Concert Review – Dying Fetus & Cradle of Filth (Rebel, Toronto, ON, 05/07/2025)

And Toronto savored a wild and frantic night of pure chaos and carnage, offered by seven of the must-see names of the current extreme music scene worldwide.

OPENING ACTS: Corpse Pile, Vomit Forth, Undeath, Ne Obliviscaris and Fleshgod Apocalypse

If there’s one thing that has become a true torment in the lives of all metalheads that live in Toronto and vicinities, that is concerts with an early start time. Traffic to get to the city is already brutal on any regular day, but when the weather is amazing (meaning more people on the streets) and there’s also at the exact same time an NHL playoff game happening in the heart of the city, then it’s an absolute nightmare. Those are the reasons why I had to miss almost half of CHAOS & CARNAGE 2025 (from the must-see Chaos & Carnage series) this Wednesday night when CORPSE PILE, VOMIT FORTH, UNDEATH, NE OBLIVISCARIS, FLESHGOD APOCALYPSE, DYING FETUS and CRADLE OF FILTH arose from the underworld to crush us mere mortals with an overdose of darkness, heaviness and insanity at the almost-impossible-to-get-in-and-out Rebel. Fortunately, Keith Ibbitson of Metal Paparazzi made it in time for all bands, and gave me an overview of the first three attractions of the night, who were kicking ass onstage while I was still stuck in the horrid and tiresome QEW.

Houston, we have a problem. I think it wasn’t event 5pm when Houston, Texas-based Brutal Death Metal/Hardcore outfit CORPSE PILE hit the stage at Rebel, and just to give you an idea of how early that was, I was still in the office having a client meeting at that time. I confess I was listening to their 2024 EPs Hardgore Deathmetal and Holly Jolly Hardgore a few days before the show, plus their new single Fed To The Starved, all available on Spotify, hoping I could do some sort of magic trick and be there in time to see them live, but of course that didn’t happen. Well, Keith said they were insanely heavy and fun, already igniting some sick mosh pits with whoever was lucky enough to be at a concert in the middle of the afternoon on a Wednesday. Maybe next time I’ll catch those guys live, as long as they don’t play at a “matinée” time again.

Setlist
Intro
Genesis Of Suffering
Kicked in Cadaver
Vengeful Hymns
For Flesh and All
Stacking Bodies
Fed to the Starved
Reality
Fuck Your Life

Band members
Jason Lionel Frazier – vocals
Landry Arredondo – guitars
Cody Webb – guitars
Davis Pryse Snyder – bass
Alex Covarrubias – drums

I also missed the next attraction of the night, Connecticut’s own Death Metal brigade VOMIT FORTH, who released last year the excellent album Terrified of God (also available on Spotify and all other streaming platforms), and again I was very disappointed for not having the pleasure of seeing those guys live. All my buddies who could make it to the venue in time for their show said they were ruthless onstage, blasting sheer Death Metal for the delight of a wild crowd avid for some action inside the pit. I’ll have to repeat myself and complain about the start time again, because I think it was maybe 5:30pm when they began their set. Who scheduled those early-as-hell times? Bands like Vomit Forth deserve bigger audiences, but if they keep playing at early slots like this a lot of people will end up missing them and will not care about buying their music or merch, you know what I mean?

Setlist
(Unknown)
(Unknown)
Sacred Apple
Rotting Wool
Negative Penance
Blood Soaked Death Dream
Pain Tolerance

Band members
Kane Gelaznik – vocals
Bailey Olinger – guitars
Ricky Brayall – guitars
Jett Stotts – bass
Luke Zeitler – drums

Guess what? Yes, I also missed the unrelenting performance by Rochester, New York’s Death Metal beast UNDEATH, because despite their starting time being a little later than the first two bands, it was still freakin’ early. Another huge bummer as their 2024 album More Insane, also available in full on Spotify and any other streaming service, is exactly that, an insane explosion of visceral Death Metal. Keith and the other guys said they put on a fantastic show, with the bigger (but not big enough) crowd going mental inside the circle pit. If you’re attending any of the shows from Chaos & Carnage 2025, I highly recommend you try your best to arrive in time at least for Undeath, because those guys are insane live and definitely know how to electrify fans of extreme music during their entire set.

Setlist
Dead From Beyond
Rise From the Grave
More Insane
Necrobionics
(Unknown)
Lesions of a Different Kind
Brandish the Blade

Band members
Alexander Jones – vocals
Jared Welch – guitars
Kyle Beam – guitars
Tommy Wall – bass
Matt Browning – drums

Finally, after my excruciating quest to arrive to Toronto, I made it to Rebel around 7pm, just in time to witness one of the most hypnotizing concerts I’ve ever seen in my life, the atmospheric, progressive and vibrant performance by Australian Extreme Progressive Metal unit NE OBLIVISCARIS. Having released the album Exul back in 2023 (also available on Spotify), the band now fronted by James Dorton, replacing the iconic Xenoyr, who was the band’s lead singer from 2003 until earlier this year (what’s going on with so many extreme music bands switching their vocalists these days?), put on  a short but beyond phenomenal show that inspired us all for some nonstop headbanging, horns raising and crowd surfing, plus of course some crazy mosh pit action to the sound of the crying violin by Tim Charles, turning it into one of the classiest heavy concerts of all time in Toronto. I can’t wait for those amazing musicians from Down Under to return to Toronto with another round of their unique music, and until then we all know what to do. Stay classy, and listen to Ne Obliviscaris.

Setlist
Equus
Suspyre
Painters of the Tempest (Part II): Triptych Lux
And Plague Flowers the Kaleidoscope

Band members
James Dorton – harsh vocals
Tim Charles – violin, clean vocals
Benjamin Baret – lead guitars
Matt Klavins – guitars
Martino Garattoni – bass
Daniel Presland – drums

Another band I was eager to see was Italian Symphonic/Technical Death Metal horde FLESHGOD APOCALYPSE, and once again it was a jaw-dropping, unforgettable experience to all fans at Rebel. When the sensational soprano Veronica Bordacchini took the stage carrying a huge Italian flag, I knew we were about to enjoy a magnificent, epic concert, and that’s exactly what the band provided us with. Francesco Paoli was on fire during their entire set, as well as drummer Eugene Ryabchenko, who can play drums AND headbang at the same time, which was truly impressive in my humble opinion. In addition, not only their latest album Opera (also available on Spotify) is one of the best of 2024, but the songs played from that album, I Can Never Die, Pendulum, and Bloodclock, sounded way more powerful live, and as I’m always pro live music, those Italians won my heart with their flawless concert. Veronica’s voice live is something out of this world, simply beautiful and enfolding, and I highly recommend you go see such a unique band live at least once. And did we get a nice wall of death while Francesco Ferrini was playing his classic piano onstage? Oh, hell yeah! And what about the ending with their metal version of Eiffel 65’s dancing hit Blue (Da Ba Dee)? It was apotheotic to say the least!

Setlist
Ode to Art (de’ Sepolcri)
I Can Never Die
Minotaur (The Wrath of Poseidon)
The Fool
Pendulum
Bloodclock
Sugar
The Violation
Blue (Da Ba Dee) (Eiffel 65 cover)

Band members
Francesco Paoli – lead vocals, guitars, bass
Veronica Bordacchini – vocals (soprano)
Fabio Bartoletti – lead guitars
Francesco Ferrini – piano, orchestrations
Eugene Ryabchenko – drums

CRADLE OF FILTH

Almost three years after their last visit to the city, Suffolk, England’s iconic Extreme Metal miscreants CRADLE OF FILTH were finally back to the city with another round of their undisputed, sulfurous and blasphemous music, this time promoting their latest opus, the collection of sweet lullabies entitled The Screaming Of The Valkyries, which you can enjoy in full on Spotify, of course. Their set might have been extremely short (at least for me, as I would love to see them play for over two hours if possible), but it was as dark as the black wings of a Nazgûl, and as venomous as the bite of a King Cobra. Even after seeing Mr. Dani Filth live countless times I’ll never understand how he can scream like that, and if you add to that the violent yet very technical sounds blasted by his bandmates, there you have the perfect recipe for a wild concert with lots of mosh pits, horns in the air and demonic roars form the crowd. The new songs To Live Deliciously and Malignant Perfection sounded great live, but it was Nemesis plus the closing duo Death Magick for Adepts and Her Ghost in the Fog that inspired all fans to succumb to the dark side of music and worship Suffolk’s finest. Hopefully it won’t take another three years for Dani and his horde to return to Toronto, because Cradle of Filth are one of the best bands to see live in the history of heavy music. And if you’re not convinced yet, just as Richmond from IT Crowd.

Setlist
Resurrection
To Live Deliciously
Nemesis
She Is a Fire
The Principle of Evil Made Flesh
Malignant Perfection
Cruelty Brought Thee Orchids
Death Magick for Adepts
Her Ghost in the Fog
Blooding the Hounds of Hell

Band members
Dani Filth – vocals
Marek ‘Ashok’ Smerda – guitars
Donny Burbage – guitars
Daniel Firth – bass
Zoe Marie Federoff – keyboards, vocals
Martin ‘Marthus’ Skaroupka – drums

DYING FETUS

It was getting late but after facing the brutality of all the traffic to get to the city I needed some relaxing music before heading home, and there’s nothing better than the fusion of Brutal Death Metal and Grindcore by Baltimore, Maryland’s technical and savage trio DYING FETUS. Next time your company’s HR asks for ideas for this year’s office Christmas party, simply say “the Fetus Boys” (like how Dani Filth enjoys calling them), and I’m sure Karen from Operations will love the idea and will be in the middle of the band’s demented circle pit. Blending songs from all of their albums in their setlist, including some from their 2023 offering Make Them Beg for Death, also available on Spotify, John Gallagher, Sean Beasley and Trey Williams simply decimated every single living creature at Rebel, delivering a pulverizing, frantic and absolutely technical concert for the delight of their diehard fanbase. Not even the stress of trying to get out of the city after the show was enough to erase the joy of experiencing Dying Fetus live, and I’m sure whenever they return to the city, there will be blood, sweat, violence, and endless circle pits again.

Setlist
Praise the Lord (Opium of the Masses)
Unbridled Fury
In the Trenches
Wrong One to Fuck With
Compulsion for Cruelty
One Shot, One Kill
Your Treachery Will Die With You
Grotesque Impalement
Subjected to a Beating
Into the Cesspool
Killing on Adrenaline

Band members
John Gallagher – guitars, vocals
Sean Beasley – bass, vocals
Trey Williams – drums

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Concert Review – The Black Dahlia Murder & Dying Fetus (The Phoenix Concert Theatre, Toronto, ON, 11/06/2024)

***Review by Kevin Ibbitson and photos by Keith Ibbitson of Metal Paparazzi***

OPENING ACTS: Vomit Forth, Angelmaker and Spite

On Wednesday November the 6th legions of local headbangers amassed in front of The Phoenix Concert Theatre located at 410 Sherbourne St. Toronto, Ontario for an exhilarating evening of sonic punishment and brutality brought to us by our good friend Noel Peters of Inertia Entertainment with one of the best line ups I have seen this year consisting of headliners THE BLACK DAHLIA MURDER (Michigan) and DYING FETUS (Maryland), supported by the bands SPITE (Bay Area, California), ANGELMAKER (North Vancouver, B.C.) and VOMIT FORTH (Connecticut), during their Beg to Serve 2024 Tour stop in the city.

VOMIT FORTH opened the show with some hardcore brutal death metal rife with brutal breakdowns whipping us metalheads into a frenzy, inciting a whirlwind of feet and fists inside some pretty gnarly circle pits, and from there on the crowd was on fire for the rest of the show. 8/10

ANGELMAKER was up next and they absolutely fucking killed it with an amazing set that impressed me tremendously. It was my first time seeing them live and I think they might be one of my favourite bands now. These guys should be headlining shows for sure. The crowd was mad with bloodlust during their set and everything ratcheted up a few notches with some of the craziest crowd surfing I have ever seen. Bodies were flying all over the place literally! And it was fun as fuck to see too. AngelMaker’s vocalists were so mind-blowing and the band sounded so friggin’ good. Seriously it was an epic set.10/10

SPITE had some mighty big shoes to fill and did not disappoint. They put on an amazingly brutal show and held their own among the giants amongst them, keeping the energy going, stoking the flames of the behemoth engine that we call a crowd. The crowd was absolutely nuts that night! Non-stop action on our side of the barrier. 9/10

DYING FETUS

Marylands’ brutal tech death juggernauts DYING FETUS were up next and slew us with a blistering set full of old school death metal chugging and brutal slams. Fetus’ sound quality was top notch and holy shit what a band! Trey Williams drumming was killer and Sean Beasley was beastly on the bass guitar. John Gallagher was on fire with the riffage and solos on guitar. Vocally, both John and Sean were on point. Dying Fetus are one of the G.O.A.T.s of the genre, an absolutely tremendous trio of a band. Sometimes old is gold. 10/10

THE BLACK DAHLIA MURDER

THE BLACK DAHLIA MURDER finished off the show providing the killing stroke on the slaughter-room floor so to speak. The crowd got even crazier and one brave soul even dove head first with reckless abandon off the stage, trusting that the rest of the crowd would catch him and thankfully they did. Even before Dahlia got on the stage fans were crowd surfing in anticipation. To call it crowd surfing is a bit of a misnomer, it was more akin to midget-tossing (pardon the expression). The Black Dahlia Murder did not disappoint and put on a fantastic set full of old and new material which satisfied the crowd. Brian Eschbach brought some much needed levity to the evening with some of his crowd banter referring to Doug Ford taking him on a cocaine fueled bar-hop and seance to talk to his brother Rob. It was a nice surprise to see when I got home that The Black Dahlia Murder live streamed their set on YouTube, so I watched it again. It’s now a couple days later as I’m writing this and Nocturnal is still playing in my head. This was seriously one of the best shows of the year for me personally and I along with the crowd had an amazing time. Great show. 10/10

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Album Review – Monument of Misanthropy / Vile Postmortem Irrumatio (2024)

Austria’s own ruthless Technical/Brutal Death Metal titans return with an even more infuriated concept album, this time revolving around the life of serial killer Ed Kemper.

Formed in 2010 in the stunning city of Vienna, Austria, Technical/Brutal Death Metal titans Monument of Misanthropy return once again with a sickening concept album based on a serial killer, and this time it revolves around Ed Kemper. The album is titled Vile Postmortem Irrumatio, which is Latin for “a cheap postmortem raid”, where the band formed of vocalist George “Misanthrope” Wilfinger (Miasma, Raising The Veil), guitarists Julius Kössler (Spire of Lazarus) and Joe Gatsch (Scävenger), bassist Raphael Hendlmayer, and session drummer Eugene Ryabchenko (Fleshgod Apocalypse) delves into aspects of his life, using violent music to add meaning to it; their visceral and incisive music with highly expressive vocals perfectly capturing the terrifying aura around the figure, all embraced by a disturbing artwork by Daemorph Art (The Last of Lucy, Cutterred Flesh), being highly recommended for fans of Cattle Decapitation, Benighted, Aborted, Blood Red Throne, and Depravity, among others.

The wicked intro First Time It Makes You Sick to Your Stomach offers a sinister narration that will warn you of all the violence that’s about to come in How to Make a Killer, blasting our ears with an overdose of brutality with Eugene pulverizing everything and everyone that crosses his path, and with the venomous growling by George being the icing on the cake in such an amazing display of Brutal Death Metal. The same level of gore and dementia is offered to us all in The Atascasdero Years, with the guitars by Julius and Joe enhancing George’s vile gnarls to a whole new level, whereas Hits One and Two is utterly inspired by the sick creations by the mighty Cattle Decapitation, a lesson in violence while also sounding very technical and intricate. Why Did You Keep Their Heads is another eerie, visceral interlude that will send shivers down your spine until Manipulating the Experts explodes in our faces in another onrush of demonic Technical Death Metal, with George once again haunting our souls with his grim gnarling.

After that, the title-track Vile Postmortem Irrumatio will smash you like a putrid and gory insect, with the band’s fusion of enraged roars, striking riffs and solos, and stone crushing drums sounding fantastic form start to finish; whereas the band continues their path of extreme aggression and insanity in The Devil’s Slide, with the infuriated blast beats by Eugene inviting us all to the eye of the circle pit. Not sure if another interlude was necessary, although Oh, I Suppose You’re Gonna Want Sit Up and Talk All Night Now makes sense taking into account the album’s theme, morphing into A Nice Beheading for MoM, where the riffage and solos by Julius and Joe bring a welcome melodic touch to their infernal music. Then the massive kitchen by Raphael and Eugene will make your head tremble in Pueblo Paranoia, almost four minutes of unhappy, demonic Brutal Death Metal, flowing into their cover version for Dying Fetus’ Your Treachery Will Die with You (check the original one HERE, from their 2009 album Descend into Depravity), and the band’s rendition of it is just as demented and violent.

The guys from Monument of Misanthropy are waiting for you on Facebook and on Instagram with news, tour dates and so on, on YouTube and on Spotify with more of their caustic music, and if you want to put your hands on the excellent Vile Postmortem Irrumatio you can purchase it from their BandCamp page, from Transcending Obscurity Records by clicking HERE, HERE or HERE, or click HERE for all things Monument of Misanthropy. Big Ed and the boys are inviting you for a gruesome and sick party in their excellent new album, overflowing brutality while at the same time being an amazing and detailed work musically speaking, and I don’t think you should miss it or the same Big Ed will definitely pay you a not-so-friendly visit when you least expect.

Best moments of the album: How to Make a Killer, Hits One and Two and Vile Postmortem Irrumatio.

Worst moments of the album: Oh, I Suppose You’re Gonna Want Sit Up and Talk All Night Now.

Released in 2024 Transcending Obscurity Records

Track listing
1. First Time It Makes You Sick to Your Stomach 0:39
2. How to Make a Killer 3:13
3. The Atascasdero Years 3:12
4. Hits One and Two 2:46
5. Why Did You Keep Their Heads 0:55
6. Manipulating the Experts 3:12
7. Vile Postmortem Irrumatio 2:52
8. The Devil’s Slide 3:08
9. Oh, I Suppose You’re Gonna Want Sit Up and Talk All Night Now 1:20
10. A Nice Beheading for MoM 3:06
11. Pueblo Paranoia 3:55
12. Your Treachery Will Die with You (Dying Fetus cover) 3:37

Band members
George “Misanthrope” Wilfinger – vocals
Julius Kössler – guitars
Joe Gatsch – guitars
Raphael Hendlmayer – bass

Guest musician
Eugene Ryabchenko – drums (session)