt. Let’s keep banging our heads to the rumbling bass by Daniel in Over The Hills, another lesson in Hard Rock and Doom Metal by the quartet that sounds and feels dense and captivating from start to finish; whereas it’s time for over six minutes of somber, melancholic passages and sounds in the form of Fade Into Fantasy, with Siân once again taking our hearts by storm with her deep, stunning vocals, followed by Broken Stone, another enfolding tune that starts in a tribal manner to the beats by Jake and the low-tuned, metallic bass by Daniel, while Matt delivers fiery Black Sabbath-inspired riffs from his axe. And in Psychedelic Expressway the name of the song says it all, bringing forward a romantic, thrilling fusion of Doom Metal with Psychedelic Rock for our vulgar delectation where all band members are on fire until the very end.

Featuring guest guitars from Shane Wesley of Crowbar, Alunah present the heavy and dirty The Earth Spins, a good composition that keeps the album at a high level of energy, while putting the pedal to the metal Siân and the boys are going to kick your ass mercilessly in Silver, showcasing those electrifying riffs we all love so much in Doom and Stoner Metal. Put differently, there’s not a single second of boredom throughout the entire song; it’s thunderous heavy music at its finest. And we face more of the raw bass lines by Daniel in Teaching Carnal Sins, who makes a fantastic duo with Matt and his old school riffage, flowing smoothly and darkly until the last second and consequently keeping us hypnotized by the band’s flawless performance. Lastly, the closing tune Dead Woman Walking is just as groovy and enfolding as the rest of the album, with Matt offering Siân all she needs to shine on vocals once again, generating a sensational conclusion to the album.

As usual, you can get to know Siân and the boys better by following the band on Facebook and on Instagram, and by streaming more of their intense, somber and melodic creations on Spotify. In addition, in order to show your true support and admiration for Alunah, you should grab a copy of Strange Machine from the Heavy Psych Sounds Records’ BandCamp page or webstore really soon, adding another fantastic item to your devilish collection. Alunah are taking a huge step forward in their career with Strange Machine, solidifying their sound, shaping up their own style, and as a consequence cementing their name in the history of British Doom Metal. Welcome to the Strange Machine, and let’s keep raising our horns to Alunah in the name of doom.

Best moments of the album: Broken Stone, Silver and Dead Woman Walking.

Worst moments of the album: The Earth Spins.

Released in 2022 Heavy Psych Sounds Records

Track listing
1. Strange Machine 5:00
2. Over The Hills 3:55
3. Fade Into Fantasy 6:15
4. Broken Stone 5:16
5. Psychedelic Expressway 4:14
6. The Earth Spins 5:09
7. Silver 3:37
8. Teaching Carnal Sins 5:02
9. Dead Woman Walking 3:56

Band members
Siân Greenaway – vocals
Matt Noble – guitar
Daniel Burchmore – bass
Jake Mason – drums

Guest musician
Shane Wesley – guitars on “The Earth Spins”

Album Review – Scorpions / Rock Believer (2022)

Believe in the one and only Scorpions.

Seven years after the release of Return to Forever, which is by the way the longest gap between studio albums in their career, Germany’s Rock N’ Roll/Hard Rock institution Scorpions is back in action with their nineteenth opus, entitled Rock Believer, the undisputed proof those German rockers still have a lot of fuel to burn after so many decades on the road. Recorded by Jakob Himmelein and Hans-Martin Buff, produced by Hans-Martin Buff at Peppermint Park Studios, mixed by Michael Ilbert at Hansa Studios, and displaying a beyond classic artwork by Jeff Thrower, Rock Believer is the band’s first-ever album to feature Mikkey Dee (famous for his time with the unparalleled Motörhead) on drums, who replaced James Kottak in 2016, adding an endless amount of adrenaline to the already iconic music brought into being by vocalist Klaus Meine, guitarists Matthias Jabs and Rudolf Schenker, and bassist Paweł Mąciwoda, making us all believe in rock music even when a good part of our society says it’s already dead and gone.

There’s no better way to kick off a rockin’ album than with the excellent Gas in the Tank, where Klaus, Matthias and Rudolf are on fire from the very first second while Mikkey adds a very welcome, dirty Motörhead vibe to this lecture in classic Rock N’ Roll; and those German rockers keep putting the pedal to the metal in Roots in My Boots, with Rudolf and Matthias delivering sheer awesomeness through their axes. Put differently, it’s old school Scorpions without sounding outdated at all. Knock ‘Em Dead is a mid-tempo Hard Rock feast by Scorpions where Mikkey dictates the pace supported by the low-tuned bass by Paweł while Matthias kicks some serious ass with his riffs and solos, whereas the title-track Rock Believer is perfect for their sold-out arena concerts, with Klaus declaiming the song’s inspiring lyrics beautifully (“You start to crawl until you walk / You make a scream and learn to talk / You discover life on every day / From the first day you were born / You walked a lifeline of your own / And if you always keep the faith”). Then we have Shining of Your Soul, darker but at the same time very melodic and groovy thanks to the pleasant vibe crafted by the band’s guitar duo accompanied by Mikkey’s beats, while the sinister bass lines by Paweł kick off the also groovy Seventh Sun, showcasing another flawless performance by Klaus amidst a wall of Rock N’ Roll sounds.

Back to a more dancin’ sonority, it’s time for Klaus to lead his henchmen in Hot and Cold, sounding like if it was taken from one of their 80’s albums (not to mention its beyond catchy chorus), whereas in When I Lay My Bones to Rest we’re treated to more of their rockin’ poetry (“Here comes a brother from another mother / Storming out into the light / We’re speeding up the pace, cutting to the chase / It’s gonna be a hell of a ride”), matching perfectly with the song’s undisputed Rock N’ Roll spearheaded by the flammable guitars by Matthias and Rudolf. Peacemaker is another fast, thrilling ride by the quintet that will sound fantastic when played live where Klaus once again steals the spotlight with his unparalleled Hard Rock vocals, while Call of the Wild is less visceral and more “romantic” than its predecessors. It’s not a bad song, but it lacks the same punch as the other songs in the album. After that it’s time for When You Know (Where You Come From), a beautiful ballad to put a proper ending to the album that will surely be added to the band’s “acoustic” set during their live performances, and if you go for the deluxe version of the album you’ll have a blast with five amazing bonus tracks, with Shoot for Your Heart being by far the most exciting of all. To be honest, this song alone is worth the investment in the deluxe edition.

Rock Believer, which is available in full on YouTube and on Spotify, can be purchased from your favorite retailer or streamed in its entirety by clicking HERE, and if you consider yourself a true rock believer you can start following the band on Facebook and on Instagram, and also subscribe to their YouTube channel. In a nutshell, one of the trailblazers of Rock N’ Roll and Hard Rock is ready to kick your ass once again to the sound of their awesome new album, proving that not only they still got it, but also that they’re far from calling it quits. And if you keep believing in the one and only Scorpions, you can rest assured our beloved Rock N’ Roll will never die.

Best moments of the album: Gas in the Tank, Roots in My Boots, When I Lay My Bones to Rest, Peacemaker and Shoot for Your Heart.

Worst moments of the album: Call of the Wild.

Released in 2022 Vertigo Records

Track listing
1. Gas in the Tank 3:40
2. Roots in My Boots 3:17
3. Knock ‘Em Dead 4:11
4. Rock Believer 3:57
5. Shining of Your Soul 3:57
6. Seventh Sun 5:30
7. Hot and Cold 4:12
8. When I Lay My Bones to Rest 3:08
9. Peacemaker 2:56
10. Call of the Wild 5:21
11. When You Know (Where You Come From) 4:22

Deluxe Edition bonus tracks
12. Shoot for Your Heart 4:01
13. When Tomorrow Comes 3:47
14. Unleash the Beast 4:17
15. Crossing Borders 3:38
16. When You Know (Where You Come From) (Acoustic version) 3:44

Band members
Klaus Meine – vocals
Matthias Jabs – guitars
Rudolf Schenker – guitars, backing vocals
Paweł Mąciwoda – bass
Mikkey Dee – drums

Guest musicians
Ingo Powitzer – additional guitars and bass, guitar solo on “When Tomorrow Comes”, backing vocals, claps
Hans-Martin Buff – backing vocals, claps
Jakob Himmelein – backing vocals, claps
Alex Malek – backing vocals, claps
Pitti Hecht – percussion