Album Review – Colosso / Apocalypse EP (2020)

Pestilence, War, Death and Famine masterfully turned into brutal and obscure Death Metal by a heavier-than-hell unity hailing from Portugal.

What if a vicious horde hailing from Portugal decided to turn the Four Horsemen of the Apocalypse, described in the last book of the New Testament of the Bible, the Book of Revelation by John of Patmos, into gruesome and raw Death Metal? That’s exactly what a project formed in 2011, currently comprised of Max Tomé on guitars, keyboards and vocals, Alexandre Ribeiro (Grog) on bass and Robin Stone (Norse) on drums, collectively known as Porto, Portugal-based Death Metal unity Colosso, has to offer us all in their brand new EP simply titled Apocalypse, translating into modern and sharp Death Metal all the darkness flowing from the four riders Pestilence, War, Famine and Death.

After years of toiling in the underground, putting out six releases of ever-evolving Death Metal such as their debut full-length opus Peaceful Abrasiveness, in 2012, and more recently Rebirth, in 2018, Colosso seem to have reached their most demonic shape and form in Apocalypse, being highly recommended for fans of the music by Norse, Morbid Angel, Nile, Incantation and Suffocation, among other behemoths of extreme music. Mixed and mastered by Max Tomé himself, and featuring a beyond obscure album art by Phlegeton Art Studio, as well as guest vocals by Guilherme Henriques of Oak and Gaerea, Diogo Santana of Analepsy, and Sérgio Afonso of Bleeding Display, Apocalypse is an undoubtedly breathtaking and refreshingly diverse album, showcasing the myriad aspects of this bold and innovative Death Metal band without compromising on their aggressive, apocalyptic sound.

And pestilence and plague permeate the air in the vicious and heavy-as-hell Pestilence, blending the violence of Death Metal with the grim and infernal sounds of Blackened Doom while guest vocalist Guilherme Henriques barks and roars like a creature from the netherworld. Not only that, Robin smashes his drums mercilessly nonstop, with that disturbing and evil onrush of sounds going on and on until the song’s visceral ending. Then guest Sérgio Afonso lends his guttural vocals to Colosso in the also Stygian tune War, with the sounds of machine guns and explosions making the whole song even more realistic, leaning towards classic Death Metal. Moreover, Alexandre’s bass jabs and Robin’s beats feel like the epitome of evil, resulting in a pulverizing display of extreme music for lovers of the genre.

Max himself is responsible for the vocal duties in Death, a lot more melodic and crisper than its predecessors while still providing the band’s characteristic rawness and darkness. Furthermore, Max is spot-on with his razor-edged riffs accompanied by Robin’s intricate drums and, as a surprise, Max fires clean, ethereal vocals instead of the album’s characteristic putrid gnarls, bringing elements from Atmospheric Black and Doom Metal to Colosso’s core savagery. And last but not least, Diogo Santana provides his share of deep guttural roars to Famine, where the band gets back to their most demented and hellish mode, showcasing all band members in total sync led by Max’s strident riffs, while Robin sounds like a stone crusher on drums and, as a consequence, flirting with Brutal Death Metal at times.

In summary, if you’re an admirer of the meanest and heaviest side of Death Metal you must give these Portuguese metallers a very good try as Max and his henchmen have all it takes to explode your mind and darken your soul with their brand new installment Apocalypse, which by the way will soon be available from the band’s own BandCamp page and from the Transcending Obscurity Records’ webstore in distinct formats such as the awesome T-shirt + CD + Digital Download bundle. Also, don’t forget to show your support to Colosso by following them on Facebook and by listening to more of their somber creations on Spotify. As the four dreadful figures in the Book of Revelation who symbolize the evils to come at the end of the world get closer and closer to us, there’s nothing better than the avalanche of Death Metal roars crafted by Colosso to provide them a warm and friendly welcome, don’t you agree?

Best moments of the album: War and Famine.

Worst moments of the album: None.

Released in 2020 Transcending Obscurity Records

Track listing
1. Pestilence 8:14
2. War 4:07
3. Death 4:11
4. Famine 4:14

Band members
Max Tomé – guitars, keyboards, vocals on “Death”
Alexandre Ribeiro – bass
Robin Stone – drums

Guest musicians
Guilherme Henriques – vocals on “Pestilence”
Sérgio Afonso – vocals on “War”
Diogo Santana – vocals on “Famine”

Album Review – Infected Chaos / The Wake Of Ares (2015)

In the wake of the god of war, it’s time to join this excellent Austrian band to the sound of their warlike old school Death Metal.

Rating4

infected chaos_the wake of aresFans of Cannibal Corpse, Deicide, Entombed and old school Death Metal in general will love the violence found in The Wake Of Ares, the brand new full-length album by Austrian Death Metal band Infected Chaos. With an amazing artwork by JL Rey (Phlegeton Art Studio), and dealing with controversial topics such as suppression, slavery, gaining strength and revolting against it, The Wake Of Ares will surely awake that “spirit of war” inside you with its ruthless onrush of extreme music.

I don’t know exactly if this can be considered a concept album or not, as according to this Vils-based band the album title can be interpreted on two levels: the first related to Ares, the Greek god of war and the son of Zeus and Hera who usually represents the physical or violent and untamed aspect of war, being the supreme god of what the band calls the “blooddawn resistance”, while the second is a direct statement from Infected Chaos telling the world they are here to stay and, obviously, to crush each and every living creature that crosses their path.

I have already used the expression “calm before the storm” here at The Headbanging Moose before, and I have to apply that once again to the intro Rotting In Chains, with its occult atmosphere and eerie voices in the background, opening the gates for the brutal Death Metal tune Devours The Light to come crushing your soul. The deep growls by Christian Fischer are exactly what a Death Metal band needs, enhanced by the album’s clean and powerful production. Moreover, this song will make you go crazy into the circle pit, with the impressive bass lines by Florian Betz (who’s probably a huge fan of Alex Webster) together with its more melodic parts providing a great balance between harmony and cruelty. Ninth Circle, a song about death (or how the Ancient Greek people could have seen it) that begins as violent as the previous track, shows us that when Infected Chaos slow down they get fuckin’ heavy as hell, with drummer Christoph Raggl being completely merciless behind his drum set.

Christian’s vocals get darker and more demonic in Arson Anthem, where the guitar duo composed by Martin Hartmann and Matthias Mayr delivers pure Death Metal through their fierce riffs and solos, while Wolves In Thy Pantheon has a Cannibal Corpse vibe that makes it even more violent and amazing. Its riffs and blast beats reach a higher level of destruction, enhanced by some excellent guitar solos and background chants that add even more excitement to the song. The next track, Code Of IC, is just a simple declaration of love to Death Metal according to the band members themselves (by the way, IC is the acronym for Infected Chaos in case you haven’t noticed that yet), and they do it the most brutal way possible with an incredible assault of deep growls, nonstop drumming and huge doses of anarchy through its riffs and lyrics.

MMA02_bandphoto_infectedchaosAwaking Into Nightmare is a more introspective song that deals with a huge issue Christian had to face in 2013. Musically speaking, it keeps the album at a high level with more of the berserk sonic demolition proposed by the whole band, just like what happens in Strike From The Sky, where it actually feels like Infected Chaos come striking from the sky (or maybe from hell) with a feast of traditional Death Metal riffs and beats, perfect for breaking your neck. Then we have IA, God Of War, another great display of the skills by Florian on bass guitar and with a musicality slightly different from the rest of the album, focusing on more modern and metallic elements.

The final triad of Death Metal in The Wake Of Ares starts with The Silent Monolith, where once again the band invests in a sonority similar to the latest Cannibal Corpse albums, with an exciting rhythm tailored for banging your head on the front row during their live performances, followed by the sickest of all tracks, Blooddawn Resistance, a fictional underground movement created by Infected Chaos. I would love to see them playing this song live, as it’s the best of the album in my humble opinion and a flawless display of Death Metal where the whole band is kicking fuckin’ ass, in special frontman Christian for leading the “resistance” with an awesome vocal performance. And closing the album we have a song that its name says it all: The Sea Of Grief evokes darkness in a truly hellish and melancholic way, with even its guitar solos transpiring melancholy and sorrow.

To sum up, Infected Chaos are summoning all of you to join their “resistance” through their Facebook pageSoundCloud, BandCamp and at the Metal Music Austria official webstore with The Wake Of Ares, a great album perfect for all headbangers who love high levels of ferocity amidst a professional and thrilling sounding. In the wake of the god of war, it’s time we all join those Austrian metalheads to the sound of their uprising warlike Death Metal.

Best moments of the album: Wolves In Thy Pantheon, Code Of IC and Blooddawn Resistance.

Worst moments of the album: Ninth Circle.

Released in 2015 Metal Music Austria

Track listing
1. Rotting In Chains 1:03
2. Devours The Light 5:29
3. Ninth Circle 3:46
4. Arson Anthem 4:23
5. Wolves In Thy Pantheon 3:18
6. Code Of IC 3:52
7. Awaking Into Nightmare 4:30
8. Strike From The Sky 4:10
9. IA, God Of War 4:08
10. The Silent Monolith 3:33
11. Blooddawn Resistance 3:57
12. The Sea Of Grief 4:52

Band members
Christian Fischer – vocals
Martin Hartmann – guitar
Matthias Mayr – guitar
Florian Betz – bass
Christoph Raggl – drums