Album Review – Glorious Depravity / Death Never Sleeps (2025)

This deadly supergroup returns with their sophomore beast, showcasing the best elements of Death Metal, even with its roots in the old school sound and the music tinged with Thrash Metal influences.

With an illustrious lineup featuring members of Pyrrhon, Gravesend, Woe, and Scarcity, among others, New York, United States-based Death Metal brigade Glorious Depravity is ready to pulverize us all with their sophomore beast entitled Death Never Sleeps, following up on their 2020 debut Ageless Violence. Recorded and mixed by Joe Cincotta (Suffocation, Obituary) at Full Force Recording, mastered by Ryan Williams (The Black Dahlia Murder), and showcasing a sinister artwork by Dan Seagrave (Morbid Angel, Malevolent Creation), the newborn spawn by Doug Moore (Pyrrhon, Scarcity, Seputus) on vocals, Matt Mewton (Woe) and George Paul (Gravesend) on the guitars, John McKinney (Woe) on bass, and Chris Grigg (Woe) on drums is an album that showcases the best elements of Death Metal, even with its roots in the old school sound and the music tinged with Thrash Metal influences, being therefore perfect for fans of Cannibal Corpse, Monstrosity, Vader, Deicide, Sinister, Decapitated, and Power Trip.

Get ready to be pulverized like a putrid insect to the sound of Slaughter the Gerontocrats, kicking off the album on a demented mode to the gruesome roars by Doug, and Chris keeps hammering his drums like a true beast in Stripmined Flesh Extractor, offering more of the band’s trademark fusion of Death and Thrash Metal. Freshkills Poltergeist carries an excellent title for a song that reeks of old school Death Metal, led by the visceral, razor-edged riffs by Matt and George; whereas their Death Metal avalanche continues in full force in Sulphrous Winds (Howling Through Christendom), with Doug growling deeply accompanied by the rhythmic, venomous kitchen by John and Chris. The band then shows no mercy for our necks and bodies in the headbanging feast titled Scourged by the Wings of the Fell Destroyer, with their guitars exhaling absolute hatred.

Chris once again takes the lead with his unrelenting beats and fills in The Devouring Dust, living up to the legacy of bands the likes of Immolation, Cannibal Corpse and Morbid Angel; while the riffage by Matt and George will penetrate deep inside your skin in Carnage at the Margins, inviting us all to slam inside the pit like true metalmaniacs, all boosted by the inhumane gnarling by Doug. It’s then time to slow things down a bit and break our necks headbanging to the sound of Necrobotic Enslavement, accelerating its pace closer to the end until a true demonic finale, and lastly we’re treated to the title-track Death Never Sleeps, with their Stygian, vile sounds smashing our cranial skulls while Matt and George also fire some sick guitar solos for our absolute delight.

In comparison to their debut, they have refined and upgraded their music and have left no stone unturned in Death Never Sleeps, sounding  more impactful and powerful than ever before as well as having found more of their identity. You can get to know more about this evil supergroup by visiting them on Facebook and on Instagram, stream their demented creations on Spotify, and of course grab your copy of their new album from their own BandCamp, from the Transcending Obscurity Records’ main store, Bandcamp, Europe store or US store, or by clicking HERE. Death Never Sleeps is undoubtedly a significant release in the style, a top-tier, invigorating Death Metal opus, and I’m sure it will inspire them to keep crafting deadly music for years to come, gifting us with album number three in a not-so-distant but surely dark and demonic future.

Best moments of the album: Slaughter the Gerontocrats, Sulphrous Winds (Howling Through Christendom) and Carnage at the Margins.

Worst moments of the album: Necrobotic Enslavement.

Released in 2025 Transcending Obscurity Records

Track listing
1. Slaughter the Gerontocrats 3:53
2. Stripmined Flesh Extractor 3:09
3. Freshkills Poltergeist 3:17
4. Sulphrous Winds (Howling Through Christendom) 2:26
5. Scourged by the Wings of the Fell Destroyer 4:03
6. The Devouring Dust 3:26
7. Carnage at the Margins 4:39
8. Necrobotic Enslavement 3:25
9. Death Never Sleeps 5:44

Band members
Doug Moore – vocals
Matt Mewton – guitars
George Paul – guitars
John McKinney – bass
Chris Grigg – drums

Album Review – Shadow of Intent / Imperium Delirium (2025)

These American Symphonic Deathcore masters are back with their majestic fifth opus, expanding their signature blend with new industrial and atmospheric textures.

Since their formation in 2014, Connecticut’s own Shadow of Intent have garnered a reputation for crafting mind-blowingly melodic, technical, prog-tinged Symphonic Deathcore. Widely acknowledged as one of the forerunners of the current Deathcore renaissance, the band currently formed of Ben Duerr on vocals, Chris Wiseman on the guitars and samples, Andrew Monias on bass, and Bryce Butler on drums is back in action with their fifth studio opus, entitled Imperium Delirium, following up on their 2022 album Elegy. Produced, mixed and mastered by Dave Otero at Flatline Audio, with additional mixing by Mike Low, and displaying a sinister artwork by Dan Seagrave, Imperium Delirium expands the band’s signature blend of symphonic grandeur, blackened melody, and Deathcore precision with new industrial and atmospheric textures, being highly recommended for fans of Whitechapel, The Black Dahlia Murder, Lorna Shore, and Cattle Decapitation, among others.

Prepare to Die is utterly imposing and symphonic from the very first moments, quickly morphing into a Deathcore beast where Ben’s deep, enraged guttural walk hand in hand with the killer drumming by Bryce, followed by Flying the Black Flag, one of the first singles of the album, showcasing darkly poetic lyrics (“A subterfuge emerges from the confusion / Corrupting patterns, piercing the timeline / A trail left emblazoned with no regard / They fly the black flag high”) amidst an infernal sonority. Infinity of Horrors offers us all another explosion of ferocity and symphonic elements, with the guitars and samples by Chris generating a thrilling, cinematic wall of sounds, whereas Mechanical Chaos is one of the most technical and complex of all songs, with Bryce sounding like a stone crusher on drums for our total delight. There’s not a single space left empty in the air in They Murdered Sleep, a massive Deathcore extravaganza where Chris sounds once again infernal armed with his axe and samples; and Ben roars and vociferates deeply like a wild beast in The Facets of Propaganda, enhancing the song’s already demented heaviness to a whole new level.

Then featuring guest vocals by the one and only George “Corpsegrinder” Fisher of the mighty Cannibal Corpse, Feeding the Meatgrinder presents more of the band’s wicked words (“Violent attrition / Salivating for the kill / Brutality is to be redefined / They aim to dominate / Hordes metastasize a vengeance indiscriminate / Disregard for human life is in the nature of the business”) while the music is ruthless Deathcore at its finest; while Vehement Draconian Vengeance carries a stylish name for another blast of Deathcore by the band, where Chris and Andrew generate a Stygian ambience with their respective riffs and bass lines. Beholding the Sickness of Civilization is a neck-breaking, downtempo tune by Shadow of Intent where all background elements give it a haunting vibe, followed by Apocalypse Canvas, a fun and vibrant instrumental composition by the quartet where the guitar lines by Chris and the rumbling, intricate bass by Andrew sound insanely gripping. Their Symphonic Deathcore onrush goes on in full force in No Matter the Cost, with Ben roaring like a demented creature while Chris slashes his sonic weapons nonstop, and the title-track Imperium Delirium is undoubtedly the most complete, detailed and incendiary of all songs, spearheaded by Bryce’s phenomenal drumming. Put differently, it’s epic, apocalyptic and absurdly engaging until the very end.

A scathing anti-imperialist statement, tackling war, propaganda, and the machinery of modern violence with nihilistic clarity, Imperium Delirium cements the band’s name as one of the most important forces in the history of Deathcore worldwide, and if you’re from another dimension and don’t know anything about Shadow of Intent, you can find the band on Facebook and on Instagram for news, tour dates and so on, stream their music on any available service like Spotify, and of course show them your total support by purchasing their new album from BandCamp or by clicking HERE. Imperium Delirium likely refers to the concept of an “empire in delirium,” describing an empire or ruling power experiencing a state of madness, chaos, or a loss of control. That’s exactly what our decaying society is experiencing nowadays pretty much in every single part of the world, and the music brought forth by Shadow of Intent in their new album certainly represents that chaotic situation to perfection, showing that although our world might be coming to an end, at least let’s go down in style listening to some first-class Deathcore.

Best moments of the album: Flying the Black Flag, Infinity of Horrors, Feeding the Meatgrinder and Imperium Delirium.

Worst moments of the album: None.

Released in 2025 Independent/Blood Blast Distribution

Track listing
1. Prepare to Die 4:00
2. Flying the Black Flag 3:57
3. Infinity of Horrors 4:13
4. Mechanical Chaos 3:50
5. They Murdered Sleep 4:01
6. The Facets of Propaganda 5:19
7. Feeding the Meatgrinder 4:03
8. Vehement Draconian Vengeance 3:54
9. Beholding the Sickness of Civilization 4:30
10. Apocalypse Canvas 5:08
11. No Matter the Cost 4:16
12. Imperium Delirium 7:34

Band members
Ben Duerr – vocals
Chris Wiseman – guitars, samples, backing vocals
Andrew Monias – bass
Bryce Butler – drums

Guest musician
George “Corpsegrinder” Fisher – vocals on “Feeding the Meatgrinder”
Francesco Ferrini – additional keyboards