Album Review – Blaze Bayley / Circle of Stone (2024)

The unstoppable Blaze Bayley strikes again with another majestic album, describing human frailty, resilience, courage, and gratitude while also searching for the truth in the heart of the circle of tall stones.

Recent times have been a rollercoaster ride for Heavy Metal icon Blaze Bayley. Following on from the successful Infinite Entanglement trilogy from 2016 to 2018, he then moved further forward with the 2021 critically-acclaimed album War Within Me, whilst touring worldwide. However, he then suffered a severe heart attack early in 2023, requiring life-saving quadruple bypass surgery, and after months of recovery our beloved Blaze and his henchmen Chris Appleton and Luke Appleton on the guitars, Karl Schramm on bass, and Martin McNee on drums are finally back with another breathtaking album, titled Circle of Stone. Produced, mixed and engineered by Chris Appleton (and co-produced by Blaze), mastered by Ade Emsley at Table Of Tone Mastering, and displaying another classy artwork by longtime collaborator Alberto Quirantes of Akirant Illustration, Circle of Stone is a work of two halves according to Blaze himself. “Side one comprises six unconnected songs that describe human frailty, resilience, courage, and gratitude,” commented Blaze, while “side two contains six connected songs that tell the story of our forgotten tribe; a search for the truth in the heart of the circle of tall stones.”

It’s already pedal to the metal to the combustible riffs by Chirs and Luke in the opening tune Mind Reader, a high energy, inspiring song where Blaze proves he’s an unbeatable warrior while Martin dictates the song’s dancing, electrifying rhythm with his classic beats. And it looks like the album will be a thrilling metal feast as their rockin’ vein pulses harder than ever in Tears in Rain, again showcasing the amazing dynamics between Chirs, Luke and Karl with their stringed axes; followed by Rage, telling the story from Welsh folklore of Gelert the faithful hound and his unfortunate demise at the hands of his beloved owner Prince Llewelyn, with tons of sadness and regret flowing from Blaze’s outstanding vocals. Blaze keeps distilling his classic, undisputed Heavy Metal in The Year Beyond This Year, another fighting hymn presenting the striking riffs and solos by the Appleton Brothers, whereas more of their incendiary, ripping riffage is offered to our avid ears in the galloping tune Ghost in the Bottle, an amazing option for their live concerts. And slowing things down it’s time for the melancholic The Broken Man, presenting Blaze’s more introspective, poetic side in a decent ballad crafted by the band.

Featuring guest vocals by Niklas Stålvind (of Wolf) and bagpipes by Vicky Kennerley, The Call of the Ancestors is a powerful introduction to the second half of the album, flowing into the title-track Circle of Stone, a mid-tempo, heavy-as-hell and absolutely epic creation by Blaze and his henchmen where Blaze and Niklas make a fantastic vocal duet, making it impossible not to raise our fists together with the band during the entire song; and their epicness and infinite energy goes on in Absence, where the guitars by Luke and Chris beautifully reverberate in the air supported by the thunderous kitchen by Karl and Martin. Niklas then returns for his second guest appearance in A Day of Reckoning, bringing forward five minutes of deep, meaningful lyrics masterfully declaimed by Blaze while Martin hammers his drums nonstop, therefore inspiring us all to headbang like true metalmaniacs. Back to a more rockin’, metallic vibe, the quintet blasts our damned ears with The Path of the Righteous Man, a top-of-the-line Heavy Metal extravaganza where Blaze’s vocals overflow energy and passion, always accompanied by the razor-edged riffs by the band’s incendiary guitar duo; whereas lastly, featuring guest vocals by Tammy-Rae Bois and the whimsical violin by Anne Bakker, Blaze offers us all another dark and delicate ballad titled Until We Meet Again, putting a climatic and enfolding ending to the album.

Ladies and gentlemen (or whatever way you prefer to be called), our beloved Blaze Bayley did it again, delivering top-of-the-line, soulful and electrifying Heavy Metal in Circle of Stone for our total delight, and the fact he just survived a scary heart attack last year makes the whole album even more special to us fans of one of the best vocalists and lyricists in heavy music, and by far one of the most hardworking musicians worldwide. Hence, in order to show the unstoppable messiah our utmost love and admiration, don’t forget to give him (and the rest of the band, of course) a shout on Facebook and on Instagram, to stream such beautiful album as many times as you want on Spotify, or on any other streaming platform, and to grab your favorite version of the album from his own webstore, including some amazing bundles that only prove how dedicated Blaze is to his fanbase. Blaze Bayley cannot be stopped, he’s one of the driving forces of the current Heavy Metal scene, and Circle of Stone is another bold statement of his undeniable passion for heavy music. In other words, he is definitely the heart of the circle of tall stones of heavy music.

Best moments of the album: Mind Reader, Tears in Rain, Ghost in the Bottle and The Path of the Righteous Man.

Worst moments of the album: The Broken Man.

Released in 2024 Blaze Bayley Recordings

Track listing
1. Mind Reader 2:46
2. Tears in Rain 3:06
3. Rage 3:57
4. The Year Beyond This Year 3:06
5. Ghost in the Bottle 3:20
6. The Broken Man 5:46
7. The Call of the Ancestors 1:52
8. Circle of Stone 3:29
9. Absence 3:27
10. A Day of Reckoning 5:04
11. The Path of the Righteous Man 3:43
12. Until We Meet Again 4:32

Band members
Blaze Bayley – vocals
Chris Appleton – guitars, backing vocals
Luke Appleton – guitars, backing vocals
Karl Schramm – bass, backing vocals
Martin McNee – drums

Guest musicians
Niklas Stålvind – additional vocals on “Circle of Stone”, “Call of the Ancestors” and “A Day of Reckoning”
Tammy-Rae Bois – additional vocals on “Until We Meet Again”
Anne Bakker – violin on “Rage” and “Until We Meet Again”
Vicky Kennerley – bagpipes on “The Call of the Ancestors”

Album Review – KK’s Priest / Sermons of the Sinner (2021)

Are you ready to listen to the sermons of this classic Heavy Metal band of sinners?

Back in January 2020, when the COVID-19 pandemic was just about to hit us all really hard, Mr. Kenneth Downing, Jr., better known as Judas Priest’s former guitarist KK Downing, announced he would work on brand new music alongside former Judas Priest vocalist Tim “Ripper” Owens, guitarist A.J. Mills, bassist Tony Newton and drummer Les Binks (who also played with Judas Priest from 1977 to 1979), later replaced by Sean Elg due to a wrist injury, forming a classic metal band that goes by the name of KK’s Priest. Most probably due to the pandemic, the band’s debut effort Sermons of the Sinner, which was produced and mixed by KK himself together with Tony, and mastered by Ade Emsley (Iron Maiden, Blaze Bayley, Absolva) at Table of Tone Mastering, had to be delayed up until this month, but the wait was totally worth it despite the band’s cheesy name and the album’s even cheesier lyrics, as KK and his henchmen brought forth a solid, old school Heavy Metal album that will certainly please most admirers of KK’s undisputed career.

In the intro Incarnation, a heavy storm, the sound of thunder and an ominous background narration set the stage for the band to kick some serious ass in Hellfire Thunderbolt, where the metallic riffs by KK and A.J. provide Ripper all he needs to stun us all with his infernal roars while Sean dictates the song’s old school pace. This is what I call an pulverizing welcome card by KK’s Priest, whereas in Sermons of the Sinner, even more epic and demonic than its predecessor, Ripper steals the spotlight with a flawless vocal performance supported by the rumbling bass by Tony and the crushing drums by Sean, while KK delivers his trademark fiery solos in a newborn metal classic. Then it’s time for another pure Heavy Metal extravaganza titled Sacerdote y Diablo, with Ripper sounding awesome as usual on vocals while we’re also treated to some epic background elements as a complement to the band’s incendiary sound. And Raise Your Fists is a straightforward Heavy Metal hymn perfect for their upcoming live concerts, presenting a great sync between KK and A.J. supported by the spot-on bass by Tony.

In Brothers of the Road, albeit the lyrics are cheesy as hell they do what they’re supposed to anyway, walking hand in hand with its direct sound that’s not as awesome as the rest of the album, but still very enjoyable. Then a melancholic start is gradually accompanied by the pounding beats by Sean in Metal Through and Through, bringing forward elements from the darkest creations by Black Sabbath with Dio on vocals (when they were called Heaven & Hell), or in other words, it showcases a beautiful Doom Metal vibe; and let’s put the pedal to the metal as KK is on absolute fire in Wild and Free, an in-your-face onrush of heavy and piercing sounds that will put you to bang your head nonstop, led by the visceral, soaring vocals by Ripper. In Hail for the Priest I’m not sure if KK’s trying to send a message to the guys from Judas Priest or simply saying he’s the real Judas Priest; either way, simply forget about their beef and enjoy another solid metal tune where KK once again slashes his axe in great fashion, followed by Return of the Sentinel, another direct mention to Judas Priest (more specifically to their classic song “The Sentinel”) showcasing a great job done on the guitars and bass while Ripper declaims the song’s words with tons of power, resulting in what’s by far the album’s most epic creation.

If you haven’t given Sermons of the Sinner a try yet, you can enjoy it in full on Spotify, and also get to know more about KK’s plans for the future with his new band on Facebook and on Instagram, enjoy all of their videos on YouTube, and grab your copy of the album by clicking HERE. When speaking to KNAC in June this year about Sermons of the Sinner, KK said that he was already working on material for the next album by KK’s Priest, which would be more of a collaboration effort than the first album, and if it’s half as good as Sermons of the Sinner we can rest assured there will be a lot of high-end metal music for us in the near future. I just wish he could change the name of the band to something more creative and unique, but let’s face it, in the end that doesn’t really matter as it’s always about the music, and the music found in Sermons of the Sinner is beyond awesome.

Best moments of the album: Hellfire Thunderbolt, Sermons of the Sinner, Metal Through and Through and Wild and Free.

Worst moments of the album: Brothers of the Road.

Released in 2021 EX1 Records

Track listing
1. Incarnation 0:58
2. Hellfire Thunderbolt 3:49
3. Sermons of the Sinner 5:25
4. Sacerdote y Diablo 5:35
5. Raise Your Fists 4:10
6. Brothers of the Road 3:22
7. Metal Through and Through 8:13
8. Wild and Free 4:15
9. Hail for the Priest 5:44
10. Return of the Sentinel 8:59

Band members
Tim “Ripper” Owens – vocals
KK Downing – guitars
A.J. Mills – guitars
Tony Newton – bass
Sean Elg – drums