Tag Archives: post-metal

Album Review – Heiden / Andzjel (2022)

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Wandering across different genres and inspirations, this Czech Progressive Black Metal entity offer in their ninth studio album a stunning view of the inhospitable beauty of the White Carpathians.

Having started up in 2003 as a Pagan Black Metal band, Brno, Czech Republic-based Progressive Black Metal entity Heiden wanders across different genres and inspirations, returning now in 2022 to a Dark Metal sound with their newborn opus entitled Andzjel, or “angel” in English, their ninth studio album expanding the perspectives of their audience base through dark, elegant and atmospherically authentic music. Mixed and mastered by Karl Daniel Lidén at Tri-Lamb Studio, and displaying a classy artwork taken from the personal collection of inhabitants of the Žítková village and repainted by Luděk Řezáč, Andzjel presents seven songs thematically set in the inhospitable beauty of the White Carpathians, offering an insight into the souls of the local people, sharing the soil, blood, healing and knowledge passed down through generations, showcasing not only the talent but also the deep connection the band comprised of vocalist, guitarist and bassist Kverd, guitarist Tom, keyboardist Werlinga and drummer Einsk have with their homeland.

The strident guitars by Kverd and Tom ignite the imposing opening tune Nevěřím těm očím (“I can’t believe those eyes” from Czech), blending elements from Progressive and Symphonic Black Metal and, consequently, generating a Stygian atmosphere perfect for the cryptic gnarls by Kverd; and switching gears to a more melodic and melancholic vibe we’re treated to V hodině vlka (“in the hour of the wolf”), getting closer to modern-day Post-Metal while Einsk does a beautiful job with his minimalist beats and Werlinga’s keys embellish the airwaves in great fashion. Continuing to showcase their more Jazz-ish side, Musím ti tolik říct (“I have so much to tell you”) brings to our ears another ass-kicking round of keys by Werlinga accompanied by the classy guitars by Kverd and Tom, followed by Září (“September”), as wicked and obscure as its predecessors, sounding very detailed and enfolding from the very first second with Eisnk alternating between shee violence and more intimate, rhythmic beats, resulting in a lecture in Post-Metal infused with tons of progressiveness.

Sviť, měsíčku, jasno, an adaptation of a Moravian folklore song from the Kopanice region that means “shine, moon, clear”, brings forward two and a half minutes of experimentations and eerie sounds, which could have been extended to something more complete instead of working as just an interlude, though, whereas Běsů se nezbavíš, or “you can’t get rid of demons”, is another solid hybrid of Progressive Metal and Post-Rock and Metal, at the same time soothing your soul before smashing you with a visceral sonic attack led by the devilish vocals by Kverd. Lastly, the quartet will captivate our senses once again in Patřím sem (“I belong here”), with Werlinga and Eisnk being  in absolute sync with their respective keys and beats, not to mention how caustic the guitars by Kverd and Tom sound, consequently putting a dark and climatic ending to the album.

If you want to know more about Heiden, get in touch with the band and show them all your support, you can start following them on Facebook and on Instagram, subscribe to their YouTube channel and stream their unique creations on Spotify, and above all that, purchase a copy of Andzjel from their own BandCamp page or webstore, or simply click HERE to get fully immersed in the obscure realm of Heiden. The phenomenon of the Žítková goddesses, which the postwar totalitarian regime permanently eradicated, is still present in Andzjel, inviting us all to learn more about the history of the Czech Republic while enjoying the first-class experimentations by those four skillful musicians, proving the Czech underground scene is and will always be a fantastic source of great music.

Best moments of the album: V hodině vlka, Září and Běsů se nezbavíš.

Worst moments of the album: Sviť, měsíčku, jasno.

Released in 2022 Magick Disk Musick

Track listing
1. Nevěřím těm očím 5:57
2. V hodině vlka 5:37
3. Musím ti tolik říct 4:18
4. Září 5:34
5. Sviť, měsíčku, jasno 2:25
6. Běsů se nezbavíš 3:51
7. Patřím sem 5:07

Band members
Kverd – vocals, guitars, bass
Tom – guitars
Werlinga – keyboards
Einsk – drums

Album Review – I MAIALI / cenere/CENERE (2022)

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A thrilling overdose of Blackened Post-Hardcore by an Italian horde presenting to us all “the gospel of our Messiah” in the form of their sophomore opus.

Brought into being in 2016 in the city of Rome, Italy, Blackened Post-Hardcore project I MAIALI has found their dimension in a dirty, no-nonsense sound between Post-Hardcore and Noise without forgetting the 90’s and the whiff of novelty that it brought to the world of underground music while remaining tied to a modern and impactful sound, and all that can be fully appreciated in their sophomore opus, titled cenere/CENERE. Produced, engineered, recorded and mixed by Davide Rosati at ACME Recording Studio, mastered by Gianpiero Ulacco at Hologram Studios, and displaying a wicked artwork by Coito Negato, “cenere/CENERE is the gospel of our Messiah, starting from his genesis up to the stake that will reduce him to ashes; however, it is not just a story, but a journey, which will first see him indulge, then oppose the will of a superior entity: a master whom he recognizes as a father. The deeds he performed and the continuous struggle with his conscience are the basis of the 12 tracks that mix post-hardcore and black metal, with some forays into psychedelia. We will explore the concepts addressed in the debut album CVLTO, making you know our God better and showing you how easily we humans are conditioned. Our Messiah is now among us, listen to him,” commented vocalist Francesco Foschini, guitarist Daniele Ticconi, bassist Matteo Grigioni and drummer Angelo Del Rosso about the album.

Daniele ignites the band’s wicked musical voyage with his guitar in Genesi, being gradually accompanied by the devilish vocalization by Francesco in a nice way to kick off the album with a huge dosage of modern-day Post-Metal. Then enhancing their rage and animosity it’s time for the quartet to crush our senses with Ora, Sorgi!, showcasing an excellent job done by Angelo behind his drums and, therefore, resulting in a vicious depiction of Blackened Hardcore; whereas L’Orrore follows a similar pattern as its predecessor, which means it’s awesome of course, with Matteo hammering his bass mercilessly while Francesco roars and screams nonstop. There’s no time to breathe as those Italian noisemakers are on fire in the Post-Hardcore extravaganza Parassita, spearheaded by another round of flammable riffs by Daniele, and Stanza 101, a recommended option for banging your head in the name of pure darkness, also presenting elements from the unique music blasted by Marilyn Manson and Rob Zombie. And more of their eerie sounds comes in the form of Oblio, where Francesco’s vocals walk hand in hand with the progressive beats by Angelo.

Messi∀ focuses exclusively on the anguished vocals by Francesco while the background music is comprised of pure noise; whereas in Sculture da Autopsia the band is back to a more melodic, introspective vibe where Daniele an Matteo continue to extract electricity and groove form their stringed weapons in another shot of their trademark Blackened Post-Hardcore. Assalto Cannibale is as demented as it can be, with Angelo dictating the pace and offering his bandmates exactly what they need to smash us all with their sick, darkened Hardcore, and getting closer to the end of the album I MAIALI keep embellishing the airwaves with their obscurity and heaviness in (r)Umore Blu, with Francesco stealing the spotlight with another visceral performance on vocals, followed by Plumbeo Giudizio, sounding modern, vibrant and piercing as our good old Blackened Hardcore demands, bringing forward more of the caustic riffage by Daniele and the classy bass punches by Matteo. Finally, featuring a guest guitar solo by Davide Rosati, the tribal beast by Angelo will hit you hard in the head in Io, Brucio, ending the album on a beyond climatic and acid note.

In case you’re curious to know what Blackened Post-Hardcore is all about, you can enjoy cenere/CENERE in its full glory on Spotify, and don’t forget to follow the band on Facebook and on Instagram to stay up to date with all things I MAIALI, to subscribe to their YouTube channel for more of their wicked music, and obviously to purchase the idiosyncratic cenere/CENERE from their own BandCamp page. As aforementioned, the music by I MAIALI is not just dirty and modern, but it effectively represents everything the band stands for, their passion for heavy music, their hopes and dreams, and I bet it won’t take long for those Italian rockers to invade our senses with more of their incendiary, uncompromising music in the coming years.

Best moments of the album: Ora, Sorgi!, L’Orrore, Parassita and Plumbeo Giudizio.

Worst moments of the album: Messi∀.

Released in 2022 Overdub Recordings

Track listing
1. Genesi 2:22
2. Ora, Sorgi! 1:44
3. L’Orrore 2:05
4. Parassita 2:12
5. Stanza 101 1:49
6. Oblio 1:49
7. Messi∀ 1:29
8. Sculture da Autopsia 2:14
9. Assalto Cannibale 2:58
10. (r)Umore Blu 2:14
11. Plumbeo Giudizio 1:58
12. Io, Brucio 5:50

Band members
Francesco Foschini – vocals
Daniele Ticconi – guitar
Matteo Grigioni – bass
Angelo Del Rosso – drums

Guest musician
Davide Rosati – guitar solo on “Io, Brucio”

Album Review – E-L-R / Vexier (2022)

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This Swiss Post-Metal/Doomgaze outfit is inviting us all on an adventurous journey through their multi-dimensional musical cosmos to the sound of their sophomore album.

Formed in Bern, Switzerland in 2016 by bassist I.R. and guitarist S.M., and joined by drummer M.K. soon after, Post-Metal/Doomgaze outfit E-L-R lures and seduces the listener with glimpses of deeper meaning and the constant discovery of new layers that reveal further ones once peeled away, which is exactly what will happen to you after listening to their new opus entitled Vexier. Produced by E-L-R and Remo Häberli, recorded, mixed and mastered by Remo Häberli at Hidden Stash Tonstudio, and featuring a charming cover photography by Laura Petresc and portraits by Ramon Lehmann (with layout and design by the band’s own S.M.), Vexier, which title derives from the Latin word “vexare” meaning “to plague” or “to irritate” and in German a “vexierbild” means a flip-flop image while in some dialects a “vexier” is a puzzle game, presents massive, sweeping doomscapes that swallow you whole with epic riffs, allowing the band to take another decisive step forward and invite the listener on an adventurous journey through their fascinating and multi-dimensional musical cosmos.

If you enjoy melancholic, atmospheric passages you’re in for a treat to the opening track Opiate the Sun, growing in intensity to the sluggish, doomed beats by M.K. until the guitars and bass by S.M. and I.R., respectively, add an extra touch of insanity to the overall result (not to mention how mesmerizing the vocalizations by S.M. and I.R. sound and feel), with its soothing ending exploding into the venomous Three Winds, showcasing a fusion of Post-Metal with Atmospheric Black Metal where M.K. shows no mercy for his drums while S.M. slashes her axe in great fashion. Put differently, it’s the perfect alternative for metalheads who want to experiment what “doomgazing” is for the first time. Then we have Seeds, where the vocals by S.M. and I.R. walk hand in hand with their own stringed weapons, therefore resulting in a headbanging, obscure wall of sounds with the trio jamming like there’s no tomorrow until the song’s sharp ending; and their strident riffage keeps permeating the air in the visceral Fleurs of Decay, a stunning Post-Metal feast tailored for admirers of the genre where E-L-R will drag you to their atmospheric lair with their slow, dense and captivating sounds. Lastly, tribal beats ignite the closing tune entitled Forêt, where the trio once again carefully and slowly builds a somber ambience before the sound of the guitars and bass offer guest vocalist BAZE all he needs to shine on vocals, putting a beyond hypnotizing, epic and gentle ending to the album.

As aforementioned, E-L-R want to lure and seduce you to their darkened lair to the sound of their new album Vexier, which is not only the ideal follow-up to their 2019 debut album Mænad, but a lecture in Doomgaze that will certainly open the ears and minds of the unbelievers. Hence, in order to show the girls and guy from E-L-R all your support and admiration, you can start following them on Facebook and on Instagram, stream all of their creations on Spotify, and above all that, purchase a copy of Vexier by clicking HERE. The world of Post-Metal, Doomgaze and other sinister, underground subgenres of heavy music has just been graced with one of the finest albums of the year thanks to the talent, creativity and hard work by S.M., I.R. and M.K., placing them among the most interesting bands of the current scene and, consequently, bringing to us all the undisputed soundtrack to gaze at the stars on a pitch black night.

Best moments of the album: Three Winds and Fleurs of Decay.

Worst moments of the album: None.

Released in 2022 Prophecy Productions

Track listing
1. Opiate the Sun 12:07
2. Three Winds 8:08
3. Seeds 6:37
4. Fleurs of Decay 7:15
5. Forêt 12:11

Band members
S.M. – guitar, vocals
I.R. – bass, vocals
M.K. – drums

Guest musicians
Remo Häberli – additional guitars
BAZE – vocals on “Forêt”

Album Review – Aleph א / Kairos (2021)

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Hailing from Poland, this Sludge Metal entity is ready to crush our senses with their new opus, delving into the story of breaking through the constructs of society and new opportunities.

3.5rating

aleph-א-kairos-2021A gang of Pomeranian pirates established around 2014 in Sopot, a town on the Baltic Sea in northern Poland, Sludge Metal outfit Aleph א plays sludge-y and progressive music making use of rhythmic experimentations and a psychedelic feel, yet rooted in a grungy simplicity and an in-you-face quality, showcasing all the talent of vocalist and guitarist Jakób Ciszyn, guitarist Art Salsa, bassist Maciej Janus and drummer Kuba Grzywacz. Recorded in a barn by Rafał Serwatka and in Studio Ramtamtam by Michał Chełminacki, mixed by Michał Chełminacki, mastered by Piotr Łukaszewski at Custom 34 Studio, and displaying a cryptic artwork by Mara Nakama and Mirjam Hümmer, the brand new album by Aleph א, entitled Kairos, delves into the story of breaking through the constructs of society and new opportunities told on top of progressive-sludge riffs, a wide-range of grungy vocals and fast-paced atmosphere changes, positioning the band as one of the most interesting names of the Polish alternative scene.

The wicked, creepy album Intro sets the stage for those Polish metallers to kick some ass in Invert, where Jakób and Art begin slashing their stringed axes in great fashion, being gradually accompanied by their bandmates and, consequently, generating a massive, groovy wall of sounds that also presents some welcome elements from Post-Metal and Alternative Rock. After such visceral start it’s time for Doubt, a very experimental, obscure creation by the band with Kuba taking the lead with his minimalist, rhythmic beats, soothing our souls before we’re all treated to A Swarm of Dead Insects, a menacing feast of Stoner, Sludge and Post-Metal where Jakób roars in an anguished manner accompanied by the metallic, reverberating bass by Maciej, being absolutely perfect for banging our heads nonstop and succumb to the power of the riff.

It’s time for another jamming, experimental tune by the quartet titled Erode, showcasing a more delicate and introspective side of the band where Kuba is once again amazing behind his drums while Jakób nicely declaims the song’s cryptic words, morphing into the Stygian song Resistance, bringing to our ears soulful, electrifying guitar solos amidst the heavy kitchen brought forth by Maciej and Kuba, being highly inspired by rock music from the 70’s. And lastly, get ready for a 10-minute musical voyage that will penetrate deep inside your psyche in Whale, Pt. II, starting in a gentle way to the low-tuned bass by Maciej and feeling heavy, groovy, epic and thunderous from start to finish. Furthermore, their Jazz-infused insanity goes on and on until the song’s neck-breaking finale, spiced up by a stunning hint of the always beautiful sound of whales.

aleph-א-2021If modern-day Sludge Metal infused with Post-Metal nuances is your cup of tea (or if you have no idea of what that means but are curious to get to know more about it), you can find Kairos in its entirety on YouTube and on Spotify, but of course in order to show your support to those Polish rockers you should definitely purchase the album from the Galactic SmokeHouse’s Big Cartel (or click HERE for all locations where you can buy or stream the album). Also, don’t forget to give the guys from Aleph א a shout on Facebook and on Instagram, staying up to date with news, tour dates and other details about the band. Kairos is indeed a very experimental and progressive album that at the same time doesn’t forget the band’s metallic essence, pointing to a very interesting future ahead of them not only in their homeland, but anywhere else in the world where new metal music is appreciated.

Best moments of the album: A Swarm of Dead Insects and Whale, Pt. II.

Worst moments of the album: Doubt.

Released in 2021 Galactic SmokeHouse

Track listing  
1. Intro 0:54
2. Invert 5:47
3. Doubt 2:31
4. A Swarm of Dead Insects 8:26
5. Erode 3:24
6. Resistance 6:15
7. Whale, Pt. II 10:04

Band members
Jakób Ciszyn – vocals, guitars
Art Salsa – guitars, samples, vocals
Maciej Janus – bass, vocals
Kuba Grzywacz – drums, percussion, vocals

Guest musician
Tomasz Rafalski – keys and synths

Album Review – Through Chaos & Solitude / One Inch of Peace (2021)

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Nature will prevail to the sound of the first full-length album by this multi-talented one-man project based in Germany, offering us all what can be called the “New Wave Of Black Eco Metal”.

After four years in the making, One Inch of Peace, the first full-length opus by Ruhrpott, Germany-based Melodic Black Metal one-man army Through Chaos & Solitude (also known as TCAS KVLT), finally saw the light of day on the first day of spring this year, offering us fans 35 minutes of what the project’s mastermind Tim Rule likes to call the “New Wave Of Black Eco Metal”. Mixed & mastered by Dennis Israel at Clintworks Mixing and Mastering, and with the help of Simon Castigator and Delio Soro on drum programming and Matze Castigator on synths recording, One Inch of Peace is a huge step forward in the career of the multi-talented Tim, not only representing the long-awaited return of Through Chaos & Solitude after the project’s debut EP The Thawing Winds Of The Morning Sun, but also being extremely recommended for admirers of the whimsical music blasted by renowned acts the likes of Woods Of Ypres, Alcest and Agalloch.

Cinematic and enfolding from the very first second, the lyrics in A Heart Is Heavy (Tonight In The North) reek of poetry (“To write it down and to face it is to truly test our fears and beliefs / It’s so humbling to write something in strength and conviction / Only to later fear what you have created / Because it hurts too much, oh it is too close”), with Tim roaring and growling nonstop while firing razor-edged riffs at the same time, and with the programmed drums sounding truly organic. Then starting in a pensive, acoustic way, the title-track One Inch Of Peace brings forward Tim’s trademark fusion of the aggressiveness of Black Metal with smoother and more melodic sounds, also displaying hints of Blackened Doom in its core sonority. In other words, it couldn’t have sounded more infernal and acid than this, whereas venturing through the progressive lands of Atmospheric Black Metal, Post-Black Metal and Post-Metal, Tim offers our ears the ethereal The Integrity Of Nothingness Versus The Fragile Beauty Of Life, where he showcases a great balance of clean vocals and deranged screams, flowing into the melancholic My Heart Is In Your Hands, where Tim alternates between sharp riffs and semi-acoustic passages, resulting in an even more atmospheric creation than its predecessors. And lastly, the bonus track Of Walking An Alley Lined With Oaks (Nature Always Wins), previously released in 2018, blends the beautiful sounds of nature with Tim’s introspective and multi-layered Black Metal in a beyond stunning ending to the album.

It’s a pleasure seeing the evolution in the music of Tim Rule and his Through Chaos & Solitude in his new album One Inch of Peace, available in full on Spotify, and if you also want to show your support to the underground you should start following the project on Facebook and, of course, purchase a copy of the album from his own BandCamp page, from the Bound By Modern Age Records’ BandCamp page or webstore, or from Apple Music. One of the song titles already states that “nature always wins”, and I couldn’t agree more with that. Add to that the fact that Black Metal has always had a deep connection with nature, always against the evils of men, and there you have the perfect recipe for a great album of atmospheric and dark music just like what Tim unleashed upon us all in his new album of stunning Black Eco Metal.

Best moments of the album: One Inch Of Peace and My Heart Is In Your Hands.

Worst moments of the album: None.

Released in 2021 Bound By Modern Age Records

Track listing
1. A Heart Is Heavy (Tonight In The North) 9:12
2. One Inch Of Peace 9:42
3. The Integrity Of Nothingness Versus The Fragile Beauty Of Life 7:05
4. My Heart Is In Your Hands 9:26

Bonus track
5. Of Walking An Alley Lined With Oaks (Nature Always Wins) 7:58

Band members
Tim Rule – vocals, guitars, bass, keyboards

Guest musicians
Simon Castigator & Delio Soro – drum programming
Matze Castigator – synths recording

Album Review – Muka / Patologija Poniznosti EP (2021)

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A primordial feeling of anguish speaks through five Croatian musicians and the dissonant fusion of Black, Death and Doom Metal found in their brand new EP.

A primordial feeling of anguish speaks through five musicians hailing from Zagreb, Croatia that gathered around a vision of perpetual struggle of critical reason against the pale, gray and uninspiring surroundings. That’s the core essence of the dissonant Black, Death and Doom Metal entity known as Muka, who are among us to arouse and awake our humanity, our striving for freedom and rejection of false existence, flawed idols and deceptive personalities. Comprised of Ivan Borčić on vocals, Edin Karabašić and Goran Tatalović on the guitars, Stjepan Dianić on bass and Marin Lelas on drums, Muka are unleashing upon our rotten society their third EP, entitled Patologija Poniznosti (or “the pathology of humility” in English), following up on their 2017 EP Sveta Stoka. Recorded, mixed and mastered by Filip Pacak, and displaying a raw and stylish artwork by Jelena Murk, Patologija Poniznosti will penetrate deep inside your soul mercilessly throughout its 25 minutes of extreme music styles fused in a special and vile atmosphere, positioning it as Muka’s strongest release since their inception in 2012.

Blending the heaviness of Doom Metal with the aggression and darkness of Black and Death Metal the band fires the Stygian hymn Idolomantis Diabolica (“an idol man of diabolics”), with Ivan roaring like a true demon while Edin and Goran extract sheer sulfur form their guitars; whereas the rhythmic beats by Marin together with the rumbling bass by Stjepan kick off the Blackened Doom-inspired tune Unatoč Svemu (“in spite of everything”), gradually evolving into a demented sonic beast with Ivan vociferating the song’s Croatian words darkly and rabidly. Čezneš, or “you disappear”, is another headbanging, grim creation by Muka, with Marin and Stjepan making our heads tremble while Edin and Goran slash their stringed weapons extracting minimalist but extremely acid riffs, and a neck-breaking, venomous sound permeates the air in U Zabludi (“mistaken”), bringing forward hints of Post-Metal to the band’s core Black Metal and showcasing an amazing job done by Marin behind his drum set, while his bandmates fire endless dementia and hatred through their strings and screams. Finally, their last breath of evil and obscurity comes in the form of Ljudi (which translates as “people” or “men”), where the strident guitars by Edin and Goran walk hand in hand with the metallic bass jabs by Stjepan, concluding the album on the most insane and disturbing way imaginable.

As aforementioned, Patologija Poniznosti, which can be enjoyed in its entirety on Spotify, is by far Muka’s heaviest and most detailed release to date, pointing to an even brighter future ahead of those Croatian metallers. Hence, don’t forget to give them a shout on Facebook, to subscribe to their YouTube channel for more of their cryptic creations, and to grab your copy of their new EP from their BandCamp page, from the No Profit Recordings’ BandCamp page, from Apple Music or from Amazon. You don’t need to speak or understand Croatian to capture the message and vibe of the music by Muka, which just proves how sharp and piercing their sound can be. Simply hit play and immerse yourself in a world of despair, inner struggles and pain, courtesy of five talented musicians who definitely know how to turn all of those negative and somber feelings into first-class extreme music.

Best moments of the album: Idolomantis Diabolica and U Zabludi.

Worst moments of the album: None.

Released in 2021 Independent

Track listing
1. Idolomantis Diabolica 6:00
2. Unatoč Svemu 5:30
3. Čezneš 5:02
4. U Zabludi 3:39
5. Ljudi 5:33

Band members
Ivan Borčić – vocals
Edin Karabašić – guitar
Goran Tatalović – guitar
Stjepan Dianić – bass
Marin Lelas – drums

Album Review – Coldun / Grand Sun Ritual (2021)

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Armed with their third full-length opus, this excellent German act is among us all to prove that in death nothing is absolute, and certainly not an end.

Initiated as a solo project by vocalist and multi-instrumentalist Coldun himself in 2006 in Chemnitz, a city in Saxony, eastern Germany, Atmospheric Progressive Metal act Coldun has grown into a veritable formation through the years, being currently formed by the aforementioned Coldun supported by his henchmen ZK and MR on the guitars, and NC on drums. Now in 2021 those talented musicians climb the logical next step together with their enthroned throat emperor in the project’s new and third album with the inspiring title Grand Sun Ritual, a real soul slurper that shows influences from Doom to Post-Metal, connecting both worlds throughout its over 51 minutes of atmospheric passages and grandiose, progressive music. Mixed and Mastered by Greg Chandler at Priory Recordings in Birmingham, UK and featuring a minimalist but impactful artwork by KaGo.O_O, Grand Sun Ritual revolves around the eternally topical questions of humanity about the respective meaning of life and death, With its thought-provoking lyrics showing a radically positive basic tenor, which stands for Coldun’s personal conviction that in death nothing is absolute, and certainly not an end.

Featuring guest Markus Bär on saxophone, Middle-Eastern sounds permeate the air in the mesmerizing title-track Grand Sun Ritual, with sheer poetry flowing from the song’s lyrics darkly declaimed by Coldun (“Awaked in timeless space / Bright and dark at once / Where is the coloured field I lay? / Where is the blood, where is the pain?”) while NC dictates the pace with his Doom Metal-inspired progressive beats; and more of Coldun’s atmospheric sounds and passages come in the form of The Forest And The Soul, where ZK and MR will pierce your mind with their classy riffs and solos, reminding me of some of the latest creations by bands like Insomnium with a touch of the melancholy of HIM. Then dark clouds are above us all in the Atmospheric Metal aria Down Below, once again presenting striking guitar riffs and solos supported by the solid bass jabs by Coldun, who also fires his trademark, anguished vocals in a lecture in Atmospheric Progressive Metal.

Blending the sonority of progressive music from the 80’s, 90’s and 2000’s, Coldun and his loyal squad deliver the also bold and epic Salvation Day, where ZK and MR are in absolute sync with NC, crafting a dense ambience perfect for another round of Coldun’s deep vocals. After such intense tune, it’s time to close our eyes and relax to the smooth sound of the acoustic guitars in Stories Untold, where we must all let their piercing guitar solos soothe our souls while NC keeps the rhythm as pleasant and enfolding as possible with his classic beats, and you better get ready for over nine minutes of heavy and imposing sounds in the multi-layered Hail Out To Thebes, uniting the Progressive Metal of Dream Theater with the obscurity and potency of Type O Negative and Danzig. Put differently, you’ll be absolutely stunned by such detailed and powerful aria, before Coldun close the album with the experimental, embracing song I Dreamed That Dream, where all band members do a fantastic job by crafting minimalist but dense sounds, in special their stringed trio that’s on fire from start to finish, not to mention the song’s beautiful atmosphere.

In summary, Coldun’s dark, pensive and progressive voyage offered in Grand Sun Ritual will undoubtedly please all fans of the more atmospheric side of metal music, while at the same time also point to a more introspective path ahead of this excellent German act. Hence, don’t forget to follow Coldun on Facebook for news, tour dates and other nice-to-know details about the band, to subscribe to their YouTube channel for more of their music, and above all, to grab your copy of their new album from their own BandCamp page or from Apple Music. As already mentioned, in death nothing is absolute, and certainly not an end, but in heavy music we can all say that the music by Coldun is forever, atemporal and eternal, carving Coldun’s name in the hearts of all metalheads who have the pleasure of listening to the band’s stylish creations like the ones found in their newborn opus.

Best moments of the album: Grand Sun Ritual and Hail Out To Thebes.

Worst moments of the album: None.

Released in 2021 Independent

Track listing
1. Grand Sun Ritual 7:41
2. The Forest And The Soul 6:23
3. Down Below 7:42
4. Salvation Day 8:32
5. Stories Untold 5:19
6. Hail Out To Thebes 9:16
7. I Dreamed That Dream 6:34

Band members
Coldun – vocals, bass, Hammond, synths
ZK – guitars
MR – guitars
NC – drums

Guest musician
Markus Bär – saxophone on “Grand Sun Ritual”

Album Review – Beltez / A Grey Chill and a Whisper (2020)

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It’s time to embark on a 65-minute journey into the abyss in the form of contemporary Black Metal by an unrelenting Cologne, Germany-based horde.

Recorded, mixed and mastered by Mario Dahmen at Liquid Aether Studios in Schladern, Germany, the breathtaking opus A Grey Chill and a Whisper is an expanded vision of contemporary Black Metal by an unrelenting German horde formed in 2002 in the city of Cologne that goes by the name of Beltez, based on the original short story “Black Banners” written exclusively for the band by German writer Ulrike Serowy (known for her novella Skogtatt). Following up on their highly acclaimed 2017 record Exiled, Punished…Rejected and dealing not only with despair and hopelessness, but also with courage and strength, A Grey Chill and a Whisper is a 65-minute journey into the abyss (plus an incredible audiobook with the full “Black Banners” story backed up by Beltez’s original music), a monolithic entity that frightens as much as it allures thoroughly crafted by vocalist Marc, guitarists Dominic and Jens, bassist Christian and drummer Sebastian, showing again what artistic freedom could mean in Black Metal, yet without denying the roots of the genre.

Featuring guest Alex Newton of Dzö-nga on keyboards, the cinematic intro In Apathy And In Slumber sets up the stage for Beltez to crush in the atmospheric The City Lies In Utter Silence, where Marc roars the lyrics with tons of anger and hatred (“Silence / Absent are any signs of life / A nameless city under a cloud-laden Sky / Dwelling aimless in vain existence / Half-awake, half-alive, half deceased”) while his bandmates smash our senses with their fulminating riffs, bass lines and beats. Put differently, it’s Black, Doom and Post-Metal all at once, and above all, it’s pitch black darkness in the form of music. Then the band comes ripping like a beast from the underworld in the doomed Black Banners, where the scorching, razor-edged riffs by Dominic and Jens walk hand in hand with Sebastian’s menacing beats, exploding into vicious Black Metal for our vulgar delectation, followed by A Taste Of Complete Extinction, another top-of-the-line, bestial Atmospheric Black Metal spawn by Beltez where Sebastian sounds utterly infernal with his blast beats and fills while Marc keeps growling rabidly, supported by the phantasmagorical keys by Jens.

Christian takes the lead with his low-tuned, vile bass in The Unwedded Widow, again morphing into a reverberating fusion of Atmospheric Black Metal and classic Black Metal with Marc taking his enraged growling to a whole new level of despair; then a purely atmospheric and instrumental interluded titled From Sorrow Into Darkness brings some peace and serenity to our hearts before the title-track A Grey Chill And A Whisper arrives like a thunderstorm from hell, with Sebastian and his demolishing drums crafting a solid base for the headbanging riffage by Dominic and Jens and the inhumane gnarls by Marc in a lecture in contemporary Black Metal. The 14-minute full-bodied aria I May Be Dammed But At Least I’ve Found You begins in the most atmospheric way possible and gradually evolves into Beltez’s piercing music, with the band’s guitar duo breathing fire through their riffs building a menacing ambience for Marc to viciously scream the song’s words (“Dreadful fortress hovering high / Final destination after a fateful decision / Walking the road of the dead”), and curiously enough the band decided to end such grandiose album of Black Metal with a more visceral creation titled We Remember To Remember, where Christian slams his bass in great fashion together with obscure vocalizations and a sense of hopelessness, clearly drinking from the fountain of Blackened Doom.

As aforementioned, one of the versions of the album comes with a beyond special bonus called “Black Banners Audiobook”, a beautiful story that served as the inspiration for Beltez to compose the entire A Grey Chill and a Whisper, and the fact the band added background music to it plus the amazing work done by Dan Capp of Winterfylleth on narration, Corinne Henderson on female voices, Evan Hunt of MetalTower on the introduction, the artwork by Benjamin Harff and the booklet illustrations by Jana Kourgierakis gave it an even more vivid and thrilling vibe. It’s like a hybrid of storytelling and poetry that will please all metalheads who also enjoy a good reading (or listening, in this case), plus an acoustic and vile rendition of “We Remember To Remember”. You can enjoy A Grey Chill and a Whisper in full (except of course for the audiobook) on YouTube, follow those German metallers on Facebook and on Instagram, and purchase your favorite copy of the album from their own BandCamp page, from the Avantgard Music BandCamp page, from Sound Cave (in CD or LP format), from Season of Mist, from Amazon or from Walmart. Raising their black banners high, Beltez will drag you to the pits of the underworld in A Grey Chill and a Whisper, and I dare you to not get addicted to their splendid fusion of Black Metal and a captivating background story after that.

Best moments of the album: The City Lies In Utter Silence, A Taste Of Complete Extinction and A Grey Chill And A Whisper.

Worst moments of the album: None.

Released in 2020 Avantgarde Music

Track listing
1. In Apathy And In Slumber 1:45
2. The City Lies In Utter Silence 10:48
3. Black Banners 6:04
4. A Taste Of Complete Extinction 9:50
5. The Unwedded Widow 6:39
6. From Sorrow Into Darkness 1:30
7. A Grey Chill And A Whisper 8:37
8. I May Be Dammed But At Least I’ve Found You 14:13
9. We Remember To Remember 5:37

Black Banners Audiobook (A Short Story By Ulrike Serowy)
10. Black Banners 49:49
11. We Remember To Remember 5:30

Band members
Marc – vocals
Dominic – guitars, vocals, additional programming
Jens – guitars, vocals, keyboards, synthesizer, programming, keyboards and programming on Black Banners Audiobook
Christian – bass
Sebastian – drums

Guest musicians
Alex Newton – keyboards on “In Apathy And In Slumber”
Dan Capp – narration on Black Banners Audiobook
Corinne Henderson – female voices on Black Banners Audiobook
Evan Hunt – introduction on Black Banners Audiobook

Album Review – Soul Dissolution / Winter Contemplations EP (2020)

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Belgium’s most auspicious Atmospheric Black Metal unity returns with another introspective and brooding work, telling stories of snowy landscapes, raging blizzards, regret and purgatory.

Two years after the release of the breathtaking EP Nowhere, Brussels, Belgium-based Atmospheric Black Metal/Post-Black Metal entity Soul Dissolution is back in action with another fantastic EP titled Winter Contemplations, again an introspective and brooding work, telling stories of snowy landscapes, raging blizzards, regret and purgatory. Recorded, mixed and mastered between July and September 2020 at Blastbeat Productions by Oliver Carell (Heretoir, King Apathy), Winter Contemplations offers us listeners a healthy dose of the band’s signature melodies draped in a thick, ice-cold atmosphere, courtesy of the band’s founder, lyricist, guitarist and bassist Jabawock together with his henchmen Acharan on lead vocals and Threnos on drums.

Just hit play and a slow and atmospheric intro will evolve into a scathing, grim tune entitled La Dernière Tempête, or “the last storm” from French, where Acharan presents all his skills as the talented growler he is while Jabawock brings tons of harmony, melancholy and anguish to the musicality with his razor-edged riffs. Put differently, this is a magnificent voyage through the obscure realms of Black, Doom and Post-Metal, sounding and feeling multi-layered, inspiring and epic until the very last second. Then featuring stunning orchestrations by guest 鬼 (also known as William Melsness) from Unreqvited, Where The Clouds Stand Still… also begins in a Stygian and pensive manner, feeling like it was taken from a movie score, with Jabawock extracting minimalist sounds form his guitar before being accompanied by Threnos’ slow and steady Doom Metal-beats. Furthermore, Acharan once again does a superb job with his harsh, acid vocal lines, resulting in the epitome of Atmospheric Black Metal while changing its shape and form majestically during its captivating 13 minutes, therefore showcasing all the undeniable talent of the guys behind Soul Dissolution.

It’s absolutely impressive how Jabawock and his loyal bandmates are capable of sounding so cohesive, diverse and captivating in all of their creations, it doesn’t matter if their songs have one or twenty minutes in duration, and Winter Contemplations (which is by the way available for a full listen on YouTube) is the perfect representation of their hard work and their evolution in the atmospheric and extreme music genre. Needless to say, you should definitely show your support to those amazing metallers from Belgium by purchasing their new EP from their own BandCamp page, from the Viridian Flame Records’ webstore or from Apple Music, and also by following them on Facebook and on Instagram, by subscribing to their YouTube channel and by streaming more of their breathtaking creations on Spotify. As Atmospheric Black Metal has always been a very entertaining and somewhat unexplored style, why not wandering through the somber lands brought forth by Soul Dissolution in their new EP? I’m beyond certain you’ll get lost in your own thoughts and never wish to return to the real world after such unique experience.

Best moments of the album: Where The Clouds Stand Still….

Worst moments of the album: None.

Released in 2020 Viridian Flame Records

Track listing
1. La Dernière Tempête 10:54
2. Where The Clouds Stand Still… 13:10

Band members
Acharan – lead vocals
Jabawock – guitars, bass, additional vocals
Threnos – drums

Guest musician
鬼 (William Melsness) – orchestrations on “Where The Clouds Stand Still…”

Album Review – Sepulchre by the Sea / Conqueror Worm (2020)

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Showcasing an equal passion for all things Post-Black Metal and American author Edgar Allen Poe, this UK-based one-man army is ready to stun you with his debut full-length album.

“Lo! ’t is a gala night
Within the lonesome latter years!
An angel throng, bewinged, bedight
In veils, and drowned in tears,
Sit in a theatre, to see
A play of hopes and fears,
While the orchestra breathes fitfully
The music of the spheres.” – Edgar Allan Poe – The Conqueror Worm (1843)

Formed in early 2019 by vocalist and multi-instrumentalist Ashley “Ash” Shannon with an equal passion for all things Post-Black Metal and American author Edgar Allen Poe, Bristol, UK-based Atmospheric Black Metal one-man army Sepulchre by the Sea has quickly grown from a single idea into a fully-fledged studio project, incorporating many different sounds from atmospheric soundscapes and traditional Black Metal riffing to more eclectic areas such as shoegaze and folk-based pieces. As a matter of fact, the project’s name was inspired by Annabel Lee, the last complete poem composed by Edgar Allan Poe, while another poem, The Conqueror Worm, which by the way is about human mortality and the inevitability of death, was the inspiration for Sepulchre by the Sea’s debut full-length, six-track opus Conqueror Worm, the follow-up to the 2019 demo …And So It Crumbles, creating something larger and more ambitious in scale, spanning nearly an hour and crossing multiple sub genres along the way.

And the project’s Edgar Allan Poe-inspired feast of melancholy and darkness begins in a truly atmospheric way in the opening track I Loved Alone, venturing through the realms of contemporary Post-Metal before Ash begins firing dirty, scorching riffs from his stringed axe and anguished gnarls in paradox with the song’s serene background piano notes. Then Ash hammers his guitar, bass and drums mercilessly in the furious title-track Conqueror Worm, blending the mystery of Atmospheric Black Metal with the violence and heaviness of Black Metal and even Punk Rock, not to mention his growls get even more demonic than before as the music progresses; and you better get ready for 12 minutes of fulminating blast beats, vicious riffs and an endless sense of despair and obscurity in And So It Crumbles, where Ash does an excellent job mixing classic Black Metal with Atmospheric Black Metal and Doom Metal nuances, also presenting Stygian, austere passages that perfectly represent his passion for the work by Edgar Allan Poe turned into extreme music.

Slices of Death is a pensive and enfolding composition by Ash where he focuses on the melody and all small details of the song instead of the usual harshness of extreme music; furthermore, it’s quite easy to sense how personal this harmonious ballad is to him, whereas our talented lone wolf and his Sepulchre by the Sea put the pedal to the metal in the visceral and austere Behind the Walls, enhancing his aggressiveness and rage through his hellish roars and fulminating Black Metal riffage, and ending in the most melancholic way imaginable. And last but (definitely) not least, you better be prepared as Ash will crush your senses for over 17 minutes with the closing tune Plutonian Shores, the icing on the cake in this multi-layered album of Atmospheric Metal where after four minutes of ritualistic sounds Ash comes ripping with his scorching riffage, also showcasing so many breaks, variations, changes in tempo and obscure passages it’s hard to describe the complexity of such grandiose tune in just a few words.

As I like to say, it’s always a pleasure to review the work by one-man bands like Sepulchre by the Sea, mainly because you can easily feel and enjoy all the hard work, all the passion for the music he plays, the musical evolution from song to song and, above all, all his respect and admiration for one of the greatest poets of all time (and the most beloved one by the metal community hands down). Hence, in order to show your support to Edgar Allan Poe’s right-hand man in extreme music, go check what Ash is up to on Facebook, and purchase your copy of Conqueror Worm from his own BandCamp page, from the Anthrazit Records’ BandCamp page, or from Amazon, and don’t forget you can also stream this fantastic display of Atmospheric Black Metal in full on Spotify anytime you want, savoring every single second of it like you would enjoy each word from Poe’s vast collection of amazing tales and poems.

Best moments of the album: Conqueror Worm and Plutonian Shores.

Worst moments of the album: None.

Released in 2020 Anthrazit Records

Track listing
1. I Loved Alone 6:40
2. Conqueror Worm 6:40
3. And So It Crumbles 12:07
4. Slices of Death 7:34
5. Behind the Walls 7:49
6. Plutonian Shores 17:14

Band members
Ashley Shannon – vocals, all instruments