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Album Review – Shadow of Intent / Imperium Delirium (2025)

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These American Symphonic Deathcore masters are back with their majestic fifth opus, expanding their signature blend with new industrial and atmospheric textures.

Since their formation in 2014, Connecticut’s own Shadow of Intent have garnered a reputation for crafting mind-blowingly melodic, technical, prog-tinged Symphonic Deathcore. Widely acknowledged as one of the forerunners of the current Deathcore renaissance, the band currently formed of Ben Duerr on vocals, Chris Wiseman on the guitars and samples, Andrew Monias on bass, and Bryce Butler on drums is back in action with their fifth studio opus, entitled Imperium Delirium, following up on their 2022 album Elegy. Produced, mixed and mastered by Dave Otero at Flatline Audio, with additional mixing by Mike Low, and displaying a sinister artwork by Dan Seagrave, Imperium Delirium expands the band’s signature blend of symphonic grandeur, blackened melody, and Deathcore precision with new industrial and atmospheric textures, being highly recommended for fans of Whitechapel, The Black Dahlia Murder, Lorna Shore, and Cattle Decapitation, among others.

Prepare to Die is utterly imposing and symphonic from the very first moments, quickly morphing into a Deathcore beast where Ben’s deep, enraged guttural walk hand in hand with the killer drumming by Bryce, followed by Flying the Black Flag, one of the first singles of the album, showcasing darkly poetic lyrics (“A subterfuge emerges from the confusion / Corrupting patterns, piercing the timeline / A trail left emblazoned with no regard / They fly the black flag high”) amidst an infernal sonority. Infinity of Horrors offers us all another explosion of ferocity and symphonic elements, with the guitars and samples by Chris generating a thrilling, cinematic wall of sounds, whereas Mechanical Chaos is one of the most technical and complex of all songs, with Bryce sounding like a stone crusher on drums for our total delight. There’s not a single space left empty in the air in They Murdered Sleep, a massive Deathcore extravaganza where Chris sounds once again infernal armed with his axe and samples; and Ben roars and vociferates deeply like a wild beast in The Facets of Propaganda, enhancing the song’s already demented heaviness to a whole new level.

Then featuring guest vocals by the one and only George “Corpsegrinder” Fisher of the mighty Cannibal Corpse, Feeding the Meatgrinder presents more of the band’s wicked words (“Violent attrition / Salivating for the kill / Brutality is to be redefined / They aim to dominate / Hordes metastasize a vengeance indiscriminate / Disregard for human life is in the nature of the business”) while the music is ruthless Deathcore at its finest; while Vehement Draconian Vengeance carries a stylish name for another blast of Deathcore by the band, where Chris and Andrew generate a Stygian ambience with their respective riffs and bass lines. Beholding the Sickness of Civilization is a neck-breaking, downtempo tune by Shadow of Intent where all background elements give it a haunting vibe, followed by Apocalypse Canvas, a fun and vibrant instrumental composition by the quartet where the guitar lines by Chris and the rumbling, intricate bass by Andrew sound insanely gripping. Their Symphonic Deathcore onrush goes on in full force in No Matter the Cost, with Ben roaring like a demented creature while Chris slashes his sonic weapons nonstop, and the title-track Imperium Delirium is undoubtedly the most complete, detailed and incendiary of all songs, spearheaded by Bryce’s phenomenal drumming. Put differently, it’s epic, apocalyptic and absurdly engaging until the very end.

A scathing anti-imperialist statement, tackling war, propaganda, and the machinery of modern violence with nihilistic clarity, Imperium Delirium cements the band’s name as one of the most important forces in the history of Deathcore worldwide, and if you’re from another dimension and don’t know anything about Shadow of Intent, you can find the band on Facebook and on Instagram for news, tour dates and so on, stream their music on any available service like Spotify, and of course show them your total support by purchasing their new album from BandCamp or by clicking HERE. Imperium Delirium likely refers to the concept of an “empire in delirium,” describing an empire or ruling power experiencing a state of madness, chaos, or a loss of control. That’s exactly what our decaying society is experiencing nowadays pretty much in every single part of the world, and the music brought forth by Shadow of Intent in their new album certainly represents that chaotic situation to perfection, showing that although our world might be coming to an end, at least let’s go down in style listening to some first-class Deathcore.

Best moments of the album: Flying the Black Flag, Infinity of Horrors, Feeding the Meatgrinder and Imperium Delirium.

Worst moments of the album: None.

Released in 2025 Independent/Blood Blast Distribution

Track listing
1. Prepare to Die 4:00
2. Flying the Black Flag 3:57
3. Infinity of Horrors 4:13
4. Mechanical Chaos 3:50
5. They Murdered Sleep 4:01
6. The Facets of Propaganda 5:19
7. Feeding the Meatgrinder 4:03
8. Vehement Draconian Vengeance 3:54
9. Beholding the Sickness of Civilization 4:30
10. Apocalypse Canvas 5:08
11. No Matter the Cost 4:16
12. Imperium Delirium 7:34

Band members
Ben Duerr – vocals
Chris Wiseman – guitars, samples, backing vocals
Andrew Monias – bass
Bryce Butler – drums

Guest musician
George “Corpsegrinder” Fisher – vocals on “Feeding the Meatgrinder”
Francesco Ferrini – additional keyboards

Concert Review – Cannibal Corpse & Mayhem (Rebel, Toronto, ON, 09/27/2023)

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An unforgettable night of mayhem, blood and chaos for all metalheads in Toronto, courtesy of two of the most important names in the history of extreme music.

***Review by Kevin Ibbitson, with photos by Keith Ibbitson of Lower Eastside Photography***

OPENING ACTS: Blood Incantation and Gorguts

The line up of CANNIBAL CORPSE, MAYHEM (the one true), GORGUTS and BLOOD INCANTATION steamrolled through Rebel on Wednesday evening on their North American Tour 2023, wreaking havok in their wake and leaving many fans satiated by the experience. The crowd got their money’s worth. It was my First time seeing these bands and honestly it was one of the best shows I’ve been to this year. Thanks Gus! The crowd was enthusiastic and bustling with energy. The pit was nuts the whole show and there was constant crowd surfing.

I’ve gotta say that the staff and security were friendly and welcoming (especially the guy in the box office who helped out with my review ticket situation). The line to get in wasn’t too crazy unlike the Parking lots. Traffic is always a bitch in this city but my brother and I avoided Lakeshore and took the back way down Lesley St. to Unwin Ave., then up Cherry St. to Polson St.. Easy as pie. Once in the venue I met some of the other media in attendance (Pedro From A&P Reacts, Jason and Kim from The Metal Pit). Such awesome people, it was great meeting them all. After grabbing a cold one I went and got settled in a decent spot foregoing my usual habit of hitting the merch stand early as the lines were crazy long.

The Lights went low and first up Was Denver Colorado’s own BLOOD INCANTATION with a short but fantastic three song set of their spacy/psychedelic brand of death metal. The pit instantly went into action as soon as the music started and soon after the crowd surfing began creating a fun atmosphere that was contagious. I wish they played a little bit longer but they gained a new fan out of me in the process. After their set I noticed the lines for merch were significantly shorter so I decided to queue up. How could I not cop a shirt or two?

Setlist
Inner Paths (to Outer Space)
Awakening From the Dream of Existence to the Multidimensional Nature of Our Reality (Mirror of the Soul)
Obliquity of the Ecliptic

Band members
Paul Riedl – vocals, guitars
Morris Kolontyrsky – guitars
Jeff Barrett – bass
Isaac Faulk – drums

While Standing in line, Sherbrooke Quebec’s resident Tech Death lords GORGUTS layed down a phenomenal set, whipping the crowd into a frenzy but alas, I was stuck in line but fret not, I was still able to enjoy the band from afar as the speaker set-up at Rebel is pretty decent as well as having TV monitors at every bar so I was still able to gauge their performance and the crowd’s reaction. Got an awesome shirt out of it and was glad they were still accepting cash because after all I’m still a f**king caveman apparently. Gorguts rules!

Setlist
Rottenatomy
Disincarnated
Bodily Corrupted
Orphans of Sickness
Obscura

Band members
Luc Lemay – vocals, guitars
Kevin Hufnagel – guitars
Colin Marston – bass
Patrice Hamelin – drums

MAYHEM

I met up with my brother Keith (photographer @lowereastsidephotography) out on the patio during the intermission. The moon was almost full, the air was cool and calm, setting up the vibe for the next band. A band that many in the crowd came to see, one of the original pioneers of the Norwegian black metal scene, the one true MAYHEM. The crowd packed it in even tighter, I couldn’t get anywhere near the pit so I had to hang back and enjoy it from a distance. Mayhem proceeded to absolutely kill it and the fans were just eating it up. The crowd surfing was absolutely nuts, even Mayhem’s bassist Necrobutcher pointed to a crowd surfer with a liberty spiked mohawk as he was jettisoned towards the stage. The band feeding off of the crowd’s energy as the crowd was feeding off theirs. After the first three songs, Keith met up with me to show me his selfie he got with George “Corpsegrinder” Fisher at the side of the stage (lucky f**ker). We decided to check out more merch while Mayhem was destroying it on stage and to our surprise Luc Lemay (guitarist and lead vocalist) of Gorguts was running his own merch stand. We were greeted with a handshake and a thank you from Luc for coming to the show which was nice. Luc was one of the most friendly and down to earth people I have ever had the pleasure of meeting. So nice in fact that when the internet went down he accepted whatever cash we had on hand (we had half of what they were worth) for a signed limited edition picture disc of the album ” The Erosion Of Sanity” and a shirt. He totally didn’t have to do that at all and we appreciated the hell out of that. Such an awesome dude. Mayhem finishes their extra long set, everyone was ecstatic at this point, having an incredible night.

Setlist
Worthless Abominations Destroyed
Crystalized Pain in Deconstruction
Malum
My Death
Voces Ab Alta
Freezing Moon
Life Eternal
De Mysteriis Dom Sathanas
Silvester Anfang
Deathcrush
Carnage
Pure Fucking Armageddon

Band members
Attila Csihar – vocals
Teloch – guitars
Ghul – guitars
Necrobutcher – bass
Hellhammer – drums

CANNIBAL CORPSE

Finally it was time for a band that I have always wanted to see but never had the time or money but as luck would have it an opportunity arose thanks to Gustavo Scuderi of The Headbanging Moose for hooking me up with a review ticket, taking his place as he is out west having a great time seeing his lifelong favorite band Iron Maiden. Currently promoting their amazing new album Chaos Horrific, American death metal institution CANNIBAL CORPSE is a band that is best heard live. Did I say heard? I meant felt. Cannibal Corpse is a band that is felt not heard. George “Corpsegrinder” Fisher’s gutturals are as concussive as a mac truck doing dentistry. At times I was at the back of the venue and the vocals were like a kick in the gut. What can I say other than Cannibal Corpse absolutely f**king rules!!! And I loved every second of it. The pit was absolutely insane and, in fact, the crowd was one of the best I’ve ever been in. Such an amazing atmosphere to be a part of. George’s crowd control and banter is always legendary and he is certainly one of the best frontmen in metal. I love watching the security guards reactions during George’s intro to “I Cum Blood”. I don’t have to tell you that everyone fails his headbanging challenge, I mean how can you even compete with that neck? You must “RESPECT THE NECK”. Props to the soundboard technicians. Great sound all night and I didn’t even have to use my ear protection. I left the show completely satisfied and I can’t wait to see them and any one of the other bands the next time they come to town. They all left me wanting more. Great show 10/10!

Setlist
Scourge of Iron
Blood Blind
Disfigured
Evisceration Plague
Inhumane Harvest
Death Walking Terror
Chaos Horrific
I Cum Blood
Summoned for Sacrifice
Pounded Into Dust
Disposal of the Body
Pit of Zombies
Stripped, Raped and Strangled
Hammer Smashed Face

Band members
George “Corpsegrinder” Fisher – vocals
Rob Barrett – lead and rhythm guitar
Erik Rutan – lead guitar
Alex Webster – bass guitar
Paul Mazurkiewicz – drums

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Album Review – Cannibal Corpse / Chaos Horrific (2023)

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The mighty Corpse is back with another pulverizing album of old school, undisputed Death Metal, blasting gore, blood and violence throughout 39 minutes of pure and intense chaos.

Two years after the incendiary Violence Unimagined, American Death Metal legends Cannibal Corpse are back with their equally monstrous sixteenth studio album, titled Chaos Horrific, continuing to build their legacy in the history of heavy music. Produced by the band’s own Erik Rutan at Mana Recording Studios, and displaying another sick and gory artwork by longtime collaborator Vince Locke, the new album by frontman George “Corpsegrinder” Fisher, guitarists Rob Barrett and Erik Rutan, bassist Alex Webster and drummer Paul Mazurkiewicz was written shortly after the conclusion of the Violence Unimagined sessions (due to the pandemic keeping them off tour), and although echoes of that album exist in Chaos Horrific, it is a whole new beast of its own. “To me this album feels sort of like a continuation of Violence Unimagined. The style is quite similar, but individually none of the songs on Chaos Horrific sound like songs on Violence Unimagined,” said Alex. “It’s a full-on death metal album, Cannibal Corpse style.”

And Alex begins his undisputed bass attack in the visceral opening tune Overlords of Violence, where the band already crushes us mercilessly with their old school Death Metal, offering pure, unfiltered Cannibal Corpse for the masses, followed by Frenzied Feeding, another massive assault by the quintet with the guitars by Rob and Erik sounding extremely dirty, vile and evil, while our buddy Corpsegrinder proves why he’s the ultimate Death Metal growler. “One person is randomly selected to die. Thirteen people are randomly selected to kill this person by violently removing pieces of his body until he breathes no more,” commented Paul about Summoned for Sacrifice, a neck-breaking, demonic tune that will work amazingly if played live; whereas Blood Blind “is about mass mutilations to reset the human race in a genocide that was embraced by the masses,” also according to Paul, showcasing classic, evil lyrics roared by Corpsegrinder (“Seas of gore as far as the eye can see / Saturating the vision / Eternal hate this is not a fallacy / Contaminate all that lives / Subjugate the mind / Blood blind”).

The wicked guitar lines by the band’s unstoppable axe duo ignite the circle pit feast Vengeful Invasion, another great tune for headbanging nonstop together with Corpsegrinder, sounding extremely technical yet still bringing forward the band’s trademark gore and heaviness, whereas the title-track Chaos Horrific couldn’t have sounded more Cannibal Corpse than that, presenting their past, present and future sonority, with Paul kicking some serious ass behind his drums supported by the always demented bass by Alex. They show no sign of slowing down in the brutal, thunderous Fracture and Refracture, bringing forward more of their Death Metal riffage, rumbling bass lines and crushing beats in a beyond thrilling manner, followed by Pitchfork Impalement, offering us all three minutes of insanity and violence led by the inhumane growls by Corpsegrinder while Paul hammers his drums with endless fury. After that, get ready to be pulverized inside the mosh pit to the sound of Pestilential Rictus, a groovy, ruthless display of Death Metal where Rob and Erik are superb with their metallic riffs and solos. And lastly, if you’re still alive there’s time for one final sonic carnage titled Drain You Empty, where the band invests in a deep, obscure sound not recommended for the lighthearted, overflowing their brutality until the very last second.

Cannibal Corpse Chaos Horrific Boxset

If there’s one thing that we all love about Cannibal Corpse is their ability to reinvent themselves with every new album without forgetting about their old school Death Metal roots, which is exactly what we see in the excellent Chaos Horrific. Hence, don’t forget to give the guys from the band a shout on Facebook and on Instagram, to stream their vast and amazing catalogue on Spotify, to catch the kings of Death Metal live on tour now promoting their sick new album, and above all that, to purchase a copy of it from their own webstore, from the Metal Blade Records webstore, from Kingsroadmerch.com (especially the fantastic Chaos Horrific Box Set, limited to 1500 copies and including a dried blood vinyl, a 24-page 12” booklet, a puzzle, a poster, an enamel pin and an art print), or simply click HERE for all things Cannibal Corpse. Let’s support this undisputed Death Metal institution to keep blasting chaos through their music for many decades to come, spreading blood, gore, filth, violence, and all other horrific things that makes us metalheads always proud of the mighty Corpse!

Best moments of the album: Overlords of Violence, Chaos Horrific, Fracture and Refracture and Pestilential Rictus.

Worst moments of the album: None.

Released in 2023 Metal Blade Records

Track listing
1. Overlords of Violence 3:08
2. Frenzied Feeding 3:33
3. Summoned for Sacrifice 4:05
4. Blood Blind 4:34
5. Vengeful Invasion 4:44
6. Chaos Horrific 3:33
7. Fracture and Refracture 3:37
8. Pitchfork Impalement 3:17
9. Pestilential Rictus 4:13
10. Drain You Empty 4:36

Band members
George “Corpsegrinder” Fisher – vocals
Rob Barrett – lead and rhythm guitar
Erik Rutan – lead guitar
Alex Webster – bass guitar
Paul Mazurkiewicz – drums

Album Review – Cannibal Corpse / Vile (1996)

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Ladies and Gentlemen, please welcome Mr. George “Corpsegrinder” Fisher.

Rating3

VilecannibalcorpseThe year of 1996 was excellent for heavy music fans, with bands like Sepultura, Slayer, Pantera, In Flames and Stratovarius launching some unique albums, and of course we also had the ferocious Vile from Death Metal icons Cannibal Corpse, this time with a fresh new singer, George “Corpsegrinder” Fisher. Although some old diehard fans didn’t enjoy the change, in my opinion Chris Barnes always sounded like a desperate gorilla choking on his own vomit screaming for help, while Corpsegrinder added more dynamism and creativity to the band’s music.

Devoured By Vermin opens this musical massacre at a very high level, showing what to expect from the rest of the album. This quickly became my top Cannibal Corpse song of all time, even better than their most acclaimed classic Hammer Smashed Face, and even after listening to what was going to be the original version before Barnes left I still prefer the official one the band re-recorded with Corpsegrinder on vocals.

cannibalcorpse1996promophoto1The following three songs keep on “destroying” our necks and bodies: Mummified in Barbed Wire, Perverse Suffering and Disfigured, especially this last one, are perfect for any circle-pits or for a heavy workout at the gym after a stressful day at school or work. With Bloodlands the band seems to give a break to all the insanity with a heavy but slow song, just to get back as fast and destructible as possible with the amazing Puncture Wound Massacre and the instrumental Relentless Beating. The album continues with another great song for a horror movie soundtrack, Absolute Hatred, the violent Eaten from Inside (which has some awesome riffs and solos), and the short but complex Orgasm Through Torture (what a beautiful name). The last song, Monolith, is nice but sounds too generic compared to the rest of the album. Nothing that makes Vile less amazing, though.

There’s not much to say about the totally brutal and gruesome lyrics, or about the insanely evil front cover (if you’re a pussy, go for the censored version of it). Those are trademarks of one of the heaviest bands on Earth and make the final material even better. The guitar players do an excellent job and I’ve already said what I think about Corpsegrinder, but let me focus on Paul Mazurkiewicz and Alex Webster. Paul is not a simple drummer, he’s a ruthless human jackhammer, while Alex is a beast that makes anyone completely forget about Cliff Burton after listening to his demented and unmatched bass lines.

You can say whatever you want about the band with Barnes or Corpsegrinder on vocals, as each fan of the band has their own reasons to prefer this or that guttural style, but one thing is certain: Cannibal Corpse’s Vile kicks some serious fuckin’ ass and is mandatory in the collection of anyone who appreciates some brutal and extremely technical high-quality Death Metal.

Best moments of the album: Devoured By Vermin, Disfigured and Puncture Wound Massacre.

Worst moments of the album: Bloodlands and Monolith.

Released in 1996 Metal Blade Records

Track listing
1. Devoured by Vermin 3:13
2. Mummified in Barbed Wire 3:09
3. Perverse Suffering 4:14
4. Disfigured 3:48
5. Bloodlands 4:20
6. Puncture Wound Massacre 1:41
7. Relentless Beating 2:14
8. Absolute Hatred 3:05
9. Eaten from Inside 3:43
10. Orgasm Through Torture 3:41
11. Monolith 4:24

Band members
George “Corpsegrinder” Fisher – vocals
Rob Barrett – guitar
Jack Owen – guitar
Alex Webster – bass
Paul Mazurkiewicz – drums