Album Review – Holocausto Canibal / Crueza Ferina (2022)

The legendary Portuguese purveyors of extremity celebrate 25 years of existence with a new opus featuring 19 tracks of flesh rending Brutal Death Metal and skin flaying Grindcore.

Featuring 19 tracks of flesh rending Brutal Death Metal and skin flaying Grindcore, Crueza Ferina, meaning “ferocious cruelty”, is the sixth full-length album from legendary Portuguese purveyors of extremity, pioneers of brutality, Porto-based horde Holocausto Canibal, highly recommended for fans of Haemorrhage, Nasum, Lay Down Rotten and Cliteater, among others. Utterly unstoppable and completely irresistible, Crueza Ferina was produced and engineered by João Ribeiro and mastered by Brad Boatright at Audiosiege Mastering Studio, sounding absolutely devastating from start to finish while adorned in the shocking image of a dead pig killed in a barbaric ritual of traditional slaughter. Far from their sadistic imaginations turning to the torture of animals though, vocalist Orca, guitarist António C., bassist Z. Pedro and drummer Diogo P. have embraced a vegan philosophy, with Z. Pedro telling Loud Magazine in a recent interview that “for us, the only blood we continue to accept to see is human”.

Over one minute of an infernal screeching pig ignites the opening tune Ad Bizarrem Morem before the band begins hammering their instruments in such demented intro, setting the tone for Êxodo Mortuoso, or “deadly exodus”, featuring guest guitars by Robert Vigna of Immolation, a lecture in Brutal Slammin’ Death Metal led by the inhumane gnarls by Orca and the razor-edged riffs by António. Epicédio Madrigaz (“madrigaz epic”) is as pulverizing as its predecessor where Diogo sounds bestial behind his drums, offering Orca exactly what he needs to crush our souls with his deep guttural, whereas Sinaxe do Sepúlcro Tafófobo (“synax of the taphophobic sepulcher”) lives up to the legacy of old school Grindcore with a D-Beat Crust touch, showcasing a sensational performance by António with his incendiary axe. Then drinking from the same fountain as Cannibal Corpse in their early days, Z. Pedro blasts his bass manically making the earth tremble together with Diogo’s massive beats in Ancestrais Ritos Hipóxicos (“ancestrals hypoxic rites”), and it’s time to slam into the circle pit in the name of Grindcore to the sound of Apresto Executório (“executive preparatory”), with António once again slashing our ears with his riffage. Diogo takes the lead one more time in the venomous Aniquilação Suídea (“swine annihilation”), sounding absolutely heavy and devastating from start to finish while spiced up by Orca’s visceral growling, followed by Ávida Tragação (“avid gulp”), keeping the album at a high level of dementia and gore and being perfect for breaking your neck headbanging like a true beast. And Congregação da Flama Felídea (“congregation of the felid flame’) is yet another fast and furious creation by Holocausto Canibal where Diogo sounds utterly possessed behind his drums accompanied by the ass-kicking guitars by António.

Psicótico Interlúdio (“psychotic interlude”) is an instrumental bridge that provides Orca with a break before he comes back ripping in Anátemas Nefandos (“nefarious anathemas”), bringing forward less than 40 seconds that will certainly crush your cranial skull so heavy and frantic it is; while Esquartejado em Segundos (“quartered in seconds”) is even shorter and more brutal than the previous songs with its 25 seconds of sheer savagery. In Prenúncios da Vingança Cavicórnea (“harbingers of cavernous revenge”) the band is back to their streak of “longer” songs, with Diogo’s blast beats hitting you in the head mercilessly, and there’s no time to breathe as the band continues their sonic devastation in Suprema Dominância Taurina (“supreme taurine dominance”), with António, Z. Pedro and Diogo being in a beyond blackened sync while the song’s ending sounds like the soundtrack to a gore flick. The band darken the skies with the truculent Campas do Negro Breu (“pitch black graves”), offering us all Brutal Death Metal at its finest spearheaded by the flammable riffage by António while Orca keeps vociferating the song’s evil words like there’s no tomorrow; and Girândolas da Agonia Profunda (“whirlwinds of deep agony”) is as deranged and heavy as it can be, showcasing another round of sheer brutality blasted by Z. Pedro and Diogo with their demonic kitchen, followed by Miasmas Onanizantes (“onanizing miasmas”), another song that lasts for less than a minute but that is enough for Holocausto Canibal to smash us all with their infuriated sounds. António leads his bandmates with his metallic riffs in Quérulo dos Finados (“kerulus of the dead”), a song that will certainly leave you completely disoriented after all is said and done, and the venomous bass jabs by Z. Pedro dictate the rhythm in the closing tune Sortilégio da Perversão (“perversion spell”), less puissant than the rest of the album but still brutal and grim.

If you think you have what it takes to face the brutality, heaviness and grind blasted by Holocausto Canibal throughout their hellish new album, you can purchase it from the Selfmadegod Records’ BandCamp or webstore as a regular CD or as a CD + shirt bundle, adding an extra touch of violence and gore to your personal collection. Hence, don’t forget to also follow those Portuguese butchers on Facebook and on Instagram for news, tour dates and other nice-to-know info about their career and their music, and to stream all of their wicked creations on YouTube and on Spotify. Put differently, brace yourselves for impact and let’s celebrate 25 years of utter extremity with Holocausto Canibal to the sound of their visceral new album, as the band remains as unflinching and uncompromising as ever.

Best moments of the album: Êxodo Mortuoso, Aniquilação Suídea, Congregação da Flama Felídea and Campas do Negro Breu.

Worst moments of the album: Psicótico Interlúdio and Sortilégio da Perversão.

Released in 2022 Selfmadegod Records

Track listing
1. Ad Bizarrem Morem 2:42
2. Êxodo Mortuoso 2:13
3. Epicédio Madrigaz 1:27
4. Sinaxe do Sepúlcro Tafófobo 2:23
5. Ancestrais Ritos Hipóxicos 0:57
6. Apresto Executório 1:11
7. Aniquilação Suídea 3:10
8. Ávida Tragação 1:26
9. Congregação da Flama Felídea 1:25
10. Psicótico Interlúdio 2:00
11. Anátemas Nefandos 0:38
12. Esquartejado em Segundos 0:25
13. Prenúncios da Vingança Cavicórnea 1:21
14. Suprema Dominância Taurina 1:35
15. Campas do Negro Breu 3:14
16. Girândolas da Agonia Profunda 1:14
17. Miasmas Onanizantes 0:51
18. Quérulo dos Finados 1:49
19. Sortilégio da Perversão 3:30

Band members
Orca – vocals
António C. – guitar
Z. Pedro – bass
Diogo P. – drums

Guest musician
Robert Vigna – guitars on “Êxodo Mortuoso”

Album Review – Cage Fight / Cage Fight (2022)

It’s time to get into a bloodsoaked cage fight to the sound of the thrilling debut album by an up-and-coming London, UK-based Hardcore outfit.

Featuring the stunning French vocalist Rachel Aspe, known for her time with the iconic French Neo-Metal act Eths, and TesseracT guitarist James Monteith, London, England-based Crossover/Hardcore unity Cage Fight have just unleashed upon us mere mortals their debut self-titled effort, one of the most furious records to emerge from the UK in years. The anger and frustration of the band’s debut album is the perfect catharsis for our times, not only showcasing all the talent of the aforementioned Rachel and James together with bassist Jon Reid and drummer Nick Plews, but the artwork itself, a grabbing hand with the Cage Fight logo tattooed on the palm, visually portrays the violent rage at the core of the band’s music. Legitimately tattooed by Rachel, a tattoo artist by trade, the process of creating the image is as impactful as the final artwork itself, giving you a very good idea of how ruthless and austere the album sounds. “I cherish the ability to channel my anger through this outlet. In a world full of uncertainty and frustration this type of music was the only thing I found solace and balance in. These songs have a deep meaning for me and I hope this is something that other people can relate to,” commented the multi-talented Rachel about such outstanding album.

Featuring Jeremy Sylvester, a highly influential and prolific Garage and House producer from the UK, the album begins with a modern, electronic Intro that sets the stage for The Mirror Shattered, a bestial Hardcore tune with Punk Rock elements led by the venomous guitars by James while Rachel roars manically, therefore living up to the legacy of bands such as The Exploited and Ratos de Porão. There’s no time to breathe as Nick keeps hammering his drums in Killer, another excellent composition showcasing a high-octane fusion of Crossover Thrash and Groove Metal where once again James is infernal armed with his axe. Rachel sounds possessed by a demonic entity throughout the entire album, and it couldn’t have been any different than that in the awesome Hope Castrated, a massive, in-your-face Hardcore feast where Jon’s rumbling bass and Nick’s furious beats will make your head tremble, and it’s then time to slam into the pit and raise our horns in the name of rebelliousness and rage in Make A Decision, absolutely fast and furious thanks to another flawless performance by Nick on drums while Rachel showcases her trademark she-demon screams for our total delight. Their Punk Rock vein pulses stronger than ever in Guillotine, with the slashing, piercing riffs by James walking hand in hand with the bass punches by Jon, not to mention Rachel even fires some gruesome, vile Brutal Death Metal screeches.

The MMA entrance-inspired interlude Cage Fight! warms us up for the metal battle entitled Shine Don’t Fade, sounding and feeling pulverizing from the very first second thanks to the dynamic and evil sounds blasted by James, Jon and Nick, perfect for breaking your neck headbanging; whereas in One Minute the quartet plays at the speed of light in a great hybrid of classic Thrash Metal the likes of Anthrax with the more ferocious music by Lamb of God. In Tell Me What Real Is, less visceral but still heavy-as-hell, dense and demonic, Rachel keeps screaming inside our heads while her bandmates extract sheer animosity form their sonic weapons, whereas in Respect Ends there’s absolutely no sign of tiredness by the band, with James once again kicking ass with his riffage while Rachel delivers an insane dosage of animosity through her growls. Then we have Eating Me Alive, featuring guest vocalist Trevor Strnad (The Black Dahlia Murder), who sadly died on May 11 at the very early age of 41, bringing an extra touch of violence to the overall result by making an awesome vocal duo with Rachel; followed by My Dreams, which starts in a somber manner before exploding into the band’s modern-day Crossover Thrash. Moreover, Rachel leads her henchmen for over six minutes of aggressiveness, dementia and fury. And lastly we’re treated to their cover version for Body Count’s Bitch In The Pit (check the original song HERE), a sensational rendition by Cage Fight with Rachel stealing the spotlight with her enraged, she-wolf roars, turning her into the undisputed “bitch in the pit”.

In a nutshell, Cage Fight more than nailed it with their debut opus, providing us headbangers with a very good reason for raising our horns nonstop and slamming into the circle pit like there’s no tomorrow. Hence, don’t forget to stream the album in full on Spotify, to follow the band on Facebook and on Instagram for news and tour dates (and believe me, you don’t want to miss their live performances if they take your city by storm), and of course, to purchase your favorite version of such intense album of European Hardcore by clicking HERE. As you might have noticed, Rachel, James, Jon and Nick are waiting for you inside the cage for an ass-kicking metal fight to the sound of their debut opus, but you better be prepared to have your ass kicked in the name of Hardcore and Thrash Metal, of course.

Best moments of the album: The Mirror Shattered, Hope Castrated, Guillotine and Bitch In The Pit.

Worst moments of the album: None.

Released in 2022 Candlelight Records

Track listing
1. Intro 1:25
2. The Mirror Shattered 2:34
3. Killer 3:17
4. Hope Castrated 2:54
5. Make A Decision 3:15
6. Guillotine 2:32
7. Cage Fight! 0:58
8. Shine Don’t Fade 3:15
9. One Minute 4:04
10. Tell Me What Real Is 3:18
11. Respect Ends 3:03
12. Eating Me Alive 3:37
13. My Dreams 6:16
14. Bitch In The Pit (Body Count cover) 3:05

Band members
Rachel Aspe – vocals
James Monteith – guitar
Jon Reid – bass
Nick Plews – drums

Guest musicians
Jeremy Sylvester – samplers on “Intro”
Trevor Strnad – vocals on “Eating Me Alive”

Album Review – Sijjeel / Salvation Within Insanity (2022)

From the morbid purgatory that lies between the edge of sanity and the shores of madness comes a vicious Death Metal entity bringing forth disease, destruction and death.

From the morbid purgatory that lies between the edge of sanity and the shores of madness comes the furious, brutal Death Metal of a vicious entity known as Sijjeel. Hatched in the desert sands of Saudi Arabia nearly a decade ago, more specifically in 2013 in the city of Damman, the capital of the Eastern Province, the eyes of Sijjeel soon turned to Europe to find the warped souls that could complete the three-headed beast, with vocalist Floor Van Kuijk (Carnifloor, Focal Dystonia, Korpse) and bassist Lukas Kaminski (Stillbirth, Placenta Powerfist) being chosen to join guitarist Hussain Akbar and bring forth disease, destruction and death. Mixed and mastered by Floor himself at GLDCHN Studios, and displaying a hellish artwork by Indonesian artist Rudi Gorgingsuicide, the hellbound tour de force of terror Salvation Within Insanity is the first full-length effort by such demented trio, following up on the insanity found in their 2020 debut EP Cyclopean Megaliths and, therefore, being highly recommended for admirers of Defeated Sanity, Incinerate and Twitch Of The Death Nerve, among other bands that worship brutality above all things in heavy music.

The thunderous, menacing bass by Lukas will hammer your head mercilessly in the opening track Isolation Behind Unrealism, bringing forward pure, unfiltered Death Metal for lovers of the genre, with Floor barking rabidly amidst the band’s sonic devastation, whereas Inverted Contentment in Salvation is a beyond infernal display of the band’s ruthless aggression in the form of Death Metal, with Hussain firing razor-edged riffs from his axe while the programmed (but very organic) drums sound like a stone crusher. There’s not a single second of peace as those metallers keep pulverizing our ears in The Affliction of Deteriorating Minds, another solid display of Brutal Slammin’ Death Metal by the trio spearheaded by the sick guttural by Floor; and get ready to be smashed like an insect by the bludgeoning riffs and drums by Hussain in Mental Paralysis, also showcasing tons of progressiveness and groove flowing from Lukas’ demented bass jabs.

The trio continues to crush our senses in Climbing Into the Abyss, exhaling brutality, rage and speed, with Hussain once again displaying a spot-on job done on the guitar, and the music gets darker and more infernal as time goes by ending in a thrilling manner. Then they show no mercy for our souls with the fulminating Departing from Human Nature, where we’re treated to the demented beats by Lukas while Floor roars deeply nonstop, resulting in the epitome of the band’s brutality and gore; and their second to last explosion of vile Death Metal, entitled Indignation Overcame Me, brings forward endless savagery thanks to the infernal riffage by Hussain, smashing their sonic weapons like true beasts in the name of extreme music. Lastly, intricate, Stygian sounds ignite the closing hurricane Inflection to Thee Smut, offering us all another very good reason to slam into the circle pit, with Floor’s inhumane growls walking hand in hand with the blast beats by Lukas.

You can get to know more about Sijjeel, their tour dates, plans for the future and so on on Facebook and on Instagram, and of course in order to support the underground you should definitely purchase a copy of Salvation Within Insanity from Comatose Music’s BandCamp page or webstore. Relentless and absolutely punishing from start to finish, Salvation Within Insanity is indeed a fantastic display of Extreme Metal made in Saudi Arabia, proving once and for all our beloved metal music knows no barriers, inviting people from all over the world to slam into the pit and to raise our horns to bands like Sijjeel forever and ever. That’s how Death Metal is supposed to be, and if the band keeps firing albums like Salvation Within Insanity in the coming years such intense genre will get even stronger than what it already is.

Best moments of the album: Inverted Contentment in Salvation, Mental Paralysis and Departing from Human Nature.

Worst moments of the album: None.

Released in 2022 Comatose Music

Track listing
1. Isolation Behind Unrealism 4:31
2. Inverted Contentment in Salvation 3:14
3. The Affliction of Deteriorating Minds 3:49
4. Mental Paralysis 4:04
5. Climbing Into the Abyss 4:33
6. Departing from Human Nature 3:25
7. Indignation Overcame Me 4:18
8. Inflection to Thee Smut 6:04

Band members
Floor Van Kuijk – vocals
Hussain Akbar – guitar, drum programming
Lukas Kaminski – bass

Album Review – Emasculated Vituperation / Rape Trauma Syndrome (2022)

Get ready for an explosion of horror and breathtaking savagery made in Taiwan, drenched in the acidic bile of cruelty and drowning in unreasoning hatred.

Lurking in the diseased bowels of humanity since their inception in 2021 in Taiwan, the visceral, unyielding Brutal Death Metal/Deathslam outfit known as Emasculated Vituperation is ready to demolish our senses with their debut opus, entitled Rape Trauma Syndrome, an explosion of horror and breathtaking savagery, one minute dragging you through a charnel pit of rot and decay, the next subjecting you to a frenzied assault of shocking intensity. Drenched in the acidic bile of cruelty and drowning in unreasoning hatred, this is an album for the most desensitized and warped, those fatally addicted to the poisonous adrenaline rush of the brutal outer limits of slamming Death Metal, carefully brought into being by vocalist Larry Wang, guitarist Yuru Wei, bassist Matt Lee and drummer Murray Chen.

Just like the soundtrack to a horrid, gruesome horror movie, the intro Dismembered Flesh Mutilation will send shivers down your spine before Emasculated Vituperation start their inhumane attack with Live Grinding of the Fetus, a massive, truculent Death Metal feast where Larry roars deeply like a creature from the underworld while Murray hammers his drums in great fashion accompanied by the low-tuned, menacing bass by Matt; followed by the title-track Rape Trauma Syndrome, which starts with another movie-inspired intro before the demented guttural by Larry and the incendiary riffage by Yuru pulverize the minds of the lighthearted. There’s no time to breathe as Yuru continues to slash his axe in Forced Swallowing of Vomit, while Murray sounds possessed behind his drum set in a display of Brutal Slamming Death Metal with no shenanigans.

After a quick disturbing excerpt (and it’s even more disturbing if you’re a guy), the quartet will crush your cranial skull mercilessly in Penis Chainsaw Mutilation, where Larry doesn’t sound human at all throughout the entire song, therefore enhancing its violence considerably, whereas Sulfuric Acid Facial Destruction is beyond infernal and demolishing from the very first second. Not only the level of aggression and chaos blasted by the quartet is gargantuan, but guest vocalist Brandon Smith of Agonal Breathing also adds his personal touch of insanity to this Brutal Death Metal onrush for our total delight. Then featuring Xu Zhaiyu and Dongda of The Dark Prison Massacre, Rectal Prolapsing is absolutely disturbing to say the least thanks to the awesome vociferations blasted by all vocalists, while Matt and Murray keep shaking the foundations of earth with their sick kitchen. Finally, their passion for slasher flicks will haunt your damned souls one final time in Unjustified Mistreatment, inspiring us to bang our heads nonstop to the crushing drums by Murray and the always vile riffs by Yuru.

If you think you have the guts to face the pulverizing, perturbing Death Metal crafted by those four sick Taiwanese metallers in Rape Trauma Syndrome, you can stream the album in its entirety on YouTube, but of course if you’re a loyal servant of the most underground form of Death Metal you should definitely purchase the album from the Brutal Mind’s BandCamp page or webstore, as well as from the Fat Tub Of Lard Records’ Big Cartel. In addition, don’t forget to follow the band on Facebook and on Instagram for news, tour dates and other depraved things, keeping the fires of brutal slamming burning and, consequently, inspiring Emasculated Vituperation to continue paving their path of blood, aggressiveness and insanity armed with their wicked and evil music.

Best moments of the album: Live Grinding of the Fetus, Rape Trauma Syndrome and Sulfuric Acid Facial Destruction.

Worst moments of the album: Forced Swallowing of Vomit.

Released in 2022 Brutal Mind/Fat Tub Of Lard Records

Track listing
1. Dismembered Flesh Mutilation (Intro) 2:21
2. Live Grinding of the Fetus 3:02
3. Rape Trauma Syndrome 3:26
4. Forced Swallowing of Vomit 2:16
5. Penis Chainsaw Mutilation 4:05
6. Sulfuric Acid Facial Destruction 2:29
7. Rectal Prolapsing 2:39
8. Unjustified Mistreatment 2:41

Band members
Larry Wang – vocals
Yuru Wei – guitar
Matt Lee – bass
Murray Chen – drums

Guest musicians
Brandon Smith – additional vocals on “Sulfuric Acid Facial Destruction”
Xu Zhaiyu – additional vocals on “Rectal Prolapsing”
Dongda – additional vocals on “Rectal Prolapsing”

Album Review – Vulnificus / Innomination EP (2021)

Behold the debut effort by an unrelenting American duo attempting to push Death Metal back to its extreme limits.

Formed in the fall of 2021 in the United States by vocalist Eston Browne (Abolishing the Ignominious) and multi-instrumentalist Wilson Sherels (Urotherapy, Epidermolysis), the dynamic Brutal Death Metal duo known as Vulnificus is attempting to push Death Metal back to its extreme limits with their debut demo/EP, entitled Innomination, highly recommended for fans of bands the likes of Cenotaph, Defeated Sanity, Brodequin and Orchidectomy. Recorded, mixed and mastered at Demolition Studios by Wilson with additional recording and mixing of vocals by Eston at BWNTWN STN, and displaying a sick cover art by Pileworm Guttural Art and logo by Force Fed Graphics, Innomination will smash us like an insect with its 12 minutes of sheer brutality, leaving us all absolutely disoriented and eager for their first full-length opus in the near future.

Wilson begins his demented sonic attack in Scraped and Scattered, providing Eston with all he needs to torment our souls with his gruesome vociferations. In other words, it’s the epitome of underground brutality, and I’m sure Wilson’s blast beats will inspire you to slam into the pit like a maniac in the name of Death Metal. The duo shows no mercy for our necks in Induced Rampage, as Wilson continues to hammer his guitar, bass and drums nonstop while Eston roars and growls like a creature from the abyss, resulting in an insane Death Metal extravaganza spiced up by the song’s closing eerie noises crafted by Eston. And their last Deathslam feast comes in the form of the title-track Innomination, another bestial creation by those infernal metallers showcasing their trademark growls and demolishing beats, not to mention how caustic the riffs by Wilson feel, ending the band’s welcome card on a high and putrid note.

After the 12 minutes of savagery blasted by Vulnificus are over, you’ll certainly go back to the start and listen to their undisputed Brutal Death Metal again and again, proving how sick, vile and honest their music is. Hence, let’s show our support to this up-and-coming American bludgeoning duo by following them on Facebook and on Instagram for all things Vulnificus, and by grabbing a copy of their demo from their own BandCamp page or by streaming it as many times as you want on Spotify. As already mentioned, Eston and Wilson are already working on their debut full-length album for sometime in 2022, and until then we can keep practicing our slamming skills to the sound of Innomination because when their full-bodied beast comes to life, it will be hell on earth in the name of Brutal Death Metal.

Best moments of the album: Induced Rampage.

Worst moments of the album: None.

Released in 2021 Independent

Track listing
1. Scraped and Scattered 4:37
2.Induced Rampage 4:19
3. Innomination 2:54

Band members
Eston Browne – vocals
Wilson Sherels – all instruments

Album Review – Intricated / Apocalyptic Metamorphosis (2021)

From the sin swamped streets of Bangkok to the frenzied furnace of your nightmares, Intricated are coming for you armed with ten tracks of precision putridity and bludgeoning, blasting brutality.

Twisting the very fabric of reality, tearing through the layers of existence and warping everything you know to be true, Bangkok, Thailand’s own Brutal Death Metal unity Intricated has pushed themselves to the limit in their brand new album entitled Apocalyptic Metamorphosis, a worthy follow-up to their 2016 debut effort The Vortex Of Fatal Depravity. Mixed by the band itself, mastered by Alan Douches at West West Side Music, and displaying a sick artwork by Japanese illustrator Toshihiro Egawa, Apocalyptic Metamorphosis brings to our ears ten tracks of precision putridity and bludgeoning, blasting brutality carefully crafted by vocalist Panyawat Sridee, guitarist Jeeraset Paemongkol, bassist Wasumit Wongwai and drummer Pratchaya Phadungthin, resulting in a monstrous opus of chaos unleashed recommended for fans of Suffocation, Cryptopsy and Deeds Of Flesh, among others torchbearers of extreme sonic savagery.

An ominous, sinister intro titled The Sixth Invisible Light of the Unobserved Heterogeneity Dimension opens the gates of hell for Intricated to kill with Ruthless Domination, a pulverizing Deathslam onrush led by the blast beats by Pratchaya and the deep and utterly cadaverous growls by Panyawat while Jeeraset and Wasumit show no mercy for their stringed weapons; whereas Impaling the Emperor is even more infernal than its predecessor, with Pratchaya sounding beyond infuriated on drums. What a solid display of Brutal Death Metal by the band, sounding perfect for slamming into the pit like a demented beast, and there’s a lot more devastation by Intricated with Summoning the Abyzou, where they kick some serious ass with their pulverizing Death Metal spiced up by the razor-edged riffage by Jeeraset. And An Experimentation of Genocide (Unit 731) brings forward two and a half minutes of brutality, gore and violence in the form of extreme music, where it’s impressive how Panyawat’s vocals get deeper and more gruesome as the music progresses.

There’s no time to breathe as the quartet continues to smash our cranial skulls mercilessly in Flagitious Meditation, with Wasumit making the earth tremble with his bass supported by the always demented drums by Pratchaya, making an instant bridge with the also bludgeoning The Manifest of Apocalyptic Variation, highly recommended for breaking your neck headbanging with Jeeraset once again exhaling malignancy from his axe. Enigmatic Portal of Demise is a lecture in Brutal Death Metal by Intricated, showcasing all elements we love in the genre including of course the bestial vociferations by Panyawat and the complex but always infernal beats by Pratchaya; and keeping the album at a high level of animosity it’s time for the instrumental Interdimensional Being…, presenting a solid work done by the quartet (albeit I miss their evil growls). Finally it’s time for Iniquitous Creatures, a hellish, absolutely heavy and devilish creation bringing to our ears six minutes of pure savagery masterfully brought forth by the band, with Panyawat leading his horde with his wicked, deranged gnarls until the song’s Stygian ending.

The apocalyptic world of Death Metal ruled by Intricated can be better appreciated by following the band on Facebook and on Instagram for news and tour dates, and of course by purchasing Apocalyptic Metamorphosis from the Comatose Music BandCamp page or webstore as a regular CD or as a CD + shirt + sticker bundle, as well as from several other online locations including Barnes & Noble, Waterloo Records, Monster Music & Movies, Schoolkids Records, and Record Archive. From the sin swamped streets of Bangkok to the frenzied furnace of your nightmares, Intricated are coming for you armed with their beast of an album, proving Thailand can easily become one of the epicenters of underground Death Metal worldwide.

Best moments of the album: An Experimentation of Genocide (Unit 731), Enigmatic Portal of Demise and Iniquitous Creatures.

Worst moments of the album: Interdimensional Being…

Released in 2021 Comatose Music

Track listing
1. The Sixth Invisible Light of the Unobserved Heterogeneity Dimension 0:40
2. Ruthless Domination 3:46
3. Impaling the Emperor 3:50
4. Summoning the Abyzou 3:19
5. An Experimentation of Genocide (Unit 731) 2:34
6. Flagitious Meditation 2:49
7. The Manifest of Apocalyptic Variation 4:17
8. Enigmatic Portal of Demise 3:02
9. Interdimensional Being… 2:20
10. Iniquitous Creatures 6:05

Band members
Panyawat Sridee – vocals
Jeeraset Paemongkol – guitar
Wasumit Wongwai – bass
Pratchaya Phadungthin – drums

Album Review – Cutterred Flesh / Sharing is Caring (2021)

Brace yourselves for the new album by this ruthless Czech Death Metal horde, offering that warm, comforting, bludgeoning heaviness that will put you to sleep, perhaps permanently.

Forged  in 2001 in the burning fires of Karlovy Vary, a town in the west Bohemia region of the Czech Republic (or Czechia, if you prefer), a Brutal Death Metal beast that goes by the name of Cutterred Flesh is ready to spread violence, gore and insanity all over the world thanks to their newborn spawn, entitled Sharing Is Caring, the follow-up to their 2018 album Code: Violence. Recorded at Kohlekeller Studio under the supervision of Kristian Kohle Kohlmannslehner, and displaying a demonic artwork by Pär Olofsson (Aborted, Immolation), the album is loaded with all the Death Metal riffs you need, all the diversity to not only set the songs apart but to also keep things interesting, and that warm, comforting, bludgeoning heaviness that will put you to sleep, perhaps permanently, showcasing all the talent and aggressiveness of Jiri Krs on vocals, Vitali Novak and David Krombholz on the guitars, Zdenek Hnizdil on bass and Frantisek Drazdansky on drums, being therefore highly recommended for fans of Suffocation, Devourment, Aborted, Cattle Decapitation and Benighted, among several others.

Frantisek begins his sonic attack behind his drums in Vibrio Vulnificus, an obscure and primeval Death Metal aria by Cutterred Flesh where Jiri takes the lead with his inhumane growling, going straight to your jugular while showcasing a lot of intricacy at the same time; and Black Aurora brings forward another round of sheer violence and darkness by the quintet, with both Vitali and David breathing fire through their guitars, not to mention the stone crushing sound blasted by Frantisek for our total delight. Then in Where Only Old Flesh Stinks a more melancholic vibe is carefully added to their core devastation, setting the stage for Jiri to bark like a creature of the underworld while Zdenek delivers some vicious and complex lines from his bass, followed by Good Boy – Romantic Relationship with Necrotic Tissue, featuring guest vocals by American singer and guitarist Von Young of Lividity, a vicious Death Metal onrush that sounds as infernal and demolishing as it can be.

Cutterred Flesh Sharing Is Caring CD Box Set

The Mystery of the Black Hen offers our putrid ears three minutes of pure, unfiltered Death Metal where the band’s guitar duo not only cuts our skin deep with their sharp riffage, but they also fire beautiful solos, whereas in Amused by the Tenacity of a Dying Whore the band adds elements from Deathslam and even Deathcore to their massive sonority, resulting in one of the most disturbing and heaviest of all songs, and with Frantisek sounding like he’s possessed on drums. Fans of Suffocation and Aborted will have a blast with Knife Is Not the Enemy, a brutal and infernal European death feast where Jiri showcases his deepest guttural roars from start to finish, and there’s no time to breathe thanks to the imposing My Favourite Bodybag, another stunning depiction of the band’s brutality and talent with Zdenek and Frantisek generating a thunderous wall of Death Metal with their demonic kitchen. And how about a body slammin’ extravaganza as a bonus track? That’s what you’ll get in Progressive Body Adjustment, with Jiri’s screams being supported by the inhumane beats by Frantisek until the very last second.

If you’re a fan of the brutality of classic Death Metal with a melodic and intricate twist, I’m sure you’ll have a blast with Sharing is Caring, available for purchase from the band’s own BandCamp page, from the Transcending Obscurity Records’ webstore as an ass-kicking wooden LP box set with engraving containing a gatefold LP with metallic effect and UV lamination, an autographed card, an A3 size poster, a shaped logo patch, a bottle opener badge and a metallic sticker (and you can get it HERE or HERE), from Apple Music or from Amazon. Also, don’t forget to give the guys from Cutterred Flesh a shout on Facebook and on Instagram, sharing your love for Brutal Death Metal with the band and other metalheads from all over the world because, as the name of the album already says, sharing is caring.

Best moments of the album: Black Aurora, Where Only Old Flesh Stinks and Amused by the Tenacity of a Dying Whore.

Worst moments of the album: The Mystery of the Black Hen.

Released in 2021 Transcending Obscurity Records

Track listing
1. Vibrio Vulnificus 4:04
2. Black Aurora 4:26
3. Where Only Old Flesh Stinks 4:32
4. Good Boy – Romantic Relationship with Necrotic Tissue 3:16
5. The Mystery of the Black Hen 3:25
6. Amused by the Tenacity of a Dying Whore 3:10
7. Knife Is Not the Enemy 4:15
8. My Favourite Bodybag 4:12

Bonus track
9. Progressive Body Adjustment 3:37

Band members
Jiri Krs – vocals
Vitali Novak – guitar
David Krombholz – guitar
Zdenek Hnizdil – bass
Frantisek Drazdansky – drums

Guest musician
Von Young – vocals on “Good Boy – Romantic Relationship with Necrotic Tissue”

Album Review – Enthrallment / Against The Will To Live – Sky Burial (2021)

Get ready to be smashed by the brand new opus by this old school band formed at the zenith of the Death Metal industry in Bulgaria in times of political and social turbulence.

Brought into being in the fires of Pleven, Bulgaria at the zenith of the Death Metal industry in 1998 in times of political and social turbulence, Brutal Death Metal/Grindcore outfit Enthrallment is back in action with their sixth full-length opus, entitled Against The Will To Live – Sky Burial. Produced by the band’s own drummer Ivo Ivanov and Enthrallment at MRDR Sound Studio in Sofia, Bulgaria and displaying a Stygian cover art by Denumbra Artworks, Against The Will To Live – Sky Burial showcases a precise mix of American and European Death Metal carefully crafted by vocalist Plamen Bakardzhiev, guitarists Vasil Furnigov and Nikola Ognyanov, basisst Rumen Pavlov and drummer Ivo Ivanov, being therefore highly recommended for admirers of the fury and talent of bands such as Suffocation, Entombed and Immolation.

The eerie guitars by Vasil and Nikola kick off the Stygian opening tune Hollow Roots, evolving into a putrid Death Metal feast spearheaded by the crushing drums by Ivo. In other words, what a pulverizing sound spiced up by the gruesome roars by Plamen, and the band continues to hammer their sonic weapons and to smash our cranial skulls in Painting A Bloody Symphony, a straightforward, classic Death Metal extravaganza tailored for fans of bands the likes of Suffocation and Morbid Angel. There’s no time to take a breath as Rumen slams his metallic bass manically in Surgical Masquarade, accompanied by the visceral growls by Plamen and the always brutal riffage by the band’s guitar duo, resulting in another excellent option for heading into the circle pit for some action.

More insanity in the form of Death Metal is offered to our avid ears in Divine Mandolins, with Rumen and Ivo generating a menacing ambience with their infernal kitchen; and get ready for another round of savagery and heaviness in Sacrificial Euthanasia, where Plamen showcases more of his deep guttural roars nonstop, being therefore recommended for some nice and sweet headbanging. Then a massive wall of deadly sounds will hit you hard in the head in Hegemony Of The Weak, where the band brings forward all their fury together with a high dosage of intricacy, whereas like a beast lurking in pitch black darkness, Enthrallment will devour your flesh in Giving Alms To Birds, with Plamen’s hellish roaring being nicely complemented by the song’s background vocalizations. It’s an evil Death Metal composition with hints of classic Doom Metal to properly conclude the album, I might say.

All the violence and hatred blasted by Enthrallment in Against The Will To Live – Sky Burial can be fully appreciated on YouTube, but of course in order to show your support and admiration for underground Bulgarian metal you should purchase a copy of the album from the band’s own BandCamp page, as well as from the Rebirth the Metal Productions’ BandCamp page or Big Cartel. Also, don’t forget to follow the guys from Enthrallment on Facebook to stay up to date with all things surrounding such talented band. In a nutshell, Against The Will To Live – Sky Burial is the ultimate proof why those Bulgarian metallers are still alive after decades on the road, elevating the name of Death Metal in their homeland to a whole new level of destruction, aggression and obscurity.

Best moments of the album: Painting A Bloody Symphony, Sacrificial Euthanasia and Giving Alms To Birds.

Worst moments of the album: Divine Mandolins.

Released in 2021 Rebirth the Metal Productions

Track listing
1. Hollow Roots 4:37
2. Painting A Bloody Symphony 3:20
3. Surgical Masquarade 3:52
4. Divine Mandolins 3:47
5. Sacrificial Euthanasia 3:37
6. Hegemony Of The Weak 3:35
7. Giving Alms To Birds 3:47

Band members
Plamen Bakardzhiev – vocals
Vasil Furnigov – guitar
Nikola Ognyanov – guitar
Rumen Pavlov – bass
Ivo Ivanov – drums

Album Review – Mütherload / Ü EP (2021)

This regrouped tour-de-force from Canada is ready to kill with a six-track introduction of their thrashy, groovy and melodic death sound.

3.0rating

mütherload-ü-ep-2021After two years of creating and crafting their own sound, along with being the local opening support for touring bands the likes of Threat Signal, Green Jëllo, Beyond Creation and The Blood of Christ, London, Canada-based Melodic Death/Groove Metal unity Mütherload, a regrouped tour-de-force birthed from the ashes of Heaven Ablaze, is now ready to present their first offering in the form of an EP simply entitled Ü, a six-track introduction of Mütherload’s thrashy, groovy, melodic death sound recommended for fans of Lamb of God, In Flames, Mastodon, Opeth and Tool. Produced, mixed and mastered by Thomas Ireland and featuring a sick artwork by tattoo artist Dave Schultz, the EP offers us a very good and incendiary sample of what vocalist Derek Lee, guitarists Patrick Davison and Derek Haley, bassist Chris McKichan and drummer Matt Ashton are capable of.

And Patrick and Derek Haley begin slashing their guitars in great fashion in Insect, accompanied by the groovy bass jabs by Chris and the rhythmic beats by Matt in an awesome display of Groove Metal, all of course spiced up by the demented roars by Derek Lee; and continuing their path of devastation with a melodic touch, we’re treated to The Visitor, offering us all more of the flammable riffage by the band’s guitar duo while Derek Lee doesn’t stop screaming like a beast, living up to the legacy of renowned bands like Lamb of God. Then in the interlude Ü a sinister dialogue between two guys about their future quickly explodes into Iniquity, another infernal creation by the quintet presenting hints of Brutal Death Metal in Derek Lee’s vocals while Chris and Matt make the earth tremble with their respective bass lines and beats, morphing into a serene instrumental interlude entitled Thaügüst, where acoustic guitars will soothe your souls before we face Lamia, the darkest composition of the EP. This Stygian tune will pierce your mind mercilessly, with the entire band being on absolute fire delivering heavier-than-hell growls, riffs, bass punches and blast beats, inspiring you to bang your head nonstop in the name of our beloved metal music.

mütherload-2021“The Ü EP is our first step back into the metal scene after years of silence. We feel this small collection of music represents the focus that we’ve developed as a band in our songwriting for the first time in years. Musically, we’ve stretched our reach into new territory with open tunings, and more space for vocals. This EP deserves to be played loud, so crank it up,” commented Patrick about the band’s newborn spawn, and you can enjoy each second of music from Ü by streaming the full EP on Spotify. In addition, don’t forget to show your support to this newly formed band of metal veterans by following them on Facebook and on Instagram, and by grabbing your copy of the EP from their own BandCamp page. The EP might be the band’s first step back into the scene, as mentioned by Patrick, but what a great step it is, and I can’t wait to see what’s next for Mütherload and to witness them kicking some serious ass on Canadian stages soon with their awesome creations.

Best moments of the album: Insect and Lamia.

Worst moments of the album: None.

Released in 2021 Independent

Track listing 
1. Insect 3:54
2. The Visitor 3:39
3. Ü 0:44
4. Iniquity 3:06
5. Thaügüst 1:43
6. Lamia 3:24

Band members
Derek Lee – vocals
Patrick Davison – guitar
Derek Haley – guitar
Chris McKichan – bass
Matt Ashton – drums

Album Review – Anthropophagus Depravity / Apocalypto (2021)

Prepare for a new age of wicked superstition and the rebirth of old and hungry gods to the sound of the debut album by this Indonesian Death Metal tribe.

3.5rating

anthropophagus-depravity-apocalypto-2021Indonesia is a festering sore of Brutal Death Metal, infected with an array of bands that explore the outer limits of savagery and sickness just like Yogyakarta-based horde Anthropophagus Depravity. Writhing like maggots in a wound, these pioneers of putridity eat their way deeper and deeper into the darkness, entwining shuddering heaviness with chilling atmosphere and nightmarish brutality. Their debut full length album, entitled Apocalypto, is a torrent of overwhelming, suffocating horror that feeds upon the vicious rituals of the ancient Mayan religion, with its furious riffs and relentless blasts seeming to force themselves down your throat, choking you with a pitiless intensity. Armed with furious riffs, relentless blasts and nerve-shredding atmosphere, the band comprised of Pandu Herlambang on vocals, Eko Aryo Widodo and Rico Zerico on the guitars, Cahyono Hari Wijayanto on bass and Sahrul Ramadhan on drums is ready to kill with their shuddering heaviness, turning their new opus into a must-have for admirers of the music by Devangelic, Relics of Humanity, Disentomb and Analepsy.

The intro Hymn to Apocalypto kicks off with the vile riffage by Eko and Rico while Sahrul already showcases his rage behind his drums, with its tribalistic second half setting the tone for the Deathslam hymn Forecasting Ruination, with Pandu roaring like a demented beast from the underworld and, therefore, sounding perfect for slamming into the pit to the fulminating beats by Sahrul and the classic Death Metal riffs by the band’s guitar duo. Then a quick cinematic start explodes into sheer brutality in the visceral The Mayan Disaster, continuing their path of devastation, blood and fear, while Eko and Rico’s guitars are nicely supported by Cahyono’s infernal bass punches; and a gruesome gnarl by Pandu ignites another feast of dementia entitled Temple of Sacrifice, with Sahrul showing no mercy for his drums (and consequently for our necks) in a great display of contemporary Brutal Death Metal.

If you think those Indonesian metallers are tired of slamming our heads with their brutal music you’re absolutely wrong, as they offer us the straightforward, in-your-face tune Immolation for the Sacred God, showcasing their usual violence in the form of guttural growls, slashing riffs and pulverizing drums; whereas Pandu sounds even more furious than before in Escape from the Dead Lands, accompanied by the hellish kitchen crafted by Sahrul and Cahyrono. Their second to last Apocalyptic Death Metal extravaganza comes in the form of Ruthless Nation Perished, with Pandu roaring and gurgling rabidly from start to finish, or in other words, it’s another fantastic option for crushing your spinal cord into the circle pit, not to mention its disturbing ending, I might say, flowing into Mantra Solar Eclipse, a six-minute ritualistic, demolishing Death Metal creation by Anthropophagus Depravity that will haunt your souls for all eternity, with Pandu taking the lead once again with his wicked roaring, all spiced up by a sick guitar solo to properly end the album.

anthropophagus-depravity-2021The vile and infernal Death Metal blasted by Anthropophagus Depravity in Apocalypto can be appreciated in full on YouTube and on Spotify, but of course in order to take part in their demonic rituals you should definitely purchase the album from Comatose Music’s BandCamp page or webstore, as well as from Amazon and other retailers like Barnes & Noble. In addition, don’t forget to follow this talented Indonesian tribe on Facebook and on Instagram, and to subscribe to their YouTube channel for more of their pulverizing creations. Having said all that, prepare for a new age of wicked superstition and the rebirth of old and hungry gods, and of course for slamming into the circle pit like a rabid beast, to the sound of Apocalypto.

Best moments of the album: Forecasting Ruination and Ruthless Nation Perished.

Worst moments of the album: None.

Released in 2021 Comatose Music

Track listing   
1. Hymn to Apocalypto 2:46
2. Forecasting Ruination 4:33
3. The Mayan Disaster 3:43
4. Temple of Sacrifice 4:38
5. Immolation for the Sacred God 4:26
6. Escape from the Dead Lands 3:10
7. Ruthless Nation Perished 4:12
8. Mantra Solar Eclipse 6:17

Band members
Pandu Herlambang – vocals
Eko Aryo Widodo – guitar
Rico Zerico – guitar
Cahyono Hari Wijayanto – bass
Sahrul Ramadhan – drums