Album Review – Mastication Of Brutality Uncontrolled / Preemptive Space Warfare (2015)

Do you have what it takes to survive a flesh ripping Brutal Death Metal Slam Alien Apocalypse attack?

Rating5

MOBU -Preemptive Space WarfareAre you ready for a flesh ripping Brutal Death Metal Slam Alien Apocalypse attack? Well, at least that’s how German/Swiss Technical Slamming Death Metal band Mastication Of Brutality Uncontrolled, also known as M.O.B.U., define the sonic dementia found in their debut full-length album, entitled Preemptive Space Warfare, and they’re not kidding when they say their music will rip your flesh off so bestial it is.

Formed in 2007 as a side project by members of other brutal slamming bands from Germany such as Incesticide and Provocation, this Death Metal steamroller became a full-bodied band by the end of 2009, reaching their apex of devastation now in 2015 with Preemptive Space Warfare, curiously and properly released this Halloween to haunt the souls of those who don’t have the required dexterity or competence to see beauty behind all the cruelty disgorged through the band’s merciless instruments.

Preemptive Space Warfare is probably one of the coolest intros I’ve ever heard in my life, where M.O.B.U. courteously give us around two minutes for stretching our muscles before their psychotic slamming extravaganza takes off, starting with the visceral Mother Earth Abortion, an extremely technical and noisy tune. I truly love how poetic the lyrics in Brutal Death Metal are and how easy it is to follow them, especially when they sound just like “beeh beeh beeh beeh beeeeeh” almost all the time. Of course, that wouldn’t be possible without the deep growls by lead singer Manuel, one of the main catalysts of their musical holocaust.

MOBU Bandpic_300dpiIn the also calamitous Brutal Laser Devastation, drummer Basti M. sounds like a machine gun while Manuel keeps grunting like a wild boar being dissected alive, not to mention how cool the riffs by guitarist Flo are. Then we have Milkstreet Mass Collision, a brutal Death Metal onslaught with some amazing riffs that remind me of old school Cannibal Corpse, and Life-Form Adoption, which confirms this is kind of a “concept” album as all songs are about alien invasions and the outer space (although I don’t think you will care about that as soon as you start being smashed inside the sick circle-pits generated by this song). And Human Resources keeps slamming nonstop, with highlights to its killer drums guiding the seismic activity caused by the band.

Manuel takes a quick break to recharge his snarling while the rest of the band displays their skills in the instrumental Prophecy Of The Apocalypse (Interlude), and as soon as the demolishing chant Orbital Corpses begins, showcasing great synchronicity between its heavy riffs and brutal beats, you can have a pretty good idea of all the bruises you might get all over your body during one of their concerts if this song is played live. Infrastructure Destruction, a high-octane tribute to Death Metal, offers the listener the band’s unique vomiting growls and harmful beats, turning this sick chant into a nightmare for the faint-hearted, but it’s in New Space Order that M.O.B.U. go above and beyond. How can a brutal slamming band like this have a 7-minute song in their repertoire? The only thing I can say about this song is that it’s the end of the world in the form of music.

Now that you have a better understanding of what a “flesh ripping Brutal Death Metal Slam Alien Apocalypse attack” is, go show your support for M.O.B.U. at their Facebook page, and of course purchase the unrelenting Preemptive Space Warfare at the Rotten Roll Rex BandCamp page or webstore, as well as on eBay. And if you’re not convinced yet of the disturbing firepower spawned by the music by M.O.B.U., or if you think you can easily survive their slamming assault, simply take a quick listen at the album teaser and be prepared to have your mind brutally swarmed with alien swine fluids.

Best moments of the album: Mother Earth Abortion, Brutal Laser Devastation and Infrastructure Destruction.

Worst moments of the album: Milkstreet Mass Collision.

Released in 2015 Rotten Roll Rex

Track listing
1. Preemptive Space Warfare 2:10
2. Mother Earth Abortion 3:36
3. Brutal Laser Devastation 3:04
4. Milkstreet Mass Collision 2:04
5. Life-Form Adoption 3:48
6. Human Resources 4:16
7. Prophecy Of The Apocalypse (Interlude) 1:45
8. Orbital Corpses 2:22
9. Infrastructure Destruction 3:32
10. New Space Order 7:42

Band members
Manuel – vocals
Flo – guitars
Basti S. – bass
Basti M. – drums

Album Review – Heisenberg / Heisenberg (2014)

Say their name, because they are the ones who slam.

Rating5

heisenberg_coverDirectly from Long Island, New York, comes a band which specialty and purpose are pretty straight-forward: having fun and slamming into the pit. Not only that, they have chosen an excellent name for the band, honoring one of the most outstanding fictional characters the world has even seen from the cult series Breaking Bad, the chemist teacher and drug lord Walter “Walt” Hartwell White Sr., or simply Walter White (who doesn’t love his most famous quote, “SAY MY NAME”?). I’m talking about American Brutal Death Metal/Deathslam band Heisenberg, who have just released their self-titled debut album and are ready to slam as much as possible.

Heisenberg, which is the  clandestine pseudonym used by Walter White in the show (as if you didn’t know that already), was formed by members of other Deathslam bands: Two Shells Left, The Forrest Gump Mile High Marathon and Ellery Park, and they list among their biggest idols many important Death Metal bands such as Devourment and Suffocation, and other less crude but still heavy names like Industrial Metal band Fear Factory. Those influences are easily noticed throughout the entire album, which despite being short will surely disturb your neighbors’ peace and provide you some bruises and that unique pain in the neck after listening to it.

One of the best things in the music by Heisenberg is that you can actually listen to all instruments, which means you can also enjoy the musicians’ abilities instead of only slam like a motherfucker. That’s the case with the opening song, Plecostomus Prime, with its brutal guttural vocals, and riffs and drums as heavy as hell, followed by one of the top songs of the album, the violent Meth Shots, where the excellent vocals and chorus match perfectly with the instrumental parts. The following track, Explosive Innards, is as explosive as its name says, with highlights to its good riffs.

The band doesn’t let the ball drop, offering us another massacre named Glory Hole Confession Session, with its strong bass lines and drums showing why they cite Fear Factory as one of their biggest influences. And pay attention to the vocals on the last part of the song, they’re gruesome (in a good way, of course). Then we have what in my opinion is the best track of the album by far, the brutal The Pantera Factor: the “Beavis & Butthead” intro as a tribute to the mighty PANTERA is so cool, and the song itself is so heavy (especially the riffs), that I’m pretty sure wherever Mr. Dimebag Darrell (R.I.P.) is he might be really proud of Heisenberg now.

heisenberg_bandThe last part the album kicks off with Black Metal Joe, the longest track of all and also the one with the most melodic riffs, and I have to admit this song sounds extremely professional for an independent band, with highlights to the changes in rhythm and breaks which give it an extra level of energy. Then we have Razorblade Enema, a very Death Metal tune perfect for slamming like crazy, and finally Fulminated Mercury closing the album, which despite being an extremely heavy track, lacks something to put it in the same level as the rest of the album.

I have some trouble understanding the lyrics in all songs, but who cares?  As I said, the objective of Heisenberg with their music is providing the fans an awesome soundtrack for slamming, nothing else. In addition, the album art by American bassist, singer and artist Mike Majewksi, showing a very violent and merciless Walter White butchering all those rotten corpses, is more than awesome and becomes a crucial part of the album.

In summary, Heisenberg, which can be streamed and purchased at the band’s bandcamp page, is a recommended album for all fans of old-fashioned Deathslam and even for metalheads that want to learn more about this music genre. And if you’re also a huge fan of Mr. Walter White, you’ll surely “remember his name” while slamming with Heisenberg’s music.

Best moments of the album: Meth Shots and The Pantera Factor.

Worst moments of the album: Fulminated Mercury.

Released in 2014 Independent

Track listing
1. Plecostomus Prime 2:49
2. Meth Shots 2:14
3. Explosive Innards 1:57
4. Glory Hole Confession Session (feat. Joe Marchese) 2:22
5. The Pantera Factor 2:12
6. Black Metal Joe 3:05
7. Razorblade Enema 1:56
8. Fulminated Mercury 1:59

Band members
Paul McGrath – vocals
Brandon Moran – guitars
Billy Haiduk – bass
Tim Schmidt – drums