Album Review – Cancerbero / Sempiternal Decay (2025)

One of the most ruthless entities hailing from Chile is back with a lesson in devilish and archaic Death Metal, exactly the way it was meant to be in the 80’s.

Originally formed in Concepción, Chile in 1987 by vocalist Peter and split up in 1994 with two demos recorded before that, the unrelenting Death Metal beast known as Cancerbero is ready to kill once again armed with their third full-length opus, entitled Sempiternal Decay, following up on their 2019 sophomore Reconquering the Throne of Death. Recorded by V. Wraith, and displaying an ass-kicking, classic cover art by Mörtuus Art, the new album by Peter on vocals and bass, Evil Killer and Silencio on the guitars, and L. Grave on drums is an album that’s most definitely a lesson in devilish and archaic Death Metal the way it was meant to be in the 80’s, not just musically, but also in essence, spirit and attitude.

The intro The Arrival feels like the sounds of evil entities arising from the pits of the underworld, warning us all about the demented feast that’s about to begin in Primal Deities, with L. Grave already pounding his drums in the best Doom Metal style while Evil Killer and Silencio melt our faces with an overdose of harsh riffs and solos. The quartet continues to darken the skies with their undisputed blend of Death Metal in Infernal Fire, with Peter not only roaring like a beast, but his bass lines also sound demonic; and delivering a more straightforward, no shenanigans Death Metal onrush we face Obscure Rites, led by the classic beats and fills by L. Grave, sounding perfect for slamming into the pit like there’s no tomorrow.

Bollocide (Deathrashing Chaos) is another song with a charming name that will inspire you to dive deep into the circle pit while Evil Killer and Silencio fire classic (and absolutely demented) Death Metal riffs, and the band will then drag you six feet deep in Burial, offering that traditional Death Metal sound perfect for some wild headbanging. They continue to crush our damned souls in Serpent’s Domain, spearheaded by another demonic vocal performance by Peter and the always pulverizing beats by L. Grave; whereas lastly, they offer our putrid ears almost seven minutes of Death Metal insanity in Burning Angels, starting with another riff-attack by the band’s guitar duo, with their gore, violence and obscurity flowing manically until the very last second.

Extremely recommended to fans of Morbid Angel, Possessed, Mortem, Sadistic Intent, Asphyx, Celtic Frost, Death, Messiah, and Pentacle, among countless other giants of old school Death Metal, Sempiternal Decay (available in full on YouTube) will crush you like a putrid insect, proving why the band has become a synonym to the genre in their homeland. Hence, you can get in touch with the guys from Cancerbero on Facebook, staying up to date with all of their news, tour dates and so on, and of course grab a copy of their new album from Memento Mori. Cancerbero are the epitome of primeval, no shenanigans Death Metal, and once you listen to their bestial new offering, your putrid bodies and minds will never be the same again.

Best moments of the album: Primal Deities, Obscure Rites and Serpent’s Domain.

Worst moments of the album: None.

Released in 2025 Memento Mori

Track listing
1. The Arrival (intro) 1:04
2. Primal Deities 3:53
3. Infernal Fire 4:59
4. Obscure Rites 4:48
5. Bollocide (Deathrashing Chaos) 3:54
6. Burial 5:56
7. Serpent’s Domain 4:29
8. Burning Angels 6:40

Band members
Peter – vocals, bass
Evil Killer – guitars
Silencio – guitars
L. Grave – drums

Concert Review – Vader (Lee’s Palace, Toronto, ON, 02/11/2024)

A wild night of pulverizing Death and Thrash Metal in Toronto, spearheaded by the most iconic metal band to ever arise from the Polish scene.

OPENING ACTS: Inhuman Condition and Origin

The best thing about a show being scheduled on the same night as Super Bowl is that traffic is pretty much nonexistent, turning the lives of all metalheads who don’t really care about American football a lot easier when it comes to getting to the venue in time to see all bands playing. That’s exactly what happened last night in Toronto at the always cozy Lee’s Palace, when the fantastic bands INHUMAN CONDITION, ORIGIN and VADER brought to the city a true celebration of extreme music during their 40 Years of the Apocalypse Anniversary Tour 2024, another incredible event organized by the unstoppable Noel Peters of Inertia Entertainment. As usual, my friend  Keith Ibbitson of Metal Paparazzi (as well as other photographers) were there to register some wild moments of all three bands, but honestly I don’t know how they managed to stay alive and keep their cameras intact during the sick circle pits going on the entire night.

The first band to hit the stage was Tampa, Florida’s own Death/Thrash Metal beasts INHUMAN CONDITION, who were by far one of the best and most electrifying opening acts I’ve seen at any concert in the city in the past few years. Spearheaded by the incendiary frontman Jeramie Kling, the band put on a beyond entertaining show, playing songs from all of their albums including their 2022 release Fearsick and their 2023 EP Panic Prayer, with songs like Panic Prayer, Euphoriphobia and I’m Now the Monster inspiring all concert goers to slam into the pit like there’s no tomorrow. As expected, the two songs that generated the wildest mosh pits were Godzilla and Tyrantula, with everyone at the venue, including the band, acting like wild beasts on stage and in the floor section. Jeramie also had some words of wisdom to share with everyone last night; first of all, he said that a true metal concert needs three things, those being the headbangers, the circle pits, and the crowd surfers, and of course bodies started flying around as soon as he mentioned that. Also, that everything we’ve ever heard about Florida, all rumors and so on, are all true, which was quite funny as it’s usually people outside of Florida who make fun of the state. Well, one thing I know for sure, and that’s that heavy music in Florida is phenomenal, with bands like Inhuman Condition showing everything they got on stage anywhere they go, and if you know nothing about those guys, go check their music on BandCamp and on Spotify, as I’m sure you’ll love to get caught in their mosh.

Setlist
Recycled Hate
Panic Prayer
Euphoriphobia
The Neck Step
I’m Now the Monster
Killing Pace
Civilized Holocaust
Godzilla (Blue Öyster Cult cover)
Tyrantula

Band members
Jeramie Kling – vocals
Taylor Nordberg – guitars
Terry Butler – bass
Colton Zietler – drums

After a quick break, it was time for Kansas City-based Technical/Brutal Death Metal veterans ORIGIN to keep the circle pits moving frantically to the sound of their vicious, intricate and demolishing creations. Having released the album Chaosmos back in 2022, the band formed of vocalist Jason Keyser (and by the way, if you haven’t listened to it yet, go check the album Inferno by his brand new project Arborescence of Wrath as it’s a killer album), guitarist Paul Ryan, bassist Mike Flores (one of the best bass players I’ve seen in a while), and drummer John Longstreth showed absolutely no mercy for our necks and souls during their demented performance, blending Technical and Brutal Death Metal with nuances of Grindcore just to make things even more infuriated. The band was ruthless, savage and beyond technical, sounding absolutely insane with songs like Chaosmos, Panoptical and The Aftermath driving everyone at the venue simply insane inside the pit. Jason also had some words to say to the crowd before playing the song Decolonizer, where he showed his pure old school vein by demanding everyone to not take any pictures or record any videos of the song, but simply to go nuts inside the circle pit and collect bruises and black eyes as the memories of that moment (although they kept checking their phones due to Kansas City Chiefs being one of the teams playing the Super Bowl). Needless to say, it was intense, as well as the wall of death he organized before even playing one of the songs, trying to make their show as 90’s-inspired as possible. Origin are one of the coolest bands of the underground scene, and in case you still don’t know them go check their infernal music on Spotify, and don’t miss their live concerts whenever they take your depraved city by storm.

Setlist
Expulsion of Fury
Chaosmos
Accident and Error
Panoptical
Saligia
Decolonizer
Portal
The Aftermath
Unattainable Zero

Band members
Jason Keyser – vocals
Paul Ryan – guitars, backing vocals
Mike Flores – bass, backing vocals
John Longstreth – drums

VADER

It was getting late (and cold) in Toronto, but nothing that could stop Poland’s own Death/Thrash Metal institution VADER to crush everything and everyone that dared to cross their path at Lee’s Palace last night. The band formed of the iconic Peter on vocals and guitars, Spider also on the guitars, Hal on bass, and Michał Andrzejczyk on drums was flawless throughout their entire set, celebrating 40 years of existence for the delight of all lovers of extreme music in Toronto. Their setlist was a thing of beauty, including songs from their 1992 cult album The Ultimate Incantation, like Vicious Circle, Dark Age and The Crucified Ones, plus several other classics like Black to the Blind, while closing their setlist with a newer song, Shock and Awe, from their latest opus Solitude in Madness, released in 2020, and the response from the fans in Toronto was brilliant, with the circle pits moving majestically until the very last second of their performance.

It’s impressive how they can still sound to tight, vicious and heavy after so many decades on the road, showing their utmost passion for Death and Thrash Metal, and of course as we all know how much they love to play for us, that inspired us to send our love back to them by headbanging nonstop, raising our horns, and getting wild in the pit. The only “issue” was that their official photographer doesn’t seem to be a big fan of crowd surfing, but that was fine as all crowd surfers quickly learned that show was not the best place to practice such metallic art. Anyway, apart from that, and from the same two guys that almost got into a fight with each other countless time (please, be adults and behave next time, alright?), everyone had an amazing time together with those Polish metallers, and hopefully we’ll also have the pleasure of hosting in Toronto the celebration of their 45th, 50th, 55th and so on anniversaries, keeping the fires of Death and Thrash Metal burning forever in the city.

Setlist
Macbeth (Laibach song)
Decapitated Saints
The Wrath
Chaos
Vicious Circle
Dark Age
The Crucified Ones
Silent Empire
Sothis
Black to the Blind
Carnal
Wings
Cold Demons
Epitaph
Dark Transmission
Para Bellum
This Is the War
Helleluyah!!! (God Is Dead)
Never Say My Name
Come and See My Sacrifice
Triumph of Death
Shock and Awe
The Imperial March (John Williams song)

Band members
Peter – vocals, guitars
Spider – guitars
Hal – bass
Michał Andrzejczyk – drums

This slideshow requires JavaScript.