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Album Review – Witches Coven / Soul Reaper (2026)

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This enigmatic Singaporean Doom Metal creature arises from its Stygian lair with its sophomore opus, offering a sonic journey through introspection and remembrance. 

Arising from its Stygian lair in Singapore, the enigmatic Doom Metal creature Witches Coven, the brainchild of vocalist and instrumentalist Imran Manaff (of Funeral Hearse and Splinter), is ready to darken the skies once again with its sophomore offering, entitled Soul Reaper, following up on the project’s 2022 debut World on Fire. Mixed and mastered by Rambow-Musis, Soul Reaper brings forward seven tracks of heavy, atmospheric doom, shifting focus from the fiery exploration of global unrest of the project’s 2022 debut to a narrative that is both deeply personal and universally resonant, offering a sonic journey through introspection and remembrance.

The maniacal bass by Imran kicks off the opening track Tomorrow’s Dream, soon joined by his hammering drums in the best Sludge Metal style, sounding electrifying from start to finish. Then he offers our avid ears a very melodic and gripping Stoner Metal tune titled Chasing Smoke, with his inebriate vocals adding even more gasoline to the music; and it’s pedal to the metal in the Rock N’ Roll feast titled Come Fly Away, where his riffs and solos are truly incendiary. And back to a more sluggish sonority he offers our avid ears Hollow, again blasting his raspy vocals while his beats and fills keep the song at a decent pace and vibe (despite being a bit too lengthy in the end).

Get ready to break your necks headbanging to the power of the riff crafted by Imran in October Flames, offering our putrid ears an overdose of Doom and Sludge Metal throughout its seven minutes of a descent into total madness; whereas his hammering drums are boosted by his thunderous bass lines in Intolerable Dissent, again presenting that rockin’ riff smell we all adore so much. Not only that, it’s impressive just to think it’s only one guy making all that good noise. And last but definitely not least, let’s drive through the lands of Stoner, Sludge and Doom Metal one final time with Plains of Yesterday, where all instrumental pieces exhale Rock N’ Roll, in special his fast-paced riffs and killer solos.

“I spent the last three years in a state of reflection,” commented Imran Manaff. “This album is a product of that. I wanted to create something that felt heavy, not just musically, but emotionally – like the burden of a memory you can’t shake. The title Soul Reaper isn’t about death, but about confronting those parts of our past that have shaped us, for better or worse.” Put differently, Soul Reaper promises to be a powerful addition to the genre, cementing Witches Coven’s place as a formidable force in the underground music scene, and you can join Imran Manaff on Instagram to know more about Witches Coven (as well as his other bands), stream the project’s creations on Spotify or Apple Music, and of course buy a copy of Soul Reaper from BandCamp. The second offering by Witches Coven sounds darker, heavier, more introspective and, therefore, more engaging than World on Fire, and if such a darkened path is what Imran Manaff has in mind for the future of Witches Coven, we can rest assured album number three will be even more haunting, if that’s humanly possible.

Best moments of the album: Tomorrow’s Dream, Come Fly Away and Intolerable Dissent.

Worst moments of the album: Hollow.

Released in 2026 Spy Satellite Records

Track listing
1. Tomorrow’s Dream 6:45
2. Chasing Smoke 6:30
3. Come Fly Away 3:30
4. Hollow 9:37
5. October Flames 7:07
6. Intolerable Dissent 5:07
7. Plains of Yesterday 6:03

Band members
Imran Manaff – vocals, guitars, bass, synth, drums programming

Album Review – Witches Coven / World on Fire (2022)

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A Stoner Rock and Metal lone wolf highlights the illnesses that doom today’s society in his debut opus, paying homage to the early sounds of 60’s and 70’s rock.

Conjured by Imran Manaff (aka Azrael, the multi-talented vocalist and instrumentalist of Singaporean one-man Black Metal band Funeral Hearse) in 2020 during the Covid-19 global pandemic, the newborn Stoner Rock and Metal beast that goes by the name of Witches Coven is set to release the project’s debut opus, entitled World on Fire, paying homage to the early sounds of 60’s and 70’s rock the likes of Black Sabbath, Led Zeppelin and Cactus infused with elements of Japan’s Church of Misery and Sweden’s Monolord. Produced by Imran himself, recorded at Hellblaze Studio, and mixed and mastered by Sonicmonk, all embraced by the sinister cover art by Pedro Rey, World on Fire showcases seven original songs loosely inspired by Allen Ginsberg’s infamous poem Howl while highlighting the illnesses that doom today’s society.

Raw, dirty guitars and sluggish beats ignite the opening tune Reason to Believe, evolving into a Stoner and Doom Metal feast the likes of old school Black Sabbath with Imran also firing his raspy vocals to make things even more infernal, whereas featuring excerpt from Consumption & Consumerism by Joseph Patrick, Shackles of Desire is even more demonic and grim. Put differently, it’s one of those Doom Metal compositions perfect for darkening the skies where Imran is ready to crush our souls with his riffage and beats. And Imran keeps hammering his sonic weapons and delivering ass-kicking Stoner Rock and Metal for our total delight in Waiting for Time, feeling like Imran is simply jamming with himself, sounding very organic and thrilling form start to finish.

Then drinking once again from the same obscure fountain of bands like Black Sabbath, Pentagram and Celtic Frost, it’s time for the dirtier-than-hell tune Blinded by Lights, with the inebriate vociferations by Imran walking hand in hand with his wicked riffs and rumbling bass lines; and let’s keep banging our heads like true bastards to the sound of Falling Through, another Sludge Metal extravaganza by Imran and his Witches Coven that will please all lovers of the most damned side of music. Imran shows no mercy for our necks and souls in Blurring the Lines, with his low-tuned bass jabs and sharp, crude riffs generating a reverberating vibe that penetrates deep inside our minds, and last but not least, Imran’s menacing bass returns in full force in Dawn of the Morning Star, a song that will block all light coming from the sun, therefore leaving us in pitch black darkness with the cryptic vocalizations by Imran sounding demented and hopeless until the very end.

The unstoppable Imran Manaff and his Witches Coven are waiting to darken our hearts and minds on the official Facebook page for Funeral Hearse (simply because Witches Coven doesn’t have its own specific page, or at least not yet, and because we can consider both bands as Imran’s alter-egos), and if you want to show your support to such hardworking and skillful lone wolf, you can purchase a copy of the excellent World on Fire from the Spy Satellite Records’ BandCamp page. May the hands of doom touch your soul through the infernal and piercing music blasted by Witches Coven, and may the energy and mystery of 60’s and 70’s rock and metal music keep flowing in the air for centuries to come thanks to awesome musicians from the independent scene such as Imran, who will surely bring forward more of his wicked music in the nearby future with both his Funeral Hearse and Witches Coven.

Best moments of the album: Reason to Believe and Blinded by Lights.

Worst moments of the album: Falling Through.

Released in 2022 Spy Satellite Records

Track listing
1. Reason to Believe 8:11
2. Shackles of Desire 8:15
3. Waiting for Time 6:25
4. Blinded by Lights 4:45
5. Falling Through 6:41
6. Blurring the Lines 8:26
7. Dawn of the Morning Star 7:56

Band members
Imran Manaff – vocals, guitars, bass, synth, drums programming