Brazil’s own death and doom creature returns with its sophomore beast, a summoning of despair that drags the listener into a chasm where brutality and anguish entwine.

Emerging once again from the abyssal depths of the underground, São Paulo, Brazil-based Death/Doom Metal creature Fossilization returns with their sophomore opus entitled Advent of Wounds, a work of sheer ferocity and oppressive gloom, following up on their critically acclaimed 2023 debut Leprous Daylight. Produced by the band’s own vocalist, guitarist and bassist V. (aka Thiago “Vakka” Oliveira of Sludge/Death/Doom Metal band Jupiterian) and guitarist Z. (aka Fernando “Zozi” da Silveira of Thrash Metal band Blackning), engineered by Marcos Cerutti at Hellspass Studio, mixed and mastered by Gabriele Gramaglia at Crepuscular Sound Studio, featuring guest musician F. on drums, and displaying a cadaverous artwork by Chinese artist Guang Yang, Advent of Wounds is a relentless onslaught where its frantic and inexorable rhythms hammer with suffocating intensity, while riffs coil like sepulchral invocations in a maelstrom of death, doom, and blackened chaos highly recommended for fans of Dead Congregation, Krypts, Spectral Voice, and Antaeus.

Cremation of a Seraph already kicks off like a bulldozer, demolishing everything and everyone that dares to cross their path, with V.’s abyssal, deep guttural matching perfectly with the infernal drums by F., whereas Disentombed and Reassembled by the Ages is just as demonic and devastating as the opening tune, an overdose of Doom Metal-infused death madness where V. and Z. deliver the most scathing riffs imaginable. Scalded by His Sacred Halo, featuring guest vocalist Justin Stubbs, portrays a very poetic name for another ruthless aria of darkness by Fossilization where F. once again hammers his drums like there’s no tomorrow; followed by Terrestrial Mold, the sonic representation of total Armageddon, or a top-of-the-line Death and Doom Metal beast where V. vociferates like a creature from the netherworld. Then in Servo a Stygian start gradually morphs into a rumbling sonority not recommended for the faint at heart, while While the Light Lasts offers an even stronger Doom Metal vibe, as dark as the night, with the riffs by V. and Z. being boosted by the pounding drums by F. Lastly, Temple of Flies and Moss might be the shortest of all songs, but its incandescent violence makes it look like a true giant, ending the album on the most obscure note you can think of.

“From the start, my goal was to make an album even more brutal than Leprous Daylight, from sheer death metal brutality to the miserable melancholy of the doom-laden spirit of early Anathema, Paradise Lost, and early Katatonia. You can also hear many of black metal influences across the record, the opening riff of ‘Disentombed and Reassembled by the Ages’ is a direct nod to one of my all-time favorite bands, Antaeus,” commented V., and you can get in touch with him and his Fossilization via Facebook and Instagram, stream their obscure music on any platform such as Spotify, and of course purchase Advent of Wounds via mailorder or from BandCamp. Bleak, crushing and claustrophobic, Advent of Wounds is a summoning of despair that drags the listener into a chasm where brutality and anguish entwine. A suffocating testament to extremity that confirms Fossilization as one of the most formidable forces in contemporary Death and Doom Metal.

Best moments of the album: Cremation of a Seraph, Terrestrial Mold and Temple of Flies and Moss.

Worst moments of the album: None.

Released in 2026 Everlasting Spew Records

Track listing
1. Cremation of a Seraph 5:11
2. Disentombed and Reassembled by the Ages 5:34
3. Scalded by His Sacred Halo 4:20
4. Terrestrial Mold 5:51
5. Servo 5:08
6. While the Light Lasts 5:52
7. Temple of Flies and Moss 3:57

Band members
V. – vocals, guitars, bass
Z. – guitars

Guest musicians
F. – drums (session)
Justin Stubbs – vocals on “Scalded By His Sacred Halo”