This Canadian Symphonic Metal band is back in action with an exciting new EP, written and composed from a place of love and vulnerability.
From headlining performances as well as supporting slots for some of the biggest bands in the metal since their inception in 2012, Ottawa, Canada-based Symphonic Progressive Metal band Sovereign Council is finally back with a brand new EP titled World On Fire, the follow-up to their 2015 full-length album Laniakea. Produced by the band’s own guitarist Joe Moon, mixed and mastered at Silver Wings Studios, and displaying a classy artwork by Martin Trottier, World On Fire was written and composed “from a place of love and vulnerability” according to the band itself, showcasing all the talent by Lisa Thompson on vocals, Joe Moon and Chris Thompson on the guitars, Shaun Vanhooser on bass and Brandon Schneider on drums, being therefore recommended for fans of Delain, Within Temptation and Lacuna Coil, just to name a few.
Gentle and ethereal keys ignite the title-track World On Fire before Lisa begins declaiming the song’s poetic lyrics (“There’s a part in everyone that is broken / All it takes is one moment / To set you back, and relive the pain / Forever chasing the smoke from the remains of what you thought you were / Now all has fallen”) in a great display of modern-day Symphonic Metal; whereas Joe and Chris extract electricity and epicness from their axes in The Wait supported by the classic bass lines by Shaun, all of course embraced by Lisa’s delicate vocals. Then we have Aberration, highly inspired by the current Symphonic Metal scene but also presenting elements from Groove Metal added to their sonority, with Brandon dictating the pace with his pounding drums accompanied by the rumbling bass by Shaun. Supported by the backing vocals by Joe, Lisa once again distills her serene vocal lines in Breathe You In, with their guitars sounding extremely melodious while at the same time bringing heaviness to their music in a solid depiction of Modern Melodic Metal; and lastly, the band delivers a more visceral, in-your-face sound in Of The Ashes, with Lisa’s vocals walking hand in hand with the drums by Brandon, putting a stylish ending to the album while living up to the legacy of bands like Xandria and Within Temptation.
“This is the first release for us since we decided to alter our lineup and adjust our musical trajectory. We feel that the sound we have created here is still at its core very ‘Sovereign Council’ but has matured and developed into something greater. We are extremely proud of this new sound and cannot wait to see how people respond to it. We have another set of songs nearly completed as well; these new songs continue our new direction and add another new edge as well as a heavier feel. You’ll have to stick around for the next release to find out what that edge is,” commented the band about their new EP, and you can show all your support to them by following them on Facebook and on Instagram, by subscribing to their YouTube channel, by streaming their music on Spotify, and of course by purchasing World On Fire from their own BandCamp page, as well as from Apple Music. Furthermore, this is pure Canadian metal music, made entirely by Canadians (under what’s called MAPL), which means if you want to know how the Canadian metal scene is, you should definitely take a listen at the new album by Sovereign Council, a band that proudly carries the flag of heavy music wherever they go and that’s moving towards a very interesting direction with their new release.
Best moments of the album:World On Fire and Of The Ashes.
Worst moments of the album: None.
Released in 2023 Independent
Track listing 1. World On Fire 4:43
2. The Wait 4:24
3. Aberration 4:00
4. Breathe You In 3:34
5. Of The Ashes 4:13
Lisa Thompson – lead vocals
Joe Moon – lead guitars, backing vocals
Chris Thompson – rhythm guitars
Shaun Vanhooser – bass
Brandon Schneider – drums
Lisa and Jess, the “sweet poison” of Sovereign Council.
Although the music by Canadian Symphonic Metal band Sovereign Council is already professional and pleasant enough to draw the attention of any metalhead that loves listening to some good symphonic heavy music, two of their band members can be considered a huge plus to their live performances, especially to the eyes and hearts of all regular guys (and even some girls) attending the show. Given the fact that this session of the Headbanging Moose is called “Metal Chick of the Month”, I bet you have an idea of what I’m talking about. Thus, for the first time in this website we have not only one, but two metal chicks at the same time to our total delight: the beautiful singer Lisa Thompson, and the stunning keyboardist Jessica“Jess” Marsden.
I had the pleasure to see this Kingston-based band opening for German Power Metal icons Primal Fear in Toronto, in May this year, and I can say those girls are more than just pretty faces on the stage. They are truly talented musicians, which by the way is what really matters in the end, enhancing the overall performance of the band with their voices, instruments and moves. You can take a listen at their contribution to the musicality of Sovereign Council in their official ReverbNation and YouTube channels, but not before checking out the biographies below to know more interesting details about those two beauties.
Born and raised in Ottawa, the official capital of Canada, Lisa Thompson grew up surrounded by rock music, with her father being a musician playing lead electric guitar and organ in local rock bands. Lisa always sang as a child and, at the age of 10, her parents decided to start her up in singing and piano lessons. She trained for nine years vocally, two years piano and then became a vocal coach in 2003. Today she continues to coach full time from her studio in Ottawa and specializes in coaching recording artists, performing musicians and bands.
At the age of 16, Lisa was a hired as a vocalist for a local recording studio in Ottawa and had the opportunity to write a few songs of her own, which fueled her passion for song writing and studio work. Lisa started performing in rock cover bands in 2003, and over the years she has performed solo, in cover bands, tribute bands, original bands, and has had three albums produced between two different original bands.
Our gorgeous singer joined Sovereign Council in 2012 as the band’s female vocalist. She wasn’t looking to join a metal band at the time, but after one listen through the material of New Reign she was hooked to their music, and it was a welcomed challenge for Lisa contributing and writing vocal harmonies for the band. Moreover, performing along with lead singer Alex MacWilliam has been a true partnership feeding off of each other’s performance and vocals, giving their audience a performance of emotions and theatrics.
In regards to her musical interests and influences while growing up, they consist of a wide variety of artists, including names such as Evanescence, Disturbed, Silverchair, Led Zepplin, Eva Cassidy and Holly McNarland, just to name a few. You can see by this list that our charming female singer’s taste for music goes beyond metal, appreciating any artist that brings forth some high-quality material, especially in terms of singing and lyrics.
“There’s no better feeling than performing! Hearing your audience cheer you on and singing along with you. It’s surreal.” – Lisa Thompson
Born on January 15, 1991 in Burnley, a market town in Lancashire, England, located around 34km north of Manchester, keyboardist Jessica Marsden (or simply Jess) also has a longstanding relationship with music. Her parents encouraged her to follow that path from a very young age: Jess was given her first miniature keyboard when she was only three years old and her father, who had taken a few organ and cornet lessons when he was a child and was more musically inclined than the average person, would play quick little tunes on the little keyboard for her. She then listened to what her father was playing and started figuring out how to play the same thing immediately after. Needless to say, music lessons started up not too long after.
At the age of five, Jess began taking piano lessons. She was able to grasp the basic theory behind it all, but by no means did she enjoy it: all she wanted to do was play the songs that she had heard on the radio or on a CD that her parents listened to. That was “unacceptable”, and therefore she was pushed to read music she was given, but the problema is that she simply hated it. Jess spent a few more years with a different teacher, who trained her ear further and provided guitar and vocal lessons.
When our gorgeous keyboardist hit her senior years in high school, she stopped taking lessons altogether and began to pursue her own musical endeavours. This was around the time when her music taste started to broaden significantly, when she was listening to everything, from Rachmaninoff to Killswitch Engage and, of course, she loved it all. After finishing high school and being involved in several musicals, concerts and competitions, Jess went off to the University of Ottawa, taking classes ranging from Music Studies to Behavioural Psychology. She finished two years of the program and ran out of money, and not too long after returning to Kingston to live with her family and work for a while, a coworker informed her of a local metal band that was looking for a keyboardist. That was when Alex MacWilliam introduced her to Sovereign Council, and she has been there ever since.
According to Jess herself, working with such hard-working and creative individuals like the other members of sovereign Council has really pushed her to play further and further outside of her old comfort zone. She was used to playing softer and more melancholy pieces, although she had always secretly wanted to express her inner beast through heavier music. With that said, can we call Jess the “Beauty and the Beast” of the band?
“With every show, I am able to completely let loose, let my inner passions (love, sorrow and rage) build up, and let it out, turning it into something beautiful and expressive. Hopefully, this is something that many people can relate to and appreciate through our music.” – Jessica Marsden
While “the moose” takes a summer vacation to tame Eastern Europe, have some excellent beer and, of course, praise Iron Maiden, please enjoy this very interesting interview with guitarist Chris Thompson, from Canadian Symphonic Metal band Sovereign Council, conducted by Brazilian journalist Renata Santos for the website Portal do Inferno. See you guys in July!
Sovereign Council (photo by Vertigo Productions)
Portal do Inferno: Hello, Chris! Thank you very much for the interview. It is a pleasure having Sovereign Council at Portal do Inferno. First of all, how would you describe the band to the Brazilian audience that don’t know you yet? What are your main influences and in which way have those influences contributed with your songs?
Chris Thompson: Thanks for having us; we’re honoured to be here. That’s a tough question, and one that we get asked quite often. We often find people comparing us to bands like Lacuna Coil, Kamelot, Nightwish, Within Temptation, etc etc. I agree that we do share certain aspects of our sound with these bands, but we’re certainly very different at the same time. All of these bands have influenced us in some way, but we also draw influences from a lot of places people would not necessarily expect. I think our love of heavier music – Meshuggah, Lamb of God, In Flames, and Gojira, to name a few, – is what gives our music more edge in the guitar and drum lines compared to some of the more traditional symphonic metal bands.
That being said, we also draw a lot of our influences from hip-hop, rap, classical, and rock. A lot of our lyrical influence comes from philosophical texts as well as personal life experiences.
P.I.: Symphonic metal is a really well-developed style in Europe, with bands like Delain, Epica, Nightwish, among others, but we cannot find many representatives in North America. How is this style seen especially by the Canadian public?
Chris: I think there is a real niche for this sound here. We’ve noticed a trend with reviews from abroad; everyone in Europe, South America, and even the USA is shocked when they learn that we’re Canadian. Here in Canada it is a little bit difficult for us. We end up being the odd band out in a lot of the shows we play simply because there aren’t enough symphonic bands in the area. Most metal bands around here are hardcore, progressive, or thrash metal. Overall however, our music and our performances are always very well received.
Chris Thompson (photo by Orest Dorosh/Front Row Pics)
P.I.: The band’s debut album, New Reign (2013), was released with no record label. Here in Brazil it is very difficult, expensive and demanding for a band to release their own material without the support of a record label. What about Canada? How is it to be an independent artist?
Chris: It was a lot of hard work, but at the same time I wouldn’t say that it was overly difficult – certainly not beyond the reach of any really committed artist anyway. In some ways, unless you get offered a really great deal, it’s actually beneficial to remain independent. I think that so long as you work hard you will have success as an independent artist in the Canadian scene. There are different levels of success. We are certainly seeking support from labels and management organizations, but we aren’t about to sell ourselves short either. When the right deal comes along we’ll definitely jump at the opportunity to further our career.
P.I.: Tell me a little bit about New Reign in regards to the composition and recording process. What inspired you to record this album from a lyrical and musical standpoint?
Chris: New Reign was a project in the making for quite a while. Each song began as one or two guitar lines and built up from there. Generally speaking, I come to Alex with a guitar line that I feel has potential and he takes it and adds bass, drums, string sections, etc. For the most part we let the music write itself, if that makes sense. Certain songs, New Reign for example, took several months before it was completed, but others such as Down The Rabbit Hole, were completely written in one sitting. We just make sure that we’re never forcing anything; the music needs to feel organic and flow naturally.
We almost always have the music written before the lyrics are even thought about. We really listen to what the music is conveying emotionally and then base our lyrics around that feeling and atmosphere.
Much of the album was inspired by our own life experiences, both musically and lyrically speaking. I think we’ve succeeded in telling a story with our music, and most people seem to really connect with the theatrical story-telling on an emotional level; that is to say that many people can relate to these common human experiences.
Alexander MacWilliam (photo by Orest Dorosh/Front Row Pics)
P.I.: Listening to the tracks from New Reing, we can notice many melodic and vocal variations. The songs go from clean to guttural vocals and the beautiful and delicate vocals by Lisa Thompson, who makes great duets with vocalist Alexander MacWilliam. The comparison with bands that have female and male vocals is inevitable. Names such as Lacuna Coil, Kamelot, Nightwish, among many others end up being mentioned. Does that bother you? How do Sovereign Council differentiate yourselves from those bands in this aspect?
Chris: This is a great question. It certainly doesn’t bother us. It’s almost always a good thing to be likened to any of those bands; and I wouldn’t say that we actually try to separate from or associate with those bands. Our sound is very different and yet, in some aspects such as vocals, similar. One thing that does separate us is our theatrical storytelling and live performance. Moreover, Alex’s growls and screams also help to separate us even further. I do feel personally however, that our biggest difference lay in the guitar lines and drum lines. Our guitar lines are very complex in their composition; at times our guitars carry a melody and a counter melody together and leave the rhythm to the bass and keys.
P.I.: In the beginning of May you had the opportunity to be one of the opening acts for German Heavy Metal band Primal Fear in Toronto. How was that experience for the band? The music by Sovereign Council is very different from what Primal Fear do, so how did the audience react to your performance?
Chris: The show with Primal Fear was an amazing experience. Primal Fear is an extremely talented band and it was an honour to open for them and to meet them. The audience reaction was not too unlike our usual experience with new crowds. A lot of people look very confused through the first half of the first song, but it doesn’t take too long for us to win a crowd over. The uniqueness of our sound always throws new listeners for a bit of a loop, but it almost always wins them over quite quickly. By the start of our second song in the set we had won the crowd over, especially once Lisa began to sing. We like to think of her as our ‘secret weapon’ – in our standard set she isn’t in the first song so when she appears in Sweet Poison she really blows people away.
Lisa Thompson (photo by Orest Dorosh/Front Row Pics)
P.I.: In 2013, you played several concerts in Canada with Brazilian band Santuarium, from Rio de Janeiro. How did you get to know each other and how did that opportunity to tour together come up?
Chris: We actually met them by chance. Their manager at the time was looking for supporting acts for their Canadian tour. She found us on Facebook and asked us if we wanted to join the tour. After meeting with her on Skype and listening to Santuarium’s music we decided that we would love to work with them. So from there, her and I worked together to set up several shows with our two bands. We got the opportunity to play some football with them in Toronto before a show, which of course was a lot of fun! We played a friendly match of Sovereign Council vs. Santuarium; which effectively worked out to Canada vs. Brazil. Needless to say, Brazil won the match, but it was a close game! Later on, in November, we hooked up with Santuarium for two more shows, which was great.
P.I.: What do you know about the Brazilian Heavy Metal scene and what’s your opinion about the musicality of our bands?
Chris: I actually know very little about the Brazilian scene and the only Brazilian band I’ve had the opportunity to work with is Santuarium. That being said they are incredibly professional and talented.
Sovereign Council (photo by Orest Dorosh/Front Row Pics)
P.I.: Can we expect a switch in the future, this time with Sovereign Council touring Brazil together with Santuarium?
Chris: We have actually discussed this, and it very well could happen. There are no solid plans in place just yet. I am traveling to Rio de Janeiro to meet with some of the members of Santuarium in July this year so who knows what plans will develop for the future.
P.I.: What are the plans for the future of Sovereign Council? Are you already working on any new material?
Chris: Our future is a very bright one in my opinion. We’re a young, hard-working, talented, and focused band. We’re constantly working hard to improve as individual musicians and as a group and our live shows keep getting better and better as a result. We are starting to reach out to various groups for assistance and we’re hoping to begin touring outside of Canada in the near future.
As for new material, I can’t give away too much information, but our second full-length album is well underway. It’s definitely got a heavier feel, but it stays true to the Sovereign Council sound that has been so well received on New Reign.
P.I.: Thanks again for the interview, we appreciate that. Feel free to send a message to all the readers from Portal do Inferno.
Chris: Obrigado Renata! Esperamos ver você e seus leitores quando fizermos uma turnê no Brasil!
Check out the original interview at Portal do Inferno in Brazilian Portuguese and English by clicking HERE.