Metal Chick of the Month – Kell Reis

kell01

When you die… I’ll be there… ‘Cause I’m inside you… Tearing the veil of insanity!

A Brazilian singer who nurtures a deep passion for music, in special of course our beloved Rock N’ Roll and Heavy Metal, our metal chick of the month of July will hypnotize you with her potent and unique voice, making you addicted to her music and always eager for more of her classy vocal lines. I’m talking about Raquel Reis Gonçalves, better known as Kell Reis or sometimes as Kell Hell, the stunning frontwoman for Brazilian Heavy Metal act Sacrificed and a woman who can sing pretty much any metal or non-metal style you can think of, showcasing an undeniable talent, hard work and focus on everything she does in the world of music, therefore proving once again not only how awesome the Brazilian metal scene is, but also that there are tons of girls in Brazil who proudly carry the flag of heavy music anywhere they go.

Born on May 2, 1989 in the city of Belo Horizonte, the capital city of southeastern Brazil’s Minas Gerais state, which is by the way the same city that gave the world amazing metal acts the likes of Sarcófago and Holocausto, not to mention the one and only Sepultura, the skillful Kell, who has been singing since she was only two years old, started studying music when she was 11 at a non-credit course at UEMG – Universidade Estadual de Minas Gerais, where she spent the next four years studying classical singing. Highly influenced by her parents, as her mother is a singer and her father a singer, pianist and guitarist, not to mention her deceased brother who used to listen a lot to Pink Floyd and Led Zeppelin, Kell moved from Brazilian kids music like Sandy & Junior to Nirvana when she was around 13, then going straight into rock and metal bands including Black Sabbath, Metallica, Angra and System Of A Down, and joining her first ever band called No Stress, playing grunge music at school. At the age of 18 she joined a Brazilian Hard Rock band named Vienna, and at 19 she became the vocalist for a renowned act in the underground scene in her hometown named Helltown. It was after one of her several gigs with Helltown in a city called Cataguases, around 340km from Belo Horizonte, that she met the guys from Sacrificed, and that leads to our next part of our tribute to Kell.

Officially formed in 2006 in Belo Horizonte by guitarist Diego Oliveira under the name Sacriffice after changing the name from Metal Breath, when they basically played Metallica songs, the band evolved into a regular group playing their own songs influenced by names such as In Flames, Dream Theater, Evergrey, Lacuna Coil, Disturbed, Halestorm and Brazilian popular music known as MPB (plus cover songs for bands like Metallica, Megadeth and Iron Maiden) and changed their name to Sacrificed around 2009, when Kell joined them as their lead singer replacing their previous singer Fabricio just a few days after he left the band. Currently formed of the Kell on vocals and Diego on the guitars together with Sergio Barbieri also on the guitars, Gabriel Fernando on bass and Tiago Vitek on drums, Sacrificed released their debut self-titled EP in 2009, followed by the full-length albums The Path of Reflections, in 2011, and Enraged, in 2018, and more recently the EP Beyond the Gates, in 2021, plus a live album/video named Sacrificed no Release Showlivre in 2019 and appearances in two compilations named Woman from Brazil… The Brazilian Tribute to Deep Purple with the song Fireball, and Somewhere in Brazil… The Brazilian Tribute to Iron Maiden with the song Lord of the Flies, both released in 2020. You can enjoy Kell’s powerful vocals in several of Sacrificed’s songs and official videos such as Meet Your Fate, Silence is the Omen, Say My Name, Vertigo, Call of Insanity, Grudge is My Middle Name, and a cover version for Disturbed’s all-time classic Down With The Sickness, and of course you can always enjoy all of their wicked creations on Spotify.

Kell’s biggest influences in Rock N’ Roll and Heavy Metal perfectly depict her passion for music and singing, including names the likes of Ozzy Osbourne, Dio, Bruce Dickison, Ian Guillan, Eric Adams, Doro Pesch, Lita Ford, Rob Halford and Dani Nolden as her favorite singers, bands like Led Zeppelin, Pink Floyd, Sinergy, Iron Maiden, Black Sabbath, Warlock, Judas Priest, Deep Purple and Manowar, and non-metal singers such as Whitney Houston, Ella Fitzgerald, Elis Regina and Maria Calas. She also mentioned during one of her interviews that her influences can vary from time to time, with bands like Halestorm, In This Moment, Arch Enemy and Alter Bridge being among her favorite ones from what can be called a “newer” generation of rock and metal acts. In addition, she mentioned Halestorm’s Lzzy Hale is currently her top vocalist, being influenced not only by her voice but also by her charisma.

When asked about the life of a band in her homeland, Kell said that despite the growing number of excellent metal bands arising from the Brazilian scene, as Brazil is even sometimes labeled as “the homeland of really good metal bands”, with the Death Metal scene being considered quite huge in her hometown Belo Horizonte, unfortunately the lack of new major bands like what Sepultura were in the 90’s makes it difficult for new bands to have their work published by the media, unless of course it’s something fully oriented to the rock and metal scene. She also said that due to the fact we live in a world where the illusory number of “likes” doesn’t actually translate into real fans, a band needs to properly manage their career to attract true people to their music, something a Brazilian Heavy Metal band called Project46 does really well according to her. And despite the fact she thinks that it’s almost impossible to live out of metal music in Brazil, the scene remains strong with a lot of collaboration between bands and, of course, the passion from each musician involved.

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One thing Kell always complains about is the fact that organizing, attending and playing live concerts in Brazil has always been extremely difficult due to several facts such as exorbitant prices, lack of good public transportations, horrible roads and highways, and above all that, the lack of decent proposals that respect the band and its value. Apart from bands like Sepultura and Angra, she mentioned it’s difficult to see independent bands touring around Brazil. For instance, Sacrificed currently focuses their tours in the states of Minas Gerais and São Paulo, although they’re working on expanding their reach to the northern and southern parts of Brazil. Still regarding her life on the road, Kell said that playing alongside Kamelot, Eluviete, Blaze Bayley and The Agonist was truly amazing, but that sharing the stage with Lacuna Coil, one of their main influences, has been indeed one of the most special moments of the band’s career so far.

In addition to her up-and-coming career with Sacrified, Kell also became an active figure in terms of female representation in the Brazilian metal scene, promoting lives on her social media to discuss the theme together with special guests. When questioned how she sees the role of women in the Brazilian metal scene, she said that when she first stepped on stage over a decade ago the scene for women was completely different, having changed to something much better over time, but even today there’s still a lot of prejudice and an unbalance in terms of the number of women in roles such as roadies and sound technicians, and even band members like drummers. She commented she has been barred from entering the dressing room several times because “girlfriends” are not allowed, having to prove she was part of the band and not a groupie, complementing by saying the current women’s movement in metal will surely bring a lot of benefits to any woman worldwide who loves metal and who wants to have equal opportunities to any man, less discrimination and more respect. Furthermore, when asked what advice she would give to girls who want to pursue a career in heavy music, her message was loud and clear. “Don’t give up! Don’t be silent. Don’t settle for less for being a woman! You are not alone,” said Kell, pointing out the crucial importance of the support all girls should provide to each other.

Last but not least, our talented diva, who’s by the way crazy for pasta, whiskey, beer ad wine, strongly believes the underground should be more united in order to make a difference out there, also saying the true support from music fans by attending concerts and buying merch is also essential for the scene to get stronger and stronger. As the frontwoman for an independent band like Sacrificed, she mentioned it’s important for bands and musicians to never give up and keep working hard to make the band as professional as possible, and keep following your dreams no matter what. As Kell mentioned in one of her interviews, the lyrics form Sacrificed’s song Before a Dream, from the album The Path of Reflections, say that “before a dream a storm comes,” but your dream will get closer and closer if you keep walking even during the toughest times. Wise words from a woman that beautifully represents all the passion, talented and hard work of all Brazilians who love metal music from the bottom of their hearts.

Kell Reis’ Official Facebook page
Kell Reis’ Official Instagram
Sacrificed’s Official Facebook page
Sacrificed’s Official Instagram
Sacrificed’s Official YouTube channel

Album Review – Pentral / What Lies Ahead of Us (2021)

This multi-talented metal unity from Brazil is ready to embellish the airwaves with their excellent new album, aiming at making the world a better place to live.

3.5rating

pentral-what-lies-ahead-of-us-2021Brazilian Heavy Metal unity Pentral, which by the way is Latin for “spirit”, mixes many sorts of global influences in their music while at the same time trying to honor the groove, unique harmonies, atmosphere and melody found in Brazilian music. Comprised of brothers Victor Lima (vocals and guitars) and Vagner Lima (drums), as well as Joe Ferry (bass), three Brazilians whose passion for rock music is only rivalled by their desire to make an album which contributes towards making the world a better place to live, the band has just released the excellent What Lies Ahead of Us. Produced by Pentral and Tim Palmer, mixed by Tim Palmer, mastered by Justin Shturtz and featuring a stunning artwork by Heidi Taillefer, the album travels through the realms of progressive and alternative music flawlessly, inspired by classic sounds from the 70’s, 80’s and 90’s. “The album was recorded during the COVID-19 pandemic and it was a huge challenge wearing face masks almost every time. There was tension and fear among the musicians and engineers of getting infected. Besides that, the songs are not “straight”. Pentral uses a lot of uncommon and odd time signatures and harmonies, so it was pretty hard to record the final version of the tracks. Atmosphere, harmony, melody, groove and a strong message to make people think. For the band, this is what music is all about,” commented Victor about the recording process.

The hypnotic voices by guests Isabella Trindade and Ivan Teixeira will captivate your senses before Pentral come crushing in Silent Trees, with Victor’s epic vocals walking hand in hand with the classic beats by Vagner, sounding very detailed, smooth and progressive, whereas again traveling through the realms of Progressive Rock and Metal the trio brings into being the thrilling All My Wounds, where Victor is on fire with his wicked riffage accompanied by the low-tuned, rumbling bass by Joe. Then blending the heaviness and modernity of Alternative Metal with their core sonority we’re treated to the incendiary Disconnected, with Vagner once again kicking some ass with his intricate beats; while slowing things down a bit the band delivers a somber intro in Letters From Nowhere, evolving into a dark Progressive Rock extravaganza led by Victor’s stylish guitar lines. And in Aiming For The Sun we face poetic lyrics declaimed by Victor (“Wake up, back from dawn of the dead / Many yearned for your head / Unfair forgive the ones / Who sent you there as they will drag / Themselves beneath instead / Get out at once and run”) while the music offers our avid ears an electrifying hybrid of traditional Heavy Metal and Progressive Rock.

It’s time to sit down, relax and enjoy the serene ballad A Gift From God, where Victor steals the spotlight with his passionate vocal performance, keeping the atmosphere as ethereal and mesmerizing as possible until the very last second, while the thunderous bass punches by Joe ignite the multi-layered, epic tune No Real Colour In Souls, offering our ears over eight minutes of awesomeness in the form of progressive beats, slashing riffs and cryptic vocals, living up to the legacy of 70’s and 80’s rock and metal, with the guitar solos by Victor being the icing on the cake. Then more of their dynamic and atmospheric mix of rock and metal comes in the form of The Shell I’m Living In, exploding into a more aggressive sound thanks to the enraged vocals by Victor and the pounding beats by Vagner, followed by Are You Satisfied?, where the metallic bass by Joe brings the groove to the music and with Victor delivering soulful vocals and guitar lines accompanied by the progressive drumming by  Vagner. It goes on for way too long, though. Finally, closing the album the band offers another musical voyage through the realms of Progressive and Alternative Rock and Metal entitled The Law, with its acoustic guitars adding an extra touch of finesse to the overall result.

pentral-2021You can listen to What Lies Ahead of Us in its entirety on Spotify, but of course I highly recommend you purchase a copy of the album by clicking HERE, therefore showing your true support to Brazilian underground rock and metal. In addition, don’t forget to follow the trio on Facebook and on Instagram for news, tour dates and other nice-to-know details about the band, and to subscribe to their YouTube channel for more of their classy music and beautiful videos. After all is said and done, it’s a pleasure witnessing a band like Pentral not only delivering awesome music to our ears, but even more important than that, offering us all meaningful music, trying to make the world a better place for all of us as already mentioned through their distinguished compositions, and by doing that I’m sure they’ll win the hearts of rock and metal fans from all over the world, inspiring the trio to keep moving forward and embellishing the airwaves with their music for many years to come.

Best moments of the album: All My Wounds, Aiming For The Sun and No Real Colour In Souls.

Worst moments of the album: Are You Satisfied?

Released in 2021 Independent

Track listing
1. Silent Trees 7:13
2. All My Wounds 4:29
3. Disconnected 4:37
4. Letters From Nowhere 6:53
5. Aiming For The Sun 5:52
6. A Gift From God 5:53
7. No Real Colour In Souls 8:28
8. The Shell I’m Living In 4:06
9. Are You Satisfied? 7:54
10. The Law 8:43

BandCamp bonus tracks
11. Silent Trees (Radio Edit) 4:47
12. Aiming For The Sun (Radio Edit) 4:02

Band members
Victor Lima – vocals, electric and acoustic guitars
Joe Ferry – bass
Vagner Lima – drums

Guest musicians
Tim Palmer – additional guitars, tambourine and keyboards
Ivan Teixeira – keyboards
Yaniel Matos – cello
Isabella Trindade and Ivan Teixeira – voices on “Silent Trees”

Album Review – Juggernaut / La Bestia (2021)

Let’s slam into the circle pit to the sound of the brand new album of old school Thrash Metal by these four talented and unstoppable beasts hailing from Brazil.

Born in the year of 2005 in the Brazilian city of Blumenau, in the state of Santa Catarina, Thrash Metal outfit Juggernaut has just unleashed upon humanity their third full-length opus, entitled La Bestia, or “the beast” in English, offering fans of bands like Death, Sadus and Destruction a very good reason to slam into the circle pit to the sound of its eight unrelenting tracks infused with Progressive Rock and Metal influences. Recorded, mixed and mastered by Edgar Maccoppi at Edgar Maccoppi Áudio Estúdio, La Bestia began to take its shape and form back in 2017 with a very noble goal of providing us fans an honest album of the purest renowned Santa Catarina Thrash Metal you can think of with a lot of participation in the writing and composing process by all members, those being Cicero on vocals, Célio Jr. on the guitars, Valda on bass and Alefer on drums, and let me tell you that the final result lives up to its hype, sounding as fast, heavy and technical as our good old Thrash Metal demands.

The classic beats by Alefer kick off the thrashing metal madness TerrorISIS Squad, with Cicero’s vocals bringing hints of Black and Death Metal to their music, feeling absolutely inspired by the golden years of our beloved Thrash Metal, followed by Puppets of Society, as fast and demented as the opening track, where Célio Jr. continues to slash his stringed axe mercilessly while Valda and Alefer make the earth shake with their thunderous kitchen in an old school, in-your-face and massive display of their passion for heavy music. There’s no time to breathe as those Brazilian headbangers keep blasting sheer aggression in Hollow Surface, where Célio Jr. and Valda add their share of progressiveness to the overall result accompanied by the breaks and variations provided by Alefer’s beats, whereas investing into a blend of a galloping rhythm and a pure thrashing sonority we’re treated to Man of a Thousand Faces, with Cicero’s raspy roars and gnarls being exactly what’s needed to talk about all the lies, deceive and hate featured in the song’s lyrics.

Then it’s time for the quartet to hammer our cranial skulls once again with the Progressive Thrash Metal tune Human Template, keeping their core rebelliousness intact and therefore bringing into being a very entertaining and intricate mosh pit feast, not to mention Valda’s sick bass punches; and never tired of delivering 80’s Thrash Metal to us fans, Célio Jr. takes the lead with his classic riffs and solos in Useless Generation, while Alefer alternates between bestial moments and more complex passages on drums. The fulminating title-track La Bestia represents everything Juggernaut stands for, sounding violent, groovy and rebellious form start to finish, with its more progressive start morphing into a neck-breaking, venomous vibe where Cicero roars a mix of Portuguese and Spanish words to discuss about all issues found in Latin America such as slavery, hunger and crime, before the quartet offers us a cover version for Starship’s hit single We Built This City, from their 1985 album Knee Deep in the Hoopla (and you can check the original version HERE), with the band turning such upbeat pop hymn into a true headbanger where they managed to maintain the original song’s core essence while adding their own thrashing touch to it.

You can have a very good taste of what Thrash Metal made in Santa Catarina is all about by streaming the full album on YouTube and on Spotify, but of course if I were you I would definitely buy a copy of it from the band’s own BandCamp page, from Apple Music or from Amazon, showing your utmost support to the Brazilian underground scene. In addition, don’t forget to give Juggernaut a shout on Facebook and on Instagram, and to subscribe to their YouTube channel, to know more about the music by those talented thrashers from Brazil. The thrashing beast carefully brought forth by Juggernaut is ready to attack, and you better get ready because things inside the band’s sick circle pit are about to get beyond serious.

Best moments of the album: Puppets of Society, Human Template and La Bestia.

Worst moments of the album: Useless Generation.

Released in 2021 Independent

Track listing
1. TerrorISIS Squad 4:40
2. Puppets of Society 4:46
3. Hollow Surface 4:30
4. Man of a Thousand Faces 3:57
5. Human Template 4:15
6. Useless Generation 4:46
7. La Bestia 5:32
8. We Built This City (Starship cover) 3:34

Band members
Cicero – vocals
Célio Jr. – guitars
Valda – bass
Alefer – drums

Album Review – Captain Naysayer / Captain Naysayer EP (2021)

All aboard the Rock N’ Roll vessel captained by a talented five-piece Belgian crew, taking you on a trip through the unruly waters of rock and metal music to the sound of their self-titled debut EP.

Starting as a wet dream of guitarist Daan and drummer Evert from a Belgian rock band named The DeVilles, Keerbergen, Belgium-based Rock N’ Roll/Hard Rock act Captain Naysayer are ready to rock your world to the sound of their self-titled debut EP, bringing to the table a fun and vibrant sound inspired by 70’s Rock N’ Roll. Comprised of the aforementioned Daan and Evert together with their countrymen Tom on keyboards and Bert on bass, as well as Brazilian vocalist Arthur, who by the way joined the band from overseas after seeing their online post to lure some candidates for the job, Captain Naysayer take no prisoners in their quest for classic rock and metal, offering to us all six undisputed songs that go from the most classic form of Rock N’ Roll to heavier and more melodic passages, and the final result will certainly put you to dance and bang your heads together with the boys like there’s no tomorrow.

Arising from the bottom of the ocean like a true kraken, Captain Naysayer start blasting their 70’s Rock N’ Roll in Black Silhouette, spearheaded by the smashing beats by Evert and the classic vocals by Arthur, with the Axel Rudi Pell-inspired keys by Tom being the icing on the cake. And more of their old school rock music is offered in the form of Changes, where Daan’s soulful riffs and Bert’s low-tuned bass add an extra touch of nostalgia to the overall result, not to mention how rhythmic and pleasant the drumming by Evert sounds; followed by Voodoo Lovin’, an amazing display of Psychedelic Rock with a Southern Rock twist where the lyrics declaimed by Arthur couldn’t have been more Hard Rock than this (“Since we first met you put me through a test / Going through the ringer on the tip of your finger / It was hard each day just to get a little closer to you / It was like a spell, it was like a trance / Nothing in my mind except for the desire / For the fire that was burning in between your legs”).

After such powerful start, the second half of the EP kicks off with I See Danger, showcasing a Placebo-like vibe in Arthur’s strident vocals accompanied by some tribalistic elements and the Rock N’ Roll riffage by Daan. In addition, tons of progressiveness flows from all instruments, with Tom’s keys bringing electricity and epicness to their core sound in another ode to rock and metal music. Then smooth keys and a whimsical atmosphere suddenly explode into a Jethro Tull-like sonority in Blue Eyed Mask, a delicate ballad by Captain Naysayer where the vocals by Arthur exhale poetry and melancholy from start to finish, whereas they showcase their Deep Purple vein and passion for classic Progressive Rock and Metal in the closing tune Living Again, where Tom is on fire with his ass-kicking keys while Evert and Bert bring the Blues to the music, all spiced up by an incendiary performance by Arthur on vocals while ending in the most vibrant way imaginable.

If you want to know more about Captain Naysayer before boarding their Rock N’ Roll vessel, you can start following the band on Facebook and on Instagram for news, tour dates and plans for the future, subscribe to their YouTube channel for more of their music and videos, and of course purchase their thrilling EP from BandCamp and stream it on Spotify (or simply click HERE to choose your favorite version of the album). I’m sure those Belgian musicians (and of course their Brazilian vocalist) will love to hear from you, keeping their inner rockin’ fire burning and, therefore, inspiring them to move forward in their career and continue to embellish the airwaves with their great fusion of old school Rock N’ Roll, Hard Rock and Blues, carving their names in the small but always prolific underground Belgian scene.

Best moments of the album: Voodoo Lovin’ and Living Again.

Worst moments of the album: None.

Released in 2021 Independent

Track listing
1. Black Silhouette 4:27
2. Changes 3:53
3. Voodoo Lovin’ 4:18
4. I See Danger 3:33
5. Blue Eyed Mask 4:23
6. Living Again 5:09

Band members
Arthur – vocals
Daan – guitar
Tom – keys
Bert – bass
Evert – drums

Album Review – Immortal Guardian / Psychosomatic (2021)

What’s the best thing to do during this never-ending pandemic? This talented American group has the answer to that armed with their brand new album of breathtaking Progressive Power Metal.

After winning over new audiences with their acclaimed 2018 debut full-length album Age of Revolution and touring relentlessly alongside fellow shredders such as Marty Friedman, Powerglove and Exmortus, Austin, Texas’ own Progressive Power Metal entity Immortal Guardian is back in action in 2021 with their sophomore effort, entitled Psychosomatic, offering their fans more of what they like to call “Super Metal”. As a matter of fact, as the spread of COVID-19 and the subsequent pandemic began to ensue, each member of the band retreated to their respective hometowns; guitarist and keyboardist Gabriel Guardian (also known as Gabriel Guardiola) remained in Las Vegas, Nevada, in the United States, vocalist Carlos Zema (of bands like Outworld and Heaven’s Guardian) recorded his vocals from his home in Brazil, new drummer Justin Piedimonte stayed in Montreal, Canada, and new bassist Josh Lopez remained in the band’s native Texas. With shutdowns around the world being enforced, the band completely scrapped the originally planned record that they had been working on and were heavily inspired to write and create a new thematic record about their emotions surrounding current events, with the final result being at the same time epic, bold and of course very personal to each one of those four talented musicians.

The title-track Psychosomatic beings in an imposing manner led by the whimsical keys by Gabriel, gradually evolving into a feast of Progressive Metal showcasing the high-pitched screams by Carlos (and somewhat working as an extended intro to the rest of the album), and they put the pedal to the metal in the heavy and groovy Power Metal tune Read Between the Lines, with the bass jabs by Josh adding sheer heaviness to the overall result while Carlos continues to shine on vocals. Then it’s time to enjoy this eternal lockdown together with the guys form Immortal Guardian in the multi-layered, electrifying Lockdown, with Justin dictating the pace with his intricate beats while Gabriel kicks some serious ass with both his riffs and keys, whereas featuring guest guitars by Marcelo Barbosa (of Almah and Angra), Phobia is another thunderous dosage of their fusion of Progressive and Power Metal where Gabriel, Josh and Justin are in absolute sync with their sonic weapons. And more of their intricate sounds and magical passages are offered in the epic extravaganza titled Clocks, with the keys by Gabriel generating a beautiful ambience perfect for his own piercing guitar solos.

After the short atmospheric interlude Self-isolation, let’s keep banging our heads to the sound of the Heavy Metal hurricane titled Goodbye to Farewells, featuring guest vocals by Mary Zimmer (of Helion Prime), with all band members extracting tons of adrenaline from their instruments while Mary sounds utterly bestial with her harsh roars, showcasing a different side from her work with her main band. Then in Candlelight we’re treated to a pensive, melancholic intro where Josh adds his share of darkness through his bass, evolving into a more traditional hybrid of Heavy Metal and Hard Rock (albeit not as entertaining nor dynamic as the rest of the album, though, going on for too long), and more of their refined piano notes permeate the air in Find a Reason, a more gripping ballad than the previous song, sounding dense from start to finish and with Carlos passionately declaiming the song’s words while Justin pounds his drums flawlessly. Finally, Gabriel once again brings forward his deep passion for shredding in New Day Rising, a spot-on depiction of their Progressive Power Metal, offering many breaks, variations, complex passages and the usual speed and energy of Power Metal for the delight of admirers of the genre.

It’s quite easy to join the army of immortals spearheaded by Gabriel, Carlos, Josh and Justin, as their newborn spawn is available from an array of locations including the band’s own BandCamp and webstore, the M-Theory Audio webstore (in CD and limited purple LP format), the Plastic Head webstore (also in CD and limited purple LP format), or simply click HERE for all places where you can buy or stream the album. Also, let’s show our support to those talented metallers by following them on Facebook and on Instagram, by subscribing to their YouTube channel and by streaming more of their music on Spotify. Psychosomatic is undoubtedly the perfect example of how we should face the COVID-19 pandemic, turning our fears, anxiety and hopelessness into ass-kicking metal music like what Immortal Guardian were capable of doing (perhaps not in such majestic way, of course), showcasing once again the positive energy Heavy Metal can bring to us all even during the most difficult times of our lives. Stay home, stay safe, and rock on!

Best moments of the album: Lockdown, Phobia and Goodbye to Farewells.

Worst moments of the album: Candlelight.

Released in 2021 M-Theory Audio

Track listing
1. Psychosomatic 5:33
2. Read Between the Lines 6:01
3. Lockdown 4:12
4. Phobia 6:13
5. Clocks 5:12
6. Self-isolation 0:39
7. Goodbye to Farewells 5:50
8. Candlelight 5:24
9. Find a Reason 7:00
10. New Day Rising 5:56

Band members
Carlos Zema – vocals
Gabriel Guardian – guitars, keyboards
Josh Lopez – bass
Justin Piedimonte – drums

Guest musician
Mary Zimmer – harsh vocals on “Goodbye to Farewells”
Marcelo Barbosa – guitars on “Phobia”

Album Review – Nervosa / Perpetual Chaos (2021)

What happens when you put together four metalheads hailing from Brazil, Italy, Spain and Greece? A deadly and thrashing lesson in perpetual chaos, of course.

Staying true to their roots while exploring new terrains with a revitalized international line-up now comprised of Brazilian founding guitarist Prika Amaral, Spanish growler Diva Satanica (of Bloodhunter), Italian bassist Mia Wallace (of bands such as Abbath, Triumph of Death and The True Endless) and Greek drummer Eleni Nota (of Lightfold and Mask of Prospero), the ruthless all-female Death and Thrash Metal powerhouse Nervosa is ready to attack with inexorable fury, pungently sharp riffs and aggressive vocals on the 13 massive tracks from their newborn spawn, entitled Perpetual Chaos, the follow-up to their critically acclaimed 2018 opus Downfall Of Mankind. Recorded at Artesonao Casa de Grabación Studio in Málaga, Spain, produced by Prika Amaral and Martin Furia at Studio Porino, and mastered by Yarne Heylen, Perpetual Chaos builds upon the turbulence, adding diverse musical elements to create an infallible new standout that will strike the listener in a way only Nervosa could, therefore placing the album as one of the best releases of 2021 hands down.

The unstoppable Prika ignites their thrashing machine with her flammable riffs in the brutal Venomous, sounding pulverizing from the very first second with Diva Satanica being a true she-demon on vocals while Eleni showcases all her skills and rage on drums, whereas in Guided by Evil the rumbling, obscure sounds blasted by Mia and Eleni are everything Diva Satanica needs to growl the song’s vile words (“Desire consumes you, blinds you, takes you off the line / But you go slowly cause all you do is lie / Every step taken, misfortune is your delight / Tormented by feelings, swallowed by quicksand”) in another ass-kicking fusion of Death, Thrash and Black Metal. Following such frantic start, People of the Abyss is perhaps one of the most infuriated and heaviest of all songs in the history of Nervosa where Prika will pierce your ears mercilessly with her classy riffs and solos accompanied by the devilish bass by Mia, therefore inflicting some serious pain in your neck due to the intense headbanging needed. And more of their demented and grim sounds is offered in the title-track Perpetual Chaos, with Eleni and Prika making a hellish duo and, consequently, providing Diva Satanica a solid base for her to haunt our souls with her otherworldly screeches and gnarls.

Featuring guest guitarist Guilherme Miranda (of Entombed A.D.), Until the Very End is a high-octane fusion of Death and Thrash Metal brought forth by those unrelenting women where Prika is once again phenomenal armed with her killer strings; and it’s time for Nervosa to smash our skulls mercilessly in Genocidal Command, with German thrash legend Schmier, from the one and only Destruction, making a demented vocal duo with Diva Satanica, always supported by the thunderous kitchen by Mia and Eleni. Slower but heavy-as-hell, Kings of Domination presents hints of Groove Metal added to the guitar lines by Prika and the bass jabs by Mia, resulting in the perfect sound for headbanging like there’s no tomorrow, while Time to Fight is another short and sweet display of their thrashing savagery, inviting us all to slam into the pit while Eleni pounds her drums in great fashion. If you think the girls from Nervosa are tired already of so much violence, you better get ready for more of their Stygian sounds in Godless Prisoner, showcasing a straightforward sonority led by Prika while Eleni dictates the pace with her solid beats, albeit not as powerful as the other songs from the album.

Blood Eagle gets back to a more ferocious and somber musicality, with Prika and Mia being in total sync with their stringed weapons while Diva Satanica adds her personal dosage of Death Metal to the band’s core Thrash Metal through her devilish gnarls; and Eric A.K. (of Flotsam and Jetsam) lends his trademark vocals to Rebel Soul, a Motörhead-inspired metal extravaganza that will invite you to raise your horns and bang your head like a beast, bringing forward Diva Satanica and Eric on absolute fire from start to finish. Never slowing down nor selling out, and always loyal to the foundations of Thrash Metal, the band offers us all Pursued by Judgement, with Mia hammering her evil bass accompanied by the crushing drums by Eleni, keeping the album at a high level of animosity before we’re treated to the closing tune Under Ruins, presenting disruptive words viciously barked by Diva Satanica (“I feel death coming / Getting lonelier everyday / In the cravings that consume me / Self destruction without limits”) while her bandmates make sure the electricity keeps flowing nonstop through their wicked instrumental.

To be fair, I was a little worried about the future of Nervosa after the departures of vocalist and bassist Fernanda Lira and drummer Luana Dametto last year, but the moment Prika announced Diva Satanica, Mia Wallace and Eleni Nota as the new members of her thrashing squad I was more than sure their new album would sound phenomenal to say the least based on their unique talent and background in heavy music. Well, let’s say those four metal ladies exceeded all expectations in Perpetual Chaos, delivering an album that’s at the same time brutal, melodic, thrilling and detailed. Hence, don’t forget to give the girls a shout on Facebook and on Instagram to let them know how much you enjoyed their newest creations, to subscribe to their YouTube channel for more of their distinguished music and videos, to stream all of their catalogue on Spotify, and above all that, to purchase Perpetual Chaos from their own BandCamp page or webstore (America or Europe), or simply click HERE for all locations where you can buy or stream what’s by far one of the most exciting metal albums of the year. And before I forget… VIVA PERPETUAL CHAOS!

Best moments of the album: People of the Abyss, Genocidal Command, Time to Fight and Rebel Soul.

Worst moments of the album: Godless Prisoner.

Released in 2021 Napalm Records

Track listing
1. Venomous 3:46
2. Guided by Evil 3:30
3. People of the Abyss 3:27
4. Perpetual Chaos 3:39
5. Until the Very End 3:18
6. Genocidal Command 2:56
7. Kings of Domination 3:41
8. Time to Fight 2:32
9. Godless Prisoner 3:19
10. Blood Eagle 3:41
11. Rebel Soul 3:17
12. Pursued by Judgement 3:27
13. Under Ruins 3:57

Band members
Diva Satanica – lead vocals
Prika Amaral – guitar, backing vocals
Mia Wallace – bass
Eleni Nota – drums

Guest musicians
Guilherme Miranda – additional guitars on “Until the Very End”
Schmier – additional vocals on “Genocidal Command”
Eric A.K. – additional vocals on “Rebel Soul”

Album Review – Sepultura / Quadra (2020)

A sensational concept album based on Quadrivium embraced by a fusion of Thrash, Groove and Progressive Metal, masterfully crafted by the best Brazilian metal band of all time.

In case you’re form another dimension and haven’t listened to Quadra yet, let me tell you that the fifteenth studio effort by Brazilian Thrash/Groove Metal titans Sepultura is much more than just another metal album. With a concept based on Quadrivium, which are the four subjects or arts (namely arithmetic, geometry, music and astronomy), taught after teaching the trivium, Quadra, meaning “four ways” from Latin, is a 12-track album divided into four sections of three songs each. The first being Thrash Metal songs based on the classic Sepultura sound; the second section is inspired by the groove-percussion oriented sound the band explored in Roots; the third part has more progressive songs inspired by the track Iceberg Dances from Machine Messiah, albeit not all are instrumental tracks; and side four features slow-paced and melodic tracks similar to the song Machine Messiah. Add to that the undeniable talent by the band’s four horsemen Derrick Green on vocals, Andreas Kisser on the guitars, Paulo Jr. on bass and Eloy Casagrande on drums, and there you have the band’s most successful record since 1998’s Against.

Recorded and produced by Jens Bogren at Fascination Street Studios in Örebro, Sweden, and featuring a bold artwork by Christiano Menezes from Darkside Books revolving around the meaning of the number four, Quadra is also the Portuguese term for sports court. “We all come from different Quadras. The countries, all nations with their borders and traditions; culture, religions, laws, education and a set of rules where life takes place. Our personalities, what we believe, how we live, how we build societies and relationships, all depends on these set of rules that we grew up with. Concepts of creation, gods, death and ethics. Money, we are enslaved by this concept. Who’s poor and who’s rich, that’s how we measure people and material goods. Regardless of your Quadra you need money to survive, the prime rule to play this game called life. Hence the coin. The coin is forged with the senator skull, who represents the set of rules and laws we live by; the world map on his head delimiting the borders of all nations, imaginary lines separating people by concepts of race and the sacred,” explained Andreas about the concept behind the album art.

Tribal beats and futuristic sounds ignite the brutal and groovy Isolation, an old school Thrash Metal chant with Sepultura’s unique twist, where Derrick already tells us all this album is going to be fantastic through his enraged roars, whereas Means to an End is another ass-kicking, trademark creation by the quartet with the talented Eloy bringing tons of progressiveness and fury to the musicality, while Paulo continues to be precise and groovy as usual on bass. And there’s no sign of slowing down in Last Time, where Derrick and Eloy represent the brutality in the music while Andreas showcases his infinite talent as a shredder as well as with his fantastic solos; and adding primeval elements and beats from the band’s cultural background it’s time for one more round of savagery and groove united in the name of metal in Capital Enslavement, with Andreas slashing his strings beautifully accompanied by the unstoppable Eloy on drums. Back to a more traditional sound blending Thrash, Groove and Progressive Metal, Andreas, Paulo and Eloy generate a bold and reverberating atmosphere in Ali, sounding beyond perfect for Derrick to fire his beastly growls.

Raging Void is a mid-tempo, neck-breaking tune led by Eloy and his pounding drums where Derrick is effectively supported by all backing vocals, while Andreas keep stunning us all with his whimsical guitar. Then  a sensational acoustic intro by Andreas sets the stage for an austere and multi-layered metal feast entitled Guardians of Earth (which has one of the best and most touching official videos of the past decade), with all choirs and orchestrations making the whole song even more impactful and thrilling; followed by The Pentagram, bringing to our ears a classic Death Metal sonority infused with endless progressiveness and rage. Furthermore, Andreas is superb on the guitars as usual, while Paulo brings the groove with his minimalist but precise bass jabs, resulting in an excellent instrumental composition. After that we have Autem, uniting the past, present and perhaps the future of Sepultura by alternating between old school thrashing moments and the obscurity and hatred from Death and even Black Metal. Needless to say, Eloy and Andreas are in absolute sync throughout the entire song, and after the brief but beautiful acoustic intermission Quadra, it’s time for a darker, more introspective side of Derek in Agony of Defeat, where once again all background choirs and orchestrations bring a touch of finesse to the overall result, albeit not as majestic as the rest of the album, though. And last but not least, the delicate, sexy vocals by guest Emmily Barreto make a superb paradox with the raspy growls by Derrick in Fear, Pain, Chaos, Suffering, with the music sounding grim, melodic and vibrant form start to finish, or in other words, a great composition showcasing the band’s endless creativity and passion for heavy music.

After all is said and done, it’s more than fair to give such amazing album of heavy music four of our rating skulls, especially as the album revolves around the various meaning of the number four, right? In addition, in case you haven’t done so yet, I recommend you follow the best and most influential band of the Brazilian metal scene of all time on Facebook and on Instagram, subscribe to their official YouTube channel for more of their unique and heavy-as-hell songs and videos, and of course purchase or stream Quadra by clicking HERE. When Derrick was asked during an interview with BraveWords “Which Sepultura album are you most proud of?”, he replied, “Definitely Quadra. It’s the latest album, and we really worked so hard on it. We have so many different elements from the past that have helped us get to here – where we are at right now. So, without a doubt in my mind, this is the strongest album that we’ve done together. And I’m extremely proud of it.” I guess we must all agree with Derrick that Quadra is hands down the most detailed, diverse and electrifying album of his era fronting Sepultura, raising the flag of Brazilian metal higher and higher for the delight of all of their loyal and diehard fans.

Best moments of the album: Isolation, Capital Enslavement, Guardians of Earth and Fear and Pain, Chaos, Suffering.

Worst moments of the album: Agony of Defeat.

Released in 2020 Nuclear Blast

Track listing
1. Isolation 4:56
2. Means to an End 4:39
3. Last Time 4:27
4. Capital Enslavement 3:40
5. Ali 4:12
6. Raging Void 3:57
7. Guardians of Earth 5:11
8. The Pentagram 5:20
9. Autem 4:06
10. Quadra 0:46
11. Agony of Defeat 5:51
12. Fear, Pain, Chaos, Suffering 4:09

Alive in Brazil Digipack and Earbook bonus disc (recorded live at “Audio” in São Paulo, Brazil on June 20, 2015)
1. Choke 3:46
2. Convicted in Life 3:31
3. Sepulnation 4:41
4. Apes of God 3:22
5. Sepultura Under My Skin 3:45
6. Manipulation of Tragedy 4:19
7. The Vatican 6:34
8. Cut-Throat 2:55

Band members
Derrick Green – lead vocals
Andreas Kisser – guitars
Paulo Jr. – bass
Eloy Casagrande – drums, percussion

Guest musicians
Bruna Zenti – violin
Kadu Fernandes – percussion on “Capital Enslavement”
Renato Zanuto – keyboards, orchestrations on “Isolation”, “Means to an End”, “Capital Enslavement” and “Guardians of Earth”, choir arrangements
Francesco Ferrini – orchestrations on “Last Time” and “Fear, Pain, Chaos, Suffering”
Robertinho Rodrigues – acoustic bass
Chorus Mysticus – choir vocals
Jens Bogren – backing vocals
Paulo Cyrino – effects on “Ali”
Gunnar Misgeld – choir arrangements on “Isolation”, “Last Time”, “Guardians of Earth” and “Agony of Defeat”
Emmily Barreto – female vocals on “Fear, Pain, Chaos, Suffering”

Album Review – Póstuma / Moralis EP (2020)

Uniting the aggressiveness of Death Metal with the beauty of poetry, this promising Brazilian outfit is ready to conquer the world of heavy music with their thrilling debut EP.

Formed in 2017 in the city of Americana, a municipality located in the Brazilian state of São Paulo, aiming at uniting the aggressiveness of Death Metal with the beauty of poetry, the up-and-coming Melodic Death Metal outfit Póstuma (the Portuguese word for “posthumous”) have just released their debut EP entitled Moralis, presenting Greek mythology and philosophy as the album’s main themes together with a questioning about honor, virtue and perhaps an ode to art and tragedy, something that has been in search of balance since the beginning of times. Recorded, mixed and mastered at Estúdio Fuzza by Ricardo Biancarelli, Moralis is recommended for fans of the aggression blasted by bands such as At The Gates, Arch Enemy, Hipocrisy and In Flames, among several others, with its lyrics exalting the pursuit of knowledge and existentialism combined with Death and Thrash Metal influences, as well as writers and philosophers, resulting in a strong and deep sound carefully crafted by frontwoman Bia da Aldea, guitarists Júlio Alves and Rodrigo Batista, bassist Diego “Bob” Carmelo and drummer Murilo Pasqualino.

Filling every single space in the air with violence and harmony, the band kicks off the EP with the Arch Enemy-inspired Prometheus, where Bia showcases all her vocal potency right from the beginning as the amazing growler she is, while Murilo sounds like a stone crusher on drums. This is what I call a fantastic  welcome card by Póstuma, followed by Minerva, where its poetically acid lyrics are roared by Bia (“Crushing an empire, just for desire / All life drained away / We just learn with pain / They make us discuss, we are numb / They manage our hate / Become misery slaves / So certain they beg for chaos / So modest they beg for chaos”) while the music sounds even more impactful than the opening tune due to the brutality blasted by her bandmates, with Júlio and Rodrigo firing venomous riffs from their guitars and, therefore, adding hints of Thrash and Black Metal to their already powerful sound. And Júlio and Rodrigo, supported by the insane bass punches by Diego, keep piercing our heads with their ass-kicking riffage and solos in the also demented Redemption, with Bia’s screams reaching a whole new level of insanity, whereas in the closing song Gaya the band’s guitar duo proves they’re never tired of slashing and shredding their stringed weapons, and together with Diego and Murilo they generate a massive and very melodic wall of sounds perfect for banging our heads in the name of classic and modern Death Metal.

Hopefully this never-ending coronavirus pandemic will not have a negative impact on the band’s plans for the future, especially because they had just released their fulminating debut EP when all this madness started, which means it’s up to us fans of heavy music to show Póstuma our support and encourage them to keep moving forward no matter what. Hence, I want to please ask you all to follow the band on Facebook and on Instagram, to stream Moralis in its entirety on YouTube and on Spotify, and above all that, to purchase a copy of the EP from their BandCamp page. As a matter of fact, why don’t you visit their BandCamp page and take a look at the lyrics for each one of the four songs of the EP? You’ll see the band is not kidding when they say they want to unite the beauty of poetry with metal music, and when you hit play on any of the songs simply close your eyes and let their amazing Melodic Death Metal flow through your mind and your soul.

Best moments of the album: Prometheus and Minerva.

Worst moments of the album: None.

Released in 2020 Independent

Track listing
1. Prometheus 3:58
2. Minerva 4:42
3. Redemption 4:02
4. Gaya 4:25

Band members
Bia da Aldea – vocal
Júlio Alves – guitar
Rodrigo Batista – guitar
Diego “Bob” Carmelo – bass
Murilo Pasqualino – drums

Album Review – Jupiterian / Protosapien (2020)

Rising as a mythical creature, this Brazilian Atmospheric Sludge and Doom Metal outfit is ready to haunt our souls with the crushing, primeval music found in their brand new opus.

Formed in 2013 in the city of São Paulo, Brazil, the unyelding Atmospheric Sludge/Doom Metal outfit Jupiterian is back in action after releasing their groundbreaking album Terraforming in 2017, which was akin to the sound of tectonic plates shifting. In the aftermath of that event, a new revelation has been unearthed, their magnum opus Protosapien. Featuring a Stygian artwork by Polish artist Mariusz Lewandowski, it slices through the ominous atmospheric murk of the band’s previous effort and in an almost primitive yet strangely evolved manner, goes for the jugular. Comprised of Von  vocals, guitars and synths, A on the guitar, R on bass and G on drums, Jupiterian rise as a mythical creature, imbibing everything that transpired and distilling it all to create something highly potent, dense and sonically immeasurable, a form of harrowing, otherworldly Sludge and Doom Metal that lumbers on erratically, carving their own path, trampling on anything that dares stand in their way, and being therefore highly recommended for admirers of the music by  Eremit, Loss, Primitive Man, Gaerea and My Dying Bride, among others.

The phantasmagorical and cinematic intro Homecoming will crawl deep inside your skin and darken your heart until the gates to the underworld are open with the imposing Mere Humans, where the reverberating bass by R and the Stygian riffs by V and A will make your head tremble while G fires sluggish, doomed beats nonstop. V’s and A’s dirty and piercing guitar lines keep bringing darkness to us all in Voidborn, accompanied by G’s damned drums and the hellish vociferations by V, being perfect for cracking your neck headbanging in solitude. Put differently, this is the epitome of primeval Sludge and Doom Metal spiced up by the obscurity of Blackened Doom, whereas in the vile Capricorn we’re treated to a ritualistic doom aria spearheaded by G’s tribal beats, with the quartet bringing forward a sharp hybrid of American Sludge Metal and classic Doom Metal. Furthermore, the bass punches by R sound absolutely metallic, taking the song’s malignancy to a whole new level. And they offer more of their raw and unearthly sounds in the heavy-as-hell Starless, showcasing a great sync between R and G with their respective bass jabs and drums while the inhumane growls by V add an extra touch of evil to the overall result. Lastly, a gargantuan roar by V ignite the one hundred percent, unfiltered Atmospheric Doom Metal feast titled Earthling Bloodline, where G pounds his drums slowly and steadily while his bandmates generate a menacing ambience with their strings from hell.

There are numerous places where you can put your dirty hands on Protosapien, such as the band’s own BandCamp page, the official Transcending Obscurity Records webstore (where you can find precious gems such as the 8-panel digipak CD with metallic effect and sandalwood fragrance or an amazing boxset including an autographed LP), the Transcending Obscurity Records webstores for the US and Europe, Apple Music, Amazon and so on. Hence, you can also support those Brazilian doomers by following them on Facebook, Instagram and YouTube, and also by streaming all of their wicked creations on Spotify. As aforementioned, like a mythical creature Jupiterian are among us to haunt our souls and blacken our damned hearts, having in Protosapien the perfect weapon to attack us all with their crushing, antediluvian doom.

Best moments of the album: Capricorn and Earthling Bloodline.

Worst moments of the album: None.

Released in 2020 Transcending Obscurity Records

Track listing
1. Homecoming 2:09
2. Mere Humans 5:38
3. Voidborn 6:53
4. Capricorn 7:06
5. Starless 7:13
6. Earthling Bloodline 6:40

Band members
V – vocals, guitars, synths
A – guitar
R – bass
G – drums

Album Review – Pandemmy / Subversive Need (2020)

A violent and primeval feast of Death and Thrash Metal by one of the most promising names of the Brazilian Northeastern metal scene.

Transitioning between the realms of Death and Thrash Metal just like several Brazilian bands from the 2000’s,  Recife, Pernambuco-based act Pandemmy have recently released their third full-length album, titled Subversive Need, recommended for fans of the aggressive and primeval sound blasted by renowned bands like Kreator, Sepultura, Carcass and Hypocrisy. Produced by the band’s own vocalist and guitarist Guilherme Silva and guitarist Pedro Valença, and featuring a classic artwork by Deafbird Design Lab, Subversive Need showcases an evolution in the sound of Pandemmy since their inception in 2009, offering the listener the same level of violence and heaviness while exhibiting a much more polished and professional overall production when compared to the previous efforts by Guilherme and Pedro together with their bandmates Marcelo Santa Fé on bass and Vitor Alves on drums, therefore positioning Pandemmy as one of the most promising names of the Brazilian Northeastern metal scene.

Raw and putrid from the very first second, the opening track Deforestation is an old school Death Metal tune led by the deep guttural roars by Guilherme, while Vitor alternates between doomed and visceral beats, setting the stage for the vicious Neohate and its in-your-face lyrics (“New legions ignore words of insanity / Blind hordes of prejudice and hypocrisy / Christians are enemies of their own god / Rotten rich and stupid elite who hates the poor / Your vote repeats the past / Your choice are lies that hurt / Neohate, old hate! / Generations alienate / Neohate, old hate! / We will fight, you shall fall”) while the band delivers sheer violence from their sonic weapons, with Guilherme and Pedro being on fire with their dirty Thrash Metal riffage. And they keep smashing our heads with their old school sonority in Free Mumia (A Panther In The Cage), where Guilherme, Pedro and guest Danilo Coimbra bring forth berserk riffs and solos while Vitor doesn’t stop crushing his drums in a solid fusion of Death and Thrash Metal.

Then eerie guitars are boosted by the rumbling bass by Marcelo in the heavy-as-hell Webchaos, a great option for slamming into the circle pit while the band generates a menacing atmosphere, also featuring the gruesome roars by guest Lohy Fabiano, whereas investing in a more frantic, thrashing sound the quartet pulverizes our ears in Xenophobia, showcasing an excellent job done by both guitarists while at the same time reminding me of some of the creations by bands like Slayer, Testament and Exodus. After such demented song, a somber intro morphs into the melodic, mid-tempo I Choose My Blood, where the guitars by Guilherme and Pedro sound truly lancinating, always supported by Marcelo and his menacing bass punches, and getting closer to the Melodic Death Metal played by Arch Enemy but with the band’s own Brazilian twist.

Terror Paranoia offers our avid ears another blast of their straightforward Death and Thrash Metal, with Vitor taking the lead with his vicious beats while Guilherme’s deep roars are nicely supported by his bandmates’ classic backing vocals. On the other hand, I’m not sure what their intention was in The Illusion Of Suffering, as they undoubtedly failed in their experiment  to mix harsh vocals with acoustic passages, sounding like a big mess in the end despite the fact their guitar lines are quite decent. Fortunately for all of us, Pandemmy get back to their boisterous mode in Charlottesville, bringing forward a demented sonority showcasing venomous growls, slashing riffs and pounding beats, clearly inspired by the horrible neo-Nazi movement that sadly put the city in the worldwide map of racism, with a final sinister and progressive jamming putting an end to such meaningful composition.

You can enjoy this feast of Thrash and Death Metal made in Brazil in its entirety on YouTube and on Spotify, but of course in order to show your true support to the underground scene you can purchase Subversive Need from Pandemmy’s own BandCamp page, from Apple Music or from Amazon, and also follow the band on Facebook, on Instagram and on YouTube. Guilherme, Pedro, Marcelo and Vitor still have a long road ahead of them to reach stardom in the world of heavy music, but we must admit they’re working hard and developing their own sound with each one of their releases, with Subversive Need giving us all a very good idea of what to expect from those Brazilian metallers from now on.

Best moments of the album: Free Mumia (A Panther In The Cage), Webchaos and I Choose My Blood.

Worst moments of the album: The Illusion Of Suffering.

Released in 2020 Independent

Track listing
1. Deforestation 2:19
2. Neohate 4:00
3. Free Mumia (A Panther In The Cage) 3:15
4. Webchaos 4:16
5. Xenophobia 5:17
6. I Choose My Blood 4:11
7. Terror Paranoia 3:20
8. The Illusion Of Suffering 1:40
9. Charlottesville 7:19

Band members
Guilherme Silva – vocals, guitars
Pedro Valença – guitars
Marcelo Santa Fé – bass
Vitor Alves – drums

Guest musicians
Danilo Coimbra – guitars on “Free Mumia (A Panther In The Cage)”
Lohy Fabiano – vocals on “Webchaos”