Album Review – Ofanim / La Torre Oscura (2024)

Behold the dark tower of Blackened Death Metal ruled by a Mexican entity whose name invokes the sinister angels of the prophetic vision of Ezekiel 1:15-21.

Carrying a name that invokes the sinister angels of the prophetic vision of Ezekiel 1:15-21, Chihuahua, Mexico-based Blackened Death Metal entity Ofanim has just unleashed upon humanity their first full-length opus, entitled La Torre Oscura, or “the dark tower” from Spanish. After going through many names and lineup changes, the brainchild of vocalist and multi-instrumentalist Armando Valles returns form the abysmal depths of his homeland with an album that exhales sulfur and darkness, with half of the album coming from their 2022 debut EP Embracing Death, plus new compositions that help Ofanim in proudly continuing to burn the flame of Black and Death Metal and, therefore, in keeping the project alive against all odds.

El Odio Comienza, or “hate begins”, is sulfurous and absolutely evil from the very first notes, an onrush of Black Metal made in Mexico where the devilish roars by Armando together with his caustic riffs will pierce your soul mercilessly, whereas Embracing Death sounds even more infuriated than the opening track, with the blast beast and unstoppable riffage by Armando being exactly what we need to worship evil and, of course, embrace death. Sal is another demented, grim aria by Armando where he keeps vociferating rabidly amidst an insane amount of heaviness and evil, followed by Esteban el Primero, adding elements of Blackened Death Metal and classic Death Metal to his core sonority, and with the drums sounding demolishing from start to finish. Then we have the title-track La Torre Oscura, keeping the atmosphere as demonic and unfriendly as possible, with Armando’s deep growls and strident riffs sounding amazing.

Armando shows no sign of slowing down or delivering smoother sounds; quite the contrary, it’s pedal to the metal in the infernal Saulo, where his harsh vociferations walk hand in hand with his Black Metal riffs and drums, while 2030 is a song perfect for some intense headbanging to the ruthless hurricane of sounds blasted by Armando and his Ofanim, most probably the heaviest and most disturbing of all songs. Then we have Hedonismo, leaning towards a more direct Death Metal sonority where the guitars by Armando will pierce your rotten corpse mercilessly until the very end, followed by Hielo, which is Spanish for “ice”, a solid Blackened Death Metal composition but not on par with the rest of the album, sounding a bit generic and stale. Last but not least, let’s enjoy two minutes of sheer heaviness in Ultimatum, where Armando’s massive drums and devilish guitars make an interesting paradox with all background elements.

Although La Torre Oscura was recorded solely by Armando, he has already recruited an army of uncanny soldiers to join him in his live rituals, and you can stay up to date with all news and live concerts by Ofanim by following the band on Facebook and on Instagram, or by clicking HERE, and blow your speakers with high-quality Blackened Death Metal made in Mexico by subscribing to Ofanim’s YouTube channel and by streaming their devilish music on Spotify or any other streaming service. Of course, above all that, go grab a copy of La Torre Oscura from their own BandCamp page. The Mexican extreme music scene has always been a thing of beauty, and of course Ofanim are among us to keep that amazing trend and fill the air with their evil magic until the end of times.

Best moments of the album: Embracing Death, Esteban el Primero and 2030.

Worst moments of the album: Hielo.

Released in 2024 Headlight Productions

Track listing
1. El Odio Comienza 2:39
2. Embracing Death 5:02
3. Sal 3:27
4. Esteban el Primero 5:34
5. La Torre Oscura 5:31
6. Saulo 2:12
7. 2030 4:26
8. Hedonismo 4:16
9. Hielo 3:22
10. Ultimatum 2:10

Band members
Armando Valles – vocals, all instruments