Album Review – Serpentrance / Akra Tapeinosis (2021)

This infernal Russian Sepulchral Death Metal horde comes ripping with their debut full-length opus, offering us all their raw and vile view of “the Utmost Humiliation”.

3.5rating

serpentrance-akra-tapeinosis-2021Recorded, mixed and mastered by the band’s own guitarist Spīritō Destitutus in the desolate temples of doom, and displaying a beyond blasphemous artwork by the band’s own vocalist Morkh at Nether Temple Design, the excellent Akra Tapeinosis (or “the Utmost Humiliation”), is not only the debut full-length opus by Russian horde Serpentrance and the follow-up to their 2015 EP The Besieged Sanctum, but also a lesson in Black, Death and Doom Metal by this uncanny entity, or as the band itself likes to label their own sound, a fulminating exhibit of “Sepulchral Death Metal”. Formed in 2014, the band currently comprised of the aforementioned Morkh and Spīritō Destitutus together with bassist HTM and drummer Noersyl Skept is ready to darken the hearts of the unbelievers with their unique style and otherworldly sounds, proving once again why Russia is the go-to place for the most disturbing forms of extreme music you can think of.

Gregorian vociferations permeate the air in the Stygian opening tune Vomit & Myrrh, exploding into a primeval fusion of Black and Doom Metal that will haunt the souls of the lighthearted where Morkh sounds like a creature from the underworld on vocals, while Noersyl Skept hammers his drums in great fashion; followed by Clothed in Abomination, with its darkly poetic words (“Cathedrals howling in awe / The old woman of apocalypse awakes / To feed the hunger of the devoted ones / By the coffins of the blessed tree”) being beautifully complemented by a raw, sluggish sonority. Furthermore, the riffs by Spīritō Destitutus exhale pure sulfur, supported by the menacing bass by HTM in an ode to Blackened Doom. And Spīritō Destitutus keeps slashing his stringed axe with tons of hatred and obscurity in The Tarnished Shrines of God, another venomous tune by Serpentrance where the deep guttural growling by Morkh will penetrate deep inside your psyche and drag you into pitch black darkness for all eternity.

After such intense and bold display of damnation and hatred, get ready for over 11 minutes of a demented hybrid of Black, Death and Doom Metal by the quartet spearheaded by the demonic riffage by Spīritō Destitutus and the thunderous drums by Noersyl Skept entitled Underneath Babylon, not to mention how vile Morkh’s roars sound and feel in a lecture in sheer doom for admirers of the most sulfurous side of music. And last but not least, we’re treated to the superb The Black Dawn of Sophia, offering our avid ears one final round of Serpentrance’s wicked lyrics (“Man, hast thou felt the rising winds of death / Howling among these ancient marble walls? / There, below, crawling the procession / Groveling beneath the corroding sun”) to close the album on a high and infernal note. Put differently, it’s a flawless, neck-breaking aria that positions the band as one of the most interesting names of the Russian underground scene, ending the album on an absolutely cadaverous vibe.

serpentrance-2021If you think you can endure sheer darkness in the form of the Sepulchral Death Metal blasted by Serpentrance, you can stream the full album on YouTube, and in case you survive that metallic onslaught you can join Serpentrance’s horde by following them on Facebook and getting to know more about the band, their tour dates and their plans for the future. And above all that, of course, don’t forget to purchase a copy of Akra Tapeinosis from the Godz ov War Productions’ BandCamp page or webstore in CD, LP or cassette formats, showing your true love and admiration for sick and impious doom. Serpentrance are just starting in their grim and sulfurous career, and Akra Tapeinosis is the undisputed statement that they’re indeed following the right (and by that I mean infernal) path to conquer the world of extreme music in a not-so-distant future.

Best moments of the album: Vomit & Myrrh and The Black Dawn of Sophia.

Worst moments of the album: None.

Released in 2021 Godz ov War Productions

Track listing  
1. Vomit & Myrrh 7:34
2. Clothed in Abomination 7:38
3. The Tarnished Shrines of God 7:14
4. Underneath Babylon 11:35
5. The Black Dawn of Sophia 9:10

Band members
Morkh – vocals
Spīritō Destitutus – guitars
HTM – bass
Noersyl Skept – drums

Album Review – Arcane Marrow / The Elders Present To Me (2021)

This uncanny Tennessee-based horde is ready to darken the skies with their debut opus of raw, primordial, cave-dwelling Black Metal, bringing to our ears six blistering songs harkening back to ancient times before the Old Gods were born.

3.5rating

arcane-marrow-the-elders-present-to-me-2021Labeling their own sound as “raw, primordial, cave-dwelling Black Metal”, the mysterious Tennessee, United States-based entity that goes by the straightforward name of Arcane Marrow has just unleashed upon humanity their debut opus, beautifully titled The Elders Present To Me. Featuring six blistering songs harkening back to ancient times before the Old Gods were born, The Elders Present To Me will please all fans of primeval Scandinavian extreme music the likes of Mayhem and Immortal, crushing our souls and minds mercilessly like insignificant insects and, consequently, dragging us all into a Black Metal void for all eternity.

Like a demonic creature arising from the underworld, Arcane Marrow begin their Stygian Black Metal attack in Nocturnal Neanderthal Mysticism, showcasing infernal, old school riffs boosted by those vicious blast beats only classic Black Metal can provide us, not to mention the hellish vociferations that will certainly disturb your peace of mind. Closing your eyes and sensing Arcane Marrow’s darkness and rawness is a thing of beauty, and that’s exactly what they offer us all in Glacial Tears Flood the Primeval Plains, with the strident, piercing sound of their guitars slashing our senses accompanied by their inhumane roars and gnarls, resulting in a lesson in old school Black Metal; and get ready for nine minutes of truly disturbing sounds not recommended for the lighthearted in the form of Before the First Notions of God, a bestial and extremely raw creation by this uncanny entity from Tennessee spiced up by a sick guitar solo and the endless screeches and screams flowing throughout the entire song.

If you thought the first half of the album was infernal, be prepared for seven minutes of absolute obscurity to the sound of the title-track The Elders Present to Me, presenting hints of Blackened Doom to make things even more sinister while once again bringing forward all elements we love in raw Black Metal, in special its vicious growling. Then a beyond melancholic and grim start will embrace our damned souls in the nine-minute aria The Dismal Woods Receive Me, exploding into sheer madness and violence to the sound of their crushing drums and razor-edged riffage, and last but not least, closing such intense album we have All Enveloping Black Harmony, once again hammering our blackened hearts and souls with their fulminating, unrelenting Black Metal spearheaded by their venomous blast beats, flowing infernally like an arrow on fire in pitch black darkness until the very last second.

arcane-marrow-logoThe gods of Black Metal are summoning us all to join Arcane Marrow in their evil mass to the sound of The Elders Present To Me, and you can do that by streaming the album in its entirety on YouTube and on Spotify, by following Arcane Marrow on Facebook and on Instagram for news and other nice-to-know details about such distinct horde, and above all that, by grabbing a copy of their pulverizing album from their BandCamp page. However, as already mentioned, I must warn you that once you begin your journey through the raw and infernal lands or raw and primeval Black Metal ruled by Arcane Marrow, there’s absolutely no way back from eternal damnation.

Best moments of the album: Glacial Tears Flood the Primeval Plains and The Dismal Woods Receive Me.

Worst moments of the album: None.

Released in 2021 Moonlight Cypress Archetypes

Track listing   
1. Nocturnal Neanderthal Mysticism 7:49
2. Glacial Tears Flood the Primeval Plains 6:34
3. Before the First Notions of God 9:07
4. The Elders Present to Me 7:02
5. The Dismal Woods Receive Me 9:26
6. All Enveloping Black Harmony 7:51

Band members
*Information not available*

Album Review – Sullen Guest / Chapter III (2021)

An excellent album of old school death and doom mixed with brighter melodies and alluring rhythms, representing unexpected experiences and emotions we are forced to face in our lives.

3.5rating

sullen-guest-chapter-iii-2021Formed in 2013 in the city of Vilnius, Lithuania’s capital, Death/Doom Metal entity Sullen Guest has just released their third full-length opus, simply titled Chapter III, based on the foundations of old school death and doom sounds while at the same time mixed with brighter melodies and more alluring rhythms. One of the most important roles in the album is the emotional vocals, which inevitably forces the listener to experience the emotion of the lyrical character, not to mention the main inspiration for the lyrics has been the ailment of the soul, death and fragility of life. Mixed and mastered by L. Baškys at Lapės Records and featuring a cryptic life-and-death artwork by Lithuanian artist Arūnas Staugaitis, Chapter III flawlessly translates into music the meaning behind the name Sullen Guest, representing unexpected experiences and emotions we are inevitably forced to face in our lives such as pain, death, loneliness, fear and betrayal, with even the group members themselves having symbolic “guest” names in Latin that reflect these emotions, those being Inanitas on vocals and guitar, Tenebra also on the guitar, Demissio on bass and Doloribus on drums.

The Stygian guitars by Inanitas and Tenebra ignite the black mass Nothing Will Be Forgotten, as sluggish and somber as it can be, living up to the legacy of classic Blackened Doom while also reminding me of the early days of Tristania (but of course without the female vocals). Doom Metal lyrics are always a thing of beauty, and it couldn’t have been any different than that in Dewfall (“Dew grace once has fallen upon me / You were my friend, but I could not be with you / I reached for emptiness / Looking to the past wishing all could be different”) while the music remains dense and grim from start to finish, with Doloribus crushing his drums with tons of rage and melancholy; whereas Mortal Cord is another brutal creation by Sullen Guest where Inanitas keeps vociferating like a demonic entity while Demissio and Doloribus dictate the pace with their infernal kitchen until the very last second.

Even more doomed and nocturnal than its predecessors, Footprints brings forward a beautiful melody accompanied by the lugubrious bass lines by Demissio (which will certainly please all fans of 90’s and 2000’s Doom Metal), and with the anguished roars by Inanitas being the icing on the cake. Then blending the ferocity of Death Metal vocals with the darkness of Doom Metal riffs we’re treated to Limbonic Perdition, where Inanitas and Tenebra are once again on fire with their stringed axes, generating an enfolding atmosphere that lurks in the dark ready to attack; whereas the venomous Doom Metal riffs by Inanitas and Tenebra are the main ingredient in the funereal hymn Samsara, while Doloribus keeps pounding his drums slowly and steadily, therefore generating a neck-breaking, obscure rhythm while the stench of hopelessness permeates the air. And closing the album it’s time for a serene and gentle instrumental tune titled October Lullaby, where the band darkly jams until all fades into the unknown.

sullen-guest-2021I bet you’re more than curious to know how the fusion of death and doom made in Lithuania sounds, and luckily Chapter III is available in full on YouTube and on Spotify for your total delight. Also, don’t forget to check what the band is up to on Facebook and on Instagram, to subscribe to their YouTube channel for more of their unique music, and above all that, to put your filthy hands on Chapter III by purchasing it from their own BandCamp page, from Apple Music, from Amazon or from Discogs, allowing such distinguished band to haunt your damned soul for all eternity. Because, as you might already know, as soon as you start listening to Chapter III there is no light in your window anymore. You have been visited by Sullen Guest.

Best moments of the album: Dewfall and Samsara.

Worst moments of the album: None.

Released in 2021 Metallurg Music

Track listing
1. Nothing Will Be Forgotten 7:39
2. Dewfall 7:01
3. Mortal Cord 5:03
4. Footprints 6:37
5. Limbonic Perdition 7:00
6. Samsara 5:45
7. October Lullaby (instrumental) 4:54

Band members
Inanitas XII – vocals, guitar
Tenebra I – guitar
Demissio XIII – bass
Doloribus XI – drums

Guest musician
R. Budriūnas – flute

Album Review – Innersphere / Omfalos (2021)

One of the most promising metal acts from the Czech Republic returns with their awesome sophomore opus, again dealing with topics of our own existence and naturalism.

3.5rating

innersphere-omfalos-2021Established in Pilsen, a city in the western Czech Republic, in the fall of 2015, Melodic Death/Thrash Metal unity Innersphere has just released their sophomore opus, entitled Omfalos, the follow-up to their critically acclaimed 2018 debut effort Amnesia. Produced, mastered and engineered by Dan Friml (Mean Messiah), recorded at The Barn, and displaying a darkly stunning artwork by Martina Samková (Ghost in the Shell, Llyr), Omfalos, which derives from the Greek ομφαλός (omphalos), meaning “center of the world”, once again deals with topics of our own existence and naturalism through mysterious stories with many metaphors, all beautifully brought into being by the ominous quartet comprised of Míra Litomerický on vocals, guitars and samples, Lukáš Mai also on the guitars, Marek Hubocký on bass and Filip Wintr on drums.

The atmospheric and somber intro Presentiment warms up our senses for The Darkest Hour, an imposing Progressive Metal tune showcasing obscure lyrics growled by Míra (“Droughts, plague, famine – we all blame the gods – surrendered / Cannot escape our fate – raising blackest thought – in this hour”) while the instrumental parts remain dense and captivating from start to finish; and  enhancing their aggressiveness considerably, Míra and Lukáš sound infernal with their riffs in Above accompanied by the crushing drums by Filip, therefore resulting in a multi-layered, bold Melodic Death Metal aria. Then it’s time to set fire to the album in Fire, where the classic, strident riffage blasted by the band’s guitarists walks hand in hand with the bass punches by Marek, reverberating in the air in great Black and Death Metal fashion, whereas the title-track Omfalos is a headbanging beast led by the intricate drumming by Filip, with all background elements and orchestrations adding a touch of epicness to the overall result. Not only that, Míra’s roaring gets deeper and more enraged as the music progresses for our total delight.

In Wisdom, a sinister, Blackened Doom-infused intro evolves into a massive wall of sounds, showcasing neck-breaking riffs and beats, a mournful atmosphere and the always demonic vociferations by Míra, ending in a beyond climatic manner; and putting the pedal to the metal, Filip fires some tribal beats in the violent Blackness, with the bass by Marek sounding truly thunderous in an amazing display of their trademark fusion of Melodic Death and Thrash Metal, not to mention the song’s sick guitar solo. Back to a more somber vibe, the quartet brings forward a fusion of Death, Black and Doom Metal in Nature Of Sorrow, which unfortunately falls flat after a while, sounding a bit generic compared to the rest of the album; however, Innersphere gets back on track with their second to last explosion of Melodic Death and Thrash Metal, titled The Embodiment, where they keep slashing their stringed axes nonstop, providing Míra all he needs to growl and scream demonically. Finally, melancholic piano notes ignite the closing aria The Fall, once again investing in a Blackened Doom sonority (in special through the deep gnarls by Míra and the sluggish beats by Filip), flowing smoothly until its Stygian finale.

innersphere-2021Such intense fusion of melodic, progressive and dark music can be appreciated in its entirety on YouTube and on Spotify, and you should also show your support to the guys from Innersphere by following them on Facebook and on Instagram for new, tour dates and so on, and subscribe to their YouTube channel for more of their awesome music. And above all that, you should definitely add Omfalos to your vast collection of metal albums by purchasing it from their BandCamp page, from the Slovak Metal Army webstore, from Apple Music or from Amazon. The guys from Innersphere more than succeeded in depicting the center of the world through their unique music, leaving us more-than-curious to know what’s next in their shining path of life and death.

Best moments of the album: Above, Omfalos and Blackness.

Worst moments of the album: Nature Of Sorrow.

Released in 2021 Slovak Metal Army

Track listing 
1. Presentiment 1:14
2. The Darkest Hour 4:13
3. Above 5:05
4. Fire 4:49
5. Omfalos 4:17
6. Wisdom 6:13
7. Blackness 4:03
8. Nature Of Sorrow 5:48
9. The Embodiment 4:47
10. The Fall 6:05

Band members
Míra Litomerický – vocals, guitars, samples
Lukáš Mai – guitars
Marek Hubocký – bass, backing vocals
Filip Wintr – drums

Album Review – Mare Cognitum / Solar Paroxysm (2021)

A Portland, Oregon-based one-man Cosmic Black Metal entity returns with his fifth full-length opus, finding a new voice for his frustrations with humankind through five aggressive, metallic songs.

From the depths of the outer rim to solid footing of green earth, Solar Paroxysm, the fifth full-lenth opus by Portland, Oregon-based one-man Cosmic Black Metal entity Mare Cognitum, finds itself moving from the impossible to the familiar, with the project’s lone wolf Jacob Buczarski occupying himself with the failures of humankind over the past epoch, finding a new voice for his frustrations through five aggressive, metallic songs. Featuring a beyond stunning artwork by Adam Burke at Nightjar Illustration, Solar Paroxysm lifts the veil and reveals the true musicianship which has fueled Mare Cognitum since its impetus a decade ago, being therefore highly recommended for fans of the Stygian creations by Spectral Lore, Dawn, Blut Aus Nord and Chaos Moon, among others.

In the beautiful opening track Αntaresian, a beyond atmospheric and enfolding start grows in intensity and darkness until exploding into visceral Black Metal where Jacob showcases all his dexterity with his fulminating beats and blazing riffs, as well as showing his deep passion for old school and modern-day extreme music, roaring with tons of anguish and despair in his blackened heart. And Jacob keeps firing unstoppable blast beats and fills, razor-edged guitar lines and rumbling bass punches, generating a massive wall of sounds that will penetrate deep inside your psyche in the 11-minute aria titled Frozen Star Divinization, a lecture in Atmospheric Black Metal infused with classic Black Metal nuances; whereas investing in a more obscure and menacing sonority by presenting elements from Blackened Doom and classic Doom Metal we have Terra Requiem, where Jacob’s riffage is absolutely mesmerizing, dragging us all into his Stygian lair forever and ever while the music flows majestically until the song’s epic finale.

The following aria, entitled Luminous Accretion, already starts in full force with Jacob hypnotizing our senses once again through his whimsical riffs and classic Black Metal drumming. Moreover, there’s not a single space left in the air, resulting in top-of-the-line Atmospheric Black Metal for lovers of the genre, or in other words, one of the most complete, detailed and therefore best extreme music songs of the past few years. And last but not least, we’re treated to Ataraxia Tunnels, sounding primeval and intense from the very first second thanks to Jacob’s thunderous drums and piercing riffs, not to mention the hints of Epic Metal added to its core musicality, and of course it’s not an Atmospheric Black Metal song if it doesn’t carry pensive, austere lyrics for our total delectation (“Visions conjure throughout / A delusion searing into memory / So vividly / Once compulsively wrought / Now imbued to confine a once-great mind / Forever”).

The sinister and obscure realms of Cosmic Black Metal ruled by Jacob and his Mare Cognitum can be further explored by following the project on Facebook and on Instagram, by streaming more of his wicked creations on Spotify and, above all that, by purchasing Solar Paroxysm from the project’s own BandCamp page, from the I, Voidhanger Records’ BandCamp page, from Metal Odissey in CD and double LP formats, or from Apple Music. Now suddenly so outwardly truculent and antagonistic, Mare Cognitum finally reveals the project’s true essence with Solar Paroxysm, inviting us all to join Jacob on a one way journey into madness and sorrow, with his Cosmic and Atmospheric Black Metal being everything we need to get lost in darkness for all eternity.

Best moments of the album: Frozen Star Divinization and Luminous Accretion.

Worst moments of the album: None.

Released in 2021 I, Voidhanger Records/Extraconscious Records

Track listing
1. Αntaresian 11:16
2. Frozen Star Divinization 10:59
3. Terra Requiem 10:35
4. Luminous Accretion 10:51
5. Ataraxia Tunnels 12:31

Band members
Jacob Buczarski – vocals, all instruments

Album Review – Los Males Del Mundo / Descent Towards Death (2021)

It’s time to descend into death to the sound of the debut album by this Argentinian duo, inviting us all to a conceptual journey and dragging us into the darkest and most remote places of the human soul.

Formed in 2016 in Buenos Aires, the capital of the charming Argentina, by vocalist and drummer Dany Tee (of bands like Acathexis and Seelenmord) and guitarist Cristian Yans (of Eroica), Los Males Del Mundo (which translates from Spanish as “the evils of the world”) combine today’s modern Black Metal sound with late 90’s Melodic Black Metal, with lyrics deeply influenced by Friedrich Nietzsche, Emil Cioran and A. Schopenhauer. Later joined by bassist Nikita Kamprad (of German Black Metal band Der Weg einer Freiheit) as a producer and guest musician, the project released in 2020 their debut self-titled EP, shaping up their sound and inspiring them to release now in 2021 their first full-length effort, titled  Descent Towards Death. Recorded at Estudio Carmen in Argentina, produced, mixed, and mastered in Würzburg, Germany by Nikita himself, and displaying a grim artwork by Matt Lombard, Descent Towards Death is an invitation to a conceptual journey, dragging you into the darkest and most remote places of the human soul, reflecting an internal battle between aggressive and furious passages blended with dense and introspective landscapes full of melancholic melodies. In other words, simply hit play and be prepared to face one of the best and most intense Black Metal albums of the year.

The sluggish, somber guitars by Cristian kick off the 12-minute Atmospheric Black Metal feast titled Falling Into Nothing, exploding into dissident Black Metal where Dany not only crushes his drums ruthlessly, but his demonic gnarls bring even more obscurity to the final result, taking the listener on a one-way journey into the netherworld. In The Silent Agony their cryptic words will penetrate deep inside your psyche (“Like worms hiding from sunlight / we take shelter in the dirt / descending to the deepest filth -memories of the past – / trying to give sense to our existence / as redemption / to justify the misery of our days”) while the music remains dense and scorching from start to finish, with Dany sounding infuriated behind his drum set and screaming like Dani Filth in his Cruelty and the Beast-era; whereas in Eternal Circle Of Vain Effords they add a huge dosage of Blackened Doom and Doom Metal to their core sonority, with the bass punches by Nikita hammering your head without mercy while Cristian continues to extract darkness from his wicked riffs. Then venturing through more epic and Stygian lands the band fires the infernal Nothing But A Lie, where Cristian’s riffage and Nikita’s vicious bass walk hand in hand, therefore providing Dany all he needs to haunt our souls with his otherworldly roars and screeches. And Slayer-ish guitars à la “Seasons in the Abyss” permeate the air in the closing aria The Heavy Burden while Dany continues to growl like a demonic entity, always accompanied by the rumbling bass by Nikita, resulting in a multi-layered creation that will undoubtedly blacken the skies and your heart, not to mention how beautiful Cristian’s closing guitar solo sounds and feels.

In a nutshell, it’s truly impressive how bold, detailed and sharp the entire Descent Towards Death sounds coming from only two guys from Argentina that are just starting their career in metal music, positioning the album as one of the best releases of 2021 as aforementioned. Hence, if you want to put your hands on such precious gem of South American Black Metal, simply go to their own BandCamp page, to the Northern Silence Productions’ BandCamp page or webstore, as well as other locations such as Juno Records and Clear Spot. In addition, don’t forget to follow them on Facebook and on Instagram for all things Los Males Del Mundo, including new music and videos, tour dates and plans for the future. It’s time to begin our descent into darkness and death together with this multi-talented Argentinian duo, and there’s nothing better than the austere and captivating music found in their newborn opus to guide us on this harsh but extremely thrilling voyage.

Best moments of the album: Falling Into Nothing and The Heavy Burden.

Worst moments of the album: None.

Released in 2021 Northern Silence Productions

Track listing
1. Falling Into Nothing 12:12
2. The Silent Agony 8:28
3. Eternal Circle Of Vain Effords 5:16
4. Nothing But A Lie 4:56
5. The Heavy Burden 10:00

Band members
Dany Tee – vocals, drums
Cristian Yans – guitars

Guest musician
Nikita Kamprad – bass (session)

Album Review – The Machinist / I Am Void (2020)

An ambitious opus that runs a gamut of genres, featuring haunting synths and grinding guitarwork by a ruthless Blackened Industrial Metal outfit hailing from the UK.

“Do not go gentle into that good night.
Rage, rage against the dying of the light.” – Dylan Thomas

Born earlier this year in the city of Manchester, UK from the ashes of a band named NekroDrako, Blackened/Industrial Death Metal outfit The Machinist has just released their debut full-length album, entitled I Am Void, an ambitious opus that runs a gamut of genres, featuring haunting synths and grinding guitarwork backed up by a psychotic twin vocal approach, being therefore highly recommended for fans of the music by Anaal Nathrakh, The Berzerker and Aboyrm, among others. Summoning all the terror of the eternal, inevitable night, the abyss that waits to swallow us, consuming our dreams, our arrogance and our misplaced certainty of our own importance, I Am Void will explode your senses with a fusion of blasting Black Metal and machine-driven Death Metal, dark visions and confrontational opposition born of absolute self-belief, showcasing all the sonic poison and devastating violence by Scott Walton on vocals, T and Kieran Mackinnon on the guitars, and John Thompson on synths, drum programming and vocals.

Wicked vociferations from the underworld suddenly explode into a demented fusion of Death and Industrial Metal in the opening track Extinction Event, where Scott is a beast on vocals while the synths and drum programming by John live up to the legacy of the genre, and continuing their path of devastation the quartet offers the also metallic and thunderous Skin Is Not Enough, sounding as if Deicide and Ministry had a bastard son, and with the pulverizing guitars by T and Kieran penetrating deep inside our skin mercilessly. Then putting the pedal to the metal they blast the insane The Sky Has Opened, with the infernal screams by Scott being nicely boosted by the crushing riffage and beats by his bandmates, resulting in an amazing option for breaking your neck headbanging nonstop; followed by Approach, a Rammstein-inspired interlude that sounds like taken from a horror flick, warming up the listener for the hard-hitting extravaganza Bleak Affirmations, where T and Kieran deliver a hybrid of Black and Death Metal through their fierce riffage while the atmospheric synths by John add a touch of dementia to the overall result.

Bringing forward elements from Technical Death Metal, Depopulate is as venomous as it can be, with both T and Kieran firing infernal sounds form their guitars while Scott roars and gnarls in a beyond devilish manner, whereas Death Cults Of Abraham offers the listener another round of their industrialized madness, this time with John’s programmed drums sounding as organic as a real drummer. Put differently, this is a phantasmagorical creation by The Machinist feeling doomed and grim from start to finish, while strident riffs and anguished growls are the main ingredients in the hammering onslaught titled Magnificent Desolation, perhaps the song with the strongest Industrial Metal roots, also presenting tons of progressiveness, rage, and endless breaks and variations throughout its unrelenting six minutes. After such insane metal attack, we’re treated to Departure, another utterly Stygian and futuristic Fear Factory-infused bridge that sets the stage for the band’s boldest and most detailed spawn entitled Schwarzschild Radius, starting as wicked as its predecessor while also offering our avid ears dark and metallic sounds, deep, beastly vocals and Doom Metal beats, feeling like a hybrid of Industrial Metal and Blackened Doom at times (not to mention John’s vampiric keys), flowing infernally until its gruesome and otherworldly finale.

If you think you have what it takes to face over 52 minutes of ruthless and vicious Blackened Industrial Metal brought forth by The Machinist in their debut album, you can stream such disturbing opus in its entirety on Spotify and purchase it from the band’s own BandCamp page, from Apple Music or from Amazon, and The Machinist are also waiting for you on Facebook and on Instagram to show you more of their amazing music, their plans for the future, tour dates and everything else surrounding such distinguished UK horde. As aforementioned, I Am Void is indeed a devastating barrage of sonic violence, as The Machinist are a poison that will elevate or destroy, which means you should simply hit play on their new album, immerse yourself in their harsh truths, and finally find the strength to evolve.

Best moments of the album: Extinction Event, The Sky Has Opened and Magnificent Desolation.

Worst moments of the album: Bleak Affirmations.

Released in 2020 Independent

Track listing
1. Extinction Event 6:39
2. Skin Is Not Enough 5:27
3. The Sky Has Opened 4:57
4. Approach 2:32
5. Bleak Affirmations 4:15
6. Depopulate 3:49
7. Death Cults Of Abraham 5:48
8. Magnificent Desolation 6:13
9. Departure 2:17
10. Schwarzschild Radius 10:34

Band members
Scott Walton – vocals
T – guitar
Kieran Mackinnon – guitar
John Thompson – synths, drum programming, vocals