Album Review – Fall Of Earth / From The Ashes (2023)

A young and rising Canadian Progressive Death Metal and Metalcore act will attack your senses mercilessly with their incendiary and very personal sophomore album.

Hailing from the Canadian city of Edmonton, Alberta, the up-and-coming Progressive Death Metal/Metalcore band Fall Of Earth (a play on words that reflects their core belief that the world is experiencing a multitude of issues including climate change, war and mass extinctions that is leading us all to a darker place as a society) has unleashed this year their sophomore beast titled From The Ashes, highly recommended for fans of Trivium, Gojira, Dream Theater, Periphery and Mastodon, among others. Playing what they like to label as “Hybrid Metal”, with elements of Metalcore, Death, Thrash, Groove, Nu and Progressive Metal combined into a sound all their own, the band formed of Inuit frontman Alex Rye, guitarist Brody Bauer, bassist Aaron Winklmeier  and drummer Brendan Meilleur delivers everything you want in a metal album and more in From The Ashes, with the crisp production, mixing and mastering by Diego Fernandez at Oracle Recording Studios and the fiery artwork designed by the band itself turning the album into the perfect follow-up to their 2020 debut self-titled effort, and a must-listen for anyone who enjoys the more modern version of heavy music found in North America.

The opener Medusa is a feast of Progressive Death Metal form the very first second spearheaded by the classic riffs by Brody supported by the rumbling bass by Aaron, which is pretty much everything Alex needs to blast both his evil roars and cleaner, enraged vocals; whereas investing in a more melodic sonority it’s time for the quartet to deliver a hybrid of violence and harmony in The Dead And Soon To Be, perfect for breaking your neck headbanging to the pounding beats by Brendan. Alex keeps showcasing his wide vocal range, easily going from deep guttural to gentle clean vocals, in Block Out The Sun, a beautiful composition by Fall Of Earth that will please all fans of bands like Mastodon and Trivium, and the classic beats and fills by Brendan invade our ears once again in Path To Self Destruction, while Alex continues to vociferate rabidly nonstop.

It’s then time for almost ten minutes of progressiveness, groove and a hurricane of different emotions titled Crossroads, blending the Progressive Metal of Mastodon with the band’s own Metalcore twist. Moreover, it’s two thumbs up to Alex for such impressive and flawless vocal performance, resulting in one of the album’s most detailed and thrilling songs. The title-track From The Ashes, which speaks levels on childhood abuse, reclamation and metamorphosis, will bring to your ears the band’s most demonic and heaviest side, presenting the trademark scorching riffs by Brody and the metallic bass lines by Aaron, followed by Shores Of War, another Trivium-infused creation that will certainly ignite some fun circle pits and a lot of headbanging, spearheaded by another incendiary performance by Brody armed with his axe. After that, sheer electricity and rage flow nonstop in the excellent Purgatory, elevating the album’s punch considerably thanks to Alex growling like a beast supported by the intricate drumming by Brendan, and lastly those talented Canadian boys deliver another round of their modern-day metal music in Into The Woods, again investing in their most progressive vein. It’s not a bad song, but it could have been slightly heavier and more climatic.

The multi-layered and exciting From The Ashes, which is available in full on YouTube and on Spotify, will definitely help Fall Of Earth go places, effectively increasing the quality of their music and, therefore, attracting the attention of fans and critics worldwide in a very positive way. Hence, you can start following the band on Facebook and on Instagram for news and tour dates (and they kick ass live by the way, like what I was able to witness at The Rockpile in Toronto earlier this year), subscribe to their YouTube channel for more of their music, and grab a copy of the album by clicking HERE. “The album is a consistent ride full of ups and downs, with no breaks. We’ve taken our heavy sections and made them heavier, and taken our softer sections and made them more impactful.  We have carefully calculated all the dynamics and structures of each song so each second of every track serves a purpose. This record has pieces of us personally etched into the music, so we could share who we are and what our minds look like on an audio basis. As far as the listening experience goes, with all this being said, we hope for our fans to feel the love and importance that music has had on our lives, and pass that on to them through our own interpretation,” commented the entire band about their new album, showing not only how much those young guys love heavy music, but also making the whole Canadian metal scene stronger and more fun than ever.

Best moments of the album: Block Out The Sun, Crossroads and Purgatory.

Worst moments of the album: Into The Woods.

Released in 2023 Independent

Track listing
1. Medusa 8:25
2. The Dead And Soon To Be 5:54
3. Block Out The Sun 4:24
4. Path To Self Destruction 6:40
5. Crossroads 9:35
6. From The Ashes 5:14
7. Shores Of War 5:49
8. Purgatory 6:00
9. Into The Woods 6:33

Band members
Alex Rye – vocals
Brody Bauer – guitars
Aaron Winklmeier – bass
Brendan Meilleur – drums

Album Review – Juliet Ruin / Dark Water EP (2021)

Bang your heads to the new EP by this amazing Canadian Modern Metal crew, reflecting a turn to darker sounds and grittier vocals while still preserving the spirit of what makes the band who they are.

3.0rating

juliet-ruin-dark-water-ep-2021Formed in 2015 in Edmonton, the capital city of the Canadian province of Alberta, from the ashes of a previous project named Fiction of Fate with the desire to fuse a metal sound with clean technical vocal stylings in a way that is both beautiful and beastly, Modern Metal outfit Juliet Ruin has just unleashed upon us all a new EP titled Dark Water, following the band’s 2019 critically-acclaimed album Old Stardust, Love and Chaos. Comprised of Jess Fleming on lead vocals, Kent Geislinger and Wesley Rands on the guitars, Cody Reid on bass and Jesse Bauman on drums, Juliet Ruin are highly recommended for fans of the music by Jinjer, Infected Rain, The Agonist, Butcher Babies and so on, with their new EP reflecting a turn to darker sounds and grittier vocals while still preserving the spirit of what makes the band who they are, all spiced up by the first-class production, mixing and mastering by Diego Fernandez (who also plays the guitar as a guest in the title-track, by the way) and the enfolding artwork by Brandy Black. “The listening experience we are going for is a hard-edged, but catchy experience with lyrics you can shout in anger, but also it leans positive on message,” said the band about their newborn child.

The vicious bass by Cody sets the tone in the Alternative Metal hurricane Dark Water, with Jess bringing forward a fusion of the pop vocals by Shirley Manson (of Garbage) with visceral Melodic Death Metal growls, boosted by the awesome guitar job by Kent, Wesley and guest Diego Fernandez. Then sheer poetry flows from the celestial lyrics (“Banish me like burned down planets / Write my fate with sparkling lies / I am the universe you’re just one sky”) found in Cosmic Vertigo, while Jesse smashes his drums in great Alternative Rock and Metal fashion, therefore inviting us all to headbanging together with the band; followed by Fake Stigmata, considerably heavier and darker than its predecessors, with Jess being on fire with a passionate vocal performance supported by the massive and groovy wall of sounds by her bandmates, in special Cody and his metallic bass jabs. Lastly, it’s time for more of their hybrid of Groove Metal with Metalcore and Alternative Rock in Might, showcasing a delicate but at the same time grim side of the band, with Kent and Wesley firing classic, incendiary riffs throughout the entire song.

juliet-ruin-2021When Jess and the boys from Juliet Ruin said their new EP Dark Water would bring forward an edgier and angrier side of the band, they were not kidding at all. This talented Canadian quintet made sure the EP title was not chosen in vein, investing in a much darker sound and pointing to a bright future ahead of them. Hence, if you want to know more about such up-and-coming crew hailing from Canada, go check what they’re up to on Facebook and on Instagram, stream more of their music and watch their videos on YouTube and on Spotify, and above all that, grab your copy of Dark Water from their own BandCamp page or from Apple Music, showing your utmost support to the Canadian underground. Juliet Ruin are inviting us all to sail through darker waters together with them in their new EP, and based on the high-quality of each of its four tracks I’m pretty sure that journey with the band will not only be thrilling, but it will also (and fortunately) last for a long time.

Best moments of the album: Dark Water and Cosmic Vertigo.

Worst moments of the album: None.

Released in 2021 Independent

Track listing
1. Dark Water 4:47
2. Cosmic Vertigo 4:08
3. Fake Stigmata 4:54
4. Might 4:16

Band members
Jess Fleming – vocals
Kent Geislinger – guitar
Wesley Rands – guitar
Cody Reid – bass
Jesse Bauman – drums

Guest musician
Diego Fernandez – guitars on “Dark Water”