Album Review – Qwälen / Veri Virtaa Edelleen (2026)

This ruthless Finnish Black Metal horde returns with their third opus, delving into the rottenness of human reality, the abolition of kings and gods, and the bleak, habitual cycle of fraternal violence.

Blood continues to flow as Veri Virtaa Edelleen (or “the blood still flows” in English), the third statement by Oulu, Finland-based Black Metal horde Qwälen, delves into the rottenness of human reality, the abolition of kings and gods, and the bleak, habitual cycle of fraternal violence, concepts that mean nothing to the band, and yet embody everything they express. Tracked and mixed by Mikael Neves at Waiting Room Recording Studio, mastered by  Jack Control at Enormous Door, and with a sinister artwork and layout by the always formidable Jussi Pohjanen, the new beast by vocalist Eetu Viita, guitarists Samuli Similä and Antti Kannisto, bassist Ville Jylhä, and drummer Henri Kaarre fully embraces the decay of human reality, turning it into a must-listen for fans of the genre.

The melodic guitars by Samuli and Antti ignite the band’s darkened feast in Hunnutettu maa (“the veiled land” from Finnish), before all hell breaks loose to the demented vociferations by Eetu, whereas Matala hauta huutaa (“the shallow grave screams”) sounds absolutely mental form start to finish, presenting a beyond demonic performance by Henri behind his drums. Eerie sounds ignite the just as dark Kahleet (“the shackles”), venturing through Doom Metal lands while keeping the band’s Black Metal core intact; and Henri then invites us all to slam into the pit in Uusi nahka (“new skin”), where Eetu’s infernal vociferations will penetrate deep inside your skin in the name of violent, no shenanigans extreme music.

The band still has a lot of fuel to burn in Veri Virtaa Edelleen, and Kiviä ja luita (“stones and bones”) is a great example of how they can sound modern yet rooted in classic Black Metal, offering a high dosage of Black N’ Roll led by Henri’s striking beats and fills. Then back to a more traditional Black Metal sonority we have Pirujen illallinen (“the devils’ dinner”), with Samuli and Antti once again firing their trademark scorching riffs nonstop; followed by Veri vastaa (“blood answers”), which takes a bit too long to properly kick off, and it doesn’t offer anything truly outstanding in the end despite the band’s efforts. Fortunately, their last breath of demented Black Metal comes in the form of Kuolleet jumalat (“dead gods”), where Henri sounds out of control on drums, providing Eetu with exactly what he needs to gnarl like a creature from the underworld.

Gods live only if we allow them. Death becomes the final insult, the ultimate raised middle finger when all is reduced to rocks and bones – the black serpent within, the black flame of rebellion, and it’s that exact serpent who becomes the centerpoint in Veri Virtaa Edelleen. You can find more details about those Finnish black metallers on Facebook and on Instagram, including their sulfurous live performances, stream their creations on any platform like Spotify, and of course put your damned hands on their new offering by purchasing it from BandCamp or from Time To Kill Records. Because, in the end, Qwälen are exposing the nasty truth about humanity in their newborn opus, and there’s no escape from such a harsh reality. Hail Satan. Blood continues to flow.

Best moments of the album: Matala hauta huutaa, Uusi nahka and Kiviä ja luita.

Worst moments of the album: Veri vastaa.

Released in 2026 Time To Kill Records

Track listing
1. Hunnutettu maa 5:21
2. Matala hauta huutaa 5:00
3. Kahleet 7:19
4. Uusi nahka 3:31
5. Kiviä ja luita 5:17
6. Pirujen illallinen 5:44
7. Veri vastaa 5:48
8. Kuolleet jumalat 6:57

Band members
Eetu Viita -vocals
Samuli Similä – guitars, backing vocals
Antti Kannisto – guitars, backing vocals
Ville Jylhä – bass
Henri Kaarre – drums