Metal Chick of the Month – Madame Mayhem

Let the Mayhem begin!

As the year of 2020 has been nothing but pure chaos and mayhem, how about we celebrate the month of November and the fact we’re getting closer and closer to the end of such unique year in the history of mankind with our multi-talented metal chick of the month, the one and only Madame Mayhem, frontwoman of her own solo band Madame Mayhem? I’m sure you’ll enjoy knowing a little about her career, her personal life and, above all that, rocking like there’s no tomorrow to her electrifying and meaningful compositions, putting you to dance wherever you are even if it’s your own living room during this never-ending quarantine. Having said that, grab a cold beer, raise your horns and let the Mayhem begin!

Born on January 24, 1989 in Tenafly, one of the best places to live in New Jersey, in the United States, really close to the rich and multicultural Manhattan, Madame Mayhem, whose real name is Natalie Ann Cohen, began her musical training at the Manhattan School Of Music and went on to Frost School Of Music at the University Of Miami, where she completed a Bachelor’s Degree in Music, double majoring in Classical Opera and Musical Theatre, in three years. Before that, when she was still a little kid, she said her mom used to play music in the car when she drove her around to try to get her to nap, playing mostly grunge, which Mayhem’s likes to joke it was her “baby music”, making a big impression on her and helping develop her taste for heavier music as she grew older. Always having the will to perform, sing, write and create music, she said her nickname Madame Mayhem was actually created by her parents, meaning she needed to take control and rise above the “Mayhem” around her, taking charge of her own anxiety, hurt and frustrations, and then channeling all that towards her pulse-pounding anthems, instantly connecting with anyone who has struggled.

Madame Mayhem actually began her professional career back in 2011 when she was featured on Clear Channel’s iHeartRadio New Discovered and Uncovered Artist chart, before opening for Buckcherry’s Live Nation tour at The Sands Casino, already creating some buzz in North America and internationally. Having already performed all across the United States in famous venues such as The Roxy, The Viper Room, Bowery Ballroom, Knitting Factory, The Cutting Room and the Bluebird Café, she has also headlined the VH1’s “That Metal Show” annual Christmas Party, performed on Shiprocked Cruise in 2017, scheduled to perform at Sunfest in 2017, and has recently performed on national tours with renowned and respected metal artists such as Doro and Mushroomhead. Not only that, owner of a ravishing looks that blends the colors of goth, glam and nuances of other rock styles, our beloved diva has also been covered in both fashion and rock music media including Aquarian Weekly, Brave Words, Fashion Style, Gannett, Guitar World, KNAC, Loudwire, New Noise, Revolver and The Day In Rock, among others, and has also been featured in international publications like Sweden Rock Magazine, Aardschok Magazine, Rock Hard Magazine France and Metal Hammer Magazine Spain.

Musically speaking, she has already collaborated with a vast array of renowned rock and metal artists and bands such as Billy Sheehan (Mr. Big, Winery Dogs), Ray Luzier (KoRn, KXM), Ron “Bumblefoot” Thal (Guns N’ Roses), Russ Parrish (“Satchel” from Steel Panther), Earl Slick (David Bowie, John Lennon), Rudy Sarzo (Ozzy Osbourne, Quiet Riot, Whitesnake, Dio), John Moyer (Disturbed), Corey Lowery (Saint Asonia), Clint Lowery (Sevendust) and more, having also shared the stage with amazing bands the likes of Sevendust, Memphis May Fire, Fozzy and Doro. There’s a very good reason for all those connections with prominent names of the rock and metal scene, which is obviously the high quality of the music found in her three official albums released so far, those being her 2012 debut effort White Noise, produced by Grammy Award-winning songwriter Mark Hudson, her sophomore album Now You Know, from 2015, and her most recent album Ready For Me, released in 2017, always offering the listener a high-octane, fresh fusion of  Rock N’ Roll, Hard Rock and Alternative Rock and Metal.

Apart from those full-length installments, Madame Mayhem has also released a few more recent singles, those being her cover version for Paul McCartney’s My Valentine, in 2018, Broken, in 2019, and Breaking Down and an amazing cover version for Aerosmith’s Livin’ On The Edge now in 2020. Regarding her rendition of one of the biggest classics by Aerosmith, she said that “earlier in my career I covered Aerosmith’s Livin’ On The Edge during our live shows. We had recorded a version, but it stayed in the Mayhem vault of songs completed, yet never released…until now! During these times, I feel this song is especially relevant. I wanted to give fans and fellow music lovers alike, a little something to rock out to during these strange and difficult days which we are all experiencing together.” Hence, if you want to keep on rocking together with Madame Mayhem, you can also enjoy her official videos and live footage for songs such as Monster, a cover version for Alanis Morissette’s Uninvited, a live acoustic version of Broken, as well as Ready For Me, All Around The World, Left For Dead, Dead Will Rise and Save Me.

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Having always wanted to become a singer, a musician and a performer, therefore never having a plan B in life, Madame Mayhem has a very eclectic taste in music, looking up to and showing her deepest respect and admiration for countless artists, as for example Chris Cornell, whose incredible voice really got her and still does, and Alanis Morissette, a strong female artist who really impacted her as a child. According to Mayhem herself, Incubus was her first real rock concert, with every live show coming with awesome memories in her humble opinion. In addition, when asked about which artists she would love to collaborate on a song or album, she said she has been fortunate enough to already have collaborated with so many incredible musicians and artists, but some would be Trent Reznor (Nine Inch Nails), Disturbed, Breaking Benjamin, Korn, Halestorm, Evanescence and Sevendust, among many, many others. Also, she mentioned that opening up for Sevendust, Fozzy and Doro was an amazing experience, learning different things from each band she has toured with.

Regarding her life on the road, she mentioned that an average day on tour is not as glamorous as one might think, but when you’re surrounded by your band and team that all have each other’s backs every day is fun and great. When on tour, Madame Mayhem tries to interact with her fans as much as possible both on stage and after the concert is over, also trying to stay connected with them through all her social media profiles. Furthermore, in order to stay healthy while on tour, she said she tries to rest whenever possible, never partying too hard so that she can preserve her voice and put on the best show she can each night. However, as we’re all aware of, music concerts are pretty much nonexistent nowadays due to the coronavirus pandemic, and as bands cannot play live and sell merch to their fans, Mayhem said that apart from her social media, she’s more than happy to sell her products through her own webstore to keep her fans entertained, also making use of live streaming platforms like countless other bands around the world to keep the fires of rock and metal music alive while music concerts and festivals continue to be prohibited worldwide.

Still talking about the pandemic, she said that due to the fact she lives in New York she still spends most of her time in her apartment, having set up a small makeshift home studio and writing music, as well as playing some live cover songs for her Youtube page and doing some virtual festivals. Mayhem tries to stay active by doing cardio outside when she can and Les Mills’ Body Combat in her living room, saying those workouts have really helped keep her sane during such difficult times, and of course spending time home with her family has also been great. She even said that because of the extra time she has in her hands right now she was the one who put together the official lyric video for Breaking Down and the music video for Livin’ On The Edge, showcasing another one of her many talents as a musician and an artist. That’s also related to her belief as to how someone can become a better musician or singer, commenting that anyone should keep working hard and practicing as much as possible, complementing by saying that she’s an example of that by having periodic vocal training sessions, trying to practice every single day, and learning new things within the realm of her career as a musician and a singer, something she considers extremely important.

When asked about how she feels about streaming services like Spotify, Madame Mayhem said that although she has always been a fan of releasing full-length physical CD’s that you can hold and that the artwork and the music together can tell a story from front to back, streaming music has made it easier for people to discover new music and new artists, and I guess we must all agree with her on that as without streaming most independent and underground bands would have a hard time trying to spread their music everywhere. That also includes streaming of programs and movies, which in this case are very beneficial for the viewers who can enjoy an endless variety of shows and movies, just like what Madame Mayhem herself likes to do during her downtime. If you want to know more about our unstoppable vocalist and performer, you can find several online interviews with her such as this one to an online magazine named  Bionic Buzz,  where she talks about her latest releases, touring with Sevendust and Fozzy in Europe, and other fun stories. Having said all that, let’s keep banging our heads to our multi-talented artist and her incendiary Rock N’ Roll, and let the Mayhem continue forever and ever!

Madame Mayhem’s Official Facebook page
Madame Mayhem’s Official Instagram
Madame Mayhem’s Official Twitter
Madame Mayhem’s Official YouTube channel

“Music, singing, and performing have been my passions my entire life, and always will be.” – Madame Mayhem

Concert Review – Judas Priest (Casino Rama, Rama, ON, 10/07/2014)

The Metal Gods descended from the sky to assault all of us with their magnificent Heavy Metal in a land far, far away.

INTRODUCTION: The Lost Civilization of Casino Rama

Judas-Priest-Redeemer-of-Souls-Tour-2014If you want to stay away from any type of civilization in this world, I suggest you go to a place called Casino Rama, located around two and a half ENDLESS hours from Toronto. In theory it should be a lot faster than that, but if you take into account the 5pm traffic to leave the city on a Tuesday (right in the middle of the week, by the way) and an annoying dose of heavy rain, the hassle of getting there is horribly extended and becomes a real torture. Who the hell decided Casino Rama on a tuesday night were the best venue and date for Judas Priest to perform in Ontario? I swear to God, Odin, Buddha and any other deity that I’ll NEVER return to that place again if not for Iron Maiden or Judas Priest. No other band can make me go there again, not even Slayer or Megadeth.

Not only that, I truly hate Heavy Metal concerts with pre-assigned seats. Why not leaving the floor section without those fuckin’ chairs? Just create a general floor area, and whoever wants to sit down while Judas Priest are playing Hell Bent For Leather (if that’s humanly possible), simply take one of the seats at the back. As simple as that, but it seems the very “knowledgeable” organizers were expecting Judas Priest to be as smooth as Kenny G or any other shit like that. Anyway, let’s try to always look on the bright side of life: at least the venue was nice and clean, parking was free, and the sound quality was beyond perfect. And of course, if you’re addicted to gambling, that’s also a good place to be.

OPENING ACT: Steel Panther

IMG_2955When the opening act are Hard Rock/Glam Metal jesters STEEL PANTHER, you know it’s going to be a memorable night. Although they’re truly funny even with 99.9% of their sexist jokes being really stupid, I believe their superb skills as musicians are what make them so awesome to watch, especially vocalist Michael Starr. In my opinion, he’s a much better singer than all hard rockers from the 80’s. Well, maybe only singer Ralph Saenz (ex-L.A. Guns) can be compared to him. Got it?

Their setlist might have been a little shorter than usual, but still full of classics such as Asian Hooker, Gold-Digging Whore, and Death To All But Metal, plus some songs from their new album All You Can Eat like the good Gloryhole, all perfectly complemented by their jokes about the age of the attendees (especially those screaming ladies in their 40’s and 50’s), their debate about Michael Starr being a fat version of Bret Michaels or a skinny version of Vince Neil, among many other “pearls of wisdom”. There couldn’t have been a better warm-up than that for the Metal Gods.

Before I talk about the Priest, I just wanted to say that it might be really cool and a huge honour for Russ Parrish to be on the road with the Metal God Rob Halford once again, even if they’re in different bands now. If you don’t get it, click HERE and you’ll understand why I mentioned that.

Band members
Michael Starr – lead vocals
Satchel – lead, rhythm and acoustic guitars
Lexxi Foxxx – bass guitar
Stix Zadinia – drums, percussion, piano

JUDAS PRIEST

IMG_2973It was around 9:30pm when Rob Halford, Glenn Tipton & Co. hit the Casino Rama stage for another flawless performance. Right after Black Sabbath’s War Pigs and the intro for Priest’s own new song Battle Cry, thunders roared, the curtain was dropped and there they were with the excellent new song Dragonaut assaulting our bodies and souls with the purest Heavy Metal in the whole universe. What can I say about those guys that hasn’t been said yet? Rob Halford is not human: he is and will always be the METAL GOD, with his unique voice being absolutely perfect for both heavy stuff and smoother ballads; Scott and Glenn were as precise and heavy as usual; Richie injected some new oxygen to the band and proves with each concert why he was an amazing choice to replace K. K. Downing; and for the first time in my life, due to the sound quality of the venue, I could listen to Ian Hill’s bass lines.

Perhaps the most curious detail of their performance at Casino Rama (and during this whole tour so far) is the total absence of any songs from the masterpiece Painkiller, including its title-track, as well as other classics like “Electric Eye” and “Rapid Fire”, from the setlist. Instead, they opted for other types of classics, a little bit more underground but just as great as any of those songs, such as Devil’s Child, Jawbreaker, Love Bites, and Defenders of the Faith (which could have been complemented with “Heavy Duty” right before it like in the studio album, but that was awesome anyway), kind of celebrating 30 years of their classic album Defenders of the Faith.

And as we’re talking about the mighty Judas Priest, there’s a lot more to enjoy than “just” their unparalleled Heavy Metal: each and every song had a different background, with highlights to the fun and exciting images of the cult movie Nosferatu (1922) during Love Bites; Halford’s famous “robot walk” during Metal Gods; their badass Harley-Davidson in Hell Bent For Leather; and Halford letting the crowd sing Breaking the Law on their own, just like he did with his solo band during his Rock In Rio III concert in 1999.

IMG_2967One thing I truly loved during this concert was the fact that all new songs from Redeemer Of Souls sounded awesome live and were perfectly blended with their old classics, especially the magnificent Halls Of Valhalla. What an outstanding performance by the whole band during this powerful song, especially, of course, Mr. Rob Halford. Just as I mentioned in my review of the new album in regards to this song, “… which I’m sure will become a fan-favourite especially due to its lyrics and chorus and will also sound superb when played live”, and I was totally right!

The encore, with anthems like You’ve Got Another Thing Comin’ and Living After Midnight, was a sonic orgasm to all Heavy Metal lovers that attended the show, but in my opinion the most memorable moment of their entire performance happened a little before that, when they played the all-time classic Beyond The Realms Of Death. Honestly, Rob Halford almost made me cry so beautiful and emotive his performance was. It was one of those moments you know why you love heavy music so much, and fully understand why he is entitled the Metal God.

I must admit the long and boring journey back from Casino Rama to Toronto on the same night (I got home at around 2am) was a lot easier thanks to the adrenaline running through my veins after such a stunning concert by the Priest. Although the band members are visibly aging (Rob, Glenn and Ian are all in their mid-60’s already), does that mean it’s the “beginning of the end” for the band? I don’t think so. As far as I could see, they’re better than ever, very excited to craft new powerful music, and playing their old classics with so much passion they look like they’re just starting their careers. And, of course, I cannot wait to see the Metal Gods kicking some serious ass live again with their unique jaw-dropping Heavy Metal. JUDAS FUCKIN’ PRIEST!

Band members
Rob Halford – vocals
Glenn Tipton – guitar
Richie Faulkner – guitar
Ian Hill – bass guitar
Scott Travis – drums

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