Metal Chick of the Month – Lilita Arndt

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Eternal darkness is covering my eyes and penetrating me…

Dark skies are over us all once again here on The Headbanging Moose thanks to the raw and visceral Black Metal crafted by a multi-talented woman who will undoubtedly blacken our hearts even more. Hailing from Rivne, a historic city in western Ukraine located over 300 kilometers to the west of the country’s capital Kiev, she’s not only an amazing Extreme Metal vocalist, but she also plays all instruments including lead, rhythm and acoustic guitars, bass and drums for her stunning one-woman Occult and Depressive Black Metal project entitled Ieschure. Her poetic name, Lilita Arndt, adds an extra touch of beauty to her unique creations, and you’ll be more than pleased with her music, her view of Black Metal and how she incorporates all her influences into each one of her songs.

Lilita’s interest in writing and playing music began at a very early stage of her childhood, when she started to write lyrics and later tried to create simple melodies for them on her acoustic guitar, which by the way was her very first instrument, then learning how to play keyboards (followed by all other instruments she currently knows), all self-taught and never having any sort of formal or structured music lessons with anyone. After taking part in different projects as a singer, including an old acoustic project called Embrace of Hedera from 2007 until 2015 which played melancholic, dark and romantic music with acoustic guitars and clean female vocals (and with whom she recorded the album The Castle On The Rolling Hills in 2015), Lilita wanted to explore new territories by creating her own music with her own melodies, lyrics, singing and atmosphere, being the mastermind of her own project and experimenting with melodies and vocals, the main reason why she decided to found her own solo project Ieschure back in 2015.

A word chosen by Lilita after the whole album The Shadow was finished in 2017, Ieschure has the project’s name related to occult things and the meaning of this word is really important for her, although our multi-talented musician prefers it to be known only by herself. Dealing with classic Black Metal lyrical themes such as occultism, witchcraft and death, and using a serpent as her symbol (more specifically as a primitive symbol of power and wisdom but at the same time representing death and damnation), this one-woman Black Metal force has already released an array of bold, captivating albums since the project’s inception in 2015, those being the aforementioned full-length opus The Shadow, in 2017, the EP’s Cold Stars of Eternity and Phantoms of God, in 2020, and more recently the split album Witch’s Consecration, now in 2021, with Brazilian Black Metal horde Promethean Gate. If you want to have a very good taste of how breathtaking the music by Ieschure is, you can enjoy some awesome songs online such as Eternal Agony, Mystic Schizophrenia and Phantoms Of God, or simply go to BandCamp, to Big Cartel and to Spotify (or click HERE) to stream and purchase all of her wicked creations.

Not only the woman responsible for all vocals and instruments in all of Ieschure releases, Lilita also handles all recording, mixing, mastering, lyrics and layout of the albums, which is absolutely in line with her initial dream of having a project of her own. In addition, Lilita has also collaborated in several albums from other bands, with the most memorable for her to date being singing with the bands Detention and Restless. For instance, she recorded vocals for the songs Nidhogg (from the album Lost Souls in a Godless World) and Wolf’s Head (from the album The Battle of Tara) by American Doom/Stoner/Southern Metal band Black Mountain Thunder, both in 2015; vocals for the song The Face of God, from the 2015 self-titled album by American Stoner/Doom Metal band Clawhammer; vocals on the 2014 album Marginal, by Kazakh Depressive Metal band Detention; vocals on the song Rurel, from the 2018 self-titled EP by Italian Black/Folk Metal band Dovrefjell; backing vocals on the songs Spiritueller Selbstmord, from the 2014 album Verwüstung, and Wenn Die Sterne Nicht Mehr Scheinen, from the 2014 EP Horizont, by Ukrainian Black Metal/Ambient band Moloch; vocals on the 2017 album Funeral Impressions, by Italian Funeral Doom Metal band Restless; and vocals on the song Bride of Winter, from the 2016 album Forgotten Tales, by Italian Black Metal band Waldweg; not to mention the cover art for the 2019 EP The Wanderer, by Tuskish Atmospheric Black Metal band Akrunant.

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Regarding her first experiences with Heavy and Black Metal, Lilita mentioned in one of her interviews that she began listening to popular metal bands when she was a teenager, becoming more and more interested in the underground and, consequently, getting attracted to the world of Black Metal. In her opinion, Black Metal is not just a music style, but a dark side of art, an irrational fusion of music, theatre and philosophy, full of paradoxes and concentrating the strongest emotions, hatred and some perverted love to life, which is the main reason why she considers it perfect. She complemented by saying that she has felt the presence of hidden forces in the world since she was a little child, gradually getting more interested in those and in occultism, also saying that realizing that she will die some day was what truly attracted her to that. Apart from drawing inspiration from the works of renowned occultists the likes of Aleister Crowley, Eliphas Levi, Stanislas de Guaita and George Gurdjieff, she also enjoys reading and studying about her work as a designer, all forms of art, mythology, psychology, history, travelling and everything that can give her new knowledge about the world. And in terms of what inspires the music by Ieschure the most, she mentioned Black Metal behemoths such as early Urfaust, Behexen, Rotting Christ, My Dying Bride, Opeth and, above all, Burzum, as his music embodies the ideas of misanthropy and loneliness in the best way imaginable according to our sinister diva.

When asked about her vocal style and technique, Lilita said that her screaming vocals were influenced by classic Black Metal bands, whereas for clean vocals she gets her inspiration from non-Black Metal music, as for example Julie Christmas, her favorite female singer of bands like Battle Of Mice and Made Out of Babies, and Free Dominguez, of Kidneythieves. In addition, regarding her songwriting process, Lilita said the first thing she does is many improvisations on the guitar at her home studio, recording various ideas, listening to them again at a later stage, and if she finds any of those ideas interesting enough she rerecords them to include all other instruments. Also, she complemented by saying most of her time in that process is taken by the lyrics writing process, as she can rewrite those many times and do various vocal improvisations to find the best version, finally rerecording everything.

As a true admirer of the underground, in special the first wave of Black Metal bands, their sound and atmosphere, as well as old Doom Metal, Lilita also said that although she doesn’t listen to a lot of bands from the Black Metal scene in her homeland Ukraine she knows there are several bands and projects in the country who create true underground music, always prioritizing the music instead of fame or money. However, she said she cannot compare herself to any of those bands, as she tries to go her own way with her own opinion about music. In addition, she also mentioned in one of her interviews that she doesn’t usually attend concerts, as for her personally the best way to listen to music is to listen to it in her headphones.

Lastly, when questioned if one day Ieschure will become a full-bodied group with other members joining her, Lilita said that, although she’s always open to change, she doesn’t think that’s a possibility for now. Furthermore, she mentioned that if one day she finds that a good alternative for embodying her ideas she will definitely try working with other musicians, as long as of course they’re sincerely interested in music and follow similar or the same ideas as hers. In the end, it doesn’t matter if she continues to create music as a lone she-wolf or if she finds the perfect lineup for Ieschure, our beloved metal witch will keep experimenting with melodies and vocal styles while always keeping an evil Black Metal atmosphere in the background, playing raw and devilish sounds for our total delectation in the name of darkness, death and the occult.

Ieschure’s Official Facebook page
Ieschure’s Official Instagram
Ieschure’s Official Twitter
Ieschure’s Official YouTube channel

“For me black metal is really a dark side of Art. It’s not just a music style. Mixture of music, theatre and philosophy, more irrational than other music styles, full of paradoxes, concentrating the strongest emotions, hatred and some perverted love to life. That is why it is perfect.” – Lilita Arndt

Album Review – Stone Cadaver / Memento Mori, Motherfucker (2021)

This amazing Danish trio is back in action with a riff-laden Stoner Rock and Metal journey in the form of their crushing new album, reminding us all of the inevitability of death.

3.5rating

stone-cadaver-memento-mori-motherfucker-2021Having stewed for some time in the darkest and most evil of witch cauldrons, Memento Mori, Motherfucker, the brand new album by Aarhus, Denmark-based Stoner Rock/Metal power trio Stone Cadaver is ready to be let loose upon humanity, following up on their highly acclaimed 2017 release Reject Remove Replace. Just like its predecessor, Memento Mori, Motherfucker is a riff-laden journey through a dynamic soundscape that forms an organic whole, showcasing all the talent of Anders Bech Nielsen on vocals and guitar, Andreas Slocinski on bass and Jesper Hauptmann on drums. Produced, mixed and mastered by legendary Danish producer Tue Madsen and recorded live in his Antfarm Studio north of the band’s hometown, the album is a strong feast of heavy, down-tuned Stoner Metal with elements of 70’s Progressive and Hard Rock, crushing Doom Metal and classic Heavy Metal that will certainly please all fans of the mighty riff.

The low-tuned, menacing bass by Andreas set the tone in the heavy intro The Reckoning, warming up our senses for the visceral Realm Of Darkness, the perfect choice for cracking your neck headbanging to the classic riffs by Anders accompanied by the slow and steady beast by Jesper in a solid and entertaining feast of old school Doom and Sludge Metal. Then dark clouds of pure doom are above us all in the massive Doom Christ, offering the listener a Stygian wall of sounds crafted by the trio, sounding like a hybrid of the original Black Sabbath sound with their own Dio years, and with the guitar lines by Anders sounding truly infuriated and raw. And it’s time for Stoner Cadaver to bring forward their “tribute” to the catholic church in Whip The Sinners, a straightforward creation inspired by 70’s Doom Metal with Anders once again being on fire with his wicked vocals.

After such intense tune, we’re treated to an instrumental, ethereal interlude entitled Paean, soothing our souls and working as “the calm before the storm” as the band comes hammering our damned souls once again with Diseased Deceased, a flammable Stoner Rock and Metal extravaganza led by the pounding drums by Jesper while Andreas continues to extract devilish, metallic sounds from his bass, flowing into another whimsical bridge titled Fare Thee Well before all hell breaks loose one last time to the sound of the nine-minute Doom Metal aria Murder Mountain, starting with the eerie bass lines by Andreas amidst a background storm. It’s an infernal composition by Stoner Cadaver that will put you in a trance without a shadow of a doubt while Jesper keeps smashing his drums nonstop, also presenting tons of breaks and variations, exhaling groove and thunder and, of course, always praising the riff, with its final acoustic passage putting a climatic ending to the album.

stone-cadaver-2021If you want to know more about Stoner Cadaver, their music, tour dates and so on, you can find those Danish rockers on Facebook, on Instagram, on Spotify and on YouTube, but of course if you want to show your love for underground doom you should definitely purchase Memento Mori, Motherfucker sooner than you can say “motherfucker” from their own BandCamp page, as well as from imusic.dk in CD or LP format, or from gatewaymusicshop.dk. As you all know, memento mori is an artistic or symbolic reminder of the inevitability of death, which makes me wonder if Stone Cadaver’s goal with their new album was to actually remind us that we’re all going to die one day. If that’s the case, let’s say that not only they did it in great fashion with Memento Mori, Motherfucker, but they also provided us a great option for enjoying our last moments on earth before our inevitable end.

Best moments of the album: Doom Christ and Murder Mountain.

Worst moments of the album: None.

Released in 2021 Yog-Sothoth Records/Gateway Music

Track listing 
1. The Reckoning 1:26
2. Realm Of Darkness 6:50
3. Doom Christ 6:00
4. Whip The Sinners 3:36
5. Paean 1:13
6. Diseased Deceased 6:26
7. Fare Thee Well 1:08
8. Murder Mountain 9:11

Band members
Anders Bech Nielsen – vocals, guitar
Andreas Slocinski – bass
Jesper Hauptmann – drums

Album Review – Coiled Around Thy Spine / From The Ashes (2021)

From the ashes these Italian metallers rise with more of their shredding guitar solos, blasting drums and soaring vocals in the form of their sophomore album, representing an evolution in their visceral sound.

4.0rating

coiled-around-thy-spine-from-the-ashes-2021Three years after the release of their fulminating debut album Shades, vocalist Daniele Rosso and guitarist and bassist Sergio Costa, supported by session drummer Tomonobu ‘Tomi’ Inoue and collectively known as Turin, Italy-based Melodic Death Metal outfit Coiled Around Thy Spine, are back in action with their shredding guitar solos, blasting drums and soaring vocals inspired by classic and new Death Metal in the form of their sophomore effort entitled From The Ashes. A true step up in their career, From The Ashes offers us listeners an evolution in the sound by the Italian duo from their debut album, being highly recommended for fans of renowned acts the likes of Arch Enemy, Death, Trivium, early In Flames and Megadeth, and above all, for anyone who enjoys a huge dosage of violence mixed with great melodies and a very good reason for headbanging like there’s no tomorrow.

And futuristic sounds arise from the underworld in the opening tune Paracosm, before Sergio and Tomi begin their respective riffs and beats attack, exploding into sheer Melodic Death Metal to the wicked roars by Daniele while all is carefully spiced up by a trademark guitar solo by Sergio. Then epic, Stygian background elements set the tone in the visceral tune Back To The Dark Dimension, with Daniele’s growls and screams getting even more enraged while Sergio continues to slash his axe majestically; and there’s no time to breathe as Coiled Around Thy Spine keep crushing our souls with their melodic and intricate Death Metal in Breath Of Existence, where Tomi is once again bestial behind his drums, not to mention the awesome job done by Sergio with both his riffs and bass lines. After such demolishing tune, a sinister and melancholic intro morphs into a mid-tempo Melodic Death Metal feast the likes of early Arch Enemy in Graveyard Of Thoughts, an excellent choice for breaking your neck to the pounding drums by Tomi.

The band keeps exploring darker paths in Burning Souls, another somber creation by Daniele and Sergio showcasing those piercing guitars that only Melodic Death Metal can provide us. It would have been more effective if a little shorter, though, whereas back to a more epic and violent mode it’s time for a fulminating metal onrush entitled Survival Instinct, with Sergio’s riffs generating a flammable paradox with the song’s background keys while Daniele and Tomi fire sheer animosity and hatred through their respective growls and beats. Then get ready to have your ears and minds pierced mercilessly by the scorching riffs by Sergio while Daniele keeps gnarling like a beast in Red Rising Sun, keeping the album as sulfurous and obscure as it can be, while the title-track From The Ashes closes the regular version of the album on a demolishing note, inviting us all to bang our heads and slam into the pit while Daniele vociferates rabidly nonstop. Furthermore, if you go for the special edition of the album you’ll be treated to two amazing cover songs as a bonus, those being Like Hell by Loudness and Bite The Pain by Death (and you can check the original ones HERE and HERE). Needless to say, Coiled Around Thy Spine simply kicked some serious ass with both versions.

coiled-around-thy-spine-2021In a nutshell, the guys from Coiled Around Thy Spine have outdone themselves in From The Ashes (which is available for a full listen on Spotify), delivering a thrilling hybrid of old school and modern sounds that will undoubtedly please any fan of Heavy Metal, even the ones who don’t enjoy extreme music that much. Hence, in order to show those Italian metallers your utmost support, don’t forget to follow them on Facebook and on Instagram, to subscribe to their YouTube channel, and of course, to purchase From The Ashes from their own BandCamp page, as well as from Apple Music or from Amazon. And let’s all hope Coiled Around Thy Spine do not take too long to get back “from the ashes” with more of their sick and visceral music.

Best moments of the album: Back To The Dark Dimension, Breath Of Existence, Survival Instinct and From The Ashes.

Worst moments of the album: Burning Souls.

Released in 2021 Independent

Track listing      
1. Paracosm 5:51
2. Back To The Dark Dimension 4:59
3. Breath Of Existence 5:01
4. Graveyard Of Thoughts 6:05
5. Burning Souls 8:36
6. Survival Instinct 5:51
7. Red Rising Sun 5:45
8. From The Ashes 6:10

Special Edition bonus tracks
9. Like Hell (Loudness cover) 3:40
10. Bite The Pain (Death cover) 4:47

Band members
Daniele Rosso – vocals
Sergio Costa – guitars, bass, synth

Guest musician
Tomonobu ‘Tomi’ Inoue – drums (session)

Album Review – Internal Conflict / A P O R I A (2021)

Over 40 minutes of first-class Metalcore made in the UK, delivering a deep exploration of modern metal whilst reflecting on society and what it is to be human in deeply challenging times.

3.5rating

internal-conflict-aporia-2021Following their 2018 EP Nothing Is Lost and continuing their progressive creativity and innovative take on Heavy Metal, A P O R I A, the sophomore opus by Leicester, England-based Metalcore/Thrash Metal outfit Internal Conflict, is part brutal, part melodic, delivering a deep exploration of modern metal whilst the lyrical themes reflect on society and what it is to be human in deeply challenging times. Mixed and mastered by Neil Hudson at Initiate Audio & Media Studios and displaying a stunning artwork designed by Domonic Sohor, A P O R I A is undoubtedly the band’s strongest effort to date, proving why vocalist Adam Kyle, guitarists Sean Rice and Matt Hall, bassist Dan Laffar and drummer Chris Bentley carved themselves a slot at the renowned Bloodstock Open Air next month.

Chris begins his metal attack from the very firs second in the awesome fusion of Metalcore and Thrash Metal titled Kingdom of Apathy, offering Adam all he needs to roar and scream manically, not to mention his clean vocals are also powerful and full of rage, whereas a serene intro quickly explodes into another feast of heavy riffs, crushing drums and visceral vocals in Paraesthesia, sounding very modern and thrilling and, therefore, resulting in a great option for banging our heads nonstop with the band. The quintet speeds things up a bit and gets heavier-than-hell in Atlas Down, with Adam’s vocals sounding even more demented while Sean and Matt slash their guitars mercilessly, supported by the classic bass lines by Dan; and Bleed the Sky is one more tune inspired by contemporary Metalcore that will please all fans of the genre, with the piercing sound of their guitars bringing endless heaviness to the final result, also showcasing an electrifying paradox between clean and harsh vocals.

Let’s keep cracking our necks headbanging to the pounding beats by Chris in Hollow Heart, also offering our ears those classic atmospheric and melancholic moments from Metalcore, followed by Traitorous, a good song where Internal Conflict keep delivering their trademark sound, but that lacks the violence and punch from its predecessors, sounding a bit repetitive after a while. Nothing that truly harms the album, though. The second to last blast of heavy music by those British metallers comes in the form of The Line, with Sean, Matt and Dan sounding venomous with their stringed weapons, once again generating a dense ambience for Adam to kill with his vile screams; and closing the album it’s time for a six-minute Metalcore journey infused with Thrash, Groove and Heavy Metal elements entitled Kayfabe, with the old school riffage by the band’s guitar duo walking hand in hand with the rhythmic beats by Chris.

internal-conflict-2021You can get to know more about Internal Conflict by following the band on Facebook and on Instagram, subscribe to their official YouTube channel for more of their thrilling fusion of modern-day metal music with old school nuances, and above all that, show your support to UK’s underground by purchasing a physical copy of A P O R I A by clicking HERE or by purchasing a digital copy of the album or streaming it on your favorite platform by clicking HERE. If you’re attending Bloodstock Open Air this August, there you have a fantastic chance to witness Internal Conflict kicking some ass on stage playing several songs from A P O R I A live (as well as some of their previous creations), showing you why they can be considered one of the leaders of the Metalcore scene in their homeland and, of course, why we can rest assured we’ll hear a lot more from those British musicians sooner than we can imagine.

Best moments of the album: Kingdom of Apathy, Atlas Down and Kayfabe.

Worst moments of the album: Traitorous.

Released in 2021 PHD

Track listing 
1. Kingdom of Apathy 5:28
2. Paraesthesia 4:12
3. Atlas Down 4:29
4. Bleed the Sky 5:17
5. Hollow Heart 5:02
6. Traitorous 3:56
7. The Line 5:43
8. Kayfabe 6:10

Band members
Adam Kyle – vocals
Sean Rice – lead guitar
Matt Hall – rhythm guitar
Dan Laffar – bass
Chris Bentley – drums

Album Review – Gasoline Guns / Motor Cult (2021)

Time to join this Ukrainian cult of gasoline, guns, rum, whiskey, bourbon and badass Rock N’ Roll.

3.5rating

gasoline-guns-motor-cult-2021Bringing to our avid ears another round of their high-octane fusion of Heavy Metal, Rock N’ Roll and Hard Rock spiced up by ass-kicking harsh vocals, a combination the band itself likes to call “Metal N’ Roll”, the flammable Motor Cult, the brand new opus by Chernihiv, Ukraine-based metal drunkards Gasoline Guns, is a fun and vibrant collection of nine songs about a post-apocalypse and explosive world, blazing whiskey, fate, dusty roads and, of course, our good old, infernal Rock N’ Roll. Recorded, mixed and mastered at Higain Records and displaying a gasoline and coal-fueled artwork by Ian Guy the Motoring Artist, Motor Cult continues to pave the rockin’ path created by vocalist Dmytro “Talladega”, guitarists Danylo Sobolev and Volodymyr Zvol, bassist Andrew Moyseenko and drummer Volodymyr back in 2013, not only being the perfect follow-up to their 2015 demo and their 2016 full-length album Rust’n’Dust, but also a must-have for admirers of the fusion of burning fuel and badass riffs by bands such as Chrome Division and Motörhead.

Rev up your engines and join Gasoline Guns’ rockin’ feast in the alcohol-infused opening track Bourbon Burns, where Dmytro fires his trademark raspy vocals while Volodymyr crushes his drums in the best Motörhead style, whereas in Under Wicked Sky the raw and dirty lyrics barked by Dmytro (“There is no going back / And hope is a mistake / One more race, one more chase / One more lovely day / Riding road of fury / Riding road of pain / You live, you die / But you will live again”) bring even more thunder to the visceral riffs and solos blasted by Danylo and Volodymyr Zvol, resulting in a fast-paced ode to pure, unfiltered Rock N’ Roll. Their acid hybrid of Heavy Metal and Rock N’ Roll strikes again in the form of Hell Thunder, where the Lemmy-inspired bass by Andrew will make your head tremble mercilessly; and reminding us of the early days of Chrome Division, those Ukrainian rockers deliver a frantic tune entitled Gasoline and Guns, inviting us all to scream and shout the song’s catchy chorus together with them while Volodymyr dictates the pace with his pounding beats, not to mention Danylo’s sick guitar solo.

It’s not a true Rock N’ Roll album without a song with a Spanish name inspired by Mexican gunslingers, and that’s exactly what Gasoline Guns offer us all with tons of alcohol, bullets flying everywhere and the breathtaking sound of their guitars in El Pistolero, and the skies will get darker and the air heavier in the Stoner, Southern and Sludge Metal tune This Road Is a Snake, where Dmytro continues to tell tales of the life on the road with his inebriate vocals. Those five Ukrainian rockers keep hammering our heads with their vicious sounds in Nothing to Prove, where the riffage by Danylo and Volodymyr Zvol will penetrate deep inside your skin and invite you for a bloody pub brawl, and the band’s guitar duo, together with Andrew, will put you to bang your head like a metal maniac in the awesome Wheels of Rust, a classic Rock N’ Roll extravaganza with no shenanigans that will please all fans of the genre. Finally, we’re treated to And That’s Why We Drink, urging us metalheads to grab our glasses and bottles and join Gasoline Guns in their metallic tribute to all things alcohol, led by the always heavy and unfriendly voice of Mr. Dmytro “Talladega”.

gasoline-guns-2021After all is said and done, it’s time to put the pedal to the metal and hit the road together with Gasoline Guns to the sound of Motor Cult, and in order to do so you can stream their awesome new album in its entirety on YouTube and on Spotify, follow the band on Facebook and on Instagram, subscribe to their YouTube channel, and above all that, purchase Motor Cult from their own BandCamp page or from Apple Music, showing all your support to the underground. In the end, who doesn’t want to join a Ukrainian cult of gasoline, guns, rum, whiskey, bourbon and badass Rock N’ Roll, right? That’s all we need to find our inner strength to endure this dangerous highway we all like to call life.

Best moments of the album: Under Wicked Sky, Gasoline and Guns and Wheels of Rust.

Worst moments of the album: None, you bastards!

Released in 2021 Mythrone Promotion / Defense Records

Track listing   
1. Bourbon Burns 3:02
2. Under Wicked Sky 2:32
3. Hell Thunder 3:08
4. Gasoline and Guns 4:08
5. El Pistolero 3:54
6. This Road Is a Snake 5:07
7. Nothing to Prove 3:58
8. Wheels of Rust 4:25
9. And That’s Why We Drink 4:42

Band members
Dmytro “Talladega” – vocals
Danylo Sobolev – lead guitars
Volodymyr Zvol – rhythm guitars
Andrew Moyseenko – bass
Volodymyr – drums

Album Review – BloodBlind / False Light EP (2021)

Light, darkness and ass-kicking metal music. That’s exactly what this Finnish band has to offer us all in their new EP.

3.0rating

bloodblind-false-light-ep-2021Recorded, produced, mixed, and mastered by Niila Perkkiö at Sniper Sounds, the fast and melodic False Light, the brand new EP by Helsinki, Finland-based Heavy/Groove Metal unity BloodBlind, picks up where they left after going on a two-year hiatus shortly after the release of their 2017 self-titled debut EP, while at the same time offering us fans a fresher and more dynamic sound thanks to the excellent job done by Tommi Kokko on vocals, Joni Halmetoja (Rottendawn, Legacy) and Marko Lundahl (Six Inch, Korpsesoturi) on the guitars, Janne Saksola on bass and backing vocals, and Frank Fagerström on drums. In other words, if you enjoy the heavy, groovy and melodic metal music made not only Finland, but also from the entire Scandinavia, you must take a listen at the new EP brought forth by those skillful musicians from the land of ice and snow.

The whimsical keys, violin and cello by guests Kelly Walsh, Oona Yliperttula and Suvi Lehtimäki, respectively, in the intro Lucem Ac Tenebras (or “light and darkness” from Latin) will put you in a trance before BloodBlind begin their wicked metal feast in [Redacted], where the headbanging, visceral riffs by Joni and Marko are effectively accompanied by the pounding drums by Frank, blending the fury and groove of bands the likes of At The Gates and Lamb Of God. Then the sick bass jabs by Janne will invite you to slam into the circle pit to the Punk Metal-infused tune Hits and Blood, with Tommi roaring and screaming nonstop like a demented creature. Furthermore, this metallic composition is thrilling and electrifying from start to finish, also showcasing classic guitar solos and, of course, bringing rage to our damned hearts. Lastly, leaning towards the trademark sound from countless Finnish Melodic Death Metal acts, the title-track False Light keeps the EP moving forward at full speed, with the heavy beats by Frank dictating the pace while supporting Tommi with his vocal attack until the very last second.

bloodblind-2021If heavy music is your business (and business is good), you can enjoy False Light in its entirety on YouTube and on Spotify, but of course the best way to support underground metal is by purchasing your favorite format of the EP by clicking HERE. Also, don’t forget to show the guys from BloodBlind your love and tell them how much you like their music by following them on Facebook and on Instagram, and also to subscribe to their YouTube channel for more of their high-octane music. The term “false light” might mean an untrue or misleading portrayal, but that’s not what BloodBlind have to offer us in their new EP; quite the contrary, it’s ass-kicking metal music with no filters nor any artificial elements, staying true to their roots and, consequently, pointing to a bright future ahead of those unrelenting musicians.

Best moments of the album: Hits and Blood.

Worst moments of the album: None.

Released in 2021 Independent

Track listing 
1. Lucem Ac Tenebras 1:22
2. [Redacted] 4:42
3. Hits and Blood 2:08
4. False Light 4:46

Band members
Tommi Kokko – vocals
Joni Halmetoja – guitar
Marko Lundahl – guitar
Janne Saksola – bass, vocals
Frank Fagerström – drums

Guest musicians
Kelly Walsh – piano and synths on “Lucem Ac Tenebras”
Oona Yliperttula – violin on “Lucem Ac Tenebras”
Suvi Lehtimäki – cello on “Lucem Ac Tenebras”

Metal Chick of the Month – Kell Reis

kell01

When you die… I’ll be there… ‘Cause I’m inside you… Tearing the veil of insanity!

A Brazilian singer who nurtures a deep passion for music, in special of course our beloved Rock N’ Roll and Heavy Metal, our metal chick of the month of July will hypnotize you with her potent and unique voice, making you addicted to her music and always eager for more of her classy vocal lines. I’m talking about Raquel Reis Gonçalves, better known as Kell Reis or sometimes as Kell Hell, the stunning frontwoman for Brazilian Heavy Metal act Sacrificed and a woman who can sing pretty much any metal or non-metal style you can think of, showcasing an undeniable talent, hard work and focus on everything she does in the world of music, therefore proving once again not only how awesome the Brazilian metal scene is, but also that there are tons of girls in Brazil who proudly carry the flag of heavy music anywhere they go.

Born on May 2, 1989 in the city of Belo Horizonte, the capital city of southeastern Brazil’s Minas Gerais state, which is by the way the same city that gave the world amazing metal acts the likes of Sarcófago and Holocausto, not to mention the one and only Sepultura, the skillful Kell, who has been singing since she was only two years old, started studying music when she was 11 at a non-credit course at UEMG – Universidade Estadual de Minas Gerais, where she spent the next four years studying classical singing. Highly influenced by her parents, as her mother is a singer and her father a singer, pianist and guitarist, not to mention her deceased brother who used to listen a lot to Pink Floyd and Led Zeppelin, Kell moved from Brazilian kids music like Sandy & Junior to Nirvana when she was around 13, then going straight into rock and metal bands including Black Sabbath, Metallica, Angra and System Of A Down, and joining her first ever band called No Stress, playing grunge music at school. At the age of 18 she joined a Brazilian Hard Rock band named Vienna, and at 19 she became the vocalist for a renowned act in the underground scene in her hometown named Helltown. It was after one of her several gigs with Helltown in a city called Cataguases, around 340km from Belo Horizonte, that she met the guys from Sacrificed, and that leads to our next part of our tribute to Kell.

Officially formed in 2006 in Belo Horizonte by guitarist Diego Oliveira under the name Sacriffice after changing the name from Metal Breath, when they basically played Metallica songs, the band evolved into a regular group playing their own songs influenced by names such as In Flames, Dream Theater, Evergrey, Lacuna Coil, Disturbed, Halestorm and Brazilian popular music known as MPB (plus cover songs for bands like Metallica, Megadeth and Iron Maiden) and changed their name to Sacrificed around 2009, when Kell joined them as their lead singer replacing their previous singer Fabricio just a few days after he left the band. Currently formed of the Kell on vocals and Diego on the guitars together with Sergio Barbieri also on the guitars, Gabriel Fernando on bass and Tiago Vitek on drums, Sacrificed released their debut self-titled EP in 2009, followed by the full-length albums The Path of Reflections, in 2011, and Enraged, in 2018, and more recently the EP Beyond the Gates, in 2021, plus a live album/video named Sacrificed no Release Showlivre in 2019 and appearances in two compilations named Woman from Brazil… The Brazilian Tribute to Deep Purple with the song Fireball, and Somewhere in Brazil… The Brazilian Tribute to Iron Maiden with the song Lord of the Flies, both released in 2020. You can enjoy Kell’s powerful vocals in several of Sacrificed’s songs and official videos such as Meet Your Fate, Silence is the Omen, Say My Name, Vertigo, Call of Insanity, Grudge is My Middle Name, and a cover version for Disturbed’s all-time classic Down With The Sickness, and of course you can always enjoy all of their wicked creations on Spotify.

Kell’s biggest influences in Rock N’ Roll and Heavy Metal perfectly depict her passion for music and singing, including names the likes of Ozzy Osbourne, Dio, Bruce Dickison, Ian Guillan, Eric Adams, Doro Pesch, Lita Ford, Rob Halford and Dani Nolden as her favorite singers, bands like Led Zeppelin, Pink Floyd, Sinergy, Iron Maiden, Black Sabbath, Warlock, Judas Priest, Deep Purple and Manowar, and non-metal singers such as Whitney Houston, Ella Fitzgerald, Elis Regina and Maria Calas. She also mentioned during one of her interviews that her influences can vary from time to time, with bands like Halestorm, In This Moment, Arch Enemy and Alter Bridge being among her favorite ones from what can be called a “newer” generation of rock and metal acts. In addition, she mentioned Halestorm’s Lzzy Hale is currently her top vocalist, being influenced not only by her voice but also by her charisma.

When asked about the life of a band in her homeland, Kell said that despite the growing number of excellent metal bands arising from the Brazilian scene, as Brazil is even sometimes labeled as “the homeland of really good metal bands”, with the Death Metal scene being considered quite huge in her hometown Belo Horizonte, unfortunately the lack of new major bands like what Sepultura were in the 90’s makes it difficult for new bands to have their work published by the media, unless of course it’s something fully oriented to the rock and metal scene. She also said that due to the fact we live in a world where the illusory number of “likes” doesn’t actually translate into real fans, a band needs to properly manage their career to attract true people to their music, something a Brazilian Heavy Metal band called Project46 does really well according to her. And despite the fact she thinks that it’s almost impossible to live out of metal music in Brazil, the scene remains strong with a lot of collaboration between bands and, of course, the passion from each musician involved.

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One thing Kell always complains about is the fact that organizing, attending and playing live concerts in Brazil has always been extremely difficult due to several facts such as exorbitant prices, lack of good public transportations, horrible roads and highways, and above all that, the lack of decent proposals that respect the band and its value. Apart from bands like Sepultura and Angra, she mentioned it’s difficult to see independent bands touring around Brazil. For instance, Sacrificed currently focuses their tours in the states of Minas Gerais and São Paulo, although they’re working on expanding their reach to the northern and southern parts of Brazil. Still regarding her life on the road, Kell said that playing alongside Kamelot, Eluviete, Blaze Bayley and The Agonist was truly amazing, but that sharing the stage with Lacuna Coil, one of their main influences, has been indeed one of the most special moments of the band’s career so far.

In addition to her up-and-coming career with Sacrified, Kell also became an active figure in terms of female representation in the Brazilian metal scene, promoting lives on her social media to discuss the theme together with special guests. When questioned how she sees the role of women in the Brazilian metal scene, she said that when she first stepped on stage over a decade ago the scene for women was completely different, having changed to something much better over time, but even today there’s still a lot of prejudice and an unbalance in terms of the number of women in roles such as roadies and sound technicians, and even band members like drummers. She commented she has been barred from entering the dressing room several times because “girlfriends” are not allowed, having to prove she was part of the band and not a groupie, complementing by saying the current women’s movement in metal will surely bring a lot of benefits to any woman worldwide who loves metal and who wants to have equal opportunities to any man, less discrimination and more respect. Furthermore, when asked what advice she would give to girls who want to pursue a career in heavy music, her message was loud and clear. “Don’t give up! Don’t be silent. Don’t settle for less for being a woman! You are not alone,” said Kell, pointing out the crucial importance of the support all girls should provide to each other.

Last but not least, our talented diva, who’s by the way crazy for pasta, whiskey, beer ad wine, strongly believes the underground should be more united in order to make a difference out there, also saying the true support from music fans by attending concerts and buying merch is also essential for the scene to get stronger and stronger. As the frontwoman for an independent band like Sacrificed, she mentioned it’s important for bands and musicians to never give up and keep working hard to make the band as professional as possible, and keep following your dreams no matter what. As Kell mentioned in one of her interviews, the lyrics form Sacrificed’s song Before a Dream, from the album The Path of Reflections, say that “before a dream a storm comes,” but your dream will get closer and closer if you keep walking even during the toughest times. Wise words from a woman that beautifully represents all the passion, talented and hard work of all Brazilians who love metal music from the bottom of their hearts.

Kell Reis’ Official Facebook page
Kell Reis’ Official Instagram
Sacrificed’s Official Facebook page
Sacrificed’s Official Instagram
Sacrificed’s Official YouTube channel

Album Review – Bólido / Against the World (2021)

An unstoppable power trio from Chile goes against the world armed with their third full-length album, continuing on their path of traditional Heavy Metal.

3.5rating

bolido-against-the-world-2021Formed in Santiago, Chile in the year of 2010, Heavy Metal/Hard Rock brigade Bólido has just unleashed upon us all their third full-length opus, entitled Against the World, the electrifying follow-up to their 2014 debut installment We Are Rock and their 2017 critically-acclaimed effort Heavy Bombers. Now a power trio comprised of Johnny Triviño on vocals and guitar, Vic Deimos on bass and Chris Von Daniken on drums, Bólido are heavily influenced by classic rock and metal acts from the 70’s, 80’s and 90’s the likes of Manowar, Iron Maiden, Judas Priest, Anvil and Jag Panzer, among several others, with their new album continuing on their path of traditional Heavy Metal while at the same time showcasing an extra touch of originality and energy that led the band to stand out in the Chilean metal scene.

The old school riffs by Johnny kick off the Manowar-inspired tune Against the World, overflowing pure Heavy Metal for admirers of the genre while Chris pounds his drums “with the hammer of Thor”, dictating the song’s headbanging pace; and putting the pedal to the metal the trio fires the rockin’ extravaganza titled MIG Alley, with Vic’s thunderous, metallic bass hitting us hard in the head while Johnny declaims the song’s lyrics with might and power. Then investing in a fusion of Heavy Metal with 70’s Progressive Rock, Johnny is once again flawless on vocals in Time to Be Yourself while his bandmates bring the groove to the music (it falls flat after a while, though). Their progressive vein goes on in Angel in Black and White, showcasing strident riffs and groovy bass punches while Chris keeps hammering his drums nonstop, resulting in a classic metal tune inspired by the golden years of the 70’s and 80’s, whereas another shot of their Manowar-like sonority comes in the form of BHWF, with Johnny slashing his guitar nonstop accompanied by the low-tuned bass by Vic.

Over eight minutes of doomed, sluggish sounds are offered to us all in In Dreams, with Johnny adding tons of passion and darkness to his vocal performance while Vic and Chris are heavy-as-hell with their respective weapons, and let’s slam into the circle pit while enjoying a cold beer together with the boys from Bólido in the Heavy Metal thunder Turbo, with Johnny leading his crew with his wicked vocals and riffs while Chris shows no mercy for his drums. Piercing guitars ignite the second to last breath of pure metal music entitled Heartbreaker, once again taking us back to the glory of the 80’s with Vic being unstoppable with his stylish bass jabs, inviting us all to stand up and hit the dance floor. Last but not least, Bólido tell the story of the battle of Stalingrad in 21 minutes of classic, unfiltered Heavy Metal entitled White Hell, alternating between faster moments, groovy passages, grim narrations and endless epicness, with Johnny kicking some ass with his intricate riffage supported by the fierce bass lines by Vic and the always visceral beats by Chris, and the music progresses majestically until the song’s climatic ending.

bolido-2021If you would like to join Bólido in their quest for Heavy Metal and Hard Rock, you can enjoy Against the World in its entirety on YouTube and on Spotify, follow the band on Facebook and on Instagram, and above all that, grab your copy of their thrilling new album from the Fighter Records’ BandCamp page, from the Xtreem Music webstore or from Amazon, proving you’re a true defender of underground metal music. And we all know that there’s nothing better than going against the world armed with our good old Heavy Metal like what Bólido offer us all in their awesome new album, right?

Best moments of the album: Against the World, Turbo and White Hell.

Worst moments of the album: Time to Be Yourself.

Released in 2021 Fighter Records

Track listing 
1. Against the World 2:51
2. MIG Alley 4:36
3. Time to Be Yourself 3:28
4. Angel in Black and White 3:38
5. BHWF 3:20
6. In Dreams 8:53
7. Turbo 4:00
8. Heartbreaker 4:12
9. White Hell 21:12

Band members
Johnny Triviño – vocals, guitar
Vic Deimos – bass
Chris Von Daniken – drums

Album Review – Helloween / Helloween (2021)

A dream come true for all generations of “Happy, Happy Helloween” fans from all over the world.

5.0rating

helloween-helloween-2021The first album to feature vocalist and guitarist Kai Hansen since the 1988 all-time classic Keeper of the Seven Keys: Part II and the first one with vocalist Michael Kiske since 1993’s Chameleon, the self-titled sixteenth album by German Power Metal legends Helloween has everything a diehard fan of the band could have asked for (and more). Produced by Charlie Bauerfeind, co-produced by Dennis Ward, mixed by Ronald Prent, mastered by Sascha “Busy” Bühren, and displaying a classy, old school artwork by Eliran Kantor, Helloween marks the longest gap between two albums from the band, released six years after My God-Given Right, but the wait was absolutely worth it. Featuring for the first time ever Hansen, Kiske and Andi Deris sharing lead vocal duties, in addition to Michael Weikath and Sascha Gerstner on the guitars, Markus Grosskopf on bass and Dani Löble on drums, their new album is a dream come true after the critically-acclaimed Pumpkins United World Tour, a precise time travel through all phases of the band’s history going back to the roots but at the same time at the speed of light towards the future, therefore offering a complete metal universe within its 12 incendiary songs and opening a new chapter after 35 years of a beyond glorious career.

Ominous sounds kick off the beautiful Out for the Glory, a lesson in classic, fast-paced and extremely melodic Heavy and Power Metal that Helloween shaped up in the 80’s, and therefore an ass-kicking start to the album. Furthermore, it’s impressive how Mr. Kiske still has that hypnotizing voice from decades ago, followed by Fear of the Fallen, showcasing a vibrant singalong chorus (“Here come The Fear Of The Fallen / We rise when you’re calling / A light in the night / We are the flame in the fire / The voice in the choir / We’re always nearby”) while Kai, Weikath and Sascha slash their axes majestically. Then get ready for a Hard Rock and Heavy Metal extravaganza entitled Best Time, where Andi, Kiske and Kai will put you to dance and sing with them while Markus and Dani are simply flawless with their rumbling bass jabs and headbanging beats. And more of Markus’ metallic bass is offered to us all in the powerful Mass Pollution, an ode to all things metal where Andi takes the lead with his high-pitched screams accompanied by the stylish solos by the band’s guitar triumvirate, keeping the level of adrenaline in the album absurdly high.

helloween-helloween-vinyl-boxset

Helloween Helloween Limited Vinyl Boxset

More modern sounds permeate the air in Angels, with Kiske taking the lead with his operatic vocals from start to finish. It’s a good Helloween song with all of their trademark elements, albeit not as powerful as the rest of the album, whereas Markus makes the earth shake with his bass attack in the fast and melodic Rise Without Chains, leaning towards the band’s more recent creations with Andi on vocals, resulting in great option for hitting the road with your loved ones. Then an upbeat vibe brings joy to our hearts in the dancing tune Indestructible, where the band’s guitar trio keeps embellishing the airwaves with their riffs and solos while Andi and Kiske are beautifully supported by Kai’s unparalleled backing vocals; followed by Robot King, another contemporary Helloween tune with Andi and Dani dictating the pace with their respective screams and beats, while the guitar lines by Weikath, Sascha and Kai will bring fire to your ears.

The last part of the album begins with another solid composition titled Cyanide, with Andi showcasing all his vocal potency accompanied by the groovy and melodious riffage, bass jabs and beats by his bandmates, and get ready for a journey back to the 80’s with the mesmerizing voice of Mr. Kiske in Down in the Dumps, once again presenting the pounding beast by Dani intertwined with a classic riff lesson by Helloween’s undisputed axe masters. Lastly, the instrumental interlude Orbit will heighten our senses for the absolutely stunning 12-minute aria Skyfall, an instant classic offering us fans another one of Helloween’s fantastic and memorable choruses (“I fell from the sky, so don’t ask me why I’m feeling so down / attacked, shot down and wrecked, / there’s no turning back to find my way home”). Moreover, the music itself is superb, full of breaks and variations and with all band members kicking some serious ass nonstop, or in other words, a lecture in German Heavy and Power Metal that I can’t wait to see them playing live. What a brilliant vocal performance by Andi and Kiske, I must say, not to mention the epicness flowing from the band’s breathtaking riffs and solos until the song’s climatic ending.

helloween-2021In case you’re from another planet like the little alien from Skyfall and haven’t listened to their unparalleled new album yet, you can enjoy it in its entirety on Spotify, but if I were you I would definitely purchase a copy of it by clicking HERE or HERE, in special the limited vinyl boxset including an earbook with the album on CD, a three-track bonus CD (with of course Pumpkins United being by far my favorite one) and a black double vinyl including two bonus tracks, plus a clock, an album cover print, six pins, a necklace, a patch and a certificate, which you can buy from Nuclear Blast’s webstores in Europe or in North America. And of course, don’t forget to stay updated with all things Helloween on Facebook, on Instagram and on YouTube. The one and only Mr. Michael Weikath characterizes the band’s new lineup and the album in his own way, saying that “it is the incomprehensible encounter of seven musicians who are working as friends and even family and created something that no one would have thought it could be possible. It is like awaking from a sleep but still being in an incredible dream.” Well, we must all agree with him as it’s indeed a dream come true for all of us fans, as I already mentioned, and may Helloween stay united and delivering first-class metal music to us all like what’s in their sensational new album for decades to come.

Best moments of the album: Out for the Glory, Best Time, Mass Pollution, Indestructible and Skyfall.

Worst moments of the album: Angels.

Released in 2021 Nuclear Blast

Track listing  
1. Out for the Glory 7:18
2. Fear of the Fallen 5:38
3. Best Time 3:35
4. Mass Pollution 4:14
5. Angels 4:42
6. Rise Without Chains 4:56
7. Indestructible 4:42
8. Robot King 7:07
9. Cyanide 3:29
10. Down in the Dumps 6:01
11. Orbit 1:04
12. Skyfall 12:11

Earbook/Japanese Limited Edition Disc 2 bonus tracks
13. Golden Times 4:48
14. Save My Hide 3:11
15. Pumpkins United 6:21

Japanese Limited Edition Disc 2 bonus track
16. We Are Real 4:24

Band members
Michael Kiske – vocals
Andi Deris – vocals
Kai Hansen – guitars, vocals
Michael Weikath – guitars
Sascha Gerstner – guitars
Markus Grosskopf – bass
Dani Löble – drums

Guest musicians
Jens Johansson – keyboards on “Skyfall”
Matthias Ulmer – keyboards
Xavier Russell – narration on “Out for the Glory”

Metal Chick of the Month – Mikaela Attard

mikaela01

I flew high on black wings when death looked me closer in the eye…

The Headbanging Moose is about to become The RED-banging Moose this summer with our multi-talented, sunning and rebellious metal chick of the month of June, and you better get ready because she’s out for blood. I’m talking about Mikaela Attard, a vocalist, composer, lyric writer and producer hailing from the island of Malta, in the heart of the Mediterranean Sea, with a wide vocal range that allows her to easily sing in multiple rock and metal styles, known in the metal community for her time with Maltese Extreme Metal act Martyrium and more recently for her wicked solo project MIKAELA. Born on May 8, 1993, Mikaela has been singing since the young age of eight, having actually started with classical singing training as well as classical piano training and examinations. In addition, she won the Pop Idol in Malta when she was 13 and released her first Alternative Rock EP Hear Me Out when she was 15, with all the singles from the EP getting constant airplay. Do you want more? Alright, here we go.

Having performed on several stages around Malta and overseas, including cities like Los Angeles and Boston, in the United States, and several European countries, Mikaela studied Vocal Performance on campus at Berklee College of Music in Boston and furthered her education with a Bachelor’s Degree in Music Production with Summa Cum Laude, always attracted to the creation and production side of the music, and also getting into the science and engineering behind it as well as into Game Audio and Film Scoring. All that passion, talent and education resulted in multiple awards in her career, including Best New Artist in 2010, Best Female Artist and Malta’s Export Artist in 2011, Vodafone Upcoming Artist and Berklee College Singer-Songwriter, and Best Metal Band in 2019.

Let’s begin her journey in our Heavy Metal universe with her two-year stint with Martyrium (or MartYriuM), an Extreme Metal band from Malta formed by Count Mortem in 1999 with the spawn of the second wave of Black Metal, offering fans of extreme music a unique blend of Black and Death Metal with a specific sound design introducing sinister orchestrations and industrial elements to the style. Our red-haired diva began her time with Martyrium back in 2018, and Mikaela herself mentioned that it was a great learning experience in the beginning. However, as time passed by she started to feel very uncomfortable inside the band, stating that things got unacceptable literally, from the conditions how they treated her as a frontwoman and how they used her pictures, never wanting to hear what she had to say about those topics, leading to her departure form the band in 2020. It is what it is, unfortunately, because as you can see in some live videos such as Martyrium playing the song Curse Of Salvation at Oskorei Midvinter Festival in 2019 and the song Vital in Willemeen, Arnhem, Netherlands during the Female Metal Voices Tour 2018 with the Butcher Babies and Kobra and The Lotus, Martyrium kicked some serious ass with Mikaela fronting the band. Not only that, Mikaela had also been part of several collaborations such as Xirka Rock, and collaborated with the legendary multi-instrumentalist Marco Minnemann on his album My Sister on the songs My Sister and A Working Town. In addition, she was also a member of a metal band called Hex Omega during part of the 2010’s.

A few months after leaving Martyrium due to the personal issues listed above with the other band members, our Maltese metal goddess founded her stunning solo project MIKAELA, having already released her debut effort Nocturne In Red in 2020 alongside guitarist and bassist Kyle Farrugia (from Maltese metal band Align the Tide) and the aforementioned Marco Minnemann on drums, bringing to our ears an electrifying and sexy fusion of Metalcore, Deathcore, Progressive, Black, Death and Nu Metal, as you can see in the excellent song Chaotic Mind. According to Mikaela herself, Nocturne In Red is a conceptual album and also comes to terms with her personal experiences. “The concept of the album is about state of the mind. In fact, even it is even portrayed in the artwork on the album. I hold on a crystal ball and assigned to it the human brain. It is dripping black blood from it, and basically what it means is that it is about six different states of the mind and it is different how we perceive them, but sometimes we still are the same in the difference. So that is what it generally is about. All the songs are about a particular episode and that is what inspired me to write a particular song,” said Mikaela, complementing by explaining the idea behind the song Bring Me Blood. “That was inspired by an extreme event I went through in the past. I was the victim of an attempted murder here in Malta. I wrote that song in literally five minutes basically, it was just spitting out the words and music. It just came right on and that is why I decided that it should be the first single on the album, because it is so authentic. It is like: I left from somewhere over there. The song speaks about the anger I felt towards the situation and also towards the misunderstanding of court. I do not think it was well dealt in court, I think justice was not delivered.” And you can watch Mikaela discussing about that in an interview to Gabriel Gignac from Grizzly Media named 10 Bites of Nocturne In Red.

When asked about what us fans should expect from her first solo album, Mikaela explained how different the music style would be from her previous years with Martyrium. “My background of influences are quite different from Martyrium’s, although obviously there’s a lot of common favorites. I, however, like a more dynamic plateau of sounds and textures. I am a lot into deathcore, jazz, classical, electronic, groove and progressive music apart from all the metal in general. Obviously, I have a fond love for Black Metal and Death Metal too as well as all sorts of rock and metal in general. But I’m not quite a one kind of music-kind-of-girl. For that matter, I also love techno and industrial.” Regarding her main influences and idols, as expected she keeps getting inspired by a vast array of distinguished musicians and bands the likes of Ronnie James Dio, Metallica, Megadeth, Rammstein, Nine Inch Nails, The Prodigy, Black Sabbath, Ozzy Osbourne, Opeth, Janis Joplin, King Crimson, Emerson, Lake and Palmer, Lamb of God, Otep, Gojira, Slipknot, Thy Art Is Murder, Whitechapel, Jinjer, Bring Me The Horizon, Suicide Silence, Northlane, Chelsea Grin, Behemoth, After The Burial, Emmure, In This Moment, Arch Enemy, Wage War, ERRA and Ded, just to mention a few, which explains why the music found in her solo project is so difficult to label, so unique and diverse.

An accomplished vocalist, Mikaela can easily switch from clean singing to powerful growls and screaming vocals, and when asked about how she grew to like and practice this kind of singing and who were her heroes or inspirations that got her into that, she said that she’s a trained classical singer with a fond love for rock and metal who has always listened to those styles, having been introduced to them at a young age by her parents, and as her voice has always had sort of a rasp and natural scream it was a smooth transition for her to start doing guttural vocals. “My first experiences growling and screaming in public came gradually but once I launched some of the music at my debut, it was then official,” commented Mikaela, who’s also absolutely passionate about being on stage. “I must have been 9 singing in public, festivals, auditions, cathedrals, singing with organs and orchestras, stages, karaoke’s, we used to do it all the time when I was kid. It was fun. My first official outside country experience in public was singing in Johannesburg, South Africa though on a much larger scale and I loved it. I never feared the stage, can’t really say I got ever shy or anything… And I guess that still shows to this day.” And although she believes the pandemic might destroy metal music if nothing is done urgently, she understands the whole situation and keeps working off stage in anything that requires her attention. “We’re doing this massive sacrifice to help stop the spread of covid which now I don’t even know when that will ever stop but let’s hang on. When I’m off stage, there’s still a lot of things to do for a musical act so I keep myself entertained and focused by practicing on my own, coming up with ideas, drawing, writing, preparing orders and doing everything necessary to keep it going.”

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As a woman that performs in a genre that is always connected with power and strength, when asked about what she would say to women in general who face sexism and undermining and are considered weaker than men, she believes that all women in metal and in life in general should not go down to the level of the bullies who are being sexist, as it’s a waste of time. “If you share negativity, that’s what you’ll get. So be positive, feel it for real and just shut them and their vibes out of your life. The world is much better than that. Always be yourself and look for people who share the same ambition, who can see through you for real and what you’re after in life and music. You deserve better, we are strong and our strength should be celebrated just as any man can,” commented Mikaela, who also thinks that music shouldn’t be divided by gender or sex at all, as if we don’t all have a pair of vocal cords and we all can sound unique no matter what techniques we use to voice our hearts out.

Regarding her view of the metal scene in her homeland Malta, she mentioned that although Malta is a small island with a population of only around 500,000 people, it’s pretty much the same population as Iceland, but a lot of great artists come from Iceland. “I do not think it is quite within the culture to appreciate Metal a lot. It is not the mainstream at all. With the Metal scene, there are a lot of bands and actually, if you play here, a lot of the people in the crowd perform themselves. In general, I think it is very hard to make it, you have to skip the first step and it has to be outside of Malta, unfortunately,” said our screaming queen, complementing by saying that despite the fact there are several excellent metal bands showcasing a lot of potential on the island, the lack of a proper market or industry makes it extremely hard (albeit not impossible) for most bands to reach a decent level of success. In addition, if you want to know more about Mikaela and her beautiful home country, I highly recommend you watch two very interesting interviews with her done by local publications, one being 73 Questions Malta, where she talks about her thoughts on the metal industry in Malta and what it was like growing up there, and another called Lovin Malta Meets: Mikaela, where Lovin Malta’s resident music journalist JP Azzopardi discussed everything with her, from her musical origins to the world of metal and her future plans.

There are many TV performances of Mikaela on Youtube with the Malta Philharmonic Orchestra during an event called Rockestra, a collaboration that Mikaela considers really amazing, singing in front of 13,000 fans in her homeland even with the fact that metal is still a controversial style in Malta. For instance, you can enjoy her powerful vocals in absolute sync with her country’s national orchestra in songs such as Metallica’s Enter Sandman in 2011, Guns N’ Roses’ Paradise City in 2012, Ozzy Osbourne’s Crazy Train in 2016, and AC/DC’s Back In Black in 2018, showing her performances with the orchestra were not a once-off, but she’s a recurrent guest during such unique festival. Also, there’s another great video of Mikaela performing Black Sabbath’s Children Of The Sea live on the Maltese TV channel One on the program Q, always showing her support for metal music in Malta.

Our talented Mikaela also loves to interact with her fans and followers on social media, not only posting pictures but also writing lengthy captions and asking them questions as well as for opinions or suggestions; however, people tend to simply “ignore” her questions and give her only compliments in the comments. Mikaela said she actually appreciates all the comments and compliments, not judging anyone for not answering any of the questions posted and always valuing the interactions with her followers. She also likes to keep track of the number of streams of her songs, which countries she’s listened the most and merchandise purchases, as she believes it’s very important to know where her music is being enjoyed. For instance, she mentioned in one of her interview that Germany is amongst the top countries where her debut solo album is being listened to, as well as the United States, Canada (and The Headbanging Moose is proud to contribute to that, of course), Mexico and Russia.

Having several beautiful tattoos all over her body, Mikaela said it all started with ‘Rock and Roll’ inked on the side of her palms some years ago and she has never looked back, having her two full arm sleeves, palms, fingers, front side of the thighs, some on the neck, ass and full back all covered (and always ready for more). “I love tattoos, I think it’s like turning a house into a home. I feel confident in my body and what I represent. In my country it was still a taboo, especially on women, until a few years ago, but things slowly started changing thankfully. I used to get looks for having red hair in the past, can you imagine when I had the first tattoo sleeve? Older mentalities still judge a woman with tattoos greatly and to be fair, it is still not the norm and could get a lot of judgement,” commented Mikaela, who’s always encouraging uniqueness and trying to lead by example. Furthermore, when asked why she has chosen red as her main color, when her zodiac sign says it should have been green or pink, she answered by saying she loves red a lot along with black, representing a lot of things for her personally and becoming an important part of her identity. Mikaela also has some interesting hobbies whenever she’s not listening to music, writing, playing the piano and experimenting with mixing and sound engineering. For example, she loves to paint occasionally with pencils or acrylics and of course to take part in photo shooting sessions, among other non-music activities, but yet again she has mentioned several times already that music is her life and vice-versa. “Well, I live the cliché, yes my life is the music.” Well said, Mikaela!

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“Honestly, the more you know about music, and the more you know how things are done behind that, I think being a vocalist is just the tip of the iceberg. I think it is good to you have some kind of knowledge. I mean, you do not have to have a degree if you just like to read about mixing, mastering and production and you have the space to do so, I think it is just awesome. But I really wanted to get that formal degree. So that is why I applied for that degree course. It was very important for me, it was a game changer, because I have always seen music not from a vocalist perspective. I have always seen it as a musician’s perspective, since I am formally trained and piano classically trained and also jazz trained.” – Mikaela Attard