Concert Review – Crypta (The Garrison, Toronto, ON, 10/08/2025)

On a cooler night in Toronto, metalheads from all over the city had an absolute blast with one of the must-see Death Metal beasts from the worldwide extreme music scene.

OPENING ACTS: Pretty Face and Death Club

This Wednesday was by far the coolest day from the past three or four months in Toronto, but that didn’t stop the metalheads from different parts of the city to head to The Garrison for a sold out show with PRETTY FACE, DEATH CLUB and CRYPTA during their In the Other Side Tour 2025, another killer event organized by the unstoppable Noel Peters of Inertia Entertainment. As the first band was only going to hit the stage at 8pm, I decided to take my time at home, had proper dinner, relaxed a little, and therefore avoided the chaotic madness of QEW during rush hour. Keith Ibbitson of Metal Paparazzi got to the venue a little earlier to get ready to take some amazing shots of all bands, which by the way are all led by super talented ladies who make heavy music way better, heavier, and more fun. The merch selection was also great for all bands, including some kick-ass guitar picks from Crypta, and everything with good quality and for a reasonable price. Not only that, the variety of beer and other drinks at The Garrison is way bigger and cheaper than at bigger venues like Budweiser Stage. Supporting the underground definitely has its advantages, with the main one being the much lighter impact on your pocket for an even higher amount of adrenaline and energy onstage.

On a side note, before and after the bands kicked some serious ass onstage, I had the pleasure of chatting with the organizers of the Icelandic festival named Satán, who were on vacation in the city, enjoying a few concerts like Judas Priest/Alice Cooper last week, and Crypta this Wednesday. Gísli Sigmundsson, an Icelandic metal legend who fronts the old school Death Metal band Sororicide, and Kristján Guðmundsson, drummer for the ruthless Blackened Death Metal horde Nexion, were having an amazing time at The Garrison, and of course I enjoyed a lot talking to them about heavy music and both the Canadian and the Icelandic underground scenes. I told Kristján that Nexion must come to Toronto for a show, to which he replied “do people enjoy that type of blasphemic music here?” Well, I guess I don’t even need to say what I answered to him, right? And if you have the time and money available for a trip next summer, the Satán festival is happening between June 4 and 6, 2026. Who knows, maybe I can visit Iceland for a share of their own blasphemy then.

Labeled as a queer-fem metal band hailing from Brampton, Ontario, expressing experiences and struggles growing up as teenage fem-presenting people through their music, PRETTY FACE kicked off the party with their fusion of Hardcore with elements of Death and Doom Metal, and the reaction of the fans at The Garrison was excellent. Although they only have one song officially released, the 2024 single The Gore Road, available on Spotify, those girls sounded excellent onstage and showed endless energy during their short but effective set. I have zero idea of which songs they played, or who the band members are as there’s nothing online about that (and I’m sorry, but I forgot to ask them in person after their show), but those girls have a bright future ahead of them. As long as they release an EP or a full-length album in the coming months to keep their momentum going, of course.

The second opening band of the night was another local band, Hamilton, Ontario-based modern Sludge Metal/Deathcore act DEATH CLUB, who released their debut Betrayal back in 2024, available on both BandCamp and Spotify. Formed of Dana Bowman on vocals and guitar, Adam Baldwin on bass and backing vocals, and Chelsea Todd on drums, plus another unknown musician who’s probably just their tour guitarist (and again, sorry for not asking him his name), the band kept the heaviness flowing inside The Garrison, which was already packed by the time they hit the stage. You can get more details about the band by clicking HERE, and if they ever play a concert at your city or town, I highly recommend you go watch them live because their music is great, and their stage presence is just as awesome.

CRYPTA

There was some uncertainty in the air if the indomitable Brazilian Death Metal beast CRYPTA was actually going to play this Wednesday night in Toronto as the iconic Fernanda Lima and another one of her bandmates got stuck at the Canadian border when trying to cross it from the United States, forcing them to fly from a city near Buffalo into YYZ and going straight to the venue for the show. Fortunately, those girls are absolute badass, and nothing would stop them from delivering their slab of Death Metal to one of their most loyal fanbase worldwide. The band was on absolute fire from the very first seconds of one of my favorite Crypta songs, The Other Side of Anger, and their setlist blending their two album Echoes of the Soul (2021) and Shades of Sorrow (2023), both available on BandCamp and on Spotify, brought sheer chaos and anarchy to The Garrison to the point Keith didn’t even dare to try to get a spot in front of the stage for his photos. Yes, it was wild.

Fernanda was insane on stage as usual, the mesmerizing Tainá Bergamaschi kept shredding her axe in great fashion, headbanging like a maniac, and making what was supposed to be an “angry” face during the heaviest parts of their songs (although she looks way to nice and cool to really look angry), Luana Dametto showed no mercy for our necks and bodies, crushing her drums nonstop for our total delight (therefore igniting some demented mosh pits), and their new touring guitarist Victoria Villarreal, from bands like Chaos Rising and Syrebris, proved why she was chosen by the band to support them on this tour, also kicking some serious ass with her flammable riffs and solos. I just think the overall sound volume was a bit low, but nothing that could make their performance less demolishing.

Some of the songs were phenomenal live, including Kali, The Outsider, Stronghold, Starvation, and of course From the Ashes, and when you have that high quality material in your hands like the girls from Crypta do, you can rest assured you’re in for a treat when they take the stage of your city by storm like this Wednesday night in Toronto. Not only that, Fernanda might be one of the sweetest musicians from the current scene worldwide, as even after going through all that hassle to make it to Toronto for the show she didn’t leave the stage after their concert was done, taking photos, signing albums and shirts, and chatting with each and every fan that stayed at The Garrison way past 11pm to meet one of the most talented women in heavy music. Toronto loves you, girls! And we’re ready for another round of your ruthless Death Metal anytime you decide to return to our metallic city.

Setlist
The Aftermath
The Other Side of Anger
Kali
Lift the Blindfold
The Outsider
Possessed
Lullaby for the Forsaken
Stronghold
The Limbo
Trial of Traitors
Under the Black Wings
Starvation
Dark Clouds
Lord of Ruins
From the Ashes
The Closure

Band members
Fernanda Lira – vocals, bass
Tainá Bergamaschi – guitars
Victoria Villarreal – guitars
Luana Dametto – drums

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Album Review – Ethereal / Downfall (2024)

After a long hiatus, this Progressive Gothic/Doom Metal outfit from Portugal is back in action with their striking third full-length opus.

Formed in 1997 by vocalist Hugo Soares in Setúbal, a city and a municipality in Portugal, Progressive Gothic/Doom Metal outfit Ethereal returned to action in 2021 after a long hiatus with their original lineup comprised of the aforementioned Hugo Soares alongside Cristina Lopes on vocals, Marco Agostinho and Carlos Monteiro on the guitars (plus newcomer Pedro Arsenio also on the guitars), Mário Serrano on keyboards, Jorge Bentes on bass, and Miguel Ledo on drums, culminating now in 2024 with the release of their third full-length opus, titled Downfall. Recorded, engineered, mixed and mastered by Wilson Silva at WRecords Studio, produced by Ethereal and co-produced by Wilson Silva, and displaying a classic artwork by Augusto Peixoto of IrondoomDesign, Downfall represents the rebirth of one of the most important metal bands of the Portuguese scene, an album that is as detailed and heavy as it is dark and melancholic.

The striking opener Betrayal is very symphonic and melodic from the start, with the pounding drums by Miguel dictating the song’s pace before Hugo and Cristina make an amazing vocal duet, followed by The Allure of Dariah, another epic creation by Ethereal, this time investing in a more Symphonic Metal sonority with the guitars by Marco and Carlos matching perfectly with the whimsical keys by Mário. The band puts the pedal to the metal in the thrilling The Last Peaceful Journey, presenting elements from Gothic Rock from the 80’s in its core essence, once again showcasing a solid kitchen crafted by Jorge on bass and Miguel on drums; and it’s time for more of their classy blend of Symphonic and Gothic Metal in the form of Turmoil, with Hugo and Cristina stealing the spotlight with their striking vocals.

 Ethereal then venture through more melodic, charming lands in the soothing power ballad Our Dying Hope, gradually growing in epicness and heaviness to the harsh but passionate roars by Hugo, whereas the stylish, melodious riffs by Marco and Carlos set the tone in the also enfolding The Hour of Infinity, the epitome of Progressive Gothic and Doom Metal led by the mesmerizing vocals by Cristina. And lastly, the melancholic keys by Mário ignite the title-track. Downfall, being joined by Cristina’s gentle vocals and with all of the song’s guitar solos, background keys and classic beats adding extra layers to the overall result, putting a climatic ending to the album.

Eighteen years after their previous album, Ethereal are finally back to the world of heavy music with Downfall, and their new album sounds so strong it doesn’t feel they’ve been silent for so many years. Hence, don’t forget to give the band a shout on Facebook and on Instagram, to stream their music on Spotify, to subscribe to their YouTube channel, or to click HERE for all things Ethereal. I believe Ethereal are back in action for good after listening to Downfall, as it’s easy to feel how much passion, energy and focus they put on the making of this album, which means we won’t have to wait another two decades to get more original music from one of the torchbearers of gothic and doom in Portugal.

Best moments of the album: The Allure of Dariah, Turmoil and The Hour of Infinity.

Worst moments of the album: None.

Released in 2024 Independent

Track listing
1. Betrayal 4:36
2. The Allure of Dariah 6:37
3. The Last Peaceful Journey 5:53
4. Turmoil 7:09
5. Our Dying Hope 5:58
6. The Hour of Infinity 6:41
7. Downfall 8:58

Band members
Hugo Soares – vocals
Cristina Lopes – vocals
Marco Agostinho – guitars
Carlos Monteiro – guitars
Pedro Arsenio – guitars
Mário Serrano – keyboards
Jorge Bentes – bass
Miguel Ledo – drums