Album Review – Pneuma Hagion / From Beyond (2024)

This auditory Texan Black and Death Metal onslaught returns with their new and brutal album, exploring Lovecraftian ideas of horrifying extra-dimensional entities forcing their way into the causal universe by infecting the minds of humans.

The auditory Black and Death Metal onslaught hailing from Texas and known as Pneuma Hagion, which is Greek for “Holy Spirit”, is about to unleash upon humanity their third full-length album, titled From Beyond, a relentless barrage of down tuned brutality that will resonate deep with the darkest chords of your soul. Mixed and mastered by Mike G, with the vinyl master being taken care of by Carlo Altobelli at Toxic Basement Studios, and displaying a stylish cover art by English poet, painter, and printmaker William Blake (1757-1827), the new album by the monstrous duo R. on vocals, guitars and bass, and S. on drums explores Lovecraftian ideas of horrifying extra-dimensional entities forcing their way into the causal universe by infecting the minds of humans. Each song is from the perspective of some malevolent entity of unfathomable nature trying to influence the world of mortals and trying to infiltrate our universe in order to cause its ultimate destruction.

The opener Harbinger Of Dissolution sounds groovy and infernal from the very first notes, with R. delivering an overdose of aggression through his riffs and vocals supported by the classic blast beats by S., while Resurrected Abominations is a lesson in old school, primeval Death Metal by the duo, with their Cannibal Corpse-inspired riffs and beats turning it into the perfect soundtrack for some sick mosh pit action. Lurking Beyond Time And Space offers another two and a half minutes of sheer animosity and heaviness led by the cadaverous roars by R., who also hammers his guitar and bass mercilessly nonstop; and the duo keeps haunting our damned souls in Those Who Obey, a Death Metal onrush tailored for fans of the genre showcasing a brutal and evil performance by S. on drums. It’s then time to break our necks headbanging to the caustic riffs by R. in The Temple Fires, bringing forward a beyond heavy sound boosted by the deep guttural by R., exploding into sheer madness halfway through it.

Then investing in a much more demented and visceral sonority the duo will pierce our cranial skulls with Aeon, a thunderous tune overflowing groove with the infernal drums by S. providing R. with exactly what he needs to bark and growl like a beast, and there’s no time to breathe in The Light of Long-Dead Stars, another pulverizing aria of classic Death Metal spearheaded by the hellish roars and caustic riffs by R. There are two more demonic chants to go, starting with All Worlds Enslaved, where the duo once again destroys our frail bodies with their dense and fierce sounds, with S. sounding inhumane on drums as usual, therefore adding even more violence to their music. Finally, get ready to be smashed like a putrid insect in the closing tune Archon, offering their characteristic aggression led by the demented drums by S. while R. continues to vociferate in the name of extreme music.

In a nutshell, From Beyond is thick, raw, crushing and unfiltered aggression made in Texas, and Pneuma Hagion are definitely waiting for you on Facebook to join them in their malevolent realm of Death Metal. Also, don’t forget to stream their music on Spotify, and obviously to show them all your support by purchasing their wicked new album by clicking HERE (physical) or HERE (digital). In other words, the otherworldly entities depicted in From Beyond are ready to take over our rotten world, and the Death Metal by Pneuma Hagion is exactly what they need as the soundtrack to their upcoming apocalyptic strike.

Best moments of the album: Resurrected Abominations, Aeon and Archon.

Worst moments of the album: Lurking Beyond Time And Space.

Released in 2024 Everlasting Spew Records

Track listing
1. Harbinger Of Dissolution 2:43
2. Resurrected Abominations 2:51
3. Lurking Beyond Time And Space 2:25
4. Those Who Obey 2:57
5. The Temple Fires 2:54
6. Aeon 2:49
7. The Light of Long-Dead Stars 2:48
8. All Worlds Enslaved 2:51
9. Archon 2:03

Band members
R. – vocals, guitars, bass
S. – drums

Album Review – Goratory / Sour Grapes (2020)

A ruthless Death Metal entity is back from its putrid grave with a brand new album after 16 years to spread their filthy and immoral music to all four corners of the earth.

After sixteen years of absolute silence, Boston, Massachusetts-based sickest perverts Goratory are finally back with a brand album of degenerating, grinding and schizoid Technical and Brutal Death Metal entitled Sour Grapes, reigniting their path of devastation initiated with their 2000 demo Wrestling with Feces and that was interrupted in 2004 with their third full-length opus Rice on Suede. Mixed and mastered by the band’s own drummer Darren Cesca at House of Grind Studios, with the vinyl mastering being handled by Carlo Altobelli at Toxic Basement Studios, and displaying a psychedelic artwork by Tony Koehl, Sour Grapes is tailored for admirers of the gory and depraved death blasted by Malignancy, Cryptopsy, Gorgasm and Pillory, among others, showing why lead singer Adam Mason, guitarist Alan Glassman, bassist Zachary Pappas and the aforementioned Darren Cesca decided to come back from their putrid grave after so many years to spread their filthy and immoral music to all four corners of the earth once again.

Get ready to be bombarded with blood and feces by this evil horde of extreme music in Rat King, undoubtedly a bestial, sick and depraved display of Brutal Death Metal perfect for kicking off the album, with Darren being infernal on drums while Adam barks and vomits the song’s wicked words manically.  Then demented vociferations and endless insanity will haunt your souls in Losing Streak, an ode to gory and grim Death Metal where Alan shreds his axe with tons of violence accompanied by the fretting bass punches by Zachary, and there’s  no sign of the band slowing down or making things lighter in I Shit Your Pants; quite the contrary, it’s another feast of heavy-as-hell riffs and beats, showcasing the band’s dynamism, refined technique and passion for sheer brutality, followed by Bottom Feeder, where Goratory will smash your head to pieces to the sound of the unstoppable blast beats by Darren and the metallic bass by Zachary. Moreover, what the hell are those lyrics (“I recall it all in flashes. / What was left unconsumed is now ashes. / Power turned to powder. / Rice on my Suede socks? Chop you into pieces and puree you into sauce.”)?

Adam keeps growling and snarling like a rabid creature while his bandmates exhale aggression and progressiveness through their vicious instruments in Evolutionary Wart, displaying a great fusion of Technical and Brutal Death Metal, and you might not believe this but Goratory managed to sound even more violent and thunderous in The People’s Temple, highly recommended for fans of both Death Metal and Grindcore, with Zachary being on fire with his Alex Webster-inspired bass lines. The quartet then offers their personal tribute to Seth Edward Putnam (1968 – 2011),  the founder, vocalist and occasional guitarist of American Grindcore act Anal Cunt, titled Seth Putnam Was A Sensitive Man, bringing forward distinguished lyrics (“Fuck you cause you’re dead, / Now you’re giving Satan head. / Force fed demon splooge, / Loads of jizz inside of you, / Bukkake in a Putnam stew.”) amidst a sonic demolition that would put a huge and sick smile on Seth’s face. And lastly we have Back To The Grinding Machine, originally released as “Into The Grinding Machine” on their 2001 album Sexual Intercorpse, with the 2020 version maintaining the core malignancy, depravity and fury from the original one, with Alan and Darren making a venomous duo with their pulverizing riffs and beats.

Goratory’s vicious and brutal comeback can be better appreciated in its entirety on YouTube and on Spotify, but of course in order to show your support to those sick bastards don’t forget to grab your copy of Sour Grapes from the Everlasting Spew Records’ BandCamp page or webstore (in CD format or as a special CD + LP + shirt bundle), as well as from IndieMerchstore, from Apple Music or from Amazon. In addition, why don’t you give the guys from Goratory a shout on Facebook and follow them on Instagram? I’m sure that by doing those things you’ll inspire Adam, Alan, Zachary and Darren to keep blasting their demented music for many years to come instead of going into dormant mode once again, keeping our world as vile, insane and putrid as it can be.

Best moments of the album: I Shit Your Pants, Bottom Feeder and The People’s Temple.

Worst moments of the album: Losing Streak.

Released in 2020 Everlasting Spew Records

Track listing
1. Rat King 3:07
2. Losing Streak 3:35
3. I Shit Your Pants 2:58
4. Bottom Feeder 3:04
5. Evolutionary Wart 3:14
6. The People’s Temple 3:00
7. Seth Putnam Was A Sensitive Man 3:07
8. Back To The Grinding Machine 4:09

Band members
Adam Mason – vocals
Alan Glassman – guitars
Zachary Pappas – bass
Darren Cesca – drums