Behold the debut offering by this ruthless Russian entity, a tour de force of dark, deadly Death Metal of a most 90’s vintage.

Founded in 2020 in Saint Petersburg, Russia, dead in 2022, but reborn in 2024 with a newly sculptured style blasting wicked, old school Death Metal with sinister lyrics, the ruthless entity Void Monuments will decimate your putrid bodies with their debut opus, entitled Posthumous Imprecation. Adorned by a clear and crushing production and a suitably eerie cover artwork, the new album by K. Svart on  vocals and guitar, P. Doom also on the guitar, Ivan on bass, and Bestial Barlog on drums stands tall as a debut declaration, a tour de force of dark, deadly Death Metal of a most 90’s vintage, constructing crushing towers of sound that shoot off into dusty catacombs and primordial slime alike.

Like a demonic creature arising from the pits of the underworld, the album’s Intro will captivate our senses before the band rips our putrid souls in half with Epitome Of Fear, a lecture in Death and Black Metal where Bestial Barlog shows no mercy for our necks with his demonic beats and fills. Then investing in a blood-soaked, vile Doom Metal sonority we face Devilish Prophecies, with K. Svart vomiting the song’s impious words like a rabid beast; followed by Decapitate The Saints, perhaps the song with the most poetic name, a headbanging 90’s-inspired Death Metal attack by the band, with K. Svart and P. Doom showcasing the power of a deadly riff.

Ascent to the Crucifixion is another song with a blasphemous name offering us all an overdose of Blackened Death Metal in the form of six (six six) minutes of pure infernal sounds spearheaded by another gory vocal performance by K. Svart; and Void Monuments go absolutely mental in Invocation, a lesson in Death Metal savagery where Bestial Barlog’s demented drumming is boosted by the metallic, ruthless bass by Ivan and the striking solos by the band’s guitar duo. Their second to last explosion of utter violence is offered in the form of The Sign of Blasphemy, living up to the legacy of 90’s Death Metal, before the band concludes their black mass with Father Of Sin, led by Bestial Barlog’s undisputed hammering drums, putting a beyond demonic ending to the album.

No more but definitely no less, Posthumous Imprecation is undoubtedly a strong release by Death Metal maniacs, for Death Metal maniacs, being highly recommended for admirers of bands the likes of Malevolent Creation, Sinister, The Chasm, Monstrosity, and Cenotaph, among others. You can get in touch with Void Monuments via Instagram, subscribe to their YouTube channel, stream their music on any platform like Spotify, and of course put your damned hands on Posthumous Imprecation from the Blood Harvest’s BandCamp or webstore. Void Monuments are craving fresh blood armed with their newborn spawn, and you better get ready because there’s nowhere to hide from their undisputed Death Metal savagery.

Best moments of the album: Epitome Of Fear, Decapitate The Saints and Invocation.

Worst moments of the album: None.

Released in 2026 Blood Harvest

Track listing
1. Intro 2:14
2. Epitome Of Fear 4:50
3. Devilish Prophecies 5:32
4. Decapitate The Saints 4:50
5. Ascent to the Crucifixion 6:13
6. Invocation 4:58
7. The Sign of Blasphemy 3:30
8. Father Of Sin 4:03

Band members
K. Svart –  vocals, guitar
P. Doom – guitar
Ivan – bass
Bestial Barlog – drums