Breathing in the rotten stench of humanity’s decay, here come Sex Dumpster and their one-way trip to the void in the form of filthy Black Metal.
The world we’ve built is a hard, unforgiving place, full of cruelty, dirt and despair. Every shadow hides a nightmare and every alleyway a nest of unreasoning hatred. You may want to avert your gaze, wrap yourself in a protective cloak of pretty lies and colourful deceptions, immerse yourself in the garish delusions of television and the distracting mundanity of music for the masses, but you can’t hide from reality forever. That’s why an infamous Black Metal duo that goes by the charming name of Sex Dumpster is among us, to tear away your blindfolds and grind your face into the filth of existence until you choke, and they’ll do that by mercilessly crushing your senses with their unrelenting new album, poetically titled Lord Alcohol.
The origins of Sex Dumpster can be traced back to frozen isolation in Alaska, where vocalist and multi-instrumentalist Hiram Lohr first pulled together the disparate souls that would form the band Thousand Year War. After releasing a full-length album and one EP, Thousand Year War collapsed into ruin, with Hiram turning his back on the ice and snow and heading to the sultry, putrefying heat of Mexico, more specifically to Cozumel, a mostly undeveloped Mexican island in the Caribbean Sea, where he breathed in the rotten stench of humanity’s decay and submerged himself in the conscienceless bile of bitter existence. Armed with riffs rusted in piss and blood, wielded with a vicious, vehement intent and radiating a haunting atmosphere of emptiness, Lord Alcohol is Sex Dumpster’s howling hymn to nothingness, a one-way trip to the void highly recommended for fans of bands like Taake, Urgehal and Nattefrost.
Put together a violent mix old school Black Metal with a Punk Rock attitude and the most aggressive lyrics you can think of, and there you have the demented Bible Up Your Ass (and you better get used to the “gentle” song names found in Lord Alcohol). In this inspiring chant, Hiram seems to be vomiting the song’s blasphemous words, which in the end works really well, while the bestial Grega Plamberger doesn’t stop crushing his drum set; and Hiram’s filthy rant of profanity goes on in Cunt World, firing some truly acid riffs and gnarls tailored for haunting our souls, therefore generating the perfect soundtrack for slamming into the pit or banging your head like a maniac. And Doom Metal-inspired lines set the tone for the vile Shit On My Grave, a darker and more melancholic tune where Grega switches between slower, almost sluggish beats and sheer devastation, with his infernal drumming flawlessly supporting Hiram’s deranged screams.
Ivar The Boneless is an Epic Black Metal-like creation by Sex Dumpster, a deviant battle hymn showcasing crushing beats, raw guitar riffs and an amazing performance by Hiram and his harsh vocals, and the final result couldn’t sound more compelling and vibrant; whereas Lord Alcohol continues with the epic vibe from its predecessor, worshiping our beloved alcohol through Grega’s rhythmic drumming and the spot-on atmospheric elements in the background, in an interesting fusion of raw Black Metal with modern Epic Metal. Then Sex Dumpster smash our heads with a brilliant cover version for GG Allin’s classic I Kill Everything I Fuck, from the album Brutality & Bloodshed for All by GG Allin & The Murder Junkies (check the original version HERE). In a nutshell, Sex Dumpster’s version is just as dirty, nasty and aggressive as the original one recorded by one of the most demented and controversial artists of all time. And there’s more craziness for your ears in This Lonely Rope, an obscure and sluggish chant where the strident sound of guitars make an interesting duo with the heaviness of drums, all embraced by an almost mesmerizing rhythm (despite not being as good as all previous songs).
With a name like Fist Fucking Motherfucker you can only expect violence, hatred and devastation flowing from all instruments, with a great job done by Hiram and his crisp Black Metal riffs. Let’s say that although this is perhaps one of the worst songs for listening in a public place (if you care about your personal reputation, of course), it’s indeed a damn fun composition. The second to last deranged tune in Lord Alcohol, entitled Klonopin Dreams, Suicidal Requiems, is an instrumental extravaganza where the duo goes mental, mixing Black Metal with other metal styles such as Power and Progressive Metal (and even hints of non-metal styles), turning it into a must-listen for fans of the more disturbed side of metal music. Lastly, closing the album we have more crude, belligerent and visceral sounds coming from the duo’s guitar lines and drums in Under The Night, with all the darkness bred by Sex Dumpster growing in intensity until the song’s abrupt finale.
Do you have the guts to enter the realm of sheer debauchery and sacrilege brought forth by Hiram Lohr and his bloodcurdling spawn Sex Dumpster? In case you consider yourself demented enough to face the band’s crusty Black Metal, all you have to do is visit Sex Dumpster’s Facebook page to get more info about this American-Mexican monstrosity and their irreligious music. Right now you won’t find Lord Alcohol for sale at any retailer such as BandCamp, iTunes or Amazon, and I have absolutely no idea if the album will ever be on sale at any of those. Maybe that’s what Hiram wants, right? Maybe the only place you’ll be able to find Lord Alcohol will be behind a dirty and stinking dumpster, in line with all the rottenness found throughout such distinct album.
Best moments of the album: Bible Up Your Ass, Ivar The Boneless and Fist Fucking Motherfucker.
Worst moments of the album: This Lonely Rope.
Released in 2018 Independent
1. Bible Up Your Ass 4:20
2. Cunt World 4:41
3. Shit On My Grave 4:49
4. Ivar The Boneless 5:08
5. Lord Alcohol 6:01
6. I Kill Everything I Fuck (GG Allin cover) 2:23
7. This Lonely Rope 5:06
8. Fist Fucking Motherfucker 3:30
9. Klonopin Dreams, Suicidal Requiems 4:26
10. Under The Night 5:34
Hiram Lohr – vocal, guitar, bass
Grega Plamberger – drums