An excellent album of brutal and technical Death Metal conceptually focused on Qlipoth, metaphorical shells which represent evil spiritual forces in the Jewish mysticism.
As the first review of 2018 from The Headbanging Moose to you, our dear metalheads, here comes Italian Death Metal four-piece beast Hellish God armed with their pulverizing debut full-length album titled The Evil Emanations, showcasing 10 tracks of top-notch unrelenting Death Metal, following their 2016 EP Impure Spiritual Forces. Featuring current and former members of Antropofagus, Imposer and Mindful Of Pripyat, this excellent Italian squad was formed in 2015 in Campobasso, a city and commune in southern Italy, with the intent to play savage and satanic Death Metal influenced by the classic late 90’s sound, and I should say they more than succeed in their mission with The Evil Emanations.
Displaying a classic artwork by Indonesian artist Adi Dechristianize, The Evil Emanation is conceptually focused on Qlipoth, metaphorical shells which represent evil spiritual forces in the Jewish mysticism, with its instrumental parts being influenced by bands like Krisiun, Azarath and Abhorrence. “It has many facets, both compositional and conceptual but the composition process was totally spontaneous and homogeneous. Of course, I can say I am very proud of the final result! It sounds compact and extremely true, authentic…”, said frontman Tya about the album, with drummer Luigi Contenti complementing that idea by saying that “this album is the natural evolution of Impure Spiritual Forces, it sounds very natural, effective and damn old school! If compared to the previous work its most obscure component is totally exalted!”
The special effects by guest Mario Seaone set the tone for the whole album in the phantasmagoric intro Kelim Shattering Illumination, before a violent onslaught of Death Metal led by the demonic growler Tya begins, the very technical and impactful Qlipoth, with the low-tuned bass by Stefano Malgaretti sounding infernal while Luigi delivers sheer brutality through his blast beats. After such amazing start, the band keeps bringing chaos and devastation to our minds with a fantastic display of extreme music titled Anti-Cosmic Decree, with the sick guitar riffs by Michele Di Ioia living up to the legacy of old school brutal Death Metal, not to mention the pulverizing job done by Luigi on drums; followed by The Hindering Ones, a full-bodied tempest of gruesome sounds and beats where Tya distills more of his deep guttural gnarls, reminding me of the classic sonority by Brazilian metal masters Krisiun, therefore becoming an excellent choice for crushing your spine into the circle pit.
Hellish God truly know how to create total havoc and at the same time sound harmonious and technical, as we’re able to witness in Tagimron Is Summoned, with Michele and Stefano providing some Cannibal Corpse-inspired lines with their strings while Tya growls deeper and deeper as the music evolves. And if your brain is still somehow attached to your skull after such insane headbanging tunes, it’s time to be completely demolished by those Italian metallers in Burning The Infidel, offering our avid ears three minutes of old school Death Metal with the band’s contemporary twist, boosted by a sick guitar solo by guest musician Rangel Arroyo. In the instrumental bridge Choronzonic Hellfire, wicked noises open the gates of hell for the berserk Agitator Shall Be Triumphant!, with Luigi spearheading the band’s sonic onrush while Tya continues to bark like a rabid beast. Furthermore, Michele fires some old school riffs and solos to make this solid exhibit of Technical Death Metal even more thrilling.
Before all is said and done in The Evil Emanations, Hellish God still have a couple of tormenting hymns to slash our ears, starting with I Am Belial, a short and extremely heavy tune with its demented rhythm being effectively boosted by Tya’s infernal growls and the crushing sound of Luigi’s drums. In other words, this is exactly what extreme metalheads like us are always searching for in Death Metal. And lastly, their final blast of insanity comes in the form of a five-minute Death Metal extravaganza titled Marching With The Accuser, where Michele’s guitar and Stefano’s bass are in total sync, consequently building a menacing wall of cutting sounds until the music flows to a climatic grand finale. Needless to say, when the song is over you’ll feel absolutely disoriented and eager for more of the music by Hellish God.
It’s time to face the evil spiritual forces featured in The Evil Emanations by paying a visit to Hellish God on Facebook, and by purchasing the album (which by the way can be enjoyed in its entirety on YouTube) through their own BandCamp page, as well as through the Everlasting Spew Records’ BandCamp page or webstore in regular CD format or as a CD + shirt bundle. If Hellish God were capable of delivering such high level of professionalism and brutality already with their first full-length release, can you imagine how sensational and cataclysmic they will sound in their future albums? Yes, my friends, Death Metal is doing more than fine in Italy, no doubt about that.
Best moments of the album: Anti-Cosmic Decree, The Hindering Ones and I Am Belial.
Worst moments of the album: None.
Released in 2018 Everlasting Spew Records
1. Kelim Shattering Illumination 1:04
2. Qlipoth 4:33
3. Anti-Cosmic Decree 3:11
4. The Hindering Ones 4:03
5. Tagimron Is Summoned 4:02
6. Burning The Infidel 2:59
7. Choronzonic Hellfire 0:27
8. Agitator Shall Be Triumphant! 2:36
9. I Am Belial 2:15
10. Marching With The Accuser 5:24
Tya – lead vocals
Michele Di Ioia – rhythm & lead guitars, backing vocals
Stefano Malgaretti – bass guitar, backing vocals
Luigi Contenti – drums
Rangel Arroyo – lead guitars on “Burning The Infidel”
Mario Seaone – effects on “Kelim Shattering Illumination”