Album Review – Down To Hell / V Zajatí Temnoty (2015)

Let’s brave the world of Melodic and Symphonic Black Metal created by this talented Slovak six-piece band who sings entirely in their mother tongue.

Rating5

coverFounded in 2006 in the city of Malaciek (or Malacky), Slovakia, around 35 km north from the capital Bratislava, what Melodic/Symphonic Black Metal band Down To Hell have to offer the fan of heavy music goes beyond your usual symphonic and extreme elements. Their music relies heavily on contrasts, as in singing as well as their instrumental and lyrics written in the form of stories, providing a more complete experience to the listener. In addition, although they say they play Symphonic Black Metal, which instantly brings bands such as Dimmu Borgir to your mind, they sound rawer and more inclined to old school Black Metal than that.

However, the most noteworthy characteristic in the music by Down To Hell is the fact they did not “surrender” to the English language, singing their songs entirely in their mother tongue, Slovak, which adds an extra touch of darkness to their 2014/2015 debut full-length album V Zajatí Temnoty, or “Captive Darkness” in English. The only thing in English ends up being the band’s own name, which makes me wonder why they’re not called “Dole Do Pekla” instead. Anyway, let’s get down to business and see what V Zajatí Temnoty is made of.

Ticho Pred Búrkou, or “calm before the storm”, is exactly what this piano intro represents, and you can get a sense of how symphonic their music is before the actual storm begins in Pán Vetra, Búrky A Mrakov (“lord of wind, storms and clouds”), with the growls by singer/guitarist “Kani” Miroslav Gajdár matching perfectly with the musicality proposed while the keyboards by “Lubo” Ľubomír Müller complement the havoc created by the song’s guitar riffs and drums in a very interesting way. Slightly darker than the previous tune, Skazení (“wicked”) sounds almost like raw Black Metal in some instances but pure symphony in others, with the nice job done on guitars enhancing its overall quality. It’s the first song of the album to showcase the clean vocals by the gorgeous “Maťa” Martina Bilkovičová, who has a very good chemistry with Kani and his screams.

Keeping up with the previous songs, Bosorské Sólo is another great mix of extreme music and melodic instrumental, where it’s interesting to notice how drummer “Beňo” Dušan Šelc can easily change from a more rhythmic drumming to furious blast beats, providing more progressiveness to the music; followed by the “sudden attack” offered by the band in Krvavé Jazero (“bloody lake”). This song, which has a solid flow from start to finish, is how dark music should always be, with the smooth voice by Maťa being like a dream amidst its nightmare-ish beats. Unfortunately, the band disappoints a little in Prízrak (“phantom”), which despite starting differently than the other songs in a thrashier way, it doesn’t know if it’s Melodic Black Metal, Pop Metal or Symphonic Metal. It’s still an enjoyable tune, but below the album average especially as it’s not very clear what its final goal was.

dth_allThe final triade in V Zajatí Temnoty couldn’t have started in a better way than with Smrť (“death”), where not only the guitar lines by Kani and “Ťapo” Martin Matlovič sound amazing, but Kani also does an awesome job ranging from high-pitched roars to truly deep guttural. Besides, pay attention to how the band is able to sound cruel and harmonic at the same time, just like what Extreme Metal icons Cradle of Filth perfectly do, and you’ll understand why this is one of the top moments of the album. Then we have the dark ballad/waltz Nemŕtva Nevesta (“undead bride”), where the clean vocals by Maťa steal the show, achieving an even more pleasant performance due to the keyboard notes by Lubo; and finally the excellent Drak (“dragon”), a fast and metallic tune that has that amazing European touch to increase its quality and cohesiveness, including elements from genres such as Folk and Viking Metal, with Lubo and bassist “Miro” Miroslav Hulka being responsible for building the whole ambience for the rest of the band.

To sum up, if you want to brave the world of Symphonic Black Metal sung in its entirety in a language other than English, visit Down To Hell’s official Facebook page, YouTube channel, Bandzone.cz and, of course, buy their music at their BandCamp page. This six-piece Slovak band truly knows what they’re doing, and I’m sure their non-English words won’t restrain them from reaching new heights with their music so talented they are.

Best moments of the album: Pán Vetra, Búrky A Mrakov, Krvavé Jazero and Smrť.

Worst moments of the album: Prízrak.

Released in 2015 Independent

Track listing
1. Ticho Pred Búrkou 1:41
2. Pán Vetra, Búrky A Mrakov 5:26
3. Skazení 6:43
4. Bosorské Sólo 8:40
5. Krvavé Jazero 7:10
6. Prízrak 7:48
7. Smrť 6:39
8. Nemŕtva Nevesta 7:35
9. Drak 6:28

Band members
“Maťa” Martina Bilkovičová – clean vocals
“Kani” Miroslav Gajdár – guitar, screams, growls
“Ťapo” Martin Matlovič – guitar
“Miro” Miroslav Hulka – bass guitar
“Lubo” Ľubomír Müller – keyboards
“Beňo” Dušan Šelc – drums

Album Review – Dub Buk / Цвях (2014)

If you’re a fan of extreme music, you should definitely take a listen to the excellent new album from this East Slavic Melodic Black Metal band.

Rating4

coverI’ve never had to use Google and Google Translator so much in my life to try to understand what a band wants to say in their music as I had now with Ukrainian Melodic Black Metal band Dub Buk and their new album, the violent Цвях. Even with the help of Larry Page and Sergey Brin’s creations, it was still pretty tough to get the whole message (if you’re Ukrainian, please correct any stupid mistake that I might have made with the translations below), but the high quality of their music outshines that language barrier and makes listening the entire album a very pleasant and, of course, boisterous experience.

Цвях, which according to Google is pronounced “Tsvyakh” and means “Nail” in English (and it makes sense, as per the bloody nail in the album art), is in my opinion the most professional and polished release from this Kharkiv-based band formed in 1997. And before you ask, that doesn’t weaken the brutality in any of the songs presented in the album: quite the contrary, the high end production allowed the band to better display their technique and enhanced the sonority of all instruments.

The first track of the album is called Всуе (Vsue, or “Vain” in English), and it’s a fuckin’ awesome massacre. The astonishing level of violence in this song pumped me up to listen to the rest of the album and check if all songs could keep up with the same excellent instrumental, especially drums and riffs, and the totally demonic vocals. Fortunately for my total delectation the following track, Галиматья Блаженных (Halymat’ya Blazhennykh, or “Blessed Nonsense”) is Black Metal at its finest, with a very nice groove and an excellent guitar solo, testifying the band’s capacity.

Then we have Бунт 917 (Bunt 917, or “Riot 917”), another track that corroborates these guys are nonstop machines, with great vocals (although I don’t understand a word he’s saying) and a drummer that is a total beast; Дохлый Живьём (Dokhlyy Zhyv’ëm, or “Dead Alive”), the longest track of the album, which starts with an awesome scream and has riffs with some hints of more modern Slayer; and the also violent but not so good Ислам (Yslam, or “Islam”). I’m almost sure they’re not saying good things about Islam in this song, but again, I really don’t care and prefer focusing on the music here.

Свиное Ухо (Svynoe Ukho, or “Pork Ear”) is another highlight of the album, with a narrated intro in Ukranian, Slayer-ish riffs and guitar solo, a goddamn heavy passage at around 2 minutes, and disturbing pig sounds at the end. In other words, a complete Black Metal extravaganza, followed by А-Человек (A-Chelovek, or “A-Man”), an average song with a slower rhythm that falls flat after a while.

dub_bukClosing the album we have the sonic massacre Копоть (Kopot’, or “Soot”), with more awesome riffs, some beautiful female vocals, a drummer completely on fire, and I have to say I really enjoyed all the breaks and variations in this song especially after the third minute; and the only song entirely in English in the album,Execute Them All, a very professional cover version for one of the songs from Swedish Death Metal icons Unleashed, with highlight to the deeper guttural used in this track.

As I mentioned above, I tried to understand parts of the lyrics just to see what type of message Dub Buk tries to send to their fans. I know they usually sing about anti-judeochristianity, paganism and other controversial themes, and although I do not agree nor disagree with their beliefs, that didn’t stop me from enjoying some very good quality extreme music. Furthermore, I recommend taking a look at this album, which can be purchased at the EastHate website. If you love Black Metal, you won’t regret buying it by any means.

Best moments of the album: Всуе, Дохлый Живьём, Свиное Ухо and Копоть.

Worst moments of the album: Ислам and А-Человек.

Released in 2014 Eastside Records

Track listing
1. Всуе 5:21
2. Галиматья Блаженных 3:26
3. Бунт 917 4:42
4. Дохлый Живьём 6:03
5. Ислам 5:22
6. Свиное Ухо 4:27
7. А-Человек 4:58
8. Копоть 5:35
9. Execute Them All (Unleashed cover) 3:22

Band members
I.Z.V.E.R.G. (И. З. В. Е. Р. Г.) – bass, vocals
Vsesvit (Всесвит) – drums
Istukan (Истукан) – guitars
Cwietuszczaja Knjazna (Цветущая Княжна) – keyboards