Concert Review – Suffocation & Incantation (Lee’s Palace, Toronto, ON, 11/13/2023)

Four of the best Death Metal bands of the current scene worldwide delivered a night of sheer brutality, rage and endless circle pits last night in Toronto.

OPENING ACTS: Stabbing and Skeletal Remains

What a night of brutality and circle pits in Toronto, my friends! SUFFOCATION and INCANTATION, with very special guests SKELETAL REMAINS and STABBING, put on a sensational performance for the delight of all attendees at Lee’s Palace last night during their Ancient Unholy Uprising Tour 2023. Although it might be getting colder and colder in Toronto as winter is almost upon us, all four bands made sure we remained as warm as possible while they blasted their instruments on stage in the name of our good old Death Metal. I just think the venue should have opened their doors a little earlier than 6:30pm to give everyone enough time to buy merch and have a few drinks, but nothing that would make the whole night less enjoyable, of course.

Shortly after the doors opened, the first band of the night, Houston, Texas-based Brutal Death Metal entity STABBING, kicked of the Death Metal ceremony with a ruthless and demonic performance spearheaded by the she-demon Bridget Lynch, who by the way looked possessed on stage and made it almost impossible to see her face during the entire show. Having released the album Extirpated Mortal Process in 2022, plus a brand new demo earlier this year, the quartet showed no mercy for our necks and bodies, demanding some vigorous headbanging and already inspiring the crowd to slam into the circle pit frantically, playing songs such as Inhaling The Dead, Gutted By The Beast, and Pulsing Wound with endless rage and dexterity. If you know nothing about Stabbing, go check their wicked and beyond brutal creations on BandCamp and on Spotify, and if you’re attending any of the shows form this tour make sure you get to the venue in time to witness Bridget and the boys crushing the souls of the lighthearted on stage. You’re going to love it!

Setlist
Inhaling The Dead
Final Flesh Feast
Gutted By The Beast
Visions Of Eternal Suffering
Vortex Of The Severed Dead
Ravenous Psychotic Onslaught
Pulled Apart
It Ends With Flames
Pulsing Wound

Band members
Bridget Lynch – vocals
Marvin Ruiz – guitars
Matt Day – bass
Nat Conner – drums

After a quick intermission (and by the way, kudos to the house DJ for playing tons of Death and Thrash Metal songs during the breaks instead of some generic stuff), it was time for Whittier, California’s own Death Metal squad SKELETAL REMAINS to ignite some of the sickest mosh pits of the night armed with their sonic savagery and heaviness. If I said it was almost impossible to see Bridget’s face during Stabbing, well, it was ABSOLUTELY impossible to see the face of vocalist and guitarist Chris Monroy during Skeletal Remains. Was it really him on stage? Jokes aside, it was another phenomenal display of classic Death Metal by the quartet, with drummer Pierce Williams sounding infernal throughout the entire concert. Blending songs from all of their four amazing albums, including their latest one The Entombment of Chaos, released in 2020, plus their brand new single Void of Despair (and judging by how demolishing the new song is, we should get ready for another merciless Death Metal attack by those guys in their upcoming album), those American metallers pulverized everyone who dared to brave the nonstop circle pit at Lee’s Palace, and if you want to get a sense of how vile and thunderous their music sounds before seeing them live, I recommend streaming all of their catalogue on Spotify. And on a side note, I must say Skeletal Remains had the best merch available hands down, offering so many cool shirts and other items you must see their merch stand to believe it.

Setlist
Void of Despair
Parasitic Horrors
Beyond Cremation
Illusive Divinity
Internal Detestation
Conquer
Congregation of Flesh
Torture Labyrinth
Tombs of Chaos

Band members
Chris Monroy – vocals, guitars
Mike De La O – guitars
Brian Rush – bass
Pierce Williams – drums

INCANTATION

One of the main attractions of the night, Johnstown, Pennsylvania’s own Death Metal machine INCANTATION, was supposed to have started their concert at around 8:35pm, but it was already past 8:45pm when they finally hit the stage. That small delay didn’t mean anything to their avid fans at all, because as soon as they began playing the first notes from the opening song Concordat (The Pact) I it was absolute carnage and violence in the floor section with a wild circle pit that looked like it was going to last forever. The new songs from their recently launched beast Unholy Deification, such as Invocation (Chthonic Merge) X, worked really well mixed with some of their most demolishing classics, while the band’s iconic frontman John McEntee kept his horns high in the air every single second he wasn’t shredding his guitar, being always promptly followed by all of the band’s diehard fans in the pit.

One of the funniest moments of the concert happened between two of the songs from their setlist when John said that every single time Kyle hits his drums, a poser dies. Guess what? Kyle hit his drums, and John simply said “another poser just died”. A simple but effective joke that added an extra touch of intimacy to their incendiary performance, building an even stronger connection between the band and their fans. Hence, if you want to feel all the fury blasted by Invocation and get more than prepared for their killer concert in your city, you can stream all of their wicked creations on BandCamp and on Spotify, warming up your blood vessels for the music by one of the most hardworking and vibrant veterans in the history of Death Metal.

Setlist
Concordat (The Pact) I
Rites of the Locust
Carrion Prophecy
Shadows of the Ancient Empire
Fury’s Manifesto
Blasphemous Cremation
Ascend Into the Eternal
Chalice (Vessel Consanguineous) VIII
Invocation (Chthonic Merge) X
The Ibex Moon
Impending Diabolical Conquest

Band members
John McEntee – vocals, guitars
Luke Shively – guitars
Chuck Sherwood – bass
Kyle Severn – drums

SUFFOCATION

It was a little past 10pm when Long Island, New York-based Brutal/Technical Death Metal institution SUFFOCATION began their violent, ruthless performance, and I honestly don’t know how all photographers, including my friend Keith Ibbitson of Lower Eastside Photography and Kim Baarda, managed to take proper photos of Suffocation or of any of the other bands without a barrier separating them from the crowd, as they had to endure all mosh pits while holding their cameras. It was insane, and I must say they’re really brave for facing that. Promoting their brand new opus Hymns from the Apocrypha (their first without Frank Mullen on vocals), the band now fronted by the talented growler Ricky Myers (Disgorge, Sarcolytic) simply kicked us all in the ass with their fast, heavy and evil songs, including some newborn killers the likes of Seraphim Enslavement, Dim Veil of Obscurity, and the title-track Hymns From the Apocrypha, all by the way available on Spotify.

There was this guy who spent more time up in the air doing crowd surfing than actually standing on his feet. I don’t know his name, but holy shit, he was going up and down the stage pretty much the entire time doing crowd surfing. Does anyone know his name? He deserves a medal for crowd surfer of the year. Anyway, one of the coolest moments during Suffocation’s thunderous concert, if not the coolest moment of the entire night, was when Bridget from Stabbing joined the band on stage and made one of the most visceral duos in the history of Death Metal with Ricky, with both growling, barking and roaring like beasts for our total delight. And suffocation kept the momentum going nutil the very last second of their show, leaving us all eager for more of their music in a not-so-distant future, and proving once again that singing about death, murder, blood, gore and so on can indeed put a smile on ourfaces, just like what happened last night in Toronto.

Setlist
Catatonia
Seraphim Enslavement
Breeding the Spawn
Dim Veil of Obscurity
Pierced From Within
Funeral Inception
Perpetual Deception
Bind Torture Kill
Hymns From the Apocrypha
Liege of Inveracity
Infecting the Crypts

Band members
Ricky Myers – vocals
Terrance Hobbs – guitars
Charlie Errigo – guitars
Derek Boyer – bass
Eric Morotti – drums

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Album Review – Architectural Genocide / Cordyceptic Anthropomorph (2020)

A sickening, slamming and brutal album of Death Metal from the always fertile breeding ground of Texas, courtesy of an up-and-coming band ready to unleash hell upon humanity.

Texas has always been a fertile breeding ground for the most brutal extremes of Death Metal, and Houston’s own Architectural Genocide have been proving themselves a match for all the illustrious, gore-soaked names who have gone before them since their inception in 2017, unleashing hell upon humanity with their debut full-length opus entitled Cordyceptic Anthropomorph, the sound of sheer brute force within a maelstrom of violence and pulverized flesh. Mixed and mastered by renowned Italian drummer Davide “BrutalDave” Billia (Beheaded, Antropofagus, Hour Of Penance), and featuring a brutal and Stygian artwork by American musician and designer Jon Zig (Images of Violence, Deeds of Flesh, Relics of Humanity, Viral Load), Cordyceptic Anthropomorph is highly recommended for fans of the absolute chaos blasted by bands like Disentomb, Gorgasm and Visceral Disgorge, showcasing all the undeniable talented of lead singer Daniel Brockway, guitarist Jonathan Blake, bassist Matt Day and drummer Nat Conner, and of course their deep passion for what people like to call “Brutal Texan Death Metal”.

It’s time to slam into the circle pit like there’s no tomorrow to the sound of the opening track Spires of Mangled Tissue, bringing to our ears brutal devastation from the very first second, with Nat sounding infernal with his blast beats and fills while Daniel barks like a rabid beast, resulting in a freaking heavy extravaganza from start to finish. Then in Hallucinogenic Demise an ominous intro led by Jonathan’s wicked guitar lines and Matt’s low-tuned bass evolves into modern and furious Death Metal with Daniel’s inhuman screeches adding a touch of dementia to the overall result, with Nat once again crushing his drums manically; and they continue their onrush of dark and hellish sounds in Dominate and Proliferate, where Jonathan extracts sheer violence from his stringed axe in great Brutal Slamming Death Metal fashion. And the title-track Cordydeptic Anthropomorph lives up to the legacy of both old school and modern-day Death Metal, sounding and feeling as brutal and technical as it can be thanks to the amazing job done by the band’s stringed duo, not to mention Nat’s demented and intricate beats.

And the boys from Architectural Genocide keep smashing our skulls and spinal cords with the visceral and infuriated Gorge on Deceased, the perfect depiction of how vile but at the same time melodic and technical the quartet can be, offering a few interesting breaks and variations while Daniel’s deep guttural roars continue to reverberate in the air. Then Nat takes the lead once again in the berserk Pleasure Induced by Agony, sounding like a stone crusher on drums in what’s perhaps the heavier and most vicious of all songs from the album, with Jonathan and Matt showing no mercy for their strings (nor for our necks, of course). The second to last blast of malevolent Death Metal by this skillful four-piece horde comes in the form of Abolishment of Human Existence, where Matt and Nat are in absolute sync with their respective bass punches and demonic beats and fills, providing Daniel all he needs to shine with his deep vociferations, whereas Burgeoning Necrosis is a fantastic and pulverizing closing tune, or in other words, the epitome of everything the band stands for, showcasing the classic, hammering drums by Nat and the always brutal shredding by Jonathan.

If you have what it takes to face the Brutal Texan Death Metal assault fired by Architectural Genocide in their debut installment, all you have to do is go to Comatose Music’s BandCamp or webstore, as well as to Discogs, to put your hands on such ruthless album of extreme music. Hence, don’t forget to show your true support to the guys from Architectural Genocide by following them on Facebook and on Instagram, and by listening to their music on Spotify. The architect of genocide is among us to bring us all a whole new level of sickening, slamming and brutality with Cordyceptic Anthropomorph, proving once again why the underground is and will always be the dark lair (and consequently our endless source) for ass-kicking Death Metal, and if you’re in Texas then the awesomeness coming from that is even higher, no doubt about that.

Best moments of the album: Hallucinogenic Demise, Cordydeptic Anthropomorph and Pleasure Induced by Agony.

Worst moments of the album: None.

Released in 2020 Comatose Music

Track listing
1. Spires of Mangled Tissue 4:51
2. Hallucinogenic Demise 5:48
3. Dominate and Proliferate 4:21
4. Cordydeptic Anthropomorph 5:06
5. Gorge on Deceased 3:56
6. Pleasure Induced by Agony 5:42
7. Abolishment of Human Existence 5:19
8. Burgeoning Necrosis 5:03

Band members
Daniel Brockway – vocals
Jonathan Blake – guitar
Matt Day – bass
Nat Conner – drums