Album Review – Impureza / Alcázares (2025)

The trailblazers of Hispanic Extreme Metal return with a fantastic new album, once again exploring the duality between extreme music and Spanish sounds inspired by Andalusian culture and flamenco.

Formed in 2004 by guitarist Lionel Cano Muñoz, Franco-Spanish Brutal Flamenco Death Metal entity Impureza offers a unique fusion of extreme music and Spanish sounds inspired by Andalusian culture and Flamenco, creating an atypical style known as “Hispanic Extreme Metal,” therefore turning them into the pioneers of the genre. Recorded and mixed by Sébastien Camhi at Studio Artmusic, mastered by Jacob Hansen at Hansen Studios, and displaying a stylish artwork by Johann Bodin and Xavier Ribeiro, Alcázares is the brand new offering by the band currently formed of Esteban Martín on vocals, Lionel Cano Muñoz on the guitars, Florian Saillard on fretless bass, and Guilhem Auge on drums, supported by Xavier Hamon on percussion and Louis Viallet on orchestrations, once again revolving around the voluptuousness of Latin atmospheres, the ferocity of metal music, and Spanish culture and history, explored through a fictional and esoteric aspect.

The pure Flamenco intro Verdiales will transport our minds to the world of Impureza before they attack with Bajo las Tizonas de Toledo, with Lionel delivering striking riffs and solos infused with Spanish sounds while Guilhem hammers his drums and Esteban roars deeply until the very end. Covadonga keeps the album at a high level of violence and epicness, with Lionel once again stealing the spotlight with his riffage supported by Florian’s puissant bass; and simply let their Spanish sounds penetrate deep inside your soul in Pestilencia, or “pestilence”, where the Spanish guitars by Lionel are effectively boosted by the percussion by Xavier before all explodes into another feast of Progressive Death Metal. And Reconquistar Al-Ándalus, or “reconquering Al-Ándalus”, is another perfect fusion of extreme music and the Andalusian culture, not to mention how infernal Guilhem sounds on drums.

Impureza will then put you to dance to the sound of Murallas, or “walls”, a fantastic interlude that will set the tone for La Orden del Yelmo Negro, which translates as “the order of the black helmet”, carrying a poetic name for an overdose of harsh vociferations by Esteban, all boosted by another visceral, flawless stringed attack by Lionel and Florian. After such a beautiful song, the band offers six minutes of dark, atmospheric sounds infused with the whimsical touch of the Spanish guitar by Lionel in Castigos Eclesiásticos, or “ecclesiastical punishments”; whereas in El Ejército de los Fallecidos de Alarcos, or “the army of the dead of Alarcos”, all backing vocals add an extra kick to Esteban’s harsh growls while Florian and Guilhem make the earth tremble with their progressive and ruthless kitchen. Then another Andalusian-infused instrumental interlude titled Ruina del Alcázar, or “ruin of the Alcázar”, warms us up for their final onrush entitled Santa Inquisición, or “holy inquisition”, where all band members set the ambience on absolute fire, led by the always demonic vociferations by Esteban in a lecture in extreme music.

Often nicknamed the “French Nile” due to their primary influences, which obviously include Nile, as well as Hate Eternal, Behemoth, and Fleshgod Apocalypse, among many others, plus several Spanish artists such as Flamenco guitarist Paco de Lucía and gypsy singer Camarón de la Isla, Impureza, which by the way means “impurity” in English, beautifully united traditional Hispanic folklore and Extreme Metal in their new album, presenting the duality between those two seemingly opposed musical genres in a beyond compelling way. Hence, you can get to know more about the band on Facebook and on Instagram, subscribe to their YouTube channel, stream their music on Spotify, and grab a copy of their fiery new opus from BandCamp or by clicking HERE. In a nutshell, not only Impureza are the undisputed trailblazers of Hispanic Extreme Metal, but Alcázares will certainly help them carve their name in the history of heavy music, leaving us eager for more in a not-so-distant future.

Best moments of the album: Bajo las Tizonas de Toledo, Reconquistar Al-Ándalus, La Orden del Yelmo Negro and Santa Inquisición.

Worst moments of the album: None.

Released in 2025 Season of Mist

Track listing
1. Verdiales 1:15
2. Bajo las Tizonas de Toledo 6:25
3. Covadonga 4:01
4. Pestilencia 4:44
5. Reconquistar Al-Ándalus 5:25
6. Murallas 2:24
7. La Orden del Yelmo Negro 4:57
8. Castigos Eclesiásticos 6:06
9. El Ejército de los Fallecidos de Alarcos 5:18
10. Ruina del Alcázar 1:37
11. Santa Inquisición 6:26

Band members
Esteban Martín – vocals
Lionel Cano Muñoz – rhythm, lead & Spanish guitars
Florian Saillard – fretless bass
Guilhem Auge – drums

Guest musicians
Xavier Hamon – percussion (session)
Louis Viallet – orchestrations (session)

Album Review – Ocram / Nasu EP (2017)

A musical work deeply influenced by some elements of Zoroastrianism mixing classical Black Metal with a touch of Middle East, bred by a talented and restless one-man army from Spain.

Zoroastrianism, or more natively Mazdayasna, is one of the world’s oldest extant religions, combining a cosmogonic dualism and eschatological monotheism in a manner unique among the major religions of the world. Major features of Zoroastrianism, such as messianism, heaven and hell, and free will have influenced other religious systems, including Second Temple Judaism, Gnosticism, Christianity, and Islam. Having said that, it was quite obvious that Zoroastrianism would also be found in extreme music due to its strong connection with religious topics, with several Black Metal artists being inspired by such distinct religion, like Spanish Black Metal one-man army Ocram.

Hailing from Málaga, a port city on southern Spain’s Costa del Sol, located in Andalusia, Ocram is a one-man Black Metal band created in 2012 by multi-instrumentalist Ocram, who has already been featured at The Headbanging Moose with the insanely good 2015 album Exterminans IX:XI, by his other band Tsar Bomb. After the release of an EP titled Praeludium, in 2013, Ocram is back with a brand new EP named Nasu, the Avestan name of the female Zoroastrian demon (daeva) of corpse matter, also used as a general term for that which is false, immoral, impure or unclean. Featuring a darkly esoteric artwork by Victoria S. Mann (La Luna en un Hilo – Illustration & Handicraft), Nasu is a musical work deeply influenced by some elements of Zoroastrianism that mixes classical Black Metal with a touch of Middle East and a few clean chorus, and overall a lot of epic and melodic riffs, thoroughly spread throughout the album’s sixteen minutes of music.

The fire burns to the eerie sounds generated by Ocram in the arcane instrumental intro The Fire Worshipper, building the desired atmosphere for the darkened feast that’s about to come, titled The Bringer of the Unholy Flame, showcasing heavy riffs, a steady and brutal drumming, and the devilish gnarls by Ocram in an amazing display of high-end Black Metal, not to mention the song’s occult lyrics (“Enlighten my path, / Liberate my aged flesh, / Nourish my soul, / Spread your seed in the humanity. / Conceived by the entrails of the universe, /The bringer of the unholy flame.”), which you can definitely feel penetrating deep into your soul.

The second full-bodied song of the EP, The Tower of Silence,  features female choirs by guest vocalist Echo and disturbing lyrics (“The four eyes of the beast are looking at me, / The fire doesn’t warm up my body, / The bearers of the dead come for me, / The hands of the Druj are on my head.”), with Ocram accelerating the rhythm to a more demonic pace. In a nutshell, it’s old school Black Metal with hints of Death Metal and a huge amount of transcendental sounds, with the inclusion of some sluggish, heavy breaks that end up bringing more malignancy to the overall result of this obscure aria, flowing to a climatic and mesmerizing ending. And the outro The Nassesalars couldn’t sound more mysterious, presenting some background noises that will certainly disturb your mind.

Nasu is available for a comprehensive experience on YouTube, and if you like what Ocram has to offer you with his new EP I recommend you start following him on Facebook and also on YouTube to be up to speed with all news about his solo project, about Tsar Bomb and his other bands like Trees, Clouds & Silence. And let’s be honest, such talented musician deserves our utmost recognition for keeping the flame of underground metal alive and kicking with his creativity and passion for extreme music. Hence, you can show your true support to Ocram by purchasing Nasu through his BandCamp page, an album that not only brings to you some top-notch Black Metal, but that might also expand your religious horizons.

Best moments of the album: The Bringer of the Unholy Flame.

Worst moments of the album: None.

Released in 2017 Independent

Track listing
1. The Fire Worshipper 2:49
2. The Bringer of the Unholy Flame 4:55
3. The Tower of Silence 7:17
4. The Nassesalars 0:58

Band members
Ocram – vocals, guitars, bass, drum programming

Guest musician
Echo – female choirs on “The Tower of Silence”