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Tag Archives: progressive post-metal

Album Review – Sea Sleeper / Burden of Antlers (2026)

Posted on September 10, 2026 by Gustavo Scuderi
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With a sound that embraces the weird and obscure, this American Post-Metal outfit is back with their sophomore opus, sounding heavier and more eclectic then ever.

With a sound that embraces the weird and obscure, Portland, Oregon-based Progressive Deathcore/Death Metal/Post-Metal ensemble Sea Sleeper is unveiling their second full-length opus, titled Burden of Antlers, following up on their 2021 debut Nostophobia. Recorded by Jesse Cooley and Shane Cooley at Sleeping Studio, produced, mixed and mastered by Jesse Cooley, and with a stylish artwork by Johnny P., the new album by Jesse Cooley on vocals and guitars, Tony Spradlin also on the guitars, Nick Kessler on bass, and Shane Cooley on drums sees the band hone further the cohesion across their composition process to produce an offering that is thoroughly eclectic and heavy.

The inspiration for the opening song Machines of the Bombing Runs was drawn from the band’s fascination with history and delves into the incomprehensible enormity of war, while the music sounds absolutely dissonant and harsh thanks to the devilish vociferations by Jesse and the Stygian guitars by the same Jesse alongside Tony. And they let their most visceral Post-Black Metal vein arise in Manifestor, with Shane demolishing his drums until the very last second; followed by Lunar Degenerates, bringing forward the metallic bass lines by Nick and the deep, introspective clean vocals by Jesse. After that, Abysmal Trench explores narcissism and mortality, with the music sounding just as visceral as the topic discussed while the lead guitars by Tony feel hypnotizing.

Then we face the hard hitting title-track Burden of Antlers, where Shane dictates the pace with his pounding drums while their guitars again transpire madness and fury, not to mention how thunderous the bass by Nick sounds and feels. In They’ll Miss You we see the band let their Dissonant and Experimental Death Metal side burn our damned souls, with Jesse’s roars sounding like an angry version of Mastodon, whereas Coma is also very experimental, dynamic and multi-layered, with the devilish sounds extracted from their stringed axes penetrating deep inside your psyche. Finally, Husk concludes the album on a high and demented mode, with the progressiveness and intricacy flowing from all instruments dragging us to the band’s grim lair for all eternity.

You can find the guys from Sea Sleeper on Facebook and Instagram, staying up to date with their news, music, live concerts and other nice to know details about the band, stream their unique, detailed and vibrant music on any platform like YouTube, Spotify and Apple Music, and of course, above all that, grab those talented metallers by the antlers by purchasing their excellent new album from their own BandCamp. Jesse, Tony, Nick and Shane are on fire throughout the entire Burden of Antlers, presenting an amalgamation of styles from Progressive Metal to modern-day Post-Metal that will surely please any fan of good music, inspiring them to keep on rockin’ armed with their extremely heavy yet melodic and enfolding music for many years to come.

Best moments of the album: Machines of the Bombing Runs, Burden of Antlers and Husk.

Worst moments of the album: Lunar Degenerates.

Released in 2026 Metal Assault Records

Track listing
1. Machines of the Bombing Runs 5:15
2. Manifestor 8:14
3. Lunar Degenerates 4:44
4. Abysmal Trench 5:53
5. Burden of Antlers 6:04
6. They’ll Miss You 5:08
7. Coma 5:59
8. Husk 6:46

Band members
Jesse Cooley – lead vocals, guitars
Tony Spradlin – lead guitars, backing vocals
Nick Kessler – bass, backing vocals
Shane Cooley – drums, backing vocals

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Posted in 2026 New Releases | Tagged burden of antlers, death metal, deathcore, dissonant death metal, experimental death metal, husk, jesse cooley, johnny p., machines of the bombing runs, metal assault records, nick kessler, oregon, portland, post-black metal, post-metal, progressive death metal, progressive deathcore, progressive metal, progressive post-metal, sea sleeper, shane cooley, sleeping studio, tony spradlin, united states | Leave a reply

Album Review – March Of Scylla / Andromeda (2025)

Posted on March 9, 2025 by Gustavo Scuderi
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Behold the debut full-length opus by this excellent French Post-Metal act, delving into the vastness of space and humanity’s intricate relationship with science, the cosmos, and the afterlife.

A dark Progressive and Post-Metal project that explores through ancient myths all the afflictions that humanity encounters, Amiens, France-based March Of Scylla are unleashing upon us their debut full-length album, entitled Andromeda, the follow-up to their previous EPs Archives and Dark Myth. Recorded, mixed, and mastered by Francis Caste at the renowned Studio Sainte-Marthe, the newborn spawn by vocalist Florian Vasseur, guitarist Christofer Fraisier, bassist Robert Desbiendras and drummer Gilles Masson delves into the vastness of space and humanity’s intricate relationship with science, the cosmos, and the afterlife, being highly recommended for admirers of the music by Gojira, Tesseract, Sleep Token, and Architects.

Elements from Djent are intertwined with the band’s core Progressive Metal sounds in Ulysses’ Lies, led by the classic drums by Gilles, whereas futuristic sounds permeate the air in the hammering Death Experience, with the metallic bass by Robert hitting us hard mercilessly while Florian declaims the song’s lyrics in great fashion. They keep blasting a wild fusion of Progressive and Post-Metal with Djent and Groove Metal in The Royal Way, perfect for some vigorous headbanging, followed by To Cassiopeia, an atmospheric, eerie and lengthy interlude that sets the tone for Dark Matter, where Florian growls and screams with tons of anguish while also firing delicate yet piercing clean vocals.

The band continues to blast our ears with their melodic and heavy hitting music in Storm Dancer, with Robert’s bass and Gilles’ beats making our heads tremble, instantly merging with BlaAst, bringing forward over six minutes of atmospheric and groovy passages, with the heaviness flowing from all instruments supporting Florian’s powerful vocals. Gilles puts the pedal to the metal and hammers his drums nonstop in Achilles’ Choice, an overdose of Progressive Post-Metal with the bass by Robert sounding utterly metallic; and Florian bursts his lungs screaming in the beyond melodic Myrrha, accompanied by the scorching riffs by Christopher in a lesson in Post-Metal. And last but not least, March of Scylla will smash us all with their Post-Metal onrush in Cosmogony, again showcasing all their energy, versatility and heaviness.

Themes of existential anxiety, social injustice, and deep emotional struggles intertwine with personal storytelling, universal mythology, and historical context throughout the entire album, offering a powerful and thought-provoking musical journey that’s definitely worth a good and detailed listen, and you can show your support to the band by following them on Facebook and on Instagram, by streaming their music on YouTube, Spotify or any other streaming service, and above all that, by purchasing Andromeda from BandCamp or by clicking HERE. After all is said and done, there’s a clear evolution in the music by March Of Scylla in Andromeda compared to their previous efforts, paving a bright future ahead of them while they keep delivering sheer sonic awesomeness in the near future, both with other striking albums like their debut one and with their undisputed focus, hardwork and passion for heavy music.

Best moments of the album: Death Experience, BlaAst and Myrrha.

Worst moments of the album: To Cassiopeia.

Released in 2025 Klonosphere Records/Season of Mist

Track listing
1. Ulysses’ Lies 5:00
2. Death Experience 6:44
3. The Royal Way 4:48
4. To Cassiopeia 2:45
5. Dark Matter 4:17
6. Storm Dancer 4:51
7. BlaAst 6:19
8. Achilles’ Choice 4:49
9. Myrrha 4:20
10. Cosmogony 6:07

Band members
Florian Vasseur – vocals
Christofer Fraisier – guitars
Robert Desbiendras – bass
Gilles Masson – drums

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Posted in 2025 New Releases | Tagged amiens, andromeda, blaast, christofer fraisier, death experience, djent, florian vasseur, france, francis caste, gilles masson, groove metal, hauts-de-france, klonosphere records, march of scylla, myrrha, post-metal, progressive metal, progressive post-metal, robert desbiendras, season of mist, somme, studio sainte marthe, ulysses' lies | Leave a reply

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Album Review – The Eternal / Obscured Horizons (2026) Concert Review – Revocation (Lee’s Palace, Toronto, ON, 09/12/2026) Album Review – Valkyrie’s Fire / Out of Darkness (2026) Album Review – Duncan Evans And The Weeping Starlight / The World is a War Zone (2026) Album Review – Cartilage / Operating Altar (2026) Album Review – Sea Sleeper / Burden of Antlers (2026)

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  • Concert Review – Revocation (Lee’s Palace, Toronto, ON, 09/12/2026)
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