Concert Review – Ültra Raptör, The Scepter & AMMO (Bovine Sex Club, Toronto, ON, 03/28/2024)

A celebration of Canadian Heavy and Speed Metal offered by three of the must-see names of the current scene, setting one of the most iconic venues in Toronto on fire for our total delight.

OPENING ACTS: Ültra Raptör and The Scepter

What a night at the Bovine Sex Club this Thursday with the bands THE SCEPTER, ÜLTRA RAPTÖR and AMMO, celebrating the strength, quality and energy of Canadian Heavy and Speed Metal before the Easter long weekend during their Supersonic Steel Tour 2024. As a matter of fact, if the Friday before Easter is called “Good Friday”, then the whole night at the Bovine could have been named “Awesome Thursday”, a night of classic heavy music debauchery and shred from across Ontario and Quebec. The main reason my buddy Keith Ibbitson of Metal Paparazzi and I were invited to cover such an amazing event was due to our coverage of AMMO when they opened for Gloryhammer two weeks before at The Phoenix Concert Theatre, and I’m extremely happy the guys from AMMO invited us for their show on Thursday as I had to miss them opening for Gloryhammer because of work and traffic that day.

Also, I honestly didn’t think that the venue was going to be so jampacked Thursday night, not because of the quality of the bands, but because it was the night before the Easter long weekend as already mentioned, when most people have travel plans to meet their families in other cities, provinces, or even countries. Well, let’s say everyone who attended the gig on Thursday IS family, the united and healthy metal family of Toronto, and when Quebec City, Quebec-based Heavy/Speed Metal outfit ÜLTRA RAPTÖR began their incendiary concert, blending songs from their 2018 self-titled EP and their 2021 album Tyrants the likes of Missile (Metal Warrior), Gale Runner and Cadillacs and Dinosaurs, plus a brand new song titled Fossilized, from their upcoming album (to be released later this year), it was total anarchy, chaos, and mosh pits, with all fans at the venue having an amazing time while the band delivered fire and electricity (and dinosaurs) on stage. You can check more of their music on BandCamp and on Spotify, and please go see them live whenever you have a chance because they’re simply awesome (for instance, their drummer also plays with the fantastic Métal Noir Québécois horde Délétère), and as a bonus they have some ass-kicking merch for a very, very reasonable price. Merci pour ce concert incroyable, Ültra Raptör!

Setlist
Missile (Metal Warrior)
Highways of Ice
Under the Claw
Nightslasher
Gale Runner
Fossilized
The Quest for Relics
Cadillacs and Dinosaurs
Caustic Shower

Band members
Phil T. Lung – vocals
Criss Raptör – guitars
Zoltan Saurus – guitars
Dick Van Heuß – bass
Tony Bronco – drums

Then after a beer, bathroom and chat break (and by the way, the house DJ did a superb job playing what was probably his own 90’s mixtape, blowing the house speakers with classics from Sepultura, Slayer, Anthrax, White Zombie and several other metal giants), it was time for Ottawa, Ontario’s own Heavy/Speed Metal act THE SCEPTER to deliver another breathtaking show for the total delight of everyone at the venue. The ONLY issue with their performance was that I couldn’t get the name of any of the songs played*, except for the amazing Shadows in the Tower, available on BandCamp and on Spotify. There was another song about drinking, but I have no idea how it is actually called (maybe just “Drink”, but I’m not sure). Apart form that, it was another incendiary feast of heavy music, with frontman Jesse Harvey having a stellar performance as well as guitarists Josh and Morgan, again igniting some fun circle pits and inspiring everyone to raise their horns and headbang together with the band. Hopefully they’ll get back to Toronto in the near future for another blast of Heavy and Speed Metal, and next time I promise I’ll get their setlist.

*Update: Thanks to Keith, we now have their setlist! Hell yeah!

Setlist
Riding Out
Road to Mayhem
Where Art Thou?
Dunes
Taarakian Blood
Drink On
Protector of the Skies
Shadows in the Tower

Band members
Jesse Harvey – vocals
Josh – guitars
Morgan – guitars
Stew – bass
John – drums

AMMO

No one at the Bovine seemed to care about the late start to the shows, as the main attraction of the night, Toronto, Ontario’s unstoppable Heavy Metal warriors AMMO kicked off their shredding feast when it was already close to midnight. Spearheaded by frontman Alex Zdarvkovic, and showcasing the flammable guitar duo formed of Brett Hexx and Matt Lewis, AMMO put on another fantastic show as the icing on the cake for the night, with songs like Street Metal Werewolves and Taking the Throne sounding amazing live. I don’t remember exactly when, but Toronto’s own super fan William Yum threw a pack of cheese curds on stage, and the band not only laughed about it, but they actually ate the cheese. Anyway, back to the music, which is what really matters, the last two songs of their setlist were simply flawless, starting with the metallic hymn Too Metal for Metal, which chorus was sung I full force by almost everyone at the venue, followed by their rendition of Manowar’s classic Hail and Kill, and apart of course from the cover song you can enjoy all of their awesome creations on BandCamp and on Spotify. As I mentioned before, I’m extremely happy I was able to see AMMO live after missing them opening for Gloryhammer, and I believe everyone who attended the show is eager for another killer show by those amazing musicians sooner than you can say “too metal for metal”.

Setlist
Into Death
Street Metal Werewolves
Doomsayer
Taking the Throne
Empire
Too Metal for Metal
Hail and Kill (Manowar cover)

Band members
Alex Zdarvkovic – vocals
Brett Hexx – guitars, backing vocals
Matt Lewis – guitars
Necro Hippie – bass
Struan Robertson – drums

This slideshow requires JavaScript.

Album Review – Strangle Wire / Shaped By Human Frailty (2022)

A gargantuan collision between the heaviest of Death Metal and the darkest of emotions, submerged in an unsettling atmosphere of grief and isolation, masterfully crafted by a ruthless Belfast-based quartet.

A gargantuan collision between the heaviest of Death Metal and the darkest of emotions, submerged in an unsettling atmosphere of grief and isolation, Shaped By Human Frailty, the first full-length album by Belfast, Northern Ireland-based horde Strangle Wire, is a demonstration of Death Metal at its most effective and affecting, with sheer power being shaped by superb song writing following up on their 2018 EP The Dark Triad. Branding themselves as “Psychological Death Metal”, the band currently formed of Pete on vocals, Ross on the guitar, Daff on bass and John on drums delivers fast, groove laden and devastatingly heavy Death Metal throughout the entire album with the assistance of Chris Fielding (Electric Wizard, Primordial, Napalm Death) at Foel Studios, being therefore tailored for fans of Bolt Thrower, Asphyx, Grave and Benediction.

Arising from the pits of the underworld, the band kicks things off with a demented Death Metal attack entitled Heavily Medicated, where the vocals by Pete sound inhumane, also showcasing an amazing stringed work by Ross and Daff while John decimates our souls with his crushing drums. Pete roars deeply in the also pulverizing Learned Wretchedness, bringing forward old school Death Metal for lovers of the genre while again inviting us all to slam into the circle pit like demented metalmaniacs, with Ross extracting sheer obscurity from his riffs and solos. Are you tired already? Because there’s more of the band’s demolishing Death Metal in Judas Switch, an ass-kicking, infernal creation bringing to our avid ears more of the putrid guttural by Pete and the hammering drums by John, and get ready to be smashed by Strangle Wire in the demonic The Human Tensile Experiment, where the sensational blast beats by John offer Pete exactly what he needs to bark like a rabid beast, not to mention how heavy and visceral the guitars and bass by Ross and Daff sound.

Take a deep breath to the sound of the melancholic instrumental interlude An Abhorrent Intervention before all hell breaks loose in the title-track Shaped by Human Frailty, offering us all old school, in-your-face Death Metal with no shenanigans, being vile and aggressive from start to finish spearheaded by the intricate and demonic beats by John. Dead Before the Still brings forward less than three minutes of pulverizing groove and heaviness by the quartet, with the bass by Daff making our heads tremble in an ode to classic Death Metal; whereas their second to last blast of insanity and darkness, titled Psychology of the Sick, is a lesson in violence inspiring us all to headbang like there’s no tomorrow. And there’s nothing better than ending an album of crushing Death Metal with another crushing song, named Horrors Beneath, where Pete roars in great fashion supported by the stunning instrumental by his bandmates.

If you would like to explore the vicious, psychological world of Strangle Wire, you can do so by following the band on Facebook and on Instagram for news and tour dates, by subscribing to their YouTube channel, by streaming their music on Spotify, and by purchasing Shaped By Human Frailty from their own BandCamp page or from Apple Music sooner than you can say “Death Metal”, or simply click HERE for all things Strangle Wire. Absolutely dark and sinister, Shaped By Human Frailty provides us with the exact message that the band wanted to send when they started working on the album, with its cruel atmosphere proving that once you’re captured by the Death Metal brought into being by Strangle Wire, there’s no escape.

Best moments of the album: Heavily Medicated, The Human Tensile Experiment and Horrors Beneath.

Worst moments of the album: None.

Released in 2022 Grindscene Records

Track listing
1. Heavily Medicated 3:25
2. Learned Wretchedness 3:58
3. Judas Switch 4:08
4. The Human Tensile Experiment 4:24
5. An Abhorrent Intervention 1:03
6. Shaped by Human Frailty 5:26
7. Dead Before the Still 2:39
8. Psychology of the Sick 3:33
9. Horrors Beneath 5:38

Band members
Pete – vocals
Ross – guitar
Daff – bass
John – drums