Album Review – Cromlech / Of Owls and Eels (2025)

A Teutonic entity arises from the underworld once again with its sophomore offering, transcending the limitations often associated with solo Black Metal projects.

Forged in the fires of Berlin, Germany back in the already distant year of 1994 by vocalist and multi-instrumentalist Impurus (aka Eugen Herbst), of bands like Albez Duz, Dies Ater and Cryogenic, but remaining dormant for nearly 30 years until the release of its 2023 debut Cold and Stiff, the venomous Black Metal entity known as Cromlech (which means a megalithic construction made of large stone blocks) arises from the underworld once again with its sophomore offering, entitled Of Owls and Eels. While musically and atmospherically definitely being a Black Metal album, Of Owls and Eels is also a daring effort of a seasoned musician expressing himself in an authentic way without paying attention to genre conventions, bringing forth seven songs that completely transcend the limitations often associated with solo Black Metal projects.

The beyond cryptic and Stygian intro Old Incineration Hymn will embrace your soul in darkness before Impurus distills his venomous sounds in Past Forever, starting in a more than atmospheric way and surgically evolving into a Black Metal monster exhaling sheer darkness, with the eerie sounds and noises crafted by Impurus sounding truly unsettling. The title-track Owls in the Fog also brings forward Impurus’ trademark fusion of classic Black Metal with Atmospheric and Symphonic Black Metal, with his scathing riffage living up to the legacy of the genre. Impurus continues to growl in the name of extreme music in Ice Curse, also showcasing a potent amount of epicness and obscurity in his music; and then it’s time for an eerie interlude titled Eels (Part I), a bit too lengthy despite its introspective, cinematic vibe, flowing into The Quiet Witness, where Impurus goes full Blackened Doom, sending shivers down our spines while he extracts pure malignancy from his guitars, bass and drums, all boosted by his otherworldly keyboards, prepping us all for his final strike entitled Mordlust, a lecture in Black Metal where his vocals and keys once again clash in a beautiful way, sounding absolutely devastating until the very last second.

Dynamic, unpredictable, and unmistakably quirky, Of Owls and Eels proves that Germany is still fertile soil for Black Metal excellence, an album where cold blackened riffs and high-level drumming merge seamlessly with eerie keyboards and surreal, almost hallucinatory soundscapes, resulting in a journey through shadow, memory and dream. Just listen for yourself by purchasing the album from the Darkness Shall Rise Productions’ BandCamp or webstore, and don’t forget to also follow Impurus and his caustic Cromlech on Facebook and on Instagram, and to stream his creations on Spotify, keeping the fires of Teutonic Black Metal burning through the ages, as Impurus continues to pave the darkened path he started with this new album by Cromlech almost three decades after the project was born.

Best moments of the album: Owls in the Fog, Ice Curse and Mordlust.

Worst moments of the album: Eels (Part I).

Released in 2025 Darkness Shall Rise Productions

Track listing
1. Old Incineration Hymn 2:00
2. Past Forever 7:09
3. Owls in the Fog 6:35
4. Ice Curse 5:44
5. Eels (Part I) 3:51
6. The Quiet Witness 7:19
7. Mordlust 6:36

Band members
Impurus – vocals, all instruments

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