Album Review – Terrordome / Straight Outta Smogtown (2021)

The new album by this unrelenting Polish squad will hit you hard right in the head with their fusion of Thrash Metal, Hardcore and Crossover Thrash with beyond acid lyrics.

Recorded, mixed and mastered by Tomasz “ZED” Zalewski at Zed Studio and featuring an old school artwork by Marcin “Biały” Białkowski, Straight Outta Smogtown is the third full-length installment by a Thrash Metal squad formed in 2005 in the city of Kraków, Poland that goes by the in-your-face name of Terrordome, following up on the violence and adrenaline of their 2015 album Machete Justice. Highly recommended for fans of the sickness blasted by renowned acts the likes of Nuclear Assault, Slayer and Cryptic Slaughter, the new album by vocalist and guitarist Uappa Terror and guitarist Paua Siffredi, together with session musicians Simon on bass and Friggi Mad Beats (Chaos Synopsis, Attomica) on drums, will hit you hard right in the head with their fusion of classic Thrash Metal, Hardcore and Crossover Thrash, with an array of guests including Frank Blackfire (Sodom, Assassin) and Manu Joker (Uganga, Sarcofago) bringing even more electricity to the album’s metal thrashing madness.

Featuring an atmospheric guitar solo by guest Konrad “Destroyer” Ramotowski (Untervoid, Hate), the intro Terrorizing the Nation as the Best Way to Thwart Shameful Schemes warms up our bodies and minds for the Exodus and Nuclear Assault-inspired tune Possessed By Blyat, where Friggi Mad Beats crushes his drums mercilessly, being therefore perfect for slamming into the pit right away, whereas Worried Again sounds even heavier and more menacing, with Uappa’s visceral roars adding an extra touch of animosity to the music while Uappa himself and Paua extract pure Thrash Metal from their sick riffage. And their sonic attack has no time to stop, as they keep delivering hatred and madness in Steel on the Road, with their thrashing riffs and blast beats elevating the song’s insanity through the roof, not to mention how demented Uappa sounds on vocals.

The rumbling bass by Simon kicks off the Thrash and Groove Metal feast Plastic Death, where Uappa invests into Tom Araya-like vocals while his bandmates exhale heaviness through their sonic weapons, and it’s impressive how they managed to sound even faster and heavier than before in Your Personal Comfort Versus the Global Disaster, a brutal Thrash Metal assault showcasing razor-edged riffs by Uappa and Paua and the always wicked beats by Friggi Mad Beats. Then featuring guest vocals by Manu Joker and Jairo Vaz (Chaos Synopsis), get ready to be smashed by Terrordome in Desordem e Regresso, a sick display of extreme music and a “tribute” to the political nightmare that haunts Brazil these days; and Friggi Mad Beats hammers his drums in great fashion in the berserk Into the Void, a pulverizing Crossover Thrash extravaganza led by the vicious riffs and solos by the band’s relentless guitar duo. After such demented tune, their thrashing party goes on in the also electrifying Ego-Boost Downfall, drinking from the fountain of Bay Area Thrash and, therefore, offering our ears piercing riffs and thunderous bass jabs nonstop.

Money Kills carries a great title for another solid, straightforward Thrash Metal tune where all band members are on fire from start to finish, with Uappa stealing the spotlight by rabidly roaring the song’s acid words, while Demolition, featuring a slashing guitar solo by guest Frank Blackfire, offers more of their European thrash spearheaded by the machine gun-like beats by Friggi Mad Beats. Put differently, it will work perfectly when played live to an avid moshing crowd, and firing some Gary Holt-like riffs and infernal beats the quartet brings forward another humongous dosage of animosity and rebelliousness in I Don’t Care, where Uappa is once again demented on vocals. Then an atmospheric intro evolves into a headbanging tune titled Conspiracy, where Uappa and Paua invite us all to dance like a monkey into the circle pit, albeit not as intense as its predecessors; whereas an intro taken from the 1968 cult movie Night of the Living Dead, directed by the iconic George A. Romero (R.I.P.), explodes into what’s in my opinion the best song of the album, The Day They Left Their Graves, a lecture in Thrash Metal with Friggi Mad Beats sounding utterly infernal on drums, presenting the perfect combination of old school thrash with tales of the living dead.

You can get caught in the frantic mosh crafted by Terrordome in Straight Outta Smogtown by listening to the full album on YouTube and on Spotify, but of course if you consider yourself a true thrashing trooper you should definitely purchase the album from the band’s own BandCamp page and webstore, from the Selfmadegod Records’ BandCamp page and webstore, from Apple Music or from Discogs. In addition, don’t forget to follow those sick thrashers on Facebook and on Instagram, and to subscribe to their YouTube channel for more of their awesome creations. After all is said and done, Terrordome proved us all with Straight Outta Smogtown that Thrash Metal is more than alive, especially in the underground, solidifying their name in the local and international scene and, of course, proudly carrying the flag of Polish extreme music wherever they go.

Best moments of the album: Worried Again, Steel on the Road, Desordem e Regresso and The Day They Left Their Graves.

Worst moments of the album: Conspiracy.

Released in 2021 Selfmadegod Records

Track listing
1. Terrorizing the Nation as the Best Way to Thwart Shameful Schemes 0:48
2. Possessed By Blyat 2:41
3. Worried Again 3:24
4. Steel on the Road 2:38
5. Plastic Death 3:32
6. Your Personal Comfort Versus the Global Disaster 2:50
7. Desordem e Regresso 2:45
8. Into the Void 2:25
9. Ego-Boost Downfall 2:57
10. Money Kills 3:49
11. Demolition 2:43
12. I Don’t Care 2:49
13. Conspiracy 3:41
14. The Day They Left Their Graves 3:09

Band members
Uappa Terror – vocals, guitars
Paua Siffredi – guitars
Virious – bass*
Rob Sixkiller – drums*

Guest musicians
Simon – bass (session)
Friggi Mad Beats – drums (session)
Konrad “Destroyer” Ramotowski – guitar solo on “Terrorizing the Nation as the Best Way to Thwart Shameful Schemes”
Słoma – additional vocals on “Worried Again”
Kosa – additional vocals on “Worried Again”
Syru – additional vocals on “Worried Again”
Frank Blackfire – guitar solo on “Demolition”
Manu Joker – additional vocals on “Desordem e Regresso”
Jairo Vaz – additional vocals on “Desordem e Regresso”

*Bass and drums recorded respectively by Simon and Friggi Mad Beats

Album Review – Voorhees / Chapter Two (2020)

A Death Metal quartet from France arises from their graves once again with more of their demolishing music inspired by old school horror movies.

If you’re a true metalhead and at the same time a fan of old school horror movies from the 70’s to the 90’s, you’ll have an absolute blast with the music found in Chapter Two, the first full-length opus by a French Death Metal unity that goes by the name of Voorhees. Formed in 2017 in Metz, a city in France’s northeastern Grand Est region, the band comprised of Chris on vocals and guitars, Sébastien “Seb” Valbrecq on lead guitars, Fred on bass and Will on drums obviously had their name, logo and everything else inspired by the one and only Jason Voorhees, the main character from the Friday the 13th franchise, with their old school Death Metal being highly recommended for admirers of the sonic devastation blasted by renowned acts such as Death, Cannibal Corpse, Massacre and Obituary. Having released their debut EP entitled Chapter One on Friday the 13th, October 2017, this talented slasher squad once again chose the iconic date to release Chapter Two, on Friday the 13th, March 2020, dedicating pretty much each one of the eight songs of the album to a specific movie. Recorded by the band’s own drummer Will (known for his work as Willy Lang with French Doom/Death Metal one-man act Nosphares), mixed by Dan Swanö at Unisound, and featuring a classic and visceral artwork by Fabrice Romo (Kaos Obscure Art), Chapter Two is the perfect soundtrack for your horror flick night.

Inspired by the Wes Craven movies The Hills Have Eyes (one of my favorite slasher flicks of all time), the opening track The Lucky Ones Die First exhales pure, undisputed Death Metal form the very beginning, with Chris and Seb doing a great job with their unstoppable riffage while Will smashes his drums in great fashion, followed by My Horror Event, drawing inspiration from the movie Creepshow, directed by George A. Romero in 1982 and with script by Stephen King. Putting the pedal to the metal, the band adds hints of Thrash Metal to their insane riffs in this wicked tune while Chris keeps barking like a true beast, not to mention Fred’s rumbling bass punches, whereas in Evil To Come, largely inspired by the movie The Day of the Beast (or “El Día de la Bestia” in Spanish), directed by Alex de la Iglesia in 1995, we’re treated to more classic Death Metal the likes of Unleashed and Obituary, resulting in the perfect choice for cracking your skull headbanging or for slamming into the circle pit. And in The Will To Kill, their musical representation of the movie Henry, Portrait of a Serial Killer, directed by John McNaughton in 1986, a somber start evolves into a mid-tempo, dark sonority led by Fred and Will with their thunderous weapons, while Chris vociferates the songs words deeply and rabidly.

The cryptic voice by Charles Manson kicks off I’m The Man Who Became God, a gruesome, headbanging Death Metal extravaganza re-recorded from their first EP where Chris and Seb sound truly infernal on the guitars, accompanied by Will’s putrid and classic beast and fills, setting the tone for Voorhees II, obviously inspired by the second chapter of the Friday the 13th franchise, directed by Steve Miner in 1981. It’s time to brutally slam into the pit to the sound of this frantic and berserk composition, may favorite of the album by the way, where Will is at the same time groovy and demented on drums and with the band’s stringed trio slashing our minds and ears with their razor-edged riffs and sick bass lines. Then we have Reanimated, originally supposed to be a song inspired by the movie Re-Animator and finally turned into an almost instrumental “tribute” to the evil characters that are Jason, Leatherface, Michael Myers and Freddy Krueger, who always resurrect at the end. Will and Fred generate a menacing atmosphere perfect for Chris to growl and bark like a horror movie monster, all spiced up by Seb’s classic guitar solos, and closing the album it’s time for more obscurity and aggressiveness in the form of Death Metal with the climatic Into Darkness, a crushing, mid-tempo tune led by Will’s fierce beats while Chris keeps vociferating and roaring nonstop, and after all is said and done you’ll feel absolutely disoriented without a shadow of a doubt.

Voorhees’ horror movie-inspired Old School Death Metal feast can be appreciated in full on YouTube and on Spotify, but of course if you want to show your true support to the band (and avoid a visit of Jason Voorhees himself to your home) you should purchase the album from several locations such as the band’s own BandCamp page, the Great Dane Records’ BandCamp page or webstore, Apple Music or Discogs. In addition, don’t forget to follow them on Facebook and to subscribe to their YouTube channel, filling your ears with that traditional Death Metal sonority we all love so much with no shenanigans nor any artificial elements added to it. Will they continue their path of violence and bloodshed with several more chapters in the form of metal albums inspired by each one of the Friday the 13th movies? Only time will tell, but based on the high quality of the music found in Chapter Two I’m sure it won’t take long for the quartet to arise from their graves once again to haunt our damned souls.

Best moments of the album: My Horror Event, Voorhees II and Reanimated.

Worst moments of the album: None.

Released in 2020 Great Dane Records

Track listing
1. The Lucky Ones Die First 4:34
2. My Horror Event 3:44
3. Evil To Come 5:12
4. The Will To Kill 5:09
5. I’m The Man Who Became God 6:39
6. Voorhees II 3:31
7. Reanimated 5:14
8. Into Darkness 5:11

Band members
Chris – vocals, guitars
Sébastien “Seb” Valbrecq – lead guitars
Fred – bass
Will – drums

The Walking Dead Review – Episode 402: Infected

The pigs might be gone, but at least our tough sheriff is back.

***WARNING: CONTAINS SPOILERS***

If you haven’t seen Infected yet, I suggest you scroll down to the end of this post first and watch the entire episode before reading the rest of the text.

I cannot believe I didn’t see what was actually happening to Greg Patrick last espisode! I thought he had some previous disease and died of natural causes, just as many other people, but it was in fact a new deadly virus like Ebola or the swine flu, a brand new threat to the whole group because it doesn’t matter how you die, you become a walker. I’m sad Greg Patrick won’t be in the show anymore, but happy to know that because of what happened to him there will be even more drama and danger in every episode to the survivors.

twd402_01Last night’s episode, Infected, had a lot of questions without answers, action, tough decisions and intestines (a scene inspired by the movie Day of the Dead, from the zombie master George A. Romero, according to Greg Nicotero), a perfect combination for all TWD fans. There were so many questions left that I can’t wait for next week’s episode to answer some of them: is there really a traitor in the group, the person that was feeding rats to zombies? Or were just those two stupid girls feeding their friend “Nick” in a very innocent (and idiot) way? How long will the prison fence stand still and strong against the increasing number of walkers looking for human flesh (I saw Nicotero saying there will be over 7,500 zombies in the next episode)? Who’s infected by the deadly virus, and who’s not? Is there a cure? How will everybody be able to sleep, knowing anyone can die at any minute and become a zombie inside the prison? Who burned the bodies of the two people that were already infected? How will Tyreese react to the death of his love, and to the presumable death of his sister Sasha, who is also infected by the virus? As I sad, too many questions to be answered.

Then there were the tough decisions, most of them taken by Rick. It was sad seeing Rick throwing those poor little pigs to the zombies to protect the fence from falling down, but at least we got our good old sheriff back. No more farming, no more cropping, it’s time for some action! In my opinion, giving Carl’s gun back to the boy was the best decision he could make, especially because Carl is really good at shooting and can help saving many people. Moreover, how many lives has he already saved since he got his gun? As far as I can remember, he saved Rick, Michonne (a couple of times), his sister Judith, Maggie, among others. A boy with a gun will have serious consequences to the whole story, of course, probably most of them for good. And I’m pretty sure Carl will put on his sheriff hat back now, that little badass.

twd402_02The most touching scene in this episode was seeing Michonne crying when holding Judith in her arms. Why was she crying? Did she have a baby a couple of years ago? Did she lost a baby? Did walkers eat her baby? Another important question to be answered soon, I hope. Michonne is becoming more and more human, and less that tough super-woman from the previous season, but I don’t know how this can be good for the group. Well, I personally prefer her chopping zombie heads with her sword than carrying a baby, but the producers know what they are doing. And before I forget, it was nice seeing Beth singing I Don’t Want to Grow Up to Judith. I’m not a fan of Tom Waits, but I love The Ramones version. Lucky baby, anyway!

Stupid humans, thousands of walkers, a deadly virus, a decaying prison… What else can make their lives even more miserable and the show more interesting to us? Will there be any more surprises this season? And again, where the hell is the Governor? I guess when he returns he will kick some serious ass. It’s going to be totally brutal, and awesome.

Infected (FULL EPISODE)