Album Review – Muertissima / Inquisition (2021)

Let the inquisition begin to the sound of the dynamic and pulverizing debut opus by this demented Death Metal act from France.

Hailing from the always beautiful and charming Paris, France, a demented Death Metal horde that goes by the curious name of Muertissima (which would translate from Spanish as something like “very dead”) is ready to attack armed with their debut opus, entitled Inquisition, highly recommended for fans of the music by bands the likes of At the Gates, Carcass and Morbid Angel. Passionate about all genres of Extreme Metal, guitarist Stephane Prados composed the majority of the songs without imposing any constraints of styles or structures, which ended up giving the album a dynamic Death Metal vibe combined with Black and Thrash Metal nuances to generate an original old school sound. Recorded at Lower Tones Place Studio, Inquisition is the perfect welcome card by the aforementioned Stephane and his henchmen Simon Perrin on vocals and bass, Matthias “Macchabée” Bonhoure on the guitar, and Cédric Dupuy on drums, leaving you completely disoriented after its almost 50 minutes of savagery are over.

Cédric begins hammering his drums like a demented beast in the opening tune Lockdown, accompanied by the sick riffage and guttural roars of his bandmates, whereas Simon continues to growl manically in Rise and Fight, another pulverizing display of the band’s classic Death Metal that will inspire you to slam your cranial skull into the circle pit. The rumbling bass by Simon is gradually joined by the razor-edged riffs by Matthias and Stephane in Cerveza, a true headbanger spearheaded by the massive beats by Cédric that should work perfectly when played live, followed by the title-track Inquisition, another Death Metal onrush provided by the quartet with Simon’s screams getting more and more demented as the music progresses, also presenting some welcome elements from Groove and Progressive Death Metal. And it’s time for more insanity in the form of extreme music with Godslayer, where the band’s guitar duo sounds utterly infernal with their axes supported by the rumbling bass by Simon and the always vicious beats by Cédric.

There’s no time to breathe as Muertissima keep crushing us all in Glory to Loki, another solid tune where their Cannibal Corpse-inspired guitars walk hand in hand with the demonic gnarls by Simon, and never slowing down nor selling out, Cédric’s hellish drums provide the rest of the band all they need to be even more ferocious with their respective instruments in Wild Hunt. Composing a Death Metal song that’s seven minutes long is a risky move, but Muertissima did a very decent job in Shooting Gallery, providing some interesting breaks and variations amidst their usual aggressiveness, with both Matthias and Stephane dictating the rhythm with their unstoppable guitars. They surpass the seven-minute barrier one more time in Prometeus, where Simon roars with tons of anger and hatred in his heart supported by the rest of the band, and the music remains heavy, dense, obscure and caustic until the very last second. Finally, sinister, acoustic guitars and the sound of the ocean are the main ingredients in Libertad, the most unique song of the album where the band seems to be inspired by classic Spanish music, resulting in a nice surprise despite not being Death Metal at all.

In a nutshell, the unstoppable Muertissima offer in Inquisition exactly what any fan of underground Death Metal is looking for, sounding sharp, straight to the point and electrified from the very first second of the album until its eccentric ending, positioning them as one of the most interesting new names of the French scene. Hence, don’t forget to give the guys from Muertissima a shout on Facebook and on Instagram, and above that, to purchase your copy of Inquisition from countless locations including Rock Metal Market, Wow HD, Barnes & Noble, Fnac, Cultura, Waterloo Records, and The Record Exchange. And then simply hit play and let the fires of the band’s inquisition of old school Death Metal burn your soul for all eternity.

Best moments of the album: Cerveza, Godslayer and Prometeus.

Worst moments of the album: Wild Hunt.

Released in 2021 Music-Records

Track listing
1. Lockdown 4:41
2. Rise and Fight 3:27
3. Cerveza 4:46
4. Inquisition 4:42
5. Godslayer 4:37
6. Glory to Loki 4:18
7. Wild Hunt 4:24
8. Shooting Gallery 7:28
9. Prometeus 7:05
10. Libertad 4:21

Band members
Simon Perrin – vocals, bass
Matthias “Macchabée” Bonhoure – lead guitar
Stephane Prados – rhythm guitar
Cédric Dupuy – drums

Album Review – Nunslaughter / Red is the Color of Ripping Death (2021)

Cleveland, Ohio’s own infernal squad returns with another bestial display of their trademark “Devil Metal”, their first album in seven years.

3.5rating

nunslaughter-red-is-the-color-of-ripping-death-2021Cleveland’s own infernal squad Nunslaughter requires no introduction. Since their inception in the distant year of 1987, those Ohio natives have prolifically perfected their own brand of what they like to label as “Devil Metal”, an evil blend of classic Death and Thrash Metal with Hardcore Punk, and now in 2021, at long last, the band is back in action with Red is the Color of Ripping Death, their first album in seven years. Recorded, mixed and mastered by Noah Buchanan, the album is a lesson in savagery, speed and sulfur by vocalist Don of the Dead, guitarist Tormentor, bassist Detonate and drummer Wrath, proving Nunslaughter are far from calling it quits even after so many years on the road. Furthermore, many are still mourning the loss of legendary drummer Jim Sadist (RIP), and while Red is the Color of Ripping Death is their first full-length without him playing on it, some of the 14 songs contained herein are unfinished or unrealized music that Jim and founding frontman Don of the Dead wrote years ago, giving the whole album an even more special feel and taste.

Wrath begins hammering his drums manically in the opening tune Murmur, a lecture in fast and heavy Death and Thrash Metal by the band to properly kick things off, not to mention how vile Don’s growls sound, whereas in Broken and Alone they speed up their pace and add a good amount of Hardcore and Punk Rock to their core sonority, with Tormentor treating us with his incendiary, slashing riffage. Then it’s time for a darker and more venomous tune by the quartet named To a Whore, once again inviting us all to slam into the pit to the Stygian riffs and bass jabs by Tormentor and Detonate, respectively; followed by Banished, not as infuriated as its predecessors but still showcasing the band’s trademark heaviness and spearheaded by the deep roars by Don, and the title-track Red Is the Color of Ripping Death, a hurricane of Death and Thrash Metal tailored for admirers of that beautiful sound from the Bay Area, with Wrath once again hammering his drums nonstop. Tormentor continues to extract sheer violence from his guitar in Eat Your Heart, while Don vociferates rabidly amidst a very melodic but at the same time brutal sonority, and in Annihilate the Kingdom of God the unrelenting Don beautifully declaims the song’s austere words while his bandmates keep delivering endless aggression, with Detonate and Wrath sounding bestial with their evil kitchen.

Living up to the legacy of old school thrash the likes of Slayer and Overkill, the quartet fires the absolutely infernal Beware of God, with Don leading his demented horde with his sick growling and screams, whereas another round of deranged roars, classic blast beats and flammable riffs comes in the form of Black Cat Hanging, keeping the album at a high level of animosity for our total delight. And are you ready to be smashed like an insect? Because that’s what will happen to you in Dead in Ten, spearheaded by the fulminating drums by Wrath and the wicked riffage by Tormentor in a superb display of extreme music by Nunslaughter. Then let’s all “calm down” a bit and enjoy a headbanging extravaganza entitled The Devil Will Not Stray, where the band adds hints of Black and Doom Metal to make things even more devilish, while they get back to a more ferocious sonority in The Temptress, with Wrath kicking ass on drums once again supported by the metallic bass jabs by Detonate. Casket Lid Creaks is another slower-than-usual song that albeit displaying the band’s heaviness and obscurity, it doesn’t really take off. Detonate still showcases a great job with his low-tuned bass, though. Lastly, less than one minute is everything the band needs to crush anyone that’s still alive in Below the Cloven Hoof, putting a beyond demonic ending to such awesome album.

nunslaughter-2021In case you want to join Nunslaughter in their quest for metal, depravity and evil, you can start following the band on Facebook and on Instagram for news, tour dates and other nice-to-know details about them, stream more of their savage creations on Spotify, and above all that, purchase the awesome Red Is the Color of Ripping Death from their own BandCamp page or from the Hells Headbangers Records’ webstore in CD or cassette format. As Jim Sadist would say, “red is the color of ripping death,” and I’m sure he’s truly proud of his bandmates for their new album. Long live Jim Sadist, and long live Nunslaughter.

Best moments of the album: Broken and Alone, Red Is the Color of Ripping Death, Beware of God and Dead in Ten.

Worst moments of the album: Banished and Casket Lid Creaks.

Released in 2021 Hells Headbangers Records

Track listing 
1. Murmur 1:33
2. Broken and Alone 1:50
3. To a Whore 2:34
4. Banished 2:48
5. Red Is the Color of Ripping Death 3:34
6. Eat Your Heart 2:41
7. Annihilate the Kingdom of God 2:48
8. Beware of God 1:49
9. Black Cat Hanging 2:13
10. Dead in Ten 3:39
11. The Devil Will Not Stray 2:51
12. The Temptress 2:01
13. Casket Lid Creaks 3:04
14. Below the Cloven Hoof 0:52

Band members
Don of the Dead – vocals
Tormentor – guitars
Detonate – bass
Wrath – drums

Album Review – Primal Age / Masked Enemy (2021)

One of the trailblazers of Hardcore and Edge Metal in Europe returns with another furious album, again dealing with animal rights, vegetarianism, ecology, denunciation of overconsumption and abuse of power.

3.5rating

primal-age-masked-enemy-2021Bringing forward a furious mix of Heavy Metal and Hardcore since 1993 and still going strong, always with a lot of energy, passion and determination, and relentlessly presenting a strong critical view on the ugliest parts of our rotten society, Évreux, France-based Hardcore/Edge Metal unity Primal Age is back with more of their furious music in their new opus entitled Masked Enemy, the follow-up to their 2017 EP A Silent Wound. Refusing to hold back on themes like defense of animal rights, vegetarianism, ecology, denunciation of overconsumption and abuse of power, the band comprised of Didier on vocals, Benoit and Florian on the guitars, Dimitri on bass, and newcomer Miguel on drums goes once again straight to your jugular in their new album, with the crisp recording and mixing by Guillaume Doussaud at Swan Sound Studio, the awesome mastering by Alan Douches at West West Side Music, and the ass-kicking artwork by Visual Injuries (who have been working for the band for several years and know how to translate their music and lyrics into images), turning it into a must-have for fans of extreme music with a meaningful message.

Their political feast of heavy music begins with Intro & Wise Old Man, featuring an excerpt from 12-year old Severn Suzuki’s speech during the United Nation’s Earth Summit Conference in Rio de Janeiro, Brazil in 1992 (see the full video HERE), with sinister sounds growing in intensity until Didier comes growling manically supported by his bandmates, generating a sick atmosphere that lives up to the legacy of classic Hardcore. Then it’s time to slam into the pit to the vicious beats by Miguel and the always melodic but extremely austere riffage by Benoit and Florian in The Devil Is Hidden In Shadow, not to mention Didier sounds even more demented on vocals; followed by Adolescent Humanity, a fusion of Metalcore, Hardcore, Heavy Metal and classic Punk Rock that will invite you to crush your skull into the circle pit, with Dimitri and Miguel being on fire with their hellish kitchen. In The Two Heads Monster we’re treated to the acid lyrics barked by Didier (“Control of the living became an economic stake / Sectors collusion promises us the best / But it’s a dark future’s conjuring / Chemistry and Nature are not getting along”) amidst sheer violence in the form of old school Hardcore, whereas the title-track Masked Enemy reminds me of the music by The Exploited with hints of the Thrash Metal played by Slayer and Exodus, which obviously translates into pure awesomeness, while Miguel dictates the song’s visceral pace.

The frantic beats by Miguel, the intense riffs by Benoit and Florian, and endless electricity are the main ingredients in I Warn You, another excellent creation by Primal Age that will please all fans of the genre without a shadow of a doubt, while the semi-acoustic interlude The Downside Of Progress will capture your soul before the band comes ripping once again in Who Dares Wins, a smashing, in-your-face tune led by the infuriated roars by Didier displaying no shenanigans nor any artificial elements, just our good old Hardcore to make you crack your neck headbanging like a true beast. And get ready to be dragged into a hurricane of Metalcore and Hardcore to the incendiary guitars by Benoit and Florian in the high-octane tune Passion vs. Fashion, while Dimitri keeps hammering his bass nonstop. What a pulverizing composition, I might say, whereas the second to last explosion of their politics-infused metal music, entiled Blinded By Cruelty, brings to our ears another round of their wicked riffs and beats, all of course spiced up by the deep growling by Didier, before all comes to an end with the instrumental outro Awakening Of Consciousness, putting a serene, melancholic and climatic ending to the album.

primal-age-2021Masked Enemy is available for a full listen on YouTube and on Spotify, but of course in order to properly show your support to Primal Age and join them in their fight against everything that’s wrong with our decaying society, you should definitely purchase the album from their Big Cartel in CD or vinyl, from the WTF Records webstore also as a CD or vinyl, from Coretex Records, from Apple Music, from Amazon or from Discogs, or simply click HERE for the digital version of the album. In addition, don’t forget to follow the band on Facebook, on Instagram and on YouTube to stay up to date with all things Primal Age. Those French trailblazers of Hardcore and Edge Metal nailed it once again with their new album, and may their powerful message reach the four corners of the earth in hopes that we can all make the world a better place to live to the sound of their first-class music.

Best moments of the album: The Devil Is Hidden In Shadow, Masked Enemy and Passion vs. Fashion.

Worst moments of the album: None.

Released in 2021 WTF Records

Track listing   
1. Intro & Wise Old Man 4:24
2. The Devil Is Hidden In Shadow 3:12
3. Adolescent Humanity 2:22
4. The Two Heads Monster 3:16
5. Masked Enemy 3:14
6. I Warn You 3:14
7. The Downside Of Progress 1:09
8. Who Dares Wins 3:58
9. Passion vs. Fashion 3:16
10. Blinded By Cruelty 3:48
11. Awakening Of Consciousness 2:00

Band members
Didier – vocals
Benoit – guitars
Florian – guitars
Dimitri – bass
Miguel – drums

Album Review – Internal Conflict / A P O R I A (2021)

Over 40 minutes of first-class Metalcore made in the UK, delivering a deep exploration of modern metal whilst reflecting on society and what it is to be human in deeply challenging times.

3.5rating

internal-conflict-aporia-2021Following their 2018 EP Nothing Is Lost and continuing their progressive creativity and innovative take on Heavy Metal, A P O R I A, the sophomore opus by Leicester, England-based Metalcore/Thrash Metal outfit Internal Conflict, is part brutal, part melodic, delivering a deep exploration of modern metal whilst the lyrical themes reflect on society and what it is to be human in deeply challenging times. Mixed and mastered by Neil Hudson at Initiate Audio & Media Studios and displaying a stunning artwork designed by Domonic Sohor, A P O R I A is undoubtedly the band’s strongest effort to date, proving why vocalist Adam Kyle, guitarists Sean Rice and Matt Hall, bassist Dan Laffar and drummer Chris Bentley carved themselves a slot at the renowned Bloodstock Open Air next month.

Chris begins his metal attack from the very firs second in the awesome fusion of Metalcore and Thrash Metal titled Kingdom of Apathy, offering Adam all he needs to roar and scream manically, not to mention his clean vocals are also powerful and full of rage, whereas a serene intro quickly explodes into another feast of heavy riffs, crushing drums and visceral vocals in Paraesthesia, sounding very modern and thrilling and, therefore, resulting in a great option for banging our heads nonstop with the band. The quintet speeds things up a bit and gets heavier-than-hell in Atlas Down, with Adam’s vocals sounding even more demented while Sean and Matt slash their guitars mercilessly, supported by the classic bass lines by Dan; and Bleed the Sky is one more tune inspired by contemporary Metalcore that will please all fans of the genre, with the piercing sound of their guitars bringing endless heaviness to the final result, also showcasing an electrifying paradox between clean and harsh vocals.

Let’s keep cracking our necks headbanging to the pounding beats by Chris in Hollow Heart, also offering our ears those classic atmospheric and melancholic moments from Metalcore, followed by Traitorous, a good song where Internal Conflict keep delivering their trademark sound, but that lacks the violence and punch from its predecessors, sounding a bit repetitive after a while. Nothing that truly harms the album, though. The second to last blast of heavy music by those British metallers comes in the form of The Line, with Sean, Matt and Dan sounding venomous with their stringed weapons, once again generating a dense ambience for Adam to kill with his vile screams; and closing the album it’s time for a six-minute Metalcore journey infused with Thrash, Groove and Heavy Metal elements entitled Kayfabe, with the old school riffage by the band’s guitar duo walking hand in hand with the rhythmic beats by Chris.

internal-conflict-2021You can get to know more about Internal Conflict by following the band on Facebook and on Instagram, subscribe to their official YouTube channel for more of their thrilling fusion of modern-day metal music with old school nuances, and above all that, show your support to UK’s underground by purchasing a physical copy of A P O R I A by clicking HERE or by purchasing a digital copy of the album or streaming it on your favorite platform by clicking HERE. If you’re attending Bloodstock Open Air this August, there you have a fantastic chance to witness Internal Conflict kicking some ass on stage playing several songs from A P O R I A live (as well as some of their previous creations), showing you why they can be considered one of the leaders of the Metalcore scene in their homeland and, of course, why we can rest assured we’ll hear a lot more from those British musicians sooner than we can imagine.

Best moments of the album: Kingdom of Apathy, Atlas Down and Kayfabe.

Worst moments of the album: Traitorous.

Released in 2021 PHD

Track listing 
1. Kingdom of Apathy 5:28
2. Paraesthesia 4:12
3. Atlas Down 4:29
4. Bleed the Sky 5:17
5. Hollow Heart 5:02
6. Traitorous 3:56
7. The Line 5:43
8. Kayfabe 6:10

Band members
Adam Kyle – vocals
Sean Rice – lead guitar
Matt Hall – rhythm guitar
Dan Laffar – bass
Chris Bentley – drums

Album Review – Celtic Hills / Mystai Keltoy (2021)

A massive metal attack made in Italy offering us all 11 tracks that speak of ancient alien civilizations, European pyramids, legends and historical facts of Friuli.

3.5rating

celtic-hills-mystai-keltoy-2021Mystai Keltoy, an enigmatic name that alludes to the Elusian Mysteries, is also the name of the brand new album by an Italian Melodic Power/Thrash Metal entity formed in 2010 that goes by the epic name of Celtic Hills, offering us fans of heavy music 11 tracks that speak of ancient alien civilizations, European pyramids, legends and historical facts of Friuli. Recorded and produced at The Groove Factory in Udine, Italy by Michele Guaitoli, and displaying a classy artwork representing the myth of the ancient visitors hand painted by artist Sheila Franco, Mystai Keltoy is a journey through several metal styles from early Thrash Metal to modern-day Power Metal, showcasing all the talent of the band comprised of Jonathan Vanderbilt on vocals and guitar, Jacopo Novello on bass, and Simone Cescutti on drums.

The Iron Maiden-like riffs by Jonathan and the crushing drums by Simone kick off the band’s metal extravaganza in The Light, blending the magic of traditional Heavy Metal with the acidity of the Speed Metal played by Megadeth. And let’s keep banging our heads to the smashing drums by Simone in Blood is not Water, accompanied by the thunderous bass by Jacopo, reminding me of some classic compositions by Overkill, Exodus and Metal Church, whereas powerful backing vocals add an extra touch of epicness to the imposing The Tomorrow of Our Sons, supporting Jonathan and his old school vocal lines. Putting the pedal to the metal, the trio fires the absolutely pulverizing battle hymn The 7-Headed Dragon of Osoppo, where all three musicians are in total sync with their incendiary riffs, bass punches and pounding drums, resulting in a lesson in Italian Heavy and Thrash Metal. There’s no time to breathe as those Italian metallers deliver another kick-ass tune entitled The Landing of the Gods, with Jonathan slashing his stringed axe nonstop.

Already Lost is epic and bold form the very first second, with the trio being on fire throughout the entire song which “forgets” their previous Speed Metal and invests into a pure Melodic Metal sonority. Then a futuristic atmosphere walks hand in hand with the metal demolition spearheaded by Simone’s drums in Falling Star, where it’s impressive how only three musicians can generate such dense sound; followed by Battle Of Frigidium, once again drinking from the same fountain as renowned acts the likes of Manowar, Iron Maiden and Iced Earth, with Jonathan’s vocals getting darker and more enraged as the music progresses. Featuring guest vocals by Italian singer Germana Noage (Aetherna, ƝOΔGE), Celtic Hills offer us fans a more melodic side of their music à la Nightwish, After Forever and Lacuna Coil in Eden, while Temple of Love never really takes off albeit sounding similar to the previous song, and never showing the same amount of adrenaline form the rest of the album. Finally, closing the album it’s time for a Melodic Power Metal tune entirely sung in Italian entitled Allitteratio, with Jacopo and Simone kicking some ass with their groovy and heavy kitchen.

celtic-hills-2021If you’re curious to see how the fusion of heavy music and legends of ancient civilizations sounds, you can enjoy Mystai Keltoy in its entirety on Spotify, but if I were you I would certainly purchase a copy of the album by clicking HERE. And, of course, you can start following Celtic Hills on Facebook and on Instagram for news, tour dates and other nice-to-know information about the band. Inspired by the history of the populations that inhabited the area of present-day Carnia and Friuli, as aforementioned, but seen with a different perspective, Mystai Keltoy will blow your mind so heavy and detailed it sounds, leaving you eager for more as soon as it’s over and, therefore, keeping the fires of Italian metal burning bright thanks to the amazing job done by the unstoppable Celtic Hills.

Best moments of the album: The 7-Headed Dragon of Osoppo, The Landing of the Gods and Eden.

Worst moments of the album: Temple of Love.

Released in 2021 Elevate Records

Track listing  
1. The Light 3:16
2. Blood is not Water 4:05
3. The Tomorrow of Our Sons 3:29
4. The 7-Headed Dragon of Osoppo 4:02
5. The Landing of the Gods 3:27
6. Already Lost 3:51
7. Falling Star 3:58
8. Battle Of Frigidium 4:59
9. Eden 3:54
10. Temple of Love 3:10
11. Allitteratio 3:20

Band members
Jonathan Vanderbilt – vocals, guitar
Jacopo Novello – bass
Simone Cescutti – drums

Guest musician
Germana Noage – vocals on “Eden”

Album Review – Lucifuge / Infernal Power (2021)

The full moon is nigh, and all the witches are about to dance to the infernal fusion of NWOBHM, Punk Rock and early Thrash Metal crafted by an unrelenting beast hailing from Germany.

3.5rating

lucifuge-infernal-power-2021For the past five years, Bremen, Germany-based Black/Thrash Metal beast Lucifuge has been perfecting an addicting fusion of NWOBHM, Punk Rock and early Thrash Metal, all guided by the iron fist of mainman Equinox. Starting in 2018 as a one-man wrecking crew inspired by Venom, Bathory and Hellhammer, Lucifuge have expanded to a full-bodied quartet comprised of the aforementioned Equinox on vocals and guitars, Berenjenix also on the guitars, Matorralix on bass and Dominatrix on drums, taking the band’s signature greasy n’ galloping riffs, locomotive rhythmic (dis)charge and twisted n’ pissed vocals, and spit-shining them with the dirtiest motor oil known to man, resulting now in 2021 in their brand new and fulminating opus Infernal Power, a breathtaking album of unrelenting metal music highly recommended for fans of bands the likes of Exciter, Warfare, Running Wild and Onslaught, embraced by the old school warlike artwork by Italian painter Paolo Girardi.

Rev up your engines as their feast of frantic and dirty sounds is about to begin in Infernal Power, blending old school Heavy Metal the likes of early Running Wild with Punk Rock, with Equinox and Berenjenix being on fire with their lancinating riffs. Put differently, what a bestial way to kick off the album, and they keep slashing their stringed weapons mercilessly accompanied by the furious blast beats by Dominatrix and the in-your-face bass punches by Matorralix in Leviathan Arise; followed by Black Battalions, where its lyrics reek of violence and rebelliousness (“Destruction, Disorder and Desire / They cling to him who braves the gale of high / They rush upon him like a wave and break / in fiery foam against him and they shake / They Open Hell”) while the music is a beautiful, galloping fusion of Heavy, Black and Speed Metal. And putting the pedal to the metal the quartet sounds like a demonic version of the early days of Megadeth in Temples Of Madness, with Equinox delivering his trademark raspy roars nonstop.

Let’s keep slamming into the pit and raising our horns and beers high in the name of metal to the sound of Heresy Shall Remain, with Equinox and Berenjenix once again sounding hellish on the gutiars, whereas in Beneath the Eyes of the Black Flame we face another round of their wicked lyrics (“Solemn dusk descending from the East / Demons rise around us in the mist / Deep beneath the Eyes of The Black Flame / Rise the One whose name shall not be named”) amidst a hurricane of metallic and sulfurous sounds. Then investing in a more melodic sound while maintaining their core essence intact the band offers us Black Light of The Evening Star, not as demented as its predecessors but still extremely enjoyable; and they’ll make your head tremble to the sound of the Speed Metal and Punk Rock hybrid entitled The Doors of Hell May Shake, where Dominatrix is once again insane behind his drums. After such pulverizing tune, it’s time for their own rendition of Good as It Is, from the legendary Japanese Hardcore Punk band G.I.S.M.’s cult second album M.A.N., released in 1987 (and you can check the original version HERE), with Lucifuge’s tribute sounding and feeling beyond stunning and vibrant. And lastly, sounding more epic than usual, Equinox and his henchmen fire the neck-breaking Midnight Sun, with the bass jabs by Matorralix making the earth tremble while the music remains utterly venomous until the very last second.

lucifuge-2021After all is said and done, it’s quite easy to join Equinox and his henchmen in their quest for metal music. All you have to do is stream Infernal Power as many times as you want in its entirety on YouTube and on Spotify, follow the band on Facebook and on Instagram for news, tour dates and other nice-to-know details about such talented horde, and above all that, purchase your copy of their scorching new album from their own BandCamp page, or from the Dying Victims Productions’ BandCamp page or webstore (in CD or LP format). As the band itself likes to say, the full moon is nigh, and all the witches are about to dance. Prepare to feel Lucifuge’s Infernal Power!

Best moments of the album: Infernal Power, Black Battalions and Beneath the Eyes of the Black Flame.

Worst moments of the album: Black Light of The Evening Star.

Released in 2021 Dying Victims Productions

Track listing  
1. Infernal Power 2:52
2. Leviathan Arise 2:55
3. Black Battalions 3:36
4. Temples Of Madness 2:54
5. Heresy Shall Remain 3:05
6. Beneath the Eyes of the Black Flame 2:55
7. Black Light of The Evening Star 3:08
8. The Doors of Hell May Shake 3:48
9. Good as It Is (G.I.S.M. cover) 5:20
10. Midnight Sun 3:59

Band members
Equinox – vocals, guitars
Berenjenix – guitars
Matorralix – bass
Dominatrix – drums

Metal Chick of the Month – Heike Langhans

heike01

The shackles of your demons fall silent… The shackles of your demons fall…

It’s time for the skies to get dark and melancholic here on The Headbanging Moose thanks to the doomed music blasted by our metal lady of the month of May, and I bet you’ll get absolutely addicted to her music right after the very first listen (in case you know nothing yet about her and her bands and projects, of course). Though of German descent, she was born on February 9, 1988 in Cape Town, a port city on South Africa’s southwest coast, and currently resides in Sweden, where she joined Swedish Doom Metal band Draconian as the replacement to former singer Lisa Johansson in 2012. I’m talking about the multi-talented Heike Langhans, a songwriter, singer and designer well known for her work in the Gothic and metal scenes, always exploring a vast array of styles including Dark Wave, Electronic and Gothic Rock, among several others, therefore conquering the blackened hearts of the damned ones.

Drawn to melancholy Gothic music during her teenage years, Heike Langhans (which correct pronunciation is ‘hey-keh’ and ‘lung [the organ] – huns [like guns]’, as it’s a German name) began to dabble in composition, writing and singing at a very young age, already being part of school choirs at the age of eight, although she got sick of singing in groups, left that behind and started doing her own thing. She played piano occasionally, but mostly played classical guitar, which helped a lot in her writing process, and used to sing with her father when he played guitar at social gatherings. Heike joined her first band when she was around 15 years old, an all-girls band comprised of friends of her that was mainly a fun holiday thing, while she kept doing music on her own until she joined a proper band at the age of 19. Needless to say, she kept doing her own thing on the side to stay focused and as an outlet for her frustrations with the world and her surroundings.

Active since 2005, our South African started her career being associated with a few distinguished projects and bands, those being her Dark Electronic solo project :LOR3L3I:, South African Symphonic Metal band Inferium, and South African Black/Thrash Metal band Warthane, with her vocals being known to be sorrowful and her music peculiar and melancholic in nature. Regarding :LOR3L3I: (also known as LOR3L3I, LORELEI, or simply Lorelei), everything started back in 2006 as a melancholic electronic side project, with the name Lorelei having almost acted as an alter ego in a sense. According to Heike herself, the songs are raw and unpolished, a “spur-of-the-moment” type project where she just pours her heart into a song, record it and then struggle to touch it again, and you can take a very good listen at all her demos on her official BandCamp page, savoring delicate creations such as Jade Light and Fables. “I’ve said many times that I will never be able to sing these songs live, simply because I’ll be too emotional. It’s hard for me to wear my heart on my sleeve sometimes, so music is the only way. Lorelei is definitely my outlet and it’s quite revealing in many ways. Many people think me intimidating and secretive, but I’m more of an open book than what they care to realize,” commented Heike about her solo endeavor.

Inferium and Warthane are completely different stories, as they were already relatively established bands when Heike joined them. Under the moniker Heike Van Dominic, she was Inferium’s vocalist from 2005 until 2010, joining the band when they were still an instrumental group. They were the only band she knew doing Symphonic Metal at that time, with a huge influence from bands like Nightwish and Within Temptation. She said in one of her interviews that the band had a lot of potential and that they were doing quite well, but as they had a lot of issues with finding time and money to record and push it further they decided to call it quits in 2010. “I’ll always remember and enjoy my time in Inferium and I’ll forever be sad about the stellar songs that were to come, but it’s a sweet memory,” said Heike. Right after Inferium disbanded, more specifically in 2011, our diva, again under the name Heike Van Dominic, recorded the female vocals for the album Black Divine, by Warthane, which you can enjoy in its entirety on Spotify. Not only that, she also used her graphic designer skills to create the album’s stylish, somber artwork, proving how focused and talented she is it doesn’t matter which band or project she’s involved with.

Since 2012, Heike has been acting as the singer for Swedish Gothic/Doom Metal act Draconian, a cult band that started back in the already distant year of 1994 as Kerberos, playing Melodic Heavy and Death Metal with Black Metal influences, changing its name to Draconian around seven months after its inception. Heike joined the band following the departure of singer Lisa Johansson in 2011 after having made contact with guitarist Daniel Arvidsson, then with vocalist Anders Jacobsson to try an audition in Sweden. At first, she struggled to get a work visa in Sweden, which hampered the band’s ability to record an album, and until obtaining the visa she performed as a temporary singer for Gothic Rock band The Great Sleep in South Africa, as you can see for example in the song The Last Funeral. At the end of 2013, she finally received her work visa and was able to emigrate to Sweden, when she started working with Draconian while at the same time she started playing as a guest singer, guitarist and keyboardist in 2015 for Swedish Doom Metal band ISON, a side-project of Daniel Änghede (of Crippled Black Phoenix and Hearts of Black Science). She mentioned her main reasons for joining ISON were being able to play an instrument again like what she used to do in her teens, and putting a part of her own soul into it within a genre that was not electronic. You can have a very good taste of the music by ISON on their BandCamp page, with their first three albums having Heike on vocals, those being Cosmic Drone, Andromeda Skyline and Inner Space, or go to YouTube and search for their official videos such as the one for the song ISAE, as well as other precious gems like the duo playing a stunning acoustic version for The Final Cut by Pink Floyd (and you can compare their beautiful rendition with the original one HERE).

Finally, in 2015 Heike was able to record her first album with Draconian, by the way the sixth in the band’s career, the excellent Sovran, which she was not only responsible for the female vocal parts, but she also collaborated on writing the lyrics for tracks Dusk Mariner, Dishearten and The Marriage of Attaris, showing how easy it has been for Heike to connect with everyone at Draconian. “When I came to Sweden, I thought it would be very intimidating to have to all of a sudden be in this professional studio and work with world-class producers, and I underestimated myself a lot. But once I actually started doing it, I realized I was completely over-thinking everything. The guys were really laid back and easy to work with,” commented Heike. Then in 2020 she released with Draconian their second opus together, entitled Under a Godless Veil, where once again she was responsible for part of the lyrics, more specifically for the lyrics for the song Sleepwalkers, on top of her usual vocal duties. She also mentioned in one of her interviews that her work with Draconian hasn’t had any negative impact on her solo project :LOR3L3I: so far; quite the contrary, several Draconian fans kept writing her and asking her to continue to create music under her solo project, although she said nowadays she doesn’t have enough time to focus on that. It doesn’t matter if you’re a longtime fan of Draconian or a newcomer to their doomed world, you must check all of their official videos on YouTube such as the ones for the songs Sorrow Of Sophia, Sleepwalkers, Lustrous Heart, The Sacrificial Flame, Moon Over Sabaoth and Stellar Tombs, all of their creations on Spotify, as well as live footage the likes of Pale Tortured Blue live at MS Connexion Complex in Mannheim, Germany in 2019, and simply get lost in their realm of melancholy.

Apart from all of those previous and current bands and projects, you can also enjoy Heike’s unique voice as a guest vocalist in several other bands from all over the world. For instance, she played live with Finnish Atmospheric Doom/Death Metal band Hallatar in 2018, with whom she also recorded vocals for the song My Mistake and narrations for the songs Raven’s Song, Pieces and Spiral Gate from their 2017 album No Stars Upon the Bridge; she was a guest vocalist in the song Vision VII: One with the Soil from the 2017 album Visions, by Austrian Post-Black Metal act Anomalie; she also recorded the female vocal parts for the song The Path to Puya, from the 2019 album Aamamata by Spanish Doom/Gothic Metal act Helevorn; and vocals for the song Wolves at the Border, from the 2015 album Signal, by Swedish duo Hearts of Black Science. Not only that, Heike also did the layout and band photos for the 2020 album Premonitions, by International Epic/Atmospheric Black Metal band Sojourner, and was responsible for the vocals, keyboards, songwriting, lyrics, vocal recording, artwork, layout and design in the 2020 album Another World, by International Atmospheric Doom Metal band Light Field Reverie.

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When asked about her main idols and influences in music, Heike said it’s actually hard to pinpoint influences because many of her personal likes are not in any genres considered as Gothic in modern terms. However, the bands she related to early on would be Fields of The Nephilim, The Awakening, Sisters of Mercy, The Cure, Type O Negative, Dead Can Dance and Lycia, to name a few. In addition, as far as more modern Goth-inspired music goes, she has spent a great deal of time listening to Diary Of Dreams, Tiamat, Tristania, Paradise Lost, Anathema, Sins Of Thy Beloved, Katatonia, Draconian, and of course My Dying Bride. She said her passion for metal started when she was a teenager, as she used to get her father’s Pink Floyd and Meat Loaf CD’s and listen to them on repeat in her room while singing along, also watching renowned acts like Black Sabbath on VH1 and taping whatever metal she could find onto VHS or cassette. By the time she was 16, she was consuming a lot of metal from all sub-genres, gradually focusing on what suited her best emotionally speaking like Gothic, Symphonic and Doom Metal, only getting into Black Metal in her 20’s, but of course the emotional aspect and the melodies found in Doom Metal turned it into her all-time favorite genre as it certainly triggers a lot more in her personally.

In regards to touring, Heike said in one of her interviews she would love to tour around a South America, South Africa and Australia with Draconian, understanding that requires a lot of traveling and a huge investment, of course. “I look forward to traveling to countries to enjoy the scenery, food and people. The music is just our way of saying thank you for having us. It would feel slightly selfish to think our music is what made the show worth it, if you know what I mean,” complemented Heike, who also has a deep connection with the metal scene in her homeland. “Despite what most South Africans make themselves believe, Cape Town actually has a great metal scene and more bands than you might think. I can count on one hand the amount of friends I have there who ISN’T a musician. It’s a very creative and beautiful town.” She recommends Atmospheric Black Metal band Crow Black Sky, 2017 Battle for Wacken winners Megalodon, scene-legend Industrial Metal band Terminatryx and a few new-comers such as Constellatia as excellent bands from her beautiful country (and city) that we should all take a listen at.

Moving from South Africa to Sweden wasn’t an easy task for Heike, as it took around 19 months for her to receive her residence permit renewal in Sweden due to the country dealing with an influx of refugees. Based in Säffle, a municipality in Värmland County in west central Sweden, with the rest of the band since December 2019, Heike said she obviously misses Cape Town, her friends, the forwardness of people, Afrikaans jokes and Afrikaans words that you really can’t say anywhere else, but of course that she loves Scandinavia and that her head and her heart are in the North. Her Swedish might not be perfect yet, but her Afrikaans (Dutch) and German background ended up helping her a lot in understanding the language in the beginning, and she’s picking it up quite fast in her own opinion. She also commented about the fact that a lot of people in Sweden and in different parts of the world keep asking her why she’s white, which she believes that happens due to the idea the media sells that everyone in the African continent is black, complementing by saying she usually takes the opportunity to explain how things really work in South Africa.

Lastly, although Heike seems to be an unstoppable music-making machine, she’s just a regular human being like all of us who has her favorite hobbies and pastimes when she’s not singing, recording or performing on stage. As an avid gamer, she said she loves playing World of Warcraft and old school RPG’s the likes of Icewind Dale, Baldur’s Gate, Neverwinter Nights and Lionheart, as well as newer games like Skyrim, but of course she spends a great amount of time doing art, mostly digital and editing. There are days when she doesn’t want to deal with technology and she focuses of drawings and illustrations by hand, though. She also enjoys painting and photography, albeit she considers those quite expensive hobbies, and sewing, showing how versatile and talented she is. Furthermore, Heike is a big supporter of the Ubuntu Liberation Movement in South Africa, the Venus Project and the Zeitgeist Movement, always focusing on human liberation and free energy. “I will not eat or drink anything that comes from big corporations. Yes it’s difficult, but I refuse to support them. I also don’t eat meat any more, and I don’t really care what people have to say about that. I think that once people really put in the time and effort and research, not only from a health or principle perspective, but from an environmental perspective, they will realize that there is a lot that they are not being told. If they want to follow all the bullshit lies in the industry, then fine. But I will actively be against that. That’s what I think being an activist is about,” said our dauntless diva, and you can know a lot more about Heike, her bands, projects and so on by watching several online interviews with her, such as this one at FemME 2015 and this one for Metal & High Heels in 2019, letting her smooth and enchanting words and her undeniable charisma penetrate deep inside your doomed soul.

Heike Langhans’ Official Facebook page
Heike Langhans’ Official Instagram
Draconian’s Official Facebook page
Draconian’s Official Instagram
Draconian’s Official Twitter
:LOR3L3I:’s Official Facebook page

“I love slow and melancholic music. It brings my inner suffering to the surface and Doom Metal makes me feel like it’s okay to be an emotional being that suffers in this strange world.” – Heike Langhans

Album Review – Scythe Beast / Indicted for Misconception (2021)

A pulverizing display of German Melodic Death and Thrash Metal that will lay waste to any listener unfortunate enough to venture near the battlefield.

3.5rating

scythe-beast-indicted-for-misconception-2021Originally founded in 2012 in the city of Barnstorf, a municipality in the district of Diepholz, in Lower Saxony, Germany, as what was solely intended to be a studio project, Melodic Death/Thrash Metal outfit Scythe Beast quickly morphed into its very own entity, culminating with the released of their debut effort Breeding Devastation in 2016. Now in 2021 it’s time for frontman Claus Ulka, guitarists Sven Stoppelberg and Frank Schwenker, bassist Jens Weymann and drummer Andreas Tegeler to unleash upon us their sophomore opus, entitled Indicted for Misconception, a deadly barrage brought into being during the lockdown period in Germany that will lay waste to any listener unfortunate enough to venture near the battlefield, living up to the legacy of renowned acts the likes of God Dethroned, Carcass and old Dark Tranquility.

Sven and Frank rev up Scythe Beast’s angry machine in the opening tune King of a Dead Land, evolving into a violent fusion of classic Death and Thrash Metal perfect for slamming into the pit right form the very first second, and it’s then time for a Carcass-infused tune entitled Kill Machine, where the quintet fires more of their vicious sounds spearheaded by the raspy roars by Claus, while Andreas keeps hammering his drums mercilessly. What a fulminating start to the album I might say, and their fire keeps burning in Soulicide, where they slow things down a bit while still sounding heavy-as-hell and utterly aggressive, increasing in insanity until exploding into visceral Melodic Death Metal where Jens extracts violent metallic sounds from his bass for our vulgar delectation; whereas the slashing riffs by the band’s guitar duo set the tone in the frantic Colonize, a Swedish Melodic Death Metal-inspired tune where the thrashing beats by Andreas bring even more fury to the overall sonority.

The tile-track Indicted for Misconception brings to our avid ears more of the band’s visceral and extremely harmonious metal music, a multi-layered, imposing tune spiced up by sick guitar solos by Sven and Frank as the icing on the cake, and never letting the energy level go down the quintet blasts our minds with the straightforward Signs of the Decline, where Claus’ demonic roaring is effectively supported by his bandmates’ classic backing vocals. If you think you’re safe from Scythe Beast, you better get ready to be crushed like an insect in For the Love of God, where Claus keeps vociferating rabidly while Sven and Frank are on fire with their wicked riffage, and Sven, Frank and Jens are once again ruthless with their stringed weapons in Truth Beyond, supported by the trademark blast beats by Andreas while also bringing some welcome hints of Black Metal. Lastly, the band demolishes everything and everyone that crosses their path with the venomous Scapegoat, presenting their usual demented riffs and beats and with Claus sounding like a furious beast on vocals just the way we like it in extreme music.

scythe-beast-2021These German beasts of Melodic Death and Thrash Metal are waiting for you on Facebook and on YouTube, but of course if you want to show your true support to the underground you should definitely purchase a copy of Indicted for Misconception from the band’s own BandCamp page or from Apple Music. As already mentioned a few times on The Headbanging Moose in the past year or so, although no one can stand this never-ending lockdown anymore, it looks like several bands the likes of Scythe Beast are making very good usage of their time away from the road, generating top-of-the-line metal music for us fans and, consequently, keeping us sane and making our days a lot more fun to the sound of their wicked creations. I obviously hope this lockdown comes to an end sooner than later, but if this type of isolation is needed for Scythe Beast to keep smashing our souls with their music, then I’m more than fine having to spend some more time indoors.

Best moments of the album: King of a Dead Land, Kill Machine and Indicted for Misconception.

Worst moments of the album: Truth Beyond.

Released in 2021 Independent

Track listing
1. King of a Dead Land 4:23
2. Kill Machine 4:21
3. Soulicide 6:31
4. Colonize 4:31
5. Indicted for Misconception 4:43
6. Signs of the Decline 4:53
7. For the Love of God 5:06
8. Truth Beyond 4:27
9. Scapegoat 5:00

Band members
Claus Ulka – vocals
Sven Stoppelberg – guitars
Frank Schwenker – guitars
Jens Weymann – bass
Andreas Tegeler – drums

Album Review – Chainsword / Blightmarch (2021)

These vicious Polish troopers are ready to spread the flames of war and conflict in a death and doom inferno armed with their brutal debut opus.

Founded in 2016 in Warsaw, Poland with the sole purpose of waging war, a five-men Death Metal squad known as Chainsword is ready to spread the flames of conflict in a death and doom inferno armed with their debut opus, entitled Blightmarch, living up to the legacy of renowned acts the likes of Unleashed, Bolt Thrower and Benediction, among several other Death Metal giants. Mixed, mastered and reamped by Haldor Grunberg at Satanic Audio, and displaying an old school, warlike artwork by Argentinian draftsman and painter Wilson Germán Arrieta, Blightmarch will invite you to head into the battlefield alongside vocalist Herr Brummbär, guitarists Sarin Spreizer and Herr Hornad, bassist Wutender Ente and drummer Herr Feldgrau, turning into ten first-class Death Metal tunes all the darkness, hatred and violence of war.

And those troopers are ready to pulverize us all with their heavy artillery in the opening tune Ost Front 1943 – Stalingrad, where Herr Brummbär vociferates like a demonic entity while Herr Feldgrau blasts his drums in great Death Metal fashion, kicking off the album on an infernal note; whereas in Spinehammer the band’s guitarists Sarin Spreizer and Herr Hornad fire unrelenting Thrash and Death Metal riffs for our total delight, resulting in a fulminating tune perfect for slamming into the pit (not to mention Herr Brummbär sounds even more demented on vocals), followed by Horus, the Chosen Son, where we’re treated to austere words barked by Herr Brummbär (“The foundation of terror / The shadow of torment / When hate consumes / the souls of man / It now is my mission / My final conquest / The right hand of chaos / That I become”) accompanied by the thunderous kitchen by Wutender Ente and Herr Feldgrau. More of the sick riffage by Sarin Spreizer and Herr Hornad permeates the air in the obscure Death Metal hymn Ost Front 1942: Moskau, with the rhythmic beats by Herr Feldgrau inviting us all to crack our necks headbanging like maniacs, and another Stygian wall of sounds smashes our senses in the vile Dead Hand Call, where Chainsword’s guitar duo not only keeps delivering sheer violence through their riffs, but also through their sick solos.

Bringing elements from Thrash and Groove Metal to their core malevolence, Chainsword will destroy anyone who crosses their path in Exterminatus, a lesson in Death Metal showcasing a brutal drumming by Herr Feldgrau amidst tons of groove and harmony blasted by the band’s stringed trio, and there’s no time to breathe as they continue their ode to violence and war in Daemonculaba, a true headbanger where Herr Brummbär roars and growls manically, always supported by the visceral riffs and bass jabs by his bandmates. Then featuring guest guitarist Cheesy Dude (aka Piotr Sadza of Belzebong and Weedpecker) and guest vocalist Nun (aka Lech Kowal of Sun No More), the title-track Blightmarch is as vile and demonic as its predecessors, keeping the album at a high level of animosity, whereas their war-like Death Metal keeps crushing our skulls in Dreadquake Mortar, sounding heavier-than-hell and demented from start to finish, with Herr Brummbär stealing the spotlight with his grim guttural lines. Lastly, we face 06.08 9:15, with the name of the song representing the date and time when the American B-29 bomber Enola Gay dropped an atomic bomb on the Japanese city of Hiroshima, August 6, 1945 at 9:15am. Musically speaking, it’s another old school, vicious Death Metal onrush to end the album in the heaviest and darkest way possible.

In case you’re curious to know how Chainsword’s hybrid of Death Metal and war sounds in Blightmarch, you can stream the album in its entirety on YouTube and on Spotify, but of course if you consider yourself a true Death Metal soldier you should definitely purchase the album from Chainsword’s BandCamp page, from the Godz ov War Productions’ BandCamp page or webstore, or from Apple Music. Also, in order to properly enlist in their army of extreme music, simply follow them on Facebook and on Instagram for more of their music, news, tour dates and everything else surrounding Chainsword in the battlefield. Having said that, what are you waiting for to put your dirty hands on such pulverizing album of Death Metal made in Poland? Let’s all join the attack!

Best moments of the album: Spinehammer, Exterminatus and Daemonculaba.

Worst moments of the album: Horus, the Chosen Son.

Released in 2021 Godz ov War Productions

Track listing
1. Ost Front 1943 – Stalingrad 4:03
2. Spinehammer 3:30
3. Horus, the Chosen Son 4:24
4. Ost Front 1942: Moskau 4:19
5. Dead Hand Call 3:37
6. Exterminatus 4:56
7. Daemonculaba 4:31
8. Blightmarch 3:42
9. Dreadquake Mortar 3:51
10. 06.08 9:15 5:15

Band members
Herr Brummbär – vocals
Sarin Spreizer – guitar
Herr Hornad – guitar
Wutender Ente – bass
Herr Feldgrau – drums, vocals

Guest musicians
Cheesy Dude – guitars on “Blightmarch”
Nun – additional vocals on “Blightmarch”

Album Review – Sintax / Nano 3000 (2021)

It’s time to celebrate mankind’s downfall to the sound of the brand new opus by this Israeli thrashing squad, telling stories of technologies rising against us all.

After years of performing all across Israel on their own ticket and alongside international acts, keeping Jerusalem’s metal scene alive and kicking, members of local cult bands the likes of Showrchtsechaye and DeuSphera decided to come together to form a Thrash and Groove Metal beast named Sintax back in 2013, delivering a strong punch of groove and a unique raw energy with each one of their sick compositions. Now in 2021 the band comprised of Yehi Zaken on vocals, Roi Illouz and Yoav Gruper on the guitars, Slava Kishka on bass and Adam Levit on drums have just released their sophomore effort, titled Nano 3000, offering the listener an avalanche of old school metal music combined with a modern production and sound. Mixed and mastered by Mark Mynett at Mynetaur Productions and displaying a futuristic artwork by Nadav Halevi, Nano 3000 tells stories of technologies rising against us and a dystopic prophecy taking in the subjects of anarchy, politics, religion, philosophy, war, sex and more, all embraced by an endless dosage of visceral and acid Thrash Metal.

Like a demented grinding machine, the band begins their Groove Metal attack in Skeleton Scale, with the riffage by Roi and Yoav sounding utterly pulverizing while Yehi vociferates rabidly, therefore resulting in the perfect welcome card by the band in their new album. And more of their fusion of the madness of Pantera with the heaviness of Fear Factory is offered to us all in Reefers Sting And Honey, also presenting hints of the early days of Sepultura, and with the frantic and demonic beats by Adam providing Yehi all he needs to growl like a true beast; whereas in Most Hated Man In The Universe the band gets back to a more traditional Thrash Metal sonority, where the brutal sounds blasted by Roi, Yoav and Slava with their stringed axes will pierce your minds, not to mention the song’s pounding, neck-breaking drums and sick backing vocals. Then we face strident riffs and rumbling bass punches in Sight Got Past, morphing from a more melodic vibe to pure adrenaline and rage with Yehi once again roaring and growling nonstop, accompanied by the visceral beats by Adam.

The title-track Nano 3000 sounds and feels highly inspired by 90’s Groove and Industrial Metal, but without abandoning the band’s thrashing core sound of course, with Adam being infernal as usual on drums while Roi and Yoav extract sheer electricity from their guitars; and the menacing bass by Slava ignites another violent yet very melodic feast of riffs and beats titled Shooting Stars, perfect for jumping up and down with the boys from Sintax and slamming into the pit with your metal buddies. Then after a short and wicked intro we’re treated to the fulminating Death and Thrash Metal hurricane Lethal And Armed, where Yehi continues to lead his horde of thrashing maniacs with his deranged screams while Roi and Yoav slash our minds with their metallic riffage, and a massive wall of sounds will smash your cranial skull in the closing tune Lunchtime Funeral, presenting sick guitar solos and bass punches by the band’s stringed warriors from start to finish. Furthermore, when it’s over, I bet you’ll be begging for more of Sintax’s thrashing music.

After listening to Nano 3000, not only you’ll realize how powerful the music by Sintax can be, but also that the Israeli metal scene seems to be getting stronger and stronger, with bands like Sintax proving once and for all first-class metal music is simply everywhere. Hence, let’s show our support to those talented metallers by purchasing their new album from Dead Pulse, Apple Music or Amazon, by streaming the full album as many times as you want on Spotify, by following them on Facebook and on Instagram for news, tour dates and other shenanigans, and by subscribing to their YouTube channel for more of their demented music and videos. We all know that the future of mankind doesn’t look so good right now, and that the advancements in technology are not exactly bringing tons of benefits for us mere mortals, so why not celebrate the end of our existence to the sound of the top-of-the-line Thrash Metal blasted by Sintax in Nano 3000? At least that way we’ll definitely go out with a bang.

Best moments of the album: Reefers Sting And Honey, Most Hated Man In The Universe and Lethal And Armed.

Worst moments of the album: None.

Released in 2021 Sliptrick Records

Track listing
1. Skeleton Scale 4:08
2. Reefers Sting And Honey 2:54
3. Most Hated Man In The Universe 3:51
4. Sight Got Past 3:47
5. Nano 3000 4:24
6. Shooting Stars 5:17
7. Lethal And Armed 3:45
8. Lunchtime Funeral 4:14

Band members
Yehi Zaken – vocals
Roi Illouz – guitar
Yoav Gruper – guitar
Slava Kishka – bass
Adam Levit – drums