Album Review – Exhorder / Defectum Omnium (2024)

Putting a foot back into the roots of the band’s inception, these American veterans return to the battlefield with their striking fourth full-length opus, turning the failure of all into first-class Thrash and Groove Metal.

Putting a foot back into the roots of the band’s inception, New Orleans, Louisiana’s own Thrash Metal veterans Exhorder return to the battlefield with their striking fourth full-length opus, titled Defectum Omnium, the Latin phrase for “the failure of all”. Produced by the band itself, mixed by Jens Bogren at Fascination Street Studios, and displaying a sinister artwork by Travis Smith of Seempieces Design Studio, the album is highly recommended for fans of Dark Angel, Nuclear Assault, Exodus, Death Angel, Testament, Machine Head, and Pantera, among others, with the band currently formed of Kyle Thomas on vocals and guitars, Jason Viebrooks on bass, and Sasha Horn on drums now being joined by former Cannibal Corpse heavyweight guitarist Pat O’Brien, just to give their sound an even edgier and more austere taste.

Let’s slam into the pit like true metalmaniacs to the sound of Wrath of Prophecies, a Pantera-infused onrush of thrashing sounds led by the piercing riffs by Kyle and Pat, kicking things off in an amazing way, followed by Under the Gaslight, a more cadenced, Groove Metal-ish tune by Exhorder recommend for some vigorous headbanging to the massive beats by Sasha and the always visceral roars by Kyle. Forever and Beyond Despair offers us then absolutely acid lyrics (“Designs of murder ending all  / Last call, then curfew comes / Take your meds and go / The gods bring on the wars / Send the troops, let ’em burn / The girls will work butter churns, all pregnant with babes”) amidst a fusion of Thrash Metal, Hardcore and Punk Rock, whereas letting their Southern Metal vein pulse harder than ever we face The Tale of Unsound Minds, with Jason and Sasha delivering sheer heaviness and groove through their devilish kitchen. After that we have Divide and Conquer, another Thrash and Groove Metal feast by the quartet where their riffs and solos sound striking, meaning it should work really well if played live; and an eerie intro quickly explodes into the venomous Year of the Goat, a slamming tune that will invite us all into the circle pit to the rumbling bass by Jason.

After a slower yet still heavy-as-hell start, the band will will hammer your heads mercilessly in Taken by Flames, offering modern-day Thrash Metal overflowing rage and insanity, all led by the boisterous beats by Sasha; and get ready for over seven minutes of darkness in the form of Defectum Omnium / Stolen Hope, starting in a hypnotic way before the band comes ripping with a venomous mid-tempo attack, with the riffage by Kyle and Pat penetrating deep inside our damned souls. It’s then time for some pure American hatred flowing from all instruments in Three Stages of Truth / Lacing the Well, with their riffs, bass jabs and blast beats generating the perfect ambience for some wild circle pits and crowd surfing; followed by Sedition, bringing forward three minutes of savagery and brutality blasted by the quartet, once again offering our avid ears an overdose of dirty riffs, raspy vocals and demolishing drums, and they keep destroying our cranial skulls with their visceral Thrash Metal in Desensitized, where the enraged growls by Kyle walk hand I hand with the unstoppable beats by Sasha. Last but not least, they present another shot of their hybrid of Southern Rock with Thrash and Groove Metal in Your Six, feeling sluggish, dirty and inebriate until the very last second.

Exhorder are not in a good mood throughout the entire Defectum Omnium, and of course that’s an amazing thing when it comes to violent and frantic Thrash Metal. Hence, don’t forget to start following those American thrashers on Facebook and on Instagram for news, tour dates and so on, to stream more of their wicked music on YouTube and on Spotify, and above all that, to purchase a copy of the incendiary Defectum Omnium by clinking HERE or HERE. The entire world as we know it has failed miserably, and that’s exactly what Exhorder needed as fuel for their fulminating new album, keeping the fires of heavy music burning bright while our rotten society comes to its inevitable end.

Best moments of the album: Wrath of Prophecies, Year of the Goat and Three Stages of Truth / Lacing the Well.

Worst moments of the album: Under the Gaslight.

Released in 2024 Nuclear Blast

Track listing
1. Wrath of Prophecies 4:14
2. Under the Gaslight 4:21
3. Forever and Beyond Despair 3:03
4. The Tale of Unsound Minds 5:01
5. Divide and Conquer 2:38
6. Year of the Goat 3:27
7. Taken by Flames 5:19
8. Defectum Omnium / Stolen Hope 7:13
9. Three Stages of Truth / Lacing the Well 6:46
10. Sedition 2:56
11. Desensitized 4:59
12. Your Six 4:28

Band members
Kyle Thomas – vocals, guitars
Pat O’Brien – guitars
Jason Viebrooks – bass
Sasha Horn – drums

Guest musicians
Rick Wartell – guitars
Bruce Franklin – guitars

Album Review – Aortha / Monolit (2023)

Behold the dynamic, diversified and thrilling debut effort of Heavy and Thrash Metal by an Oslo, Norway-based veteran, supported by an array of multi-talented musicians from all over the world.

A new metal project founded by multi-instrumentalist Predrag Glogovac, known for his years with Yougoslavian Heavy/Thrash Metal band Monolit from 1988 until 1992, when the war broke in the country and the band seized to exist, Oslo, Norway-based Heavy/Thrash Metal act Aortha is unleashing upon humanity their debut effort, titled Monolit. Recorded in 2021 in Oslo, New Orleans, Helsinki, Mostar, Trieste, Banja Luka, New York, Nurnberg, Pančevo, Montreal, Alicante, Kraljevo, Hamilton, Kragujevac and Sundsvall, mixed by Fredrik Nordström at Studio Fredman, and mastered by Jens Bogren at Fascination Street, the album presents an array of sensational musicians alongside Predrag including vocalists Diego Valdez (Dream Child), Kyle Thomas (Exhorder), Denis “Snake” Belanger (Voivod), Alessia Scolletti (Temperance, Era), Netta Laurenne (Smackbound) and Christian Älvestam (Scar Symmetry), guitarists Igor Paspalj, Branko Stiković Stika, Saša Kapor and Slobodan Ernjaković, bassist Jacob Umansky (Intervals), pianist Ivan Aleksijević Pančevac, and drummer Hannes Grossmann  (Triptykon, Alkaloid), resulting in a dynamic, diversified and thrilling album of classic metal music.

The sinister piano by Ivan sets the tone in the intro Symposium, sounding cinematic, epic and grim until all explodes into ass-kicking Heavy Metal in Those That Should Not Exist, with the vocal duo Diego and Kyle vociferating rabidly while guitar solos by Predrag and Stika will pierce your soul mercilessly, not to mention how demolishing the drums by Hanners sound. Then it’s time for Diego to team up with Netta in another incendiary tune titled Last Of Our Kind, while the riffs by Predrag sound absolutely scorching in a first-class modern-day Thrash Metal feast; whereas Forging The Locus is another sinister, heavy-as-hell composition by Aortha, with the infernal beats by Hannes offering Diego and Kyle exactly what they need to roar nonstop à la Ripper Owens. And Predrag will kick you in the head with his spot-on riffs and solos in Keep The Dream, where Jacob’s rumbling bass together with Hannes’ drums add tons of groove to the music.

Diego and Kyle will crush our senses one more time in Maximus Metallus, a mid-tempo, extremely heavy tune where the sound of the guitars and drums will make your head tremble; while the vocal trio formed of Snake, Diego and Alessia bring their share of obscurity and melancholy to Divine Future, although not as exciting as the rest of the album. In When All Around You Is Madness we’re treated to nothing more, nothing less than five talented singers alternating between sheer heaviness and ethereal clean vocals while Predrag and his henchmen build a massive wall of heavy and thrashing sounds armed with their sonic weapons; and Diego and Alessia team up for the last two songs of the album, starting with Timeless Soul Cure, where once again Predrag and Igor are ruthless with their riffs and solos supported by the thunderous kitchen by Jacob and Hannes. Lastly, the album concludes with the outro She, with the guitar solos by Igor bringing a touch of finesse to the overall result while Alessia sounds fantastic on vocals.

Predrag and his sonic beast Aortha are waiting for you on Facebook, on Instagram and on YouTube with news and more of their music, and you can also stream their creations on Spotify and, above all that, purchase a copy of Monolit from the band’s own BandCamp page or from Apple Music really soon. It’s a real pleasure to witness the rebirth of Monolit in the form of Aortha, and Predrag and his henchmen and henchwomen all sound amazing throughout the entire album, offering us all another very good reason to keep banging our heads in the name of top-notch heavy music.

Best moments of the album: Those That Should Not Exist, Last Of Our Kind and When All Around You Is Madness.

Worst moments of the album: Divine Future.

Released in 2023 Independent

Track listing
1. Symposium 1:13
2. Those That Should Not Exist 5:01
3. Last Of Our Kind 6:29
4. Forging The Locus 5:06
5. Keep The Dream 4:38
6. Maximus Metallus 5:36
7. Divine Future 4:47
8. When All Around You Is Madness 7:56
9. Timeless Soul Cure 5:05
10. She 1:25

Band members
Diego Valdez – vocals
Kyle Thomas – vocals on “Those That Should Not Exist”, “Forging The Locus”, “Maximus Metallus” and “When All Around You Is Madness”
Denis “Snake” Belanger – vocals on “Divine Future” and “When All Around You Is Madness”
Alessia Scolletti – vocals on “Divine Future”, “When All Around You Is Madness”, “Timeless Soul Cure” and “She”
Netta Laurenne – vocals on “Last Of Our Kind”
Christian Älvestam – vocals on “When All Around You Is Madness”
Predrag Glogovac – lead & rhythm guitars
Igor Paspalj – lead guitars
Branko Stiković Stika – lead guitars on “Those That Should Not Exist”
Saša Kapor – lead guitars on “Forging The Locus”
Slobodan Ernjaković – lead guitars on “Divine Future”
Jacob Umansky – bass
Ivan Aleksijević Pančevac – piano
Hannes Grossmann – drums