Concert Review – Burning Witches (The Garrison, Toronto, ON, 04/23/2026)

Metalheads in Toronto were finally locked in the dark tower of Heavy Metal ruled by the phenomenal Witches of the North on their first ever concert in the city.

OPENING ACTS: AMMO and Thunderor

For the first time ever in their already solid career, the indomitable BURNING WITCHES, with the support of THUNDEROR and AMMO, took the city of Toronto by storm with their undisputed blend of Heavy and Power Metal during their Canadian Tour 2026, brought to the city by Boonsdale Records. I initially thought The Garrison might have been too small for these three amazing bands, but due to the fact Dark Tranquillity were playing in the city at the exact same time, the attendance for Burning Witches wasn’t exceptional. It feels like that’s the norm in Toronto in April and May, and then in September and Ocober, with countless concerts night after night, then huge draughts in the summer and winter. Well, Keith Ibbitson of Metal Paparazzi and I were there to worship our beloved Witches of the North, bringing to our metallic hearts an overdose of metal awesomeness (louder than an atom bomb, by the way), and I’m sure after such an amazing show they’ll quickly return to Toronto in the near future for another ass-kicking concert.

In order to properly introduce the first band of the night, I have a question for you. Are you too metal for metal? That’s exactly what Toronto’s own Heavy Metal brigade AMMO delivered to us all this Thursday night, playing their already classic hymn Too Metal for Metal, plus songs from their 2019 EP Taking the Throne, and their 2025 single Mortis Rex, all available on BandCamp and on Spotify. With guitarist Brett Williams now also taking care of their vocal duties, the quartet kicked some serious ass onstage, properly warming up the crowd for the upcoming attractions. Kudos also to the iconic bassist Necro Hippie for blasting his bass nonstop, adding an extra layer of heaviness to the band’s core sound. I think their first full-length album is long overdue, we definitely need that, as those guys know how to add the word “METAL” to any stage, and if you ever have a chance to see them live, do not miss it.

Setlist
Mortis Rex
Far From Here
Street Metal Werewolves
Heart of Sin
Empire
Too Metal for Metal

Band members
Brett Williams – vocals, guitars
Matt Lewis – guitars
Necro Hippie – bass
Struan Robertson – drums

After a short break, it was time for Toronto’s Heavy Meta/Hard Rock heroes THUNDEROR to bring the arena-rock anthems from their 2022 album Fire It Up and their brand new offering Bleed for It to life at The Garrison, both available on BandCamp and on Spotify, and I’m always going to say it’s truly impressive how the band’s mastermind JJ Tartaglia is capable of singing, playing drums, and even playing keyboards at the same time. Well, we can all do that, but of course let’s say the quality of the sound in that case will be below hideous, right? Jokes aside, and back to the concert, it felt like being taken back to the glory of the 80’s during their set, with songs like Fire It Up, Get ‘Em Counted, and in special Cape Breton Home, featuring the awesome guest fiddler Zoe S., inspiring us to headbanging and raise our horns together with JJ and his crew. If you don’t know Thunderor yet, don’t waste your time and go check their music, and if possible, go see them live. It’s time to pump up the volume, my friends!

Setlist
Fire It Up
One Chance
Pump Up The Volume
Get ‘Em Counted
Cape Breton Home
Dangerous Times
Thunderor
How We Roll

Band members
JJ Tartaglia – vocals, drums, keyboards
Jonny Nesta – guitars
Brycen Gunn – bass

BURNING WITCHES

After a long wait of over ten years, Switzerland’s unparalleled Heavy/Power Metal brigade BURNING WITCHES finally toured Canada, or at least a few selected Canadian cities including Toronto, and the excitement on the faces of all fans at The Garrison was crystal clear with their first chance ever to see those talented ladies kicking some serious ass live. Having released the excellent Inquisition in 2025 (available on both BandCamp and Spotify, just like all of their other albums), the band formed of the air raid siren Laura Guldemond (what an incredible voice!), the virtuosi Romana Kalkuhl and Courtney Cox on the guitars, the thunderous Jeanine Grob on bass, and the unstoppable Lala Frischknecht on drums delivered a fantastic mix of their entire discography for the total delight of all concert goers, leaving us all eager for more after all was said and done.

Lots of vocalists use a variety of corrective and creative effects on their microphones during their live performances, such as reverb or delay, but not Laura. Her voice is unbelievable, absurdly powerful and piercing, adding even more electricity to their already thrilling songs like Dance With the Devil, The Dark Tower (my favorite of the night), Inquisition, and the beautiful ballad Release Me. It’s truly a thing of beauty, but of course her bandmates make sure there’s endless heaviness for her to shine on vocals. Romana and Courtney didn’t stop shredding their axes, while Jeanine and Lala made the whole venue tremble. It was insanely loud. Fans were having a phenomenal time, raising their fists, chanting all songs with the girls, and even igniting some mosh pits during their faster songs.

After their coup-de-grace with the classics Hexenhammer, Wings of Steel, The Witch of the North, and Burning Witches, as it was their last show of the tour (before getting a flight to Germany the following morning to play at a festival basically that same day), we were all expecting a surprise like “Holy Diver”, but that’s fine. We understand how exhausting their flight back could be, and besides, we already got to see them playing their biggest classics live in the city for the first time, right? After the show, some of the girls spent a few minutes outdoors chatting with fans. I had the pleasure of talking for a bit with Courtney and Jeanine, and I must say they’re not just extremely talented musicians, but super nice ladies who make the world a much better place with their music and charisma. I really hope this wasn’t their first and only show in Toronto, as they need to return to the city to play at a bigger venue (and not on the same day as a major player like Dark Tranquillity), so that more people get exposed to their stunning Heavy Metal. As a huge fan of the band, I can’t wait to get locked in a dark tower in Toronto once again by the most talented witches of heavy music.

Setlist
Sanguini Hominum
Soul Eater
Shame
Dance With the Devil
Maiden of Steel
The Dark Tower
Sea of Lies
Inquisition
Release Me
Black Widow
Evil Witch
Lucid Nightmare
Dungeon of Infamy
The Witch Circle
Hexenhammer
Wings of Steel
The Witch of the North
Burning Witches
Malus Maga

Band members
Laura Guldemond – vocals
Romana Kalkuhl – guitars
Courtney Cox – guitars
Jeanine Grob – bass
Lala Frischknecht – drums

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Album Review – Preludio Ancestral / Guardians of Twilight (2026)

The Argentinian guardians of heavy music return with their sixth album, continuing to evolve toward an even more epic and melodic Power Metal sound while shaping a strong and distinctive identity.

Hailing from Buenos Aires, Argentina, the shape-shifting Heavy/Power Metal entity Preludio Ancestral returns in 2026 with a new opus, entitled Guardians of Twilight, following up on their underground cult albums Hacia lo inmortal (2012), Kybalion (2015), El misterio de la pasión divina (2016), Oblivion (2018), and Magnus (2023). Currently formed of Jackson “Jax” Harwood and Cole Maverick Turner on vocals, the band’s mastermind Leonardo Gatti on the guitars, keyboards, orchestrations and bass (who was also responsible for composing, mixing and mastering the album), Juan Pablo Kilberg also on the guitars, and Martin de Pas on drums, the band continues to evolve toward an even more epic and melodic Power Metal sound in their new opus, shaping a strong and distinctive identity while reaffirming Leonardo’s epic vision and status as one of Latin America’s most inspired composers in the genre.

The striking guitars by Leo and Juan permeate the air in the epic and powerful Blades of the Burning Sky, also presenting soaring vocal lines with elements from Hard Rock and AOR, which in the end sounds amazing, followed by Riders of the Crimson Storm, another song with a beyond Power Metal name led by Martin’s unstoppable beats and fills. The Shadow Throne is a bit generic compared to the previous songs, not as powerful nor engaging, but the vocal lines are again impeccable, whereas in Flame of the Eternal Dragon the name and the sound transpire Rhapsody of Fire, blending the finesse of Symphonic Metal with the excitement of Power Metal. Leo and Juan are on fire with their killer riffs and solos in The Storm of a Thousand Wings, boosted by Leo’s own keys, orchestrations and thunderous bass; and the band goes full Melodic Rock and AOR in The Sorceress of My Heart, with their soulful guitar solos walking hand in hand with the classic beats by Martin.

The second half of the album invites us all to grab our swords and shields and go slay some dragons in Rise of the Golden Flame, another excellent Power Metal extravaganza showcasing striking guitar solos and backing vocals, and the fight goes on in Vengeance of the Dragonheart, with Martin hammering his drums nonstop and, therefore, adding an extra touch of pure Heavy Metal to their core sound. Leo continues to fire his trademark solos in Crown of the Rising Sun, with the music alternating between sheer adrenaline and epic, fist raising moments, followed by The Last Stand of Light, another solid hybrid of Symphonic Power Metal and Melodic Rock and Metal with all vocals sounding truly powerful and passionate. Those Argentinian warriors definitely know how to add Heavy Metal magic to their song titles, which is also the case in Forged in the Skyfire, as epic as the rest of the album; while lastly we have Twilight of the Hero, a climatic ending to the album showcasing another round of soaring vocals, striking riffs and pounding drums.

In the end, the sixth studio album by this excellent band from Argentina will surely please admirers of the music blasted by renowned acts the likes of Stratovarius, Rhapsody of Fire, Masterplan and Gamma Ray, among many others, keeping the fires of Melodic and Symphonic Power Metal burning brighter than a thousand suns. You can get in touch with Leonardo and his henchmen via Facebook, stream their music on Spotify, and of course purchase Guardians of Twilight from their own BandCamp, from the Fighter Records’ BandCamp, or from Xtreem Music’s webstore. Because they are the guardians of Heavy Metal, and they’ll keep fighting for good music no matter what armed with their striking new album.

Best moments of the album: Blades of the Burning Sky, Flame of the Eternal Dragon and Rise of the Golden Flame.

Worst moments of the album: The Shadow Throne.

Released in 2026 Fighter Records

Track listing
1. Blades of the Burning Sky 5:06
2. Riders of the Crimson Storm 3:41
3. The Shadow Throne 4:46
4. Flame of the Eternal Dragon 3:43
5. The Storm of a Thousand Wings 4:36
6. The Sorceress of My Heart 5:02
7. Rise of the Golden Flame 3:59
8. Vengeance of the Dragonheart 5:00
9. Crown of the Rising Sun 3:46
10. The Last Stand of Light 4:12
11. Forged in the Skyfire 4:09
12. Twilight of the Hero 4:35

Band members
Jackson “Jax” Harwood – vocals, choirs
Cole Maverick Turner – vocals, choirs
Leonardo Gatti – guitars, keyboards, orchestrations, bass
Juan Pablo Kilberg – guitars, choirs
Martin de Pas – drums

Album Review – Timeless Rage / My Kingdom Come (2026)

This powerful German Symphonic Metal ensemble is back with their sophomore album, revolving around the major themes of power, freedom, rebellion, love, guilt, war, and the cycle of life and death.

Having carved out their own niche with an unmistakable blend of catchy Power Metal, detailed Melodic Metal, symphonic influences, and dark, mystical tones since their inception in 2012, Villingen-Schwenningen, Germany-based Symphonic Power Metal ensemble Timeless Rage is back with their sophomore effort My Kingdom Come, the follow-up to their 2022 album Untold. Currently formed of vocalist Nicolaj Ruhnow, guitarists Christian Pirch and Michael Benk, bassist Daniel Wengle, keyboardist Anna Keil, and drummer Klaus Buchfink, Timeless Rage have created an album with five chapters that range from orchestral opulence to uncompromising metal power, with its content revolving around the major themes of power, freedom, rebellion, love, guilt, war, and the cycle of life and death. Theological, mythological, and human perspectives are interwoven, questioning moral certainties as well as religious and social structures.

My Kingdom Come is simply epic and imposing from the very beginning, with Nicolaj stealing the spotlight with a powerful vocal performance while Christian and Michael deliver sheer adrenaline from their axes. Then Daniel’s bass and Klaus’ drums are boosted by the striking keys by Anna in The Seed Of Fear, resulting in a bold, multi-layered Symphonic Metal aria tailored for admirers of the genre; whereas investing in a more direct Power Metal sound led by the hammering drums by Klaus we have The Devil’s Masquerade, perfect for their live concerts. Conquistadores feels like an epic adventure on unruly waters, alternating between fast and heavy Power Metal moments and ethereal passages; and Moonbite Serenade offers us all six minutes of absolute heaviness in the form of Symphonic Metal led by the crushing drums by Klaus while Anna’s keys add an extra touch of epicness to their music.

A Vampire’s Legacy continues their symphonic adventure, perfect for admirers of the music by Kamelot, with Nicolaj once again delivering a striking vocal performance for our total delight. After the serene interlude Regrets, we’re treated to The Enemy Is You, where the band puts the pedal to the metal and brings forward the heaviest sound of all songs, in special the demolishing beats and fills by Klaus supported by Daniel’s rumbling bass, followed by We All Shall Fall, which despite its nice atmosphere and the haunting keys by Anna sounds a bit generic in the end compared to the rest of the album. Lastly, blending elements from Melodic Rock and AOR to their core sonority the band fires The Pale Death, also presenting another excellent riff attack by Christian and Michael to properly conclude the album.

In a nutshell, Timeless Rage deliver in My Kingdom Come a work that appeals to genre fans as well as listeners who value storytelling, atmosphere, and musical class, and you can join those talented Teutonic metal warriors on Facebook and Instagram (or simply by clicking HERE), staying up to date with all things surrounding the band, including their breathtaking live performances, as well as stream their music on Spotify, and purchase a copy of their thrilling new album from BandCamp or from Metalapolis Records. In a sea of never-ending gimmicks, Timeless Rage focus on what really matters, which is first-class heavy music with a strong background story, and I’m sure My Kingdom Come will be featured among the top Symphonic Metal albums of the year all across the world.

Best moments of the album: The Seed of Fear, Moonbite Serenade and The Enemy Is You.

Worst moments of the album: We All Shall Fall.

Released in 2026 Metalapolis Records

Track listing
1. My Kingdom Come 5:09
2. The Seed Of Fear 5:19
3. The Devil’s Masquerade 3:54
4. Conquistadores 4:56
5. Moonbite Serenade 6:16
6. A Vampire’s Legacy 4:20
7. Regrets 1:07
8. The Enemy Is You 5:06
9. We All Shall Fall 5:24
10. The Pale Death 4:21

Band members
Nicolaj Ruhnow – vocals
Christian Pirch – guitars
Michael Benk – guitars, backing vocals
Daniel Wengle – bass, backing vocals
Anna Keil – keyboards, backing vocals
Klaus Buchfink – drums

Metal Chick of the Month – Julia Elenoir

I see your faces… Bleeding from within…

Ciao, miei cari metallari! Are you ready to embark on a wild journey to the “Bel Paese” together with The Headbanging Moose to know more about our metal lady of this month of April? Not just a metal singer and songwriter, but she’s also a psychologist and psychotherapist, creating a strong connection between heavy music and mental health, or as she prefers to say, she talks to the community where loud music meets deep healing. Bridging metal, psychology, and visual art, shaping a voice and a vision that are both intense and deeply human, she’s the frontwoman for the up-and-coming Italian band 5RAND, and one of the must-see names of the new generation of growlers. Her name is Julia Eleonora, better known by her stage moniker Julia Elenoir, and she will kick your ass mercilessly with her undeniable talent, charisma and passion for all things Heavy Metal.

Born and raised in the beautiful city of Rome, Italy, Julia has been creating music since her childhood, having grown up surrounded by rock and metal. She started playing classical guitar at the age of 13, and formed her first band when she was 17, beginning to compose her earliest songs. Over the years, her musical style evolved naturally from lighter styles like Hard Rock to a heavier, more introspective metal sound, with Death Metal becoming her main style. “Because I love its edge, its rawness, the catharsis it creates. The extreme side lets me explore, push boundaries and channel aggression and vulnerability at the same time. With 5RAND we mix melodic death and deathcore …not to provoke, but to dig deeper,” she said when asked why she decided to follow such an extreme path with Death Metal.

Founded in 2015 in Rome, Italy by Julia on vocals and Pierluigi Carocci on the guitars (who was working on his own solo project), Riccardo Zito on bass, and Francesco Marroni on drums, but currently formed of Julia and Pierluigi alongside bassist Acey Guns and drummer Andrea De Carolis, the up-and-coming Melodic Death/Groove Metal act 5RAND builds on a punishing modern metal foundation layered with the cinematic depth of melodeath, creating an intense and emotionally immersive soundscape and, therefore, carving out a distinctive place in the modern metal scene. “The name 5RAND comes from a South African 5 Rand coin that Pierluigi once received from a shaman as a good-luck charm. It stayed with him and with us,” explained Julia in one of her interviews. “Musically, we live at the crossroads of aggression and melody. We play, we record, we move forward.”

Having since toured extensively across Europe, sharing the stage with iconic acts such as Dark Tranquillity, Vader, Butcher Babies, Infected Rain and many others, 5RAND alredy released their debut album Sacred / Scared in 2017, followed by their 2019 sophomore Dark Mother, and their excellent third installment Ordhalia, from 2025, a sonic evolution in their already solid career, sounding darker, more introspective, and conceptually daring. Furthermore, Julia has written all the lyrics for 5RAND and has co-composed the music for every song released by the band to date, showing how much she’s involved with 5RAND. Not only that, even Julia couldn’t give a precise answer when asked how she would label the music by 5RAND, just to give you an idea of how dynamic, fresh and unique their style can be. “That would be hard to say precisely, since we don’t fit exactly in only one subgenre, like many many modern bands don’t. We’ve got a bit of Thrash and Death Metal, but also Industrial Metal and a lot of melodies too.” And if you want to experience their music in loco you can find their albums on Spotify, and also visit YouTube to enjoy their official videos for songs like Old Angel Midnight, Paint of Pain, Erase, Several Injuries, Cordyceps, live versions of Preacher of Lies and Cordyceps, and many more.

Owner of such a powerful and versatile voice, it was obvious that we would see Julia as a guest vocalist for different bands and projects. For instance, you can find her doing all female vocals for the 2022 album Ex Mortis Gloria, by Bristol, England-based Technical Death Metal band Imperium; as a guest vocalist for the song A New One, from the 2018 album Liberation, by Italian Symphonic Heavy Metal band Infinita Symphonia; and also as a guest vocalist for the 2020 album Phagocity, by Italian Groove Metal outfit South of No North. Moreover, when asked about venturing on a solo project in the near future, she said that’s indeed a possibility. “I’m always open. For now, I’m focused on 5RAND, but I don’t rule out solo work or collaborations in the future. Art is fluid; it transforms. I’d especially like to do something acoustic with my own songs, but for now we’re working on the next release.”

As expected, Julia is highly influenced by some of the most important names in the history of heavy music. “Growing up, we’d say the classics: Iron Maiden, Metallica, Slayer… now the names are slightly different and more recent though, like Slipknot, Gojira, Fear Factory,” she commented. In addition, as one of the most promising female growlers of the current scene, Julia is also a huge admirer of the music by Arch Enemy and Jinjer. “I’ve been inspired by voices like Corey Taylor from Slipknot, and among the women I really admire Cristina Scabbia, Alissa White-Gluz, Tatiana Shmayluk, and other artists who know how to blend intensity and versatility. I admire anyone who can shake me to the core while destroying the stage.”

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Regarding her vocal technique, Julia said that she works a lot on her clean and growl dual-voice style. “It’s not about volume, but control, endurance, and intensity. You have to be able to express emotion even when the voice is rough. I always warm up, focus on breathing, and pay close attention to vocal health. Clean parts and growls require completely different mindsets.” She practices a lot everyday, always focusing on warmups and breathing exercises, saying that singing in a Death Metal and/or Metalcore style has its easy parts, as well as really hard ones. “The hard part is keeping vocal health and expressiveness. The ‘easy’ part or at least what becomes more natural with experience is letting emotion flow once technique is solid.”

If there’s one thing that Julia and the boys from 5RAND enjoy doing, that’s hitting the stages with their live concerts. After signing with Art Gates Records, the band started working on new dates, aiming at expanding their touring and reaching a wider audience. A very good reason why all of us should keep an eye on their social media, because if 5RAND are taking your city by storm anytime soon, you surely don’t want to miss it. Also, when asked which song she likes to sing live the most, she mentioned the excellent Cordyceps. “Cordyceps because the crowd goes particularly crazy with that song, but I love to sing all our songs.” Julia also has her “hobbies” behind the scenes during their tours. The rest of the band said they suspect Julia really enjoys watching people eat. “That’s why everything she cooks is in enormous quantity,” commented her fellow bandmates.

When questioned about the current metal scene in Italy, she said that Death Metal, as well as Progressive and Power Metal, might probably be the most appreciated genres by Italian fans, apart of course form the bigger bands like Iron Maiden, Metallica and so on, but she also said that the majority of the Italian people tend to be a bit “lazy” in their musical taste and aren’t that eager to discover new bands or genres. “People mostly like what they already know,” she commented. Furthermore, she also mentioned she’s proud to see a new generation of women participating in the scene in Italy. “We’re seeing more and more women in metal bands, which is obviously very good! Many of them are very talented, maybe they’re still a bit confined to the symphonic style and to singing (too few women play an instrument on stage), but we hope their number keeps growing; versatility will come eventually.” However, she also believes everyone should be treated equal in heavy music. “I don’t think a band should be considered just for its members’ sex. In a better world, the musicians’ sex shouldn’t be more important than the colour of their hair.”

As mentioned in the beginning of this tribute to our multi-talented Italian diva, Julia is also a professional psychologist, having studied Psychiatry, Psychology and Behavioral Sciences (with a major in Psychology) at Sapienza Università di Roma, graduating in 2013, and having also got a major in Brief Strategic Therapy (BST) from Scuola di Specializzazione in Psicoterapia Breve Strategica, currently running her own initiative named “Harmony of Chaos”, offering a fusion of metal music and insights on mental health. Not only that, Julia seems to be a philomath, having also obtained a Master’s Degree in Web Marketing and ICT and a degree in Marketing, Management and Business Economy, both also at Sapienza Università di Roma. And when she’s not studying, she loves arts, books, and sports, especially outdoors and in nature, as well as cooking a lot and keeping fit. As you can see, Julian never stops, she’s always creating new things, always searching for something new, always broadening and deepening her knowledge, and may she keep condensing all that awesomeness in the music by 5RAND for many years to come, because it’s people like Julia who definitely contribute to a much better world.

Julia Elenoir’s Official Facebook page
Julia Elenoir’s Official Instagram
Julia Elenoir’s Official YouTube channel
5RAND’s Official Facebook page
5RAND’s Official Instagram
5RAND’s Official YouTube channel

“Joining 5RAND in 2015 was a big step. I’m also passionate about psychology… in fact, I’m a psychologist and later specialized as a psychotherapist with a metal soul. I love helping people overcome mental struggles.” – Julia Elenoir

Album Review – HyperioN / Cybergenesis (2026)

These Italian Heavy Metal warriors return with their third studio opus, a dark concept album rooted in classic Sci-Fi telling a story of resistance and sacrifice where the human spirit defies impossible odds.

Formed in 2015 by drummer Jason Beghelli and guitarist Davide Cotti to play traditional Heavy Metal, drawing inspiration from bands such as Metal Church, Queensrÿche, and Judas Priest, while adding their own personal touch, Bologna, Italy-based force HyperioN, whose name was taken from the Hyperion Cantos, a series of science fiction novels written by Dan Simmons, returns to the battlefield with a new opus, titled Cybergenesis. Produced, recorded, mixed and mastered by Davide Cotti, with vocals recorded by Antonio Inserillo, and displaying a striking cover artwork hand-painted on canvas by English artist Ryan T. Hancock, renowned for his work with bands such as Seven Sisters, Blood Star, and Stormborn, the follow-up to their 2020 sophomore Into the Maelstrom is a dark concept album rooted in classic Sci-Fi, from Star Trek to Ghost in the Shell, telling a story of resistance and sacrifice where the human spirit defies impossible odds, all carefully brought into being by Max Morelli on vocals, Francis Dipasquale and Davide Cotti on the guitars, Simone “Nega” Cauli on bass, and Francesco Madonna on drums.

The striking guitars by Francis and Davide kick off the band’s metallic journey in Deafening, evolving into a frantic Heavy and Power Metal extravaganza where Max’s vocals couldn’t have sounded more epic. Then investing in a darker, more rhythmic sonority, it’s time for Francesco to shine on drums in Rewire, Rebuild, presenting elements of Progressive Metal to give the song an extra kick, followed by Yet We Still Fight, clearly inspired by the glory of 80’s Heavy Metal, with Max delivering those soaring vocals we all love so much supported by the spot-on riffage by Francis and Davide. And The Shackles of Chronitus is an Epic Power Metal composition with a strong, reverberating kitchen by Simone and Francesco, albeit not as exciting as the rest of the album.

An Iron Maiden-inspired atmospheric and melodic intro evolves into another killer tune entitled Blood Over Chrome, where their riffs and solos bring endless stamina to the already exciting song’s pace; whereas Grain of Sand brings to our avid years metal’s old school galloping rhythm led by Simone and Francesco, providing Max with exactly what he needs to fire his rebellious vocal lines. Rhizome Rider brings forward more of the band’s trademark sound, a pure Heavy Metal feast tailored for admirers of the style perfect for raising their fists together with HyperioN, and closing the album we face the theatrical, ruthless The Whole of Time, with its background keys and sounds elevating its punch considerably, not to mention Francis and Davide are once again on fire armed with their stringed axes.

The concept of Cybergenesis fits seamlessly with the fiery Heavy Metal therein, a daring expedition into a space-time rift that ends in disaster, and all that power, tragedy and rebelliousness couldn’t have sounded better than what HyperioN have to offer us all in their new album. You can get in touch with those talented Italians via Facebook and Instagram, including their breathtaking live performances, stream their music on Spotify or any other streaming platform, and grab a copy of Cybergenesis from BandCamp or from Fighter Records, or click HERE for all things HyperioN. Will the reborn commander Rhizome Rider succeed in leading a rebellion from within and sacrificing himself to free humanity? Simply listen to the thrilling Heavy Metal crafted by HyperioN in Cybergenesis, and you’ll have the answer to that question and more while you bang your head to their undisputed heavy music.

Best moments of the album: Deafening, Yet We Still Fight and Blood Over Chrome.

Worst moments of the album: The Shackles of Chronitus.

Released in 2026 Fighter Records

Track listing
1. Deafening 3:54
2. Rewire, Rebuild 4:46
3. Yet We Still Fight 4:26
4. The Shackles of Chronitus 4:51
5. Blood Over Chrome 5:18
6. Grain of Sand 4:17
7. Rhizome Rider 4:57
8. The Whole of Time 6:48

Band members
Max Morelli – vocals
Francis Dipasquale – guitars
Davide Cotti – guitars
Simone “Nega” Cauli – bass
Francesco Madonna – drums

The Year In Review – Top 10 Hard Rock/Heavy Metal Albums of 2025

“Who the fuck is Justin Bieber?” – Ozzy Osbourne

There’s not much to celebrate in rock and metal music in the same year when we lost the one and only John Michael “Ozzy” Osbourne. Nothing will ever be the same without the Prince of Darkness, the Madman, The Wizard of Ozz. There isn’t a single artist or band reviewed in the history of The Headbanging Moose that wasn’t influenced in several ways by Ozzy and, of course, by Black Sabbath. It is a very sad year indeed. However, Ozzy was always in a great mood, always happy, and I’m sure that, wherever he is now, he wants to see us all smiling and laughing, because that’s what life is all about. He also wants us to keep attending rock and metal concerts to have a good time with our loved ones, with our closest friends, just like Keith Ibbitson of Metal Paparazzi and I did so many times this year, covering incredible bands the likes of Blackbraid, Ne Obliviscaris, Cattle Decapitation, Blind Guardian, and so on. I’ve also had the utmost pleasure of seeing the mighty Judas Priest in Dalhalla, Sweden, a dream come true for this fanboy here, and I can’t wait to “run for my life” in 2026. Having said all that, let’s honor the life of Ozzy with The Headbanging Moose’s Top 10 Hard Rock/Heavy Metal Albums of 2025, excluding EP’s, best of’s and live albums, and keep on rockin’ like the Madman until our very last breath!

1. Blackbraid – Blackbraid III (REVIEW)
Behold the stunning next chapter in the musical and spiritual journey of the witch hawk of Black Metal hailing from the Adirondack Mountains.
Best song of the album: Wardrums At Dawn On The Day Of My Death

2. Werewolves – The Ugliest of All (REVIEW)
The torchbearers of “Caveman Death Metal” continuing to annihilate intellects with an unlistenable barrage of truly hideous music.
Best song of the album: The Ugliest of All

3. Testament – Para Bellum (REVIEW)
Let’s prepare for war to the sound of the breathtaking fourteenth studio album by California’s own masters of old school Thrash Metal.
Best song of the album: Para Bellum

4. Helloween – Giants & Monsters (REVIEW)
These German giants of Heavy Metal and monsters of Rock N’ Roll are back with their ass-kicking seventeenth studio album.
Best song of the album: Majestic

5. An Abstract Illusion – The Sleeping City (REVIEW)
This incredible Swedish Progressive Death and Black Metal entity returns with their heaviest and most atmospheric work to date.
Best song of the album: Like a Geyser Ever Erupting

6. Allegaeon – The Ossuary Lens (REVIEW)
World domination awaits to the sound of the striking new beast by one of the must-see bands of the current tech death scene worldwide.
Best song of the album: The Swarm

7. 1914 – Viribus Unitis (REVIEW)
Trench warfare meets blackened death and doom in 1914’s fourth onslaught of war-torn fury.
Best song of the album: 1918 Pt 3: ADE (A Duty to Escape)

8. Cryptopsy – An Insatiable Violence (REVIEW)
Canada’s own Death Metal machine returns with their ruthless ninth studio album.
Best song of the album: Until There’s Nothing Left

9. Baest – Colossal (REVIEW)
Back from the fires of Denmark, this unstoppable creature will crush you with their fourth studio album.
Best song of the album: Colossus

10. Diabolizer – Murderous Revelations (REVIEW)
The torchbearers of diabolical abomination unite once again to drag us down into the fiery abysses of Turkish Death Metal without warning.
Best song of the album: Deathmarch of the Murderous Tyrant

And here we have the runner-ups, completing the top 20 for the year:

11. Lorna Shore – I Feel The Everblack Festering Within Me (REVIEW)
12. Impureza – Alcázares (REVIEW)
13. Crimson Shadows – Whispers of War (REVIEW)
14. Primal Fear – Domination (REVIEW)
15. Serenity In Murder – Timeless Reverie (REVIEW)
16. Khôra – Ananke (REVIEW)
17. Panzerchrist – Maleficium – Part 2 (REVIEW)
18. Ominous Ruin – Requiem (REVIEW)
19. Wrath of Belial – Embers of Dead Empires (REVIEW)
20. Grima – Nightside (REVIEW)

Not only that, here’s once again our Top 10 EP’s of 2025, proving once and for all that the duration of an album is not that important in the end. As long as the music is great, the whole thing can be only one second long, like the classic “You Suffer” by Napalm Death!

1. When Plagues Collide – Kingmaker (REVIEW)
2. De Profundis – The Gospel Of Rot (REVIEW)
3. Fimbul Winter – What Once Was (REVIEW)
4. NecroticGoreBeast – Brute (REVIEW)
5. Serpent Corpse – Retaliate (REVIEW)
6. Akouphenom – Connections To The Erebus (REVIEW)
7. Necht – The Inevitable Suffering (REVIEW)
8. Discovery Through Torment – Telesynthetic Rebirth (REVIEW)
9. Der Rote Milan – Verlust (REVIEW)
10. Eleine – We Stand United (REVIEW)

Do you agree with our list? What are your top 10 albums of 2025? Also, don’t forget to tune in every Tuesday at 10pm BRT on Rádio Coringão to enjoy the best of classic and underground metal with Jorge Diaz and his Timão Metal, and every Thursday at 8pm UTC+2 on Midnight Madness Metal e-Radio for the best of underground metal with The Headbanging Moose Show!

Metal Xmas and a Headbanging New Year! See you in 2026!

And of course, as we really don’t like those boring Christmas songs here on The Headbanging Moose, we’ll leave you with what’s perhaps the most emotional and strongest metal hymn of the year, the charity version of “War Pigs”, by Black Sabbath, recorded by Judas Priest and with Ozzy himself sharing the vocal duties with the Metal God Rob Halford! This is the epitome of rock and metal music!

Generals gathered in their masses
Just like witches at black masses…

Metal Chick of the Month – Aleksandra Stamenković

Hear what I say… There’s no time for prayer!

Lionesses are the primary hunters in a pride, working together to bring down prey, and are faster and more agile than males. And in this cold and dark month of December our lioness Aleksandra “Lioness” Stamenković, guitarist for an array of awesome metal bands including Jenner, Frozen Crown, Chaos Rising, and Sigma Epsilon, will shred her prey to pieces armed with her scorching riffs and solos, as our metal lady of the month. Having said all that, get ready for a wild ride together with Aleksandra and her unstoppable axe, bringing absolute fire to The Headbanging Moose and, therefore, leaving you completely disoriented and eager for more of her first-class music. The days might be getting shorter, and the nights are surely getting longer this time of the year but, in the end, that’s the perfect environment for Aleksandra to hunt us down and to crush our damned souls with her electrifying blend of Heavy Metal magic.

Born on August 5, 1996 in Belgrade, the capital of the southeast European country of Serbia, Aleksandra is the younger sister of Marija Dragićević, the drummer for one of her bands Jenner, showing the talent and passion for heavy music runs wild in their family’s DNA. She was first interested in music back in 2011 when she was 13 years old, saying she wanted to play bass guitar, but as she couldn’t afford one she used to borrow it from one of her sister’s friends. However, she said that “destiny” decided she was going to become primarily a guitarist in 2013, having bought her first guitar back then, therefore starting her journey in heavy music.

Although she’s a renowned musician in the world of Heavy, Power, Thrash and Speed Metal, Aleksandra also nurtures a deep passion for  medicine and graphic design, having graduated from the Faculty of Medicine from the University of Belgrade in September 2021, and becoming a certified nutrition coach, combining her artistic passion with a commitment to promoting healthier lifestyles. And yes, she’s THAT smart and intelligent. In addition, although she mainly writes original songs, she started a YouTube channel back in 2020 where she posts covers of her favorite songs, like for example Into the Lungs of Hell, by Megadeth, Abigail, by King Diamond, and Coma of Souls, by Kreator, among several others, and apart from the usual social media you can also find her on Linktree, Patreon, and Big Cartel.

It was in December 2013 when the indomitable Stamenković Sisters founded in Belgrade the ruthless Speed/Thrash Metal beast known as Jenner, from the ashes of a Glam Metal band they had named Cat O’ Nine Tailz, in which she played bass, and that disbanded after two years. Aleksandra started playing the guitar back then, and with the support of Marija they started searching for two guys to play with them to form a band in the vein of Madam X, but they ended up meeting two girls instead, vocalist Anđelina Mitić and bassist Jana Bacić, and so Jenner was born. Named by Aleksandra after Dr. Edward Jenner (1749 – 1823), an English physician and scientist known as the “father of immunology” for creating the world’s first vaccine, which was for smallpox, the girls started playing covers of their favorite bands including Warlock, Judas Priest, Grim Reaper, and Saxon, and as a year later they became more interested in Thrash Metal they started playing covers of Agent Steel, Exodus, and Anthrax, just to name a few, as well as they started writing their own songs.

After a few lineup changes, the band is now a trio formed of Aleksandra on vocals and guitar, Marija on drums, and Anja Mirković on bass. Under different lineups, but always with Aleksandra and Marija in their formation, Jenner released a demo back in 2015, their debut full-length album To Live Is to Suffer, in 2017, the EP The Test of Time, in 2020, and their sophomore opus Prove Them Wrong, in 2024, with Aleksandra becoming responsible for the band’s vocal duties starting in 2019, as you can see in their 2020 EP and their 2024 release. Not only that, she also took care of the design and logo of their 2017 debut, and of their 2020 EP, expanding her skills even further as a musician and as an artist. You can enjoy basically their entire discography in places such as YouTubeSpotify, and BandCamp, and of course have an absolute blast with their official videos for songs like Night Without DawnThe Test of TimeNever Say Die, and No Time for Prayer, among others. Moreover, don’t forget to check Beacons for all things Jenner.

Aleksandra has also been part of two other amazing bands for a few years, those being Sigma Epsilon and Chaos Rising. Regarding Belgrade-based Sigma Epsilon, the band has been delivering a more straightforward, no shenanigans blend of Thrash Metal since its inception back in 2014, when a few members of a Serbian band named Prisoner, those being her boyfriend Emil Ivošević on vocals, Stefan Tomić on the guitar, and Nikola Simonović on drums, left the band and started creating their own music. It was only after Aleksandra joined them that they released their first offering, the 2019 EP Svi putevi vode do smrti (or “all roads lead to death” in English), followed by the 2021 single Ruka koja mrda usta, or “the hand that moves the mouth.” She mentioned in one of her interviews that the band is working on a new conceptual album, but until then simply go to BandCamp or Spotify to enjoy their existing songs, and also go check the official videos for the songs Svi putevi vode do smrti, Kap, and Trofej.

The metal machine Chaos Rising is a collaborative international metal project formed back in 2019 open to every female artist interested in metal music, with the project’s participants and guests offering an amalgamation of styles from Groove and Thrash Metal to traditional Heavy Metal and also Melodic Death Metal. It’s indeed a phenomenal initiative showcasing the power of women in heavy music, and if you don’t have enough time to check all of their songs on BandCamp or Spotify, you must at least listen to the song with our dauntless diva on the guitars, the excellent Prisoner, also featuring Miss ScarRed (Germany) on vocals, Catherine Fearns (Switzerland) on the guitar, and Stéphanie Nolf (France) on bass and drum programming.

Furthermore, starting now in 2025 she has also become one of the guitarists for Italian Power Metal warriors Frozen Crown, joining the also indomitable girls Giada Etro on vocals and Alessia Lanzone on the guitar, as well as Federico Mondelli on guitars, keyboards and vocals, Francesco Zof on bass, and Niso Tomasini on drums. Having already played with Frozen Crown during the summer festivals this year, Aleksandra is already fired up to start working with the band on their future releases, and the band is also extremely excited to have her as a permanent member. “Some may question our decision to include in the band someone who was born so far away from us, in a non-EU country, even! Truth is, you don’t choose your family – you build your own. Aleksandra appeared in a pretty challenging situation, and helped us go through both the shocking realization of Jade’s health conditions and the sudden line-up shake, motivating us and gracing us with her enthusiasm. Her incredible dedication, humility, and constant positivity proved we have just found the perfect fit, and after working together for a while, it just ‘feels right’ to start this new chapter with her, and to entrust her with the Crown and the Sword,” commented the band.

If that’s not enough for you, you can also find Aleksandra as the guitarist for Slovenian Heavy Metal beasts Hellcats from 2017 to 2022. “In 2017 Hellcats needed a female guitarist to play with them in Arena Stožice where they would be supporting Slovenian punk band Pankrti on their 40-year band anniversary. They couldn’t find someone closer, so they asked me. At first I thought that it will be only for that concert, but we got along nicely, and I really liked them as people and as musicians,” commented the lioness. In addition, Aleksandra also played bass live with Serbian Melodic Death Metal band Nemesis a couple of years ago, and with the aforementioned Serbian Speed/Thrash Metal band Prisoner back in 2017.

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Not only that, you can also find Aleksandra shredding her guitar as a guest musician in the song Open Your Eyes, from the 2025 album Retribution, by Hungarian Heavy/Power/Speed Metal band Burning Sun; in the song Cimmeria, from the 2023 compilation By This Sword We Rule: A Decade of Steel, by Serbian Epic Heavy/Power/Doom Metal band Claymorean; in the songs We Fight Like Lions and Fear and Regret, from the 20187 EP II/III/IV by Serbian Stoner/Sludge/Southern Metal band Superhammer; and in the song Creatures from the Depth, from the 2019 album Monuments of Fallacy, by Croatian Thrash/Death Metal band War-Head. She has also played with other bands including Realma and Black Widow Conspiracy, has collaborated with several brands such as Harley Benton, Blackfire Pickups and Safari Pedals, and she is a proud partner with Guitar Pro, Guyker, Drop Strap, Playtronica, Ordyh, and Enya Music, aligning with companies that support her music and gear choices.

Her idols and influences are what anyone would except from an avid thrasher like Aleksandra, including some of the most important names in the history of Thrash Metal like Megadeth, Anthrax, and Testament, all playing a crucial role in her style and career, of course. Moreover, when asked which attributes a brand new Speed or Thrash Metal band should have in order to become unique and successful, her answer was exactly what we all want to hear from hardworking metal musicians like her. “People need to make music the way they feel. It doesn’t matter what genre it is, because listeners can recognize energy and sincerity, even when it comes to metal,” she said, and when asked what would be her ideal live show when performing as a band, she also focused on the importance of feeling you’re doing things right. “I’m not sure there’s an ideal performance. What is important is the feeling on stage. And for that to happen I just need to have no technical problems on stage. I’m not asking much.”

As a huge supporter of the underground, and of course as a proud Serbian, Aleksandra was asked not too long ago about the current scene in her homeland, including bands, fanzines, webzines and anything else connected with heavy music. She said that, unfortunately, the situation looks “complicated” as despite the fact there are tons of excellent bands in Serbia, very few webzines promote them, and therefore very few people attend their concerts. Well, let’s say that’s not an issue exclusive to Serbia, as everywhere you go you’ll face the same lack of proper support, with very few kids these days getting into heavy music and succumbing to to the most generic playlists shoved down their throats via all types of social media.

Aleksandra also proved to be an old school metalhead, maybe like Accept would say, an “analog woman”, as she simply loves when an album is released as a vinyl and/or cassette, supporting the revival of those formats (although she said she prefers CDs because they’re more practical). “I’m not a collector myself, but I have some old vinyl and cassettes which I inherited from my mother and I’m really happy that I had an opportunity to have my music on vinyl and tapes,” she commented. Furthermore, when asked about the impact of digital platforms on the careers of bands and artists, she said that Bandcamp for instance helps a lot, but it shouldn’t be the only way of promoting and selling music. “I still haven’t tried other platforms, but I can notice that they’re widespread. I think the ideal way I promote bands is combining all the available methods,” said our unstoppable lioness.

She was also asked in one of her interviews about the greatest satisfaction that music has brought her, and her answer was once again beyond awesome. “The fact that I achieved my goal. My goal was to have at least one physical release of my music, a CD that I’ll be able to show to my children and grandchildren one day. To have something behind me that other people will be able to see and hear and maybe find themselves in it. To inspire others.” Aleksandra also prefers working with a label instead of going full DIY because she believes there are several things she couldn’t do on her own, like a full-bodied promotion of her albums and tours, which makes sense as she can put all her focus on making music, and that’s what really matters in the end.

Lastly, when asked about what a band should sacrifice in order to be successful, and if she has ever sacrificed anything in her life for a better future of her bands, she mentioned she had to reconsider many times what she wanted with the band and whether it was worth it. “In the end, I decided to dedicate myself to education and family, and for the band to be my hobby. Because of that decision, we often have to sacrifice the time we would spend with the family or learning to have a rehearsal or a gig.” To be fair, at least it looks like she’s been able to balance everything quite well in recent years, managing multiple bands, projects and other aspects of her life, always delivering to us avid fans high quality heavy music, and may our unrelenting lioness keep roaring for many decades to come for our absolute delight.

Aleksandra Stamenković’s Official Facebook page
Aleksandra Stamenković’s Official Instagram
Aleksandra Stamenković’s Official YouTube channel
Jenner’s Official Facebook page
Jenner’s Official Instagram
Jenner’s Official YouTube channel

Concert Review – Blind Guardian (Queen Elizabeth Theatre, Toronto, ON, 11/29/2025)

And the bards brought to Toronto another unforgettable night of first-class, undisputed Heavy Metal.

OPENING ACTS: Seven Kingdoms and Ensiferum

What an unforgettable night of first-class, undisputed Heavy Metal this Saturday in Toronto at the Queen Elizabeth Theatre, courtesy of the most ass-kicking bards in history, the unstoppable BLIND GUARDIAN, supported by SEVEN KINGDOMS and ENSIFERUM, during their must-see Somewhere Far Beyond North American Tour 2025. I need to personally thank Noel Peters of Inertia Entertainment for bringing the bards back to the city less than two years after their phenomenal concert at Rebel in 2024, and I must say this time the entire show was even better, more powerful, and more exciting. Keith Ibbitson of Metal Paparazzi and I were lucky enough the be there to cover such a metallic party, and judging by the reaction of the crowd during the entire night, all metalheads in Toronto will keep talking about the three bands for a long time, wishing they could go back in time to experience everything all over again, and again, and again.

Deland, Florida’s own Power Metal brigade SEVEN KINGDOMS kicked off the festivities around 7:20pm with a highly energetic performance led by frontwoman Sabrina Valentine, properly warming us up for the upcoming attractions of the night. Blending songs from their already solid discography, including their 2022 album Zenith (available on Spotify), the band whose name was taken from The Seven Kingdoms of Westeros in George R. R. Martin’s epic fantasy novel series A Song of Ice and Fire did exactly that during their short but sweet performance, setting fire to the atmosphere with their classic blend of Heavy and Power Metal (although I have no idea why they don’t have a bassist). Camden Cruz was absolutely phenomenal armed with his axe, kudos to Kevin Byrd for sporting a classic Teenage Mutant Ninja Turtles shirt (and if you don’t like the TMNT, you’re not a good person), and as the icing on the cake, or maybe I should say on their cheeseburger, we got the indomitable Krista Shipperbottom, former frontwoman for Canadian melodeath band Lutharo, as the night’s cheeseburger. Yes, we definitely need more Seven Kingsdoms and more cheeseburgers in Toronto soon.

Setlist
Diamond Handed
A Silent Remedy
The Serpent and the Lotus
Valonqar
Wilted Pieces
Through These Waves
In the Walls

Band members
Sabrina Valentine – vocals
Kevin Byrd – guitars
Camden Cruz – guitars
Colton Zietler – drums

After a short break (and certainly not enough to brave the endless line for merch for all bands) it was time for Helsinki, Finland’s Epic Folk Metal warriors ENSIFERUM to bring a true winter storm to the stage with songs from all of their albums, including of course their latest one Winter Storm, released in 2024, all available on BandCamp and on Spotify. Petri Lindroos, Markus Toivonen, Sami Hinkka, Pekka Montin, and Janne Parviainen put on a fantastic show for an already packed venue, yielding their sonic weapons in great fashion for the delight of everyone inside the considerable circle pit that was moving frantically in the middle of the floor section. Their maniacal bassist Sami Hinkka didn’t stop screaming, running around the stage, jumping up and down, headbanging, and of course hammering his bass not even for a single second, and it was beautiful witnessing that extreme energy flowing from him into the hearts of all fans at the Queen Elizabeth Theatre. What a great performer, my friends. And of course, with a name like that, which if you don’t know is Latin for “sword bearer,” the top moments of their concert were the fighting songs Guardians of Fate, Into Battle, and the classic In My Sword I Trust, turning the venue into a true battlefield. Please return to Toronto as soon as you can, Ensiferum, because you guys rock.

Setlist
Aurora
Winter Storm Vigilantes
Way of the Warrior
Andromeda
Fatherland
Heathen Horde
Guardians of Fate
Into Battle
In My Sword I Trust

Band members
Petri Lindroos – harsh vocals, guitars
Markus Toivonen – guitars, backing vocals
Sami Hinkka – bass, clean and backing vocals
Pekka Montin – keyboards, clean and backing vocals
Janne Parviainen – drums

BLIND GUARDIAN

I honestly have no idea why Teutonic Power Metal masters BLIND GUARDIAN decided to do this Somewhere Far Beyond North American Tour only in 2025, as they already celebrated 30 years of the album Somewhere Far Beyond back in 2022, having even released in 2024 a live album of that tour recorded at Rock Hard Festival in June 2022, but who am I to complain about that, right? Quite the opposite, it was a dream come true watching the iconic Hansi Kürsch & Co. deliver a flawless live rendition of one of their classic albums, plus of course a bunch of other superb songs. The first part of the set itself was already worth the price of the ticket, as Into the Storm, Blood of the Elves, Nightfall, and Violent Shadows are killer metal tunes, with all fans already losing their voices screaming those songs together with the bards.

Hansi was in an excellent mood, showing once again he’s not just a phenomenal vocalist, but also a great frontman and entertainer, keeping the audience engaged and hypnotized form start to finish. After they started playing Somewhere Far Beyond, with Time What Is Time and Journey Through the Dark sounding incredible, Hansi joked about the fact he was surprised that they said in 2024 they would return soon, and they actually did. The crowd was on cloud 9 with each and every word pronounced by Hansi, but it was of course when they played The Bard’s Song – In the Forest, and The Bard’s Song – The Hobbit, another majestic moment of the show, that the whole venue turned into a true celebration of heavy music and bards. One of those moments in the life of a person that confirms we all made the right choice in becoming metalheads.

And then came the encore. But it wasn’t just an encore. It was THE encore, one of the best I’ve ever experienced in my life. When the crowd started chanting “Majesty! Majesty!” I had on idea the band was actually going to answer our call. Hansi even joked about it saying that we were not allowed to ask for what we wanted to hear, but we were lucky that was exactly what they were going to play anyway. It was beyond orgasmic seeing them playing Majesty live. I pretty much lost my voice screaming. Then came the biggest surprise of the night for me, Lord of the Rings, and then I lost the rest of my voice. Simply incredible. I don’t know how I was still able to scream with the band during the epic Valhalla and Mirror Mirror, and when we all thought the show was over, the band fired upon us the also breathtaking Lost in the Twilight Hall. What an epic conclusion to a concert full of mosh pits, fists and horns in the air, ad the certainty that the bards will return to Toronto again, hopefully sooner than later for the “surprise” of Hansi and his henchmen themselves. Thank you once again, Blind Guardian. I’m a very happy man.

Setlist
War of Wrath
Into the Storm
Blood of the Elves
Nightfall
Violent Shadows

Somewhere Far Beyond
Time What Is Time
Journey Through the Dark
Black Chamber
Theatre of Pain
The Quest for Tanelorn
Ashes to Ashes
The Bard’s Song – In the Forest
The Bard’s Song – The Hobbit
The Piper’s Calling
Somewhere Far Beyond

Encore:
Majesty
Lord of the Rings
Valhalla
Mirror Mirror
Lost in the Twilight Hall
Sacred Worlds (Orchestral outro)

Band members
Hansi Kürsch – vocals
André Olbrich – lead, rhythm and acoustic guitars
Marcus Siepen – rhythm and acoustic guitars
Johan van Stratum – bass, backing vocals
Kenneth Berger – keyboards, backing vocals
Frederik Ehmke – drums

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Album Review – Bloodbound / Field of Swords (2025)

Raise your swords up high, as these Swedish Power Metal warriors march into a powerful future armed with their new concept album, moving past the year 1066 and into the Middle Ages.

Raise your swords up high, as Swedish Heavy/Power Metal warriors  Bloodbound celebrate 20 years of existence and march into a powerful future with Field Of Swords, the follow-up to their 2023 opus Tales from the North, and the eleventh studio album in their undisputed career. Recorded by the band itself alongside Niklas Johansson of Tungsten, who was also responsible for the mixing and mastering of the album, and displaying a classic artwork by Péter Sallai of Mortpaintgraphics, the new offering by Patrik J. Selleby on vocals, Tomas Olsson and Henrik Olsson on the guitars, Anders Broman on bass, Fredrik Bergh on keyboards, and Daniel Hansfeldt on drums draws once again to the Viking era, turning the page to another chapter in history, moving past the year 1066 and into the Middle Ages. As warfare evolves and the significance of forging iron with carbon leads to superior swordsmen, the bloodstained battlefields show new, grim faces, leaving room for more of Bloodbound’s vivid storytelling that continues to thrill all metalheads worldwide.

The Olson Brothers shred their axes nonstop right from the start in Field Of Swords, a fast and thrilling Power Metal attack where Daniel dictates the pace with his classic beats and fills, followed by As Empires Fall, living up to the legacy of giants of the style such as Rhapsody ov Fire, led by the powerful, striking vocals by Patrik. Then leaning towards the sonority blasted by Hammerfall and Stratovarius it’s time for Defenders Of Jerusalem, perfect for hitting the road on a warm summer day; whereas in The Code Of Warriors special guest Vera Bieber comes armed with her flute to give the song a truly Folk Metal vibe, and the final result is absurdly catchy, with Daniel once again kicking some ass behind his drums. Land Of The Brave is another song with a strong title, and of course the music is just as exciting, with Fredrik and Daniel crafting that galloping rhythm we all love so much in Power Metal; and it’s then time to get heavy with Light The Sky, spearheaded by the soaring vocals by Patrik and the scorching riffs and solos by Tomas and Henrik.

Bloodbound might be Swedish, but they bring that famous German Power Metal electricity to Teutonic Knights, with the band’s guitar duo once again firing an overdose of metallic riffs for our total delight. Let’s all raise or fists in the air together with Bloodbound in Forged In Iron, offering more of their classic fusion of Heavy and Power Metal, followed by Pain And Glory, my type of Power Metal song, one that will inspire you to head into the battlefield (aka the mosh pit) like a true metal warrior while Daniel’s frantic drumming speeds things up in great fashion. The second to last blast of pure energy by those Sweds comes in the form of Born To Be King, presenting again a strong Rhapsody ov Fire vibe, although a bit repetitive; and lastly, featuring guest vocals by Brittney Slayes of powerhouse Canadian band Unleash the Archers, who makes a brilliant duet with Patrik, The Nine Crusades puts a beyond epic ending to the album.

Showcasing eleven captivating battle hymns, Field of Swords is a diverse record with an aggressive and fast sound, illustrating the importance of purpose and perseverance with heroic tales in shining Heavy Metal armor. You can join those relentless Swedish warriors in the battlefield by following them on Facebook and on Instagram, keeping an eye on their breathtaking live shows, stream their vast discography on Spotify, and of course purchase Field of Swords from BandCamp or from Napalm Records. Valiant, vigorous, and ultimately victorious, Field Of Swords has come to expand Bloodbound’s domination, and I’m sure you’ll have an absolute blast yielding your sword in the battlefield while listening to the new album by one of the most important names of the current Power Metal scene worldwide.

Best moments of the album: The Code Of Warriors, Light The Sky and Pain And Glory.

Worst moments of the album: Born To Be King.

Released in 2025 Napalm Records

Track listing
1. Field Of Swords 4:11
2. As Empires Fall 3:54
3. Defenders Of Jerusalem 4:03
4. The Code Of Warriors 3:52
5. Land Of The Brave 4:18
6. Light The Sky 4:13
7. Teutonic Knights 3:57
8. Forged In Iron 3:47
9. Pain And Glory 4:11
10. Born To Be King 4:19
11. The Nine Crusades 4:31

Band members
Patrik J. Selleby – vocals
Tomas Olsson – lead and rhythm guitars
Henrik Olsson – guitars
Anders Broman – bass
Fredrik Bergh – keyboards
Daniel Hansfeldt – drums

Guest musician
Brittney Slayes – vocals on “The Nine Crusades”
Vera Bieber – flute on “The Code Of Warriors”

Album Review – Havamal / Age Of The Gods (2025)

Transcending their previous sound and rising with the full might of Asgard at their back, these Swedish Melodic Death Metal warriors are unleashing upon humanity their most ambitious work to date.

Transcending their previous sound and rising with the full might of Asgard at their back, Stockholm, Sweden-based Melodic Death Metal warriors Hamaval are set to unleash their most ambitious work to date, entitled Age of the Gods, following up on their 2021 sophomore opus The Shadow Chapter. More aggressive, forceful, and diverse than ever, Age of the Gods is a pinnacle in the band’s evolution, where symphonic grandeur collides with ferocious riffs, thunderous drums and growls echoing with the wrath of the Nine Worlds, all masterfully crafted by vocalist Björn Larsson, guitarists Lennie Spetze and Kjell Gilliusson, bassist Tino Vesanen, and drummer Stefan Peltonen.

The war of the gods is about to begin to the sound of The Pagan Path, with its imposing tribal sounds inviting us all to join the band in the battlefield before Stefan begins smashing his drums in the name of Melodic Death and Viking Metal, whereas Wolfraiders carries an excellent title for an even more excellent sound, with the guitars and keys by Lennie and Kjell transpiring of Amon Amarth while their guitar solos also sound utterly captivating. Stefan then dictates the pace in the ruthless The Day Of Reckoning, with all background elements giving it an extra touch of epicness led by Björn’s deep warrior roars, followed by Sigmund Fafnirsbane, a song about a legendary dragon slayer, with the band inviting us all to slam into the pit to their visceral riffs and harsh screams.

Then investing in an almost Symphonic Black Metal sound we’re treated to The Shaman, where once again Lennie’s keys bring sheer electricity to their music, being therefore perfect for prancing around the firepit while enjoying a pint of mead. The skies will get dark and the atmosphere pensive and somber in Hymns Of The Fallen, an inspiring chant dedicated to the ones who lost their lives in battle, sounding absolutely epic from start to finish; and the band blasts one of the fastest and heaviest of all songs, the thrilling Lokis Damnation, also presenting some welcome melodic passages and the always vibrant guttural by Björn. Finally, ending the album it’s time for absolute fury and violence in the form of Ashwalker, spearheaded by the crushing beats and fills by Stefan in a lesson in contemporary Melodic Death Metal.

Offering a distinctive musical identity characterized by powerful orchestration, elegant yet captivating riffs, and an eclectic fusion of Viking, Black, Power, and Death Metal influences, Age Of The Gods will undoubtedly carve Havamal’s place in Valhalla, and you can grab a copy of such an excellent album from the Art Gates Records’ webstore in three amazing bundles (pack I, pack II, and superpack). Don’t forget to also follow the band on Facebook and on Instagram, and to stream their music on Spotify, proving you’re also worthy of joining Havamal and the metal gods at the magnificent hall of the slain are you prepare for Ragnarök.

Best moments of the album: Wolfraiders, The Shaman and Ashwalker.

Worst moments of the album: None.

Released in 2025 Art Gates Records

Track listing
1. The Pagan Path 6:01
2. Wolfraiders 4:59
3. The Day Of Reckoning 5:53
4. Sigmund Fafnirsbane 5:14
5. The Shaman 5:36
6. Hymns Of The Fallen 5:44
7. Lokis Damnation 5:33
8. Ashwalker 4:56

Band members
Björn Larsson – vocals
Lennie Spetze – guitars, keyboards
Kjell Gilliusson – guitars
Tino Vesanen – bass
Stefan Peltonen – drums