Metal Chick of the Month – Lygbereth

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See her crimson sword… The great queen, holy raven!

Let’s continue our journey through the dark realms of Black Metal by paying a tribute to the talented Turkish musician Duygu Gurcu, sometimes referred to as Naenia Virtus, but most commonly known as Lygbereth, the electrifying bassist for Turkish Black Metal/Epic Pagan Metal band Sirannon. And let me tell you that after knowing more about her life you’ll be amazed by how skillful this woman is, because not only she’s a badass bassist, but also a singer, a songwriter, an editor and, oddly enough for many people but not for millions of headbangers all around the world who have regular jobs just like any non-metal person, a hard working businesswoman committed to success.

Born in the year of 1983 in the city of Istanbul, Turkey, Lygbereth began her path in the world of music at the age of 7, when she started taking west music training (singing and piano) until the age of 12. During that period, she composed her first sonata with her piano teacher at the age of 9, also taking the stage for many recitals. Although that doesn’t sound very “Black Metal” for most of you, let me remind you she was just a little girl starting to carve her personality and experimenting different ways of applying her skills in music, and of course we all know how important an instrument like a piano is for children to expand their music horizons and boost their creativity.

Although she unfortunately had to suspend her musical training due to family issues and her education, it didn’t take too long for her to get back in action and work with her first band, Turkish Black Metal act Pogrom, where under her real name Duygu she did both guttural and clean vocals. When you have a true passion for something it looks like you can’t stay away from it for a long period of time no matter what, and when that passion is music that gets even harder, don’t you agree? Anyway, you can take a good listen at the band’s 2005 demo entitled At the Peak of Toros, where they blast our minds with three songs beautifully entitled Nergal Eyes Has Appeared at the Peak of Toros, Her Cries Echo at My Malice… and A Volcano Become to Extinct. I’m just not sure if Duygu was part of this demo, though.

After Pogrom she was involved with another Turkish Black Metal group called Nefastum as their vocalist, composer, editor and lyricist, playing several concerts with them. This case is no different than Pogrom, as I couldn’t find any reliable source online confirming if Duygu was part of any of Nefastum’s official releases, but you can get a sense of how obscure their music is by listening to the excellent tune Seals of Demogorgon. She was also part of Turkish Black Metal band Serpenta as their vocalist, bassist and songwriter, having recorded with the band a demo entitled Ophiliama in 2004, and an EP named Transformation in 2007. If you’re a diehard Black Metal fan, you can enjoy the gorgeous Duygu kicking ass with Serpenta through her harsh vocals and resonant bass lines in the violent song Masterpiece Of War.

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It was just in 2007 when she joined Sirannon as their bassist, hence becoming Lygbereth, and since then she has been part of the band’s metamorphosis from pure Black Metal in their early days to a more complex Epic Pagan Metal in recent years. Obviously, the lyrics also shifted from themes such as war, pain, darkness and melancholy to topics more suitable to their new sounding like Paganism and mythology. Just out of curiosity, Sirannon was formed in 2005 by drummer Wesretkau (currently known as Thuringwethil) in the city of Izmir, the third most populous city in Turkey (after Istanbul and Ankara) with almost 3 million people, located about 500km southwest of Istanbul. Since joining this amazing Turkish act, she has recorded with them the split album International Black Scene Vol.1 in 2010, the full-length album Semper Caliga in 2011, and more recently an EP entitled Forgotten Laments Of The Forsaken in 2014, when the music direction of the band finally switched to a more melodic and intricate sounding almost completely. In addition to that, her role inside the band has also expanded significantly, from being only their bass player in the beginning to being responsible for the bass guitar, programming and samples in their latest albums.

In case you want to know more about the music by Sirannon, simply visit their YouTube channel or SoundCloud page and you’ll find many brutal compositions such as Ethereal Empire and The Holy Raven, as well as some videos of their live performance on May 18, 2008 at the Dungeon, in Izmir, playing the songs In The Shadow Of The Excommunication, Magna Mater and Children Of The Wolves.

Regarding her favorite bands and artists, Lygbereth provided an extensive list of important names in the world of extreme music as her main influences like Dark Funeral, Carpathian Forest, Ragnarok, Immortal, Satyricon, Emperor, Bathory, Enslaved, Old Man’s Child, among lots of other renowned icons. However, do not expect to find Lygbereth wandering the streets of Istanbul all geared up in leather and spikes and with her corpsepainting on, because as aforementioned our metal chick is also a dexterous working woman in her city. According to her LinkedIn profile, Lygbereth (or in this case Duygu Gurcu) has recently worked as an Import Operations, Senior Executive/Ocean Freight Import Executive at Veritas International Transport Co. Ltd. in Istanbul, an unthinkable position for most black metallers in the world. Well, as Lygbereth means “The Serpent Queen” in Elf Language, can you imagine how awesome it would be to work for a “serpent boss” like her?

Equipment
Ibanez Eurodyn
Behringer 45 watt/Ultrabass BXL450A
Behringer dynamic bass compressor & pre-amp
Shure c 606 microphone

Sirannon’s Official Facebook page
Sirannon’s Official Twitter

Album Review – Inhuman Depravity / Nocturnal Carnage By The Unholy Desecrator (2015)

Let the depraved Death Metal by this Turkish group puncture your ears until your metallic brains splatter with rapture.

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cover artworkWhen you put the words “inhuman” and “depravity” together in the same sentence, you know the final result is not going to be gracious at all. Add to that the intense sound of vicious Death Metal, and you get as a result Inhuman Depravity, an unstoppable Turkish metal act ideal for diehard fans of Dying Fetus, Morbid Angel, Suffocation and many other old school extreme bands, who will mercilessly crush you like an insect with their disturbing uproar.

Formed in Istanbul, Turkey in late 2013, probably in the depths of a dark and fetid catacomb or at an abandoned slaughterhouse teeming with rotting corpses, and after releasing their first demo a few months later based on the theme that gives the band’s name, “depravity”, it’s now time for those Turkish death metallers to release their debut full-length album, beautifully entitled Nocturnal Carnage By The Unholy Desecrator. And you better get ready, because things are about to get as gory as the most demented slasher movies you might have seen in your life.

With an intro that’s supposed to be a serial killer calling his lawyer and telling him about his killing spree in a mix of fear and madness, Exhuming The Creator For Own Expediency opens this excellent album like a demonic beast unleashed upon humanity, especially due to the deep and infuriated growls by vocalist Yunus Efe. Not only that, it feels like drummer Eren Gursoy wants to kill someone with his beats so sick they are. Do you think you can survive for over 30 minutes of this type of immoral music? Because their gory old school Death Metal attack keeps destroying our souls in Dismembered and Buried Instincts, with highlights to the pulverizing riffs by guitarist Murat Sabuncu while Eren adds lots of interesting breaks amidst his choleric drumming.

The next tune, Condemned To Monotheistics, reminds me of ancient Cannibal Corpse from the Chris Barnes-era due to the metallic bass lines by Kaan Yildar and the gruesome growls by Yunus. Besides, I was trying to find the lyrics to this song just to get more details on the message the band wanted to send to the listener, but unfortunately couldn’t find them anywhere. Well, who cares? Let’s just bark together with Yunus and enjoy the band’s bestiality, which is also the case in Rise of Vengeance By Bloody Torment, even faster and more diabolical than its predecessors. Kaan and Eren are on their “hulk mode”, and although it’s hard to keep up with their speed and malevolence you will love this song if you’re devoted to Death Metal to the second power.

band photoThe initial growl by Yunus in Apocalyptic Mass Murder Oath is a warning: this song is going to be absolutely fuckin’ brutal. It’s an amazing display of inhumanity, proving the name of the band was not chosen in vain, and I have no idea how the band members can be so in sync while playing such devastating music. The same can be said about the next track, Bloodthirst of Sinners, where the low-tuned bass lines and riffs give it an extra touch of darkness, making it the perfect soundtrack for a slaughter. This is the type of song that makes you wonder if any normal person can survive a nonstop circle pit to the sound of Inhuman Depravity. And just when you think there will be some moments of peace or silence they strike back with their extreme musicality in Carnivorous Offering, with highlights to the sick drum fills by the talented beast Eren and to the song’s beautiful and barbaric ending.

In Slain Dissection Abuse you realize they’re really trying to melt your brain with their music in a flawless exhibit of how cruelty, torture and gore can be translated into brutal and technical Death Metal. It’s my favorite of all tracks, where Murat and Eren once again steal the show with their combination of dark riffs and nonstop beats. And finally we have Salvation Through Bloodvomit, one of the “cutest” song names I’ve ever seen, ending the album on the same demonic level it started. Furthermore, Yunus is not simply snarling this time, he’s regurgitating the song’s putrescent lyrics inspired by the sonic warfare established by the rest of the band.

If you want to acquire this ruthless lecture in bloodshed and perdition, featuring a kick-ass artwork by Indonesian artist Rian Oktanto, go to the official Coyote Records Web Shop, to their Digital Store on BandCamp or to Big Cartel to grab your copy of Nocturnal Carnage By The Unholy Desecrator. Put differently (and in a much more lethal way), let the depraved Death Metal by Inhuman Depravity puncture your ears until your metallic brains splatter with rapture. This is what authentic Death Metal has always been about.

Best moments of the album: Exhuming The Creator For Own Expediency, Apocalyptic Mass Murder Oath and Slain Dissection Abuse.

Worst moments of the album: None.

Released in 2015 Coyote Records

Track listing
1. Exhuming The Creator For Own Expediency 4:01
2. Dismembered and Buried Instincts 3:16
3. Condemned To Monotheistics 3:36
4. Rise of Vengeance By Bloody Torment 3:36
5. Apocalyptic Mass Murder Oath 3:38
6. Bloodthirst of Sinners 3:09
7. Carnivorous Offering 3:05
8. Slain Dissection Abuse 3:41
9. Salvation Through Bloodvomit 3:44

Band members
Yunus Efe – vocals
Murat Sabuncu – guitars
Kaan Yildar – bass
Eren Gursoy – drums