Album Review – Flames Of Fire / Flames Of Fire (2022)

Hailing from Sweden, Norway and Finland, these fired up musicians will rock your world to the sound of their debut album of old school Heavy Metal.

Formed in the spring of 2021 by vocalist Christian Liljegren (Narnia, The Waymaker, Audiovision) and guitarist and composer Mats-Åke Andersson (Zaragorn), but with its history going back to 1987 when the duo met for the first time in their hometown Jönköping, a city on the shores of Lake Vättern, in southern Sweden, the newborn Heavy Metal entity known as Flames Of Fire is ready to show us all what they got with the release of their self-titled debut album. With multi-instrumentalist Jani Stefanovic (The Waymaker, Solution .45, Miseration), bassist Per Schelander (House of Shakira, Astrakhan, Royal Hunt, Pain of Salvation) and guitarist Stephen Carlson (Brotthogg, Peter Carlsohn’s The Rise, Tales, Viva) completing the line-up, this Sweden/Norway/Finland-based squad is highly recommended for admirers of the music by Iron Maiden, Rainbow, Yngwie Malmsteen’s Rising Force and Dio, among others, delivering the awesomeness of metal music in their new album while also displaying a crystal clear and very professional overall production and sound quality.

The sinister intro New Dawn warms up Flames of Fire to strike us all with their high-octane sound in Gloria, with Jani dictating the pace with his fierce drumming while at the same time he embellishes the airwaves with his classy keys, all of course spiced up by the powerful vocals by Christian in an old school, no shenanigans Heavy and Power Metal hymn by the quintet. Mats-Åke, Jani and Stephen keep slashing their guitars in the battle song that carries the name of the band, Flames Of Fire, supported by the thunderous bass by Per. Needless to say, it will inspire you to keep fighting for heavy music no matter what; whereas Madness brings to our ears classic Melodic Metal with that trademark European harmony, also presenting a pleasant pace with Jani kicking ass with his rhythmic beats. Then in I Am the band drinks from the same mystical fountain as bands like Helloween, Blind Guardian and Iron Maiden, while Christian’s soaring vocals add an extra touch of magic to the musicality accompanied by the galloping bass by Per.

It’s time to bang our heads to the electrifying fusion of Melodic and Power Metal found in Time To Live, showcasing traditional guitar riffs and solos, a breathtaking pace and the always visceral vocals by Christian, not to mention Per’s stunning bass lines. Are you ready for 10 minutes of epicness and a deep passion for metal music? That’s what the band has to offer us all in Solution, a heavy-as-hell aria by Flames of Fire where Christian darkly declaims the song’s wicked words. Moreover, it has a strong Black Sabbath vibe from their Dio-era, resulting in almost a metal opera with the massive drums by Jani making your head tremble mercilessly. The band has one final metal onrush for us all in the form of Soldiers Of The King, tailored for diehard fans of the genre, with their guitar triumvirate Mats-Åke, Jani and Stephen being on absolute sync until the very last second, flowing into the outro End Theme, which puts an atmospheric ending to the album.

After carefully listening to Flames of Fire, you’ll easily notice how professional and focused those Scandinavian metallers are, which explains why the album sounds so thrilling from start to finish. Hence, in order to show them your support and admiration, you can start following the band on Facebook for news, tour dates (if they will do that one day, of course), plans for the future and other nice-to-know details about them, and purchase your copy of the album from the Melodic Passion Records’ webstore or by clicking HERE. Having said all that, are you ready to rock and bang your head in the name of Heavy Metal together with the guys from Flames of Fire? You won’t get disappointed at all, showing you once and for all that Scandinavia is and will always be a fantastic source of heavy music for your metallic heart.

Best moments of the album: Flames Of Fire, Time To Live and Solution.

Worst moments of the album: Madness.

Released in 2022 Melodic Passion Records

Track listing
1. New Dawn 1:25
2. Gloria 4:15
3. Flames Of Fire 3:16
4. Madness 3:55
5. I Am 4:31
6. Time To Live 4:07
7. Solution 9:58
8. Soldiers Of The King 5:05
9. End Theme 1:32

Band members
Christian Liljegren – vocals
Mats-Åke Andersson – guitars
Jani Stefanovic – guitars, keyboards, drums, backing vocals
Stephen Carlson – guitars
Per Schelander – bass

Album Review – Lordi / Lordiversity (2021)

Over four hours of Heavy Metal, Hard Rock, Thrash Metal, Progressive Rock, Disco, Industrial Rock and so on, masterfully brought into being by the most beloved horde of monsters in the world of music.

Four hours and 43 minutes of music. That’s what you’re going to get in Lordiversity, the brand new (and awesome) boxset by Finnish Heavy Metal and Hard Rock monsters Lordi, containing the band’s eleventh to seventeenth studio albums, those being Skelectric Dinosaur, SuperFlyTrap, The Masterbeast from the Moon, Abusement Park, Humanimals, Abracadaver and Spooky Sextravaganza Spectacular. Recorded right after the COVID-19 pandemic hit as the band had to postpone their tour in support of Killection, Mr. Lordi and his crew decided to use the extra time to start working on more material to release a week after the postponement, and the final result in Lordiversity is simply monumental.

Lordi Lordiversity Limited 7 CD Boxset

Mr. Lordi stated that “It was clear that it is the time to start planning the new album, even though Killection was released not even two months before. I was thinking that the most boring thing we could do after Killection, is to do another basic Lordi album. And I was very much enjoying the different styles of song writing, recording and production on Killection, but another boring idea would have been to do a part two.” With the release years of 1975, 1979, 1981, 1984, 1989, 1991 and 1995 from the fictional eras in the Killection timeline, and with each album presenting its own style and its own killer album art, Lordiversity is a fantastic musical voyage led by Mr. Lordi on vocals and his loyal bandmates Amen on the guitars, Hiisi on bass, Hella on keyboards, and Mana on drums, being not only one of the boldest releases in the history of rock and metal music, but setting the bar absurdly high for the band itself with all of their upcoming albums.

Disc 1 – Skelectric Dinosaur

For Skelectric Dinosaur, the band used the influences of early Kiss and Alice Cooper. The first album offers us all old school Rock N’ Roll and Hard Rock flowing majestically form start to finish. For instance, the very first song Day Off Of The Devil is pure Kiss from their early days as already mentioned. There’s not a single second of boredom; quite the contraty, it’s a rockin’ feast for admirers of rock and metal music from the 70’s, with songs like Carnivore inspiring you to dance in the name of Rock N’ Roll. Amen steals the spotlight in pretty much all songs with his classic riffage, supported of course by the rhythmic beats by Mana.

Best moments of the album: Starsign Spitfire, Carnivore and Phantom Lady.

Worst moments of the album: The King On The Head Staker’s Mountain.

Track listing
1. SCG Minus 7: The Arrival 1:09
2. Day Off Of The Devil 3:33
3. Starsign Spitfire 3:03
4. Maximum-O-Lovin’ 2:23
5. The King On The Head Staker’s Mountain 5:21
6. Carnivore 3:30
7. Phantom Lady 3:16
8. The Tragedy Of Annie Mae 3:45
9. Blow My Fuse 3:35
10. …And Beyond The Isle Was Mary 2:15

Disc 2 – SuperFlyTrap

It’s time to hit the dance floor together with Lordi and his crew in SuperFlyTrap, inspired by the bands Earth, Wind & Fire, Boney M. and Bee Gees. As expected, it’s Hella who shines in each and every song of the album thanks obviously to her stunning keys, as for example in the melodic and fun Believe Me. In addition, the female vocals add a touch of finesse to the overall results, with catchy tunes like Macho Freak and Spooky Jive paying a beautiful and exciting tribute to the Disco years. Put differently, I bet you’ll start doing that classic move with your arm and finger up and down during the entire album without even noticing.

Best moments of the album: Macho Freak, Spooky Jive and City Of The Broken Hearted.

Worst moments of the album: Cinder Ghost Choir.

Track listing
1. SCG Minus 6: Delightful Pop-Ins 1:08
2. Macho Freak 3:42
3. Believe Me 4:27
4. Spooky Jive 3:55
5. City Of The Broken Hearted 4:02
6. Bella From Hell 3:26
7. Cast Out From Heaven 3:51
8. Gonna Do It (Or Do It And Cry) 2:51
9. Zombimbo 4:52
10. Cinder Ghost Choir 6:06

Disc 3 – The Masterbeast from the Moon

      

On The Masterbeast from the Moon, the band was influenced by Rush and Pink Floyd, which is why you can expect long and sinister passages, endless progressiveness, and Hella’s phantasmagorical keys. Songs like Celestial Serpents and Church Of Succubus have a very pleasant pace and vibe, while others such as Moonbeast and Bells Of The Netherworld lack an extra kick and make the album drag for a little longer than it should. If Progressive Rock is your cup of tea you’ll have a very good time listening to the entire album; otherwise, you can take one listen at it just because it’s part of the boxset and then go for the heavier albums.

Best moments of the album: Celestial Serpents and Church Of Succubus.

Worst moments of the album: Moonbeast and Bells Of The Netherworld.

Track listing
1. SCG Minus 5: Transmission Request 1:35
2. Moonbeast 6:29
3. Celestial Serpents 6:07
4. Hurricane Of The Slain 3:00
5. Spear Of The Romans 5:46
6. Bells Of The Netherworld 3:01
7. Transmission Reply 0:20
8. Church Of Succubus 11:58
9. Soliloquy 1:51
10. Robots Alive! 4:09
11. Yoh-Haee-Von 1:17
12. Transmission On Repeat 1:04

Disc 4 – Abusement Park

Set on a fictional timeline of 1983 and 1984, Abusement Park has a classic Heavy Metal sound influenced by W.A.S.P., Twisted Sister, Kiss and Scorpions, and includes a Christmas-themed single, entitled Merry Blah Blah Blah. The band wastes no time and begin slashing their sonic weapons already in the title-track Abusement Park, with Mr. Lordi kicking ass on vocals. And that’s the formula followed throughout the album, with Amen delivering his trademark solos nonstop in a lecture in 80’s classic Heavy Metal. In other words, if they had launched only this album, that would have already been awesome.

Best moments of the album: Abusement Park, House Of Mirrors, Pinball Machine and Rollercoaster.

Worst moments of the album: Ghost Train.

Track listing
1. SCG Minus 4: The Carnival Barker 0:54
2. Abusement Park 3:33
3. Grrr! 3:48
4. Ghost Train 3:18
5. Carousel 4:24
6. House Of Mirrors 3:51
7. Pinball Machine 3:34
8. Nasty, Wild & Naughty 3:10
9. Rollercoaster 4:45
10. Up To No Good 4:02
11. Merry Blah Blah Blah 4:05

Disc 5 – Humanimals     

The AOR influenced sound in Humanimals is influenced by Bon Jovi, Desmond Child and Alice Cooper, and Mr. Lordi and his band of monsters make sure that’s crystal clear in all of the songs form the album, such as in Borderline. Mana and Hiisi are the stars here always generating an upbeat vibe with their respective beats and bass lines, turning songs like Heart Of A Lion and Like A Bee To The Honey into dancing feasts, always spiced up by Hella’s whimsical keys.

Best moments of the album: Borderline, Heart Of A Lion and Like A Bee To The Honey.

Worst moments of the album: Humanimal.

Track listing
1. SCG Minus 3: Scarctic Circle Telethon 1:20
2. Borderline 4:12
3. Victims Of The Romance 3:47
4. Heart Of A Lion 4:33
5. The Bullet Bites Back 4:07
6. Be My Maniac 3:40
7. Rucking Up The Party 4:07
8. Girl In A Suitcase 4:07
9. Supernatural 3:49
10. Like A Bee To The Honey 4:15
11. Humanimal 3:53

Disc 6 – Abracadaver     

Now this is the real deal. Set on a fictional timeline for 1991, Abracadaver is inspired by Anthrax, Metallica and Pantera, which makes it by far the heaviest, fastest and most demonic of all seven albums. It’s impossible to stand still to the sonic devastation blasted by the most awesome monsters hailing from Scandinavia, with the title-track Abracadaver sounding not only heavy and piercing, but also spooky, which is always a good thing. You’ll bang your head, raise your horns and scream together with Mr. Lordi in songs like Rejected, Raging At Tomorrow and Beast Of Both Worlds, just the way we all like it in heavy-as-hell music.

Best moments of the album: Devilium, Abracadaver, Beast Of Both Worlds and Bent Outta Shape.

Worst moments of the album: None.

Track listing
1. SCG Minus 2: Horricone 1:18
2. Devilium 3:46
3. Abracadaver 3:41
4. Rejected 3:44
5. Acid Bleeding Eyes 3:28
6. Raging At Tomorrow 5:01
7. Beast Of Both Worlds 4:59
8. I’m Sorry I’m Not Sorry 3:34
9. Bent Outta Shape 5:05
10. Evil 4:35
11. Vulture Of Fire 3:47
12. Beastwood 0:56

Disc 7 – Spooky Sextravaganza Spectacular       

The last record, from 1995, is a machine-made beast titled Spooky Sextravaganza Spectacular. That means the band added electronic elements to their music, flirting with Industrial Metal and Rock the likes of Ministry and Nine Inch Nails. It’s quite impressive how a Hard Rock band like Lordi was capable of sounding so industrial in all songs of the album, with Demon Supreme, Skull And Bones (The Danger Zone) and Shake The Baby Silent being strong candidates to spice up any Rock N’ Roll party, including yours. Needless to say, Mana’s classic beats and Hella’s electrifying keys are the main ingredients throughout the album, adding a welcome industrialized touch of insanity to the overall result.

Best moments of the album: Demon Supreme, Skull And Bones (The Danger Zone) and Shake The Baby Silent.

Worst moments of the album: Goliath.

Track listing
1. SCG Minus 1: The Ruiz Ranch Massacre 3:26
2. Demon Supreme 3:31
3. Re-Animate 4:13
4. Lizzard Of Oz 4:08
5. Killusion 3:09
6. Skull And Bones (The Danger Zone) 3:16
7. Goliath 4:41
8. Drekavac 3:28
9. Terror Extra-Terrestrial 4:30
10. Shake The Baby Silent 3:36
11. If It Ain’t Broken (Must Break It) 3:24
12. Anticlimax 0:18

After listening to each and every track from the seven albums from Lordiversity, I personally found it truly impressive how Lordi managed to keep the whole project fresh and exciting from start to finish, avoiding repeating themselves or sounding basic or bland depending on the style chosen. That, my friends, undoubtedly required a lot of creativity, hard work and passion for what they do, and if you want to show your admiration for those unstoppable Finnish monsters you can give them a shout on Facebook and on Instagram, subscribe to their YouTube channel, stream more of their amazing creations on Spotify, and of course purchase the ass-kicking Lordiversity from several locations such as Napalm Records, AFM Records and Record Shop X. And as soon as you put your hands on Lordiversity, simply block your agenda for the rest of the day (or even the entire week or month) because a massive, breathtaking Rock N’ Roll party is about to start and has no time to end.

Released in 2021 AFM Records

Band members
Mr. Lordi – lead and backing vocals, guitars, programming, whistle, orchestration
Amen – guitars
Hiisi – bass guitar
Hella – keyboards, backing vocals
Mana – drums, backing vocals, programming

Guest musicians
Ralph Ruiz – vocals
Dylan Broda – vocals
Tracy Lipp – vocals, backing vocals
Michael Monroe – saxophone on “Like a Bee to the Honey”
Annariina Rautanen – flute on “Moonbeast” and “Yoh-Haee-Von”
Tony Kakko – backing vocals on “Rollercoaster”
Joonas Suotamo – Chewbacca voice on “Grrr!”
Kari A. Kilgast – vocals on “Like a Bee to the Honey”
Hulk the Bulldog – voice on “Beastwood”
Maki Kolehmainen – cowbell, backing vocals
John Bartolome – vocals
Lara Anastasia Mertanen – intro lead on “Drekavac”
Jessica Love, Maria Jyrkäs, Kaarle Westlie, Ville Virtanen, Olli Virtanen, Isabella Larsson, Noora Kosmina, Katja Auvinen, Riitta Hyyppä, Josefin Silén, Minna Virtanen, Antton Ruusunen, Niki Westerback, Marja Kortelainen, Tom Roine, Netta Laurenne – backing vocals
Lumen Broda, Leia Broda, Lili Wasenius, Aviana Westerback, Roxana Westerback – children vocals

Album Review – Swallow The Sun / Moonflowers (2021)

Jyväskylä, Finland’s own Doom Metal unity returns with another stunning album, offering us all eight beautiful, captivating songs blooming in misery.

Formed in 2000 in Jyväskylä, Keski-Suomi, Finland by guitarist Juha Raivio, the five-piece Finnish Melodic Doom/Death Metal outfit Swallow The Sun has just unleashed upon humanity their new opus entitled Moonflowers, the eight in their undisputed career. Currently comprised of Mikko Kotamaki on vocals, Juha Raivio on the guitars and keyboards, Juho Raiha also on the guitars, Matti Honkonen on bass, and Juuso Raatkainen on drums, Swallow The Sun continue to pave the gloomy path of their previous album When a Shadow Is Forced into the Light (inspired by the loss of Juha’s life partner Aleah Stanbridge in 2016), offering fans of the most melodic side of doom eight beautiful, captivating songs in the span of over 52 minutes, being therefore the perfect soundtrack for the darkest days in your life.

The striking opening song Moonflowers Bloom in Misery is absolutely doomed from the very first second, with Mikko already delivering his melancholic, grim vocal lines accompanied by the sluggish beats by Juuso, exploding into a massive feast of Melodic Death and Doom Metal. Then in Enemy we’re treated to beautiful lyrics declaimed by Mikko (“I crawl back to my shadow / From the edge of the light / Deep down into the sea of my own rain sirens / In the eye of the… / Enemy, inside of me / Torn from a trail of light / Grail of serpents lies”) while Juho and Juha’s guitars make an interesting paradox with Juha’s own keys; followed by Woven into Sorrow, a lecture in darkness and sorrow by the band presenting gorgeous, serene guitar lines intertwined with sheer heaviness and whimsical background elements, also featuring guest backing vocals by Antti Hyyrynen from Stam1na. Not only that, t’s impressive how they manage to make their music epic and symphonic without losing their blackened core essence, which is also the case in Keep Your Heart Safe from Me, almost eight minutes of top-of-the-line doom showcasing infernal, headbanging sounds led by Juuso’s drums supported by the low-tuned bass by Matti while also presenting a more cryptic, delicate side of the band.

All Hallows’ Grieve features guest vocals by the stunning Cammie Gilbert (Oceans of Slumber), and she nails it with her soulful vocals (“Before I go, I’ll let you know / My heart was honest, for you / My heart was cruel / You believed / I’m a soul of a ghost to fight for / I believe, I believe, I lost my will to fight for”), resulting in a sensational doom aria, whereas drinking from the fountain of 80’s Gothic and Doom Metal it’s time for the enfolding and somber The Void, where Matti and Juuso once again generate a reverberating ambience with their respective weapons. The Fight of Your Life is another gentle and melancholic composition by Swallow The Sun which despite presenting all elements we love in their music is not as compelling as the rest of the album; and closing the album it’s time for an infernal composition titled This House Has No Home, where the keys by Juha walk hand in hand with both the clean vocals and the demonic roars by Mikko, putting a climatic and dark ending to the album.

In a nutshell, the very pleasant and obscure Moonflowers, which is available for a full listen on YouTube and on Spotify, cements Swallow The Sun’s name as one of the best Doom Metal acts of the past 20 years while at the same time provides admirers of doom with something fresh, leaving us all eager for more of their stunning creations. Hence, don’t forget to follow the band on Facebook and on Instagram for news, tour dates and so on, and obviously to grab your copy of Moonflowers by clicking HERE. Keep in mind that if you go for the mediabook or boxset edition of the album, it comes with a very beautiful bonus disc with classical versions of all songs of the album recorded at the Sipoo Church in Finland by Trio N O X, comprised of Aino Rautakorpi on violin, Helena Dumell on viola and Annika Furstenborg on cello, as for example their gorgeous rendition of the song All Hallows’ Grieve. And while the moonflowers keep blooming in misery, Swallow The Sun will continue to darken the skies with their classy Doom Metal for at least another 20 years.

Best moments of the album: Moonflowers Bloom in Misery, Woven into Sorrow and All Hallows’ Grieve.

Worst moments of the album: The Fight of Your Life.

Released in 2021 Century Media Records

Track listing
1. Moonflowers Bloom in Misery 6:19
2. Enemy 5:39
3. Woven into Sorrow 7:46
4. Keep Your Heart Safe from Me 7:47
5. All Hallows’ Grieve 5:37
6. The Void 5:39
7. The Fight of Your Life 7:13
8. This House Has No Home 6:40

Limited Edition Mediabook/Boxset bonus disc (Trio N O X plays Moonflowers by Swallow the Sun)
1. Moonflowers Bloom in Misery (classical version) 4:52
2. Enemy (classical version) 3:06
3. Woven into Sorrow (classical version) 4:39
4. Keep Your Heart Safe from Me (classical version) 3:13
5. All Hallows’ Grieve (classical version) 4:58
6. The Void (classical version) 4:01
7. The Fight of Your Life (classical version) 4:16
8. This House Has No Home (classical version) 3:03

Band members
Mikko Kotamaki – vocals
Juha Raivio – guitars, keyboards
Juho Raiha – guitars
Matti Honkonen – bass
Juuso Raatkainen – drums

Guest musicians
Cammie Gilbert – vocals on “All Hallows’ Grieve”
Antti Hyyrynen – backing vocals on “Woven into Sorrow”
Jaani Peuhu – backing vocals
Aino Rautakorpi – violin on all classical versions from the Limited Edition Mediabook/Boxset bonus disc “Trio N O X plays Moonflowers by Swallow the Sun”
Helena Dumell – viola on all classical versions from the Limited Edition Mediabook/Boxset bonus disc “Trio N O X plays Moonflowers by Swallow the Sun”
Annika Furstenborg – cello on all classical versions from the Limited Edition Mediabook/Boxset bonus disc “Trio N O X plays Moonflowers by Swallow the Sun”

Album Review – Voidfallen / The Atlas of Spiritual Apocalypse (2021)

This young and restless Melodic Death Metal band from Finland comes ripping with their debut full-length album, dealing with the narrowness of the human mind.

Mixed by Juhamatti Kauppinen at Shedstudios, mastered by Mika Jussila at Finnvox, and displaying a sinister artwork by Petri Inkinen from Guilty Visuals, The Atlas of Spiritual Apocalypse is the awesome debut album by Helsinki, Finland-based Melodic Death Metal entity Voidfallen, a young but quickly acknowledged band formed in 2019 and currently comprised of Tommi Kangaskortet on vocals, Henri Vuorenmaa and Aleksi Tossavainen on the guitars, Lauri Myllylä on bass and Mika Lumijärvi on drums. Consisting of nine independent songs which still form the album’s own entirety, The Atlas of Spiritual Apocalypse deals with the narrowness of the human mind, the distress caused by that and the moral confrontations that follow, placing it among the must-listen Melodic Death Metal albums of the year and, therefore, representing a beyond solid step in the band’s up-and-coming career.

The sinister and cinematic intro The Atlas of Spiritual Apocalypse invites us all to join Voidfallen in their Melodic Death Metal realm to the sound of Remnants of the Heart, where Henri and Aleksi begin slashing their axes supported by the classic beats by Mika while Tommi roars manically nonstop; whereas The Hollows is even more demented than its predecessor thanks to the fulminating job done by Mika on drums, while Lauri hammers his bass mercilessly providing the band’s guitar duo all they need to shine with their riffage. Then after a serene start everything explodes into sheer savagery in The Daughters, a solid Melodic Death Metal tune spearheaded by the infernal roars by Tommi, and it’s time to bang your head like a beast in From Souls to Embers, featuring guest clean vocals by Inka Inkinen, where epic, imposing background elements elevate their core Melodic Death Metal to a whole new level.

From Embers to Fall, this time with guest clean vocals by Mikko Heikkilä (Dawn of Solace, Kaunis Kuolematon), is another rumbling, pounding creation by Voidfallen where the band’s guitar duo is on fire with their harmonious but at the same time visceral riffs; followed by the awesome Sui Generis, showcasing classy lyrics growled by Tommi (“Rise, the faithless kind and behold, your new king arrived / Now bow to me you peasants of mine / And so another chapter of this madness unfolds / Where man thinks he’s a god and the god’s a hero / Like the only star in the sky / The brightest of lights / Epitome of ego / Sui generis”) while his bandmates kick some ass with their sonic weapons in a powerful display of the band’s epic and heavy music. Featuring guest Vesa Salovaara (Ephemerald, Vorna) on vocals, The Slaves of the Echo Chambers is the second to last blast of aggressiveness with the band’s trademark melodic twist where Mika and Lauri make the earth shake with their respective beats and bass punches; and lastly, Symphonic Black Metal elements spice up the band’s sound in Seen Through Ice, allowing Tommi to deliver deeper, more demonic growls accompanied by the headbanging riffs by Henri and Aleksi.

The ruthless and extremely talented guys from Voidfallen are waiting for you on Facebook, on Instagram and on YouTube with more of their heavy and caustic music, news, tour dates and so on, and if you want to show them all your support and admiration you can stream The Atlas of Spiritual Apocalypse in its entirety on YouTube and on Spotify, and of course purchase the album from their own BandCamp page as well as from Record Shop X or from Apple Music. Finland has always been an endless source of top-of-the-line Melodic Death Metal, and Voidfallen are no exception to that, taking the genre to new heigths with their darker-than-usual approach and visuals, and leaving us really curious to see what’s next in their aggressive and melodic path.

Best moments of the album: From Souls to Embers, Sui Generis and The Slaves of the Echo Chambers.

Worst moments of the album: From Embers to Fall.

Released in 2021 Inverse Records

Track listing
1. The Atlas of Spiritual Apocalypse 1:11
2. Remnants of the Heart 4:04
3. The Hollows 4:16
4. The Daughters 6:02
5. From Souls to Embers 5:21
6. From Embers to Fall 5:21
7. Sui Generis 4:03
8. The Slaves of the Echo Chambers 5:00
9. Seen Through Ice 5:47

Band members
Tommi Kangaskortet – vocals
Henri Vuorenmaa – guitars
Aleksi Tossavainen – guitars
Lauri Myllylä – bass
Mika Lumijärvi – drums

Guest musicians
Vesa Salovaara – clean vocals on “The Slaves of the Echo Chambers”
Mikko Heikkilä – clean vocals on “From Embers to Fall”
Inka Inkinen – clean vocals on “From Souls to Embers”

Album Review – -hrz- / fwd>> EP (2021)

To go forward, sometimes you need to turn back. And if you decide to do so, do it to the sound of the debut solo EP by this multi-talented Finnish rocker.

3.0rating

hrz-fwd-ep-2021Hailing from Oulu, Finland, here comes a new Melodic Hard Rock act that goes by the curious name of -hrz-, the solo project of vocalist and multi-instrumentalist Harri Halonen (better known for his work with the amazing Finnish Hard Rock band Afire), armed with his debut EP entitled fwd>>. Recorded, mixed and mastered by Aki Karppinen at Olga Studios in Tyrnävä, Finland, fwd>> offers us fans five electrifying rock compositions carefully brought into being by Harri, supported by the talented Finnish drummer Ari Kemppainen. “To go forward, sometimes you need to turn back. I grew up in a rural village, mainly known for its potatoes. That’s where my first band with drummer cousin Ari took its baby steps. Now, decades later, we went back, rehearsed and recorded these new songs. No potatoes were harmed in the process. I have a soft spot for melodies and harmonies on a groovy rock song, so that’s what I went for. I handled the vocals and stringed instruments myself, Ari took care of the drums, naturally,” commented Harri about his newborn rockin’ baby.

The opening tune My Way Or The Highway kicks off in full force to the slashing riffs by Harri, sounding like a fusion of Velvet Revolver with his own band Afire, not to mention Ari also does an amazing job with his fast-paced beats and fills. Then presenting elements of modern-day Rock N’ Roll and Southern Rock the duo fires the solid Never Found, once again displaying an electrifying vibe thanks to the excellent job done by Harri with his always sharp guitar lines; and Ari keeps hammering his drums beautifully in Jaws/Claws, where Harri adds hints of the music by bands like Volbeat, Motorjesus and Motley Crüe to his no-shenanigans Hard Rock, inviting us to dance and bang our heads nonstop. The Pyre is even more melodic than its predecessors while at the same time not as frantic, with Harri and Ari being in absolute sync from start to finish, pleasing all fans of the more contemporary versions of rock music, whereas closing the EP it’s time for another Velvet Revolver/Stone Temple Pilots-infused tune titled Vortex, showcasing classic guitar lines, groovy bass jabs and pure, old school Hard Rock beats.

hrz-2021You can move forward in your life to the sound of fwd>> by streaming the full EP on Spotify and by purchasing it from Apple Music, and don’t forget to also give Harri a shout on Facebook and on Instagram and to subscribe to his official YouTube channel to stay up to date with all things -hrz-. Although Harri mentioned that he had to take a step back in time before going forward in his career with fwd>>, let’s say that the music found in his debut solo effort is a million light-years away from being obsolete or outdated; quite the contrary, the 20 minutes of rock music offered in the EP exhale modernity and energy, keeping the atmosphere fresh and vibrant from start to finish and, therefore, leaving us eager for more of his distinct melodies and harmonies in the coming years.

Best moments of the album: My Way Or The Highway and Jaws/Claws.

Worst moments of the album: None.

Released in 2021 Audion

Track listing
1. My Way Or The Highway 3:06
2. Never Found 4:06
3. Jaws/Claws 3:06
4. The Pyre 3:39
5. Vortex 5:52

Band members
Harri Halonen – vocals, guitars, bass
Ari Kemppainen – drums

Album Review – BloodBlind / False Light EP (2021)

Light, darkness and ass-kicking metal music. That’s exactly what this Finnish band has to offer us all in their new EP.

3.0rating

bloodblind-false-light-ep-2021Recorded, produced, mixed, and mastered by Niila Perkkiö at Sniper Sounds, the fast and melodic False Light, the brand new EP by Helsinki, Finland-based Heavy/Groove Metal unity BloodBlind, picks up where they left after going on a two-year hiatus shortly after the release of their 2017 self-titled debut EP, while at the same time offering us fans a fresher and more dynamic sound thanks to the excellent job done by Tommi Kokko on vocals, Joni Halmetoja (Rottendawn, Legacy) and Marko Lundahl (Six Inch, Korpsesoturi) on the guitars, Janne Saksola on bass and backing vocals, and Frank Fagerström on drums. In other words, if you enjoy the heavy, groovy and melodic metal music made not only Finland, but also from the entire Scandinavia, you must take a listen at the new EP brought forth by those skillful musicians from the land of ice and snow.

The whimsical keys, violin and cello by guests Kelly Walsh, Oona Yliperttula and Suvi Lehtimäki, respectively, in the intro Lucem Ac Tenebras (or “light and darkness” from Latin) will put you in a trance before BloodBlind begin their wicked metal feast in [Redacted], where the headbanging, visceral riffs by Joni and Marko are effectively accompanied by the pounding drums by Frank, blending the fury and groove of bands the likes of At The Gates and Lamb Of God. Then the sick bass jabs by Janne will invite you to slam into the circle pit to the Punk Metal-infused tune Hits and Blood, with Tommi roaring and screaming nonstop like a demented creature. Furthermore, this metallic composition is thrilling and electrifying from start to finish, also showcasing classic guitar solos and, of course, bringing rage to our damned hearts. Lastly, leaning towards the trademark sound from countless Finnish Melodic Death Metal acts, the title-track False Light keeps the EP moving forward at full speed, with the heavy beats by Frank dictating the pace while supporting Tommi with his vocal attack until the very last second.

bloodblind-2021If heavy music is your business (and business is good), you can enjoy False Light in its entirety on YouTube and on Spotify, but of course the best way to support underground metal is by purchasing your favorite format of the EP by clicking HERE. Also, don’t forget to show the guys from BloodBlind your love and tell them how much you like their music by following them on Facebook and on Instagram, and also to subscribe to their YouTube channel for more of their high-octane music. The term “false light” might mean an untrue or misleading portrayal, but that’s not what BloodBlind have to offer us in their new EP; quite the contrary, it’s ass-kicking metal music with no filters nor any artificial elements, staying true to their roots and, consequently, pointing to a bright future ahead of those unrelenting musicians.

Best moments of the album: Hits and Blood.

Worst moments of the album: None.

Released in 2021 Independent

Track listing 
1. Lucem Ac Tenebras 1:22
2. [Redacted] 4:42
3. Hits and Blood 2:08
4. False Light 4:46

Band members
Tommi Kokko – vocals
Joni Halmetoja – guitar
Marko Lundahl – guitar
Janne Saksola – bass, vocals
Frank Fagerström – drums

Guest musicians
Kelly Walsh – piano and synths on “Lucem Ac Tenebras”
Oona Yliperttula – violin on “Lucem Ac Tenebras”
Suvi Lehtimäki – cello on “Lucem Ac Tenebras”

Album Review – Lord Of Pagathorn / Age Of Curse (2021)

This unrelenting horde is ready to strike again with their newborn spawn of vicious, death-reaping Finnish Black Metal.

3.5rating

lord-of-pagathorn-age-of-curse-2021Hailing from Finland’s capital Helsinki, the unrelenting Black Metal horde that goes by the name of Lord Of Pagathorn is ready to strike again with their newborn spawn, entitled Age Of Curse, bringing to our ears eight original songs of death-reaping Finnish Black Metal crafted by vocalist and guitarist Corpselord, guitarist Skrubb, bassist Ronitor and drummer Skalder. Recorded by the band’s own Ronitor, who was also responsible for the album’s sick artwork, and mixed and mastered by Trollhorn (aka Henri Sorvali) at Trollhouse Audio, Age Of Curse is Lord Of Pagathorn’s most detailed and cohesive opus since the band’s inception in the distant year of 1992 in the city of Rovaniemi, showing those black metallers still have a lot of fire to burn in their path of evil and darkness.

A cryptic, sinister intro titled Burning Ominous Words sets the stage for the Finnish quartet to kill in Baneful Curse To Destroy Them All, with Corpselord and Skrubb delivering old school Black Metal riffs while Skalder hammers his drums nonstop. Put differently, it couldn’t have sounded rawer, more devilish nor more traditional than this, and continuing their feast of pure malignancy, Corpselord leads his infernal horde with his wicked gnarls while Ronitor and Skalder will make your head tremble with their hellish kitchen in Conqueror of Im-Kharasak. Then slowing things down a bit and adding a visceral dosage of Doom Metal to their core madness, the band fires the headbanging Insatiability of Man, with Ronitor’s bass jabs supporting the strident guitars by Corpselord and Skrubb; whereas their Black Magic-infused riffage will pierce our souls mercilessly in Over Throned, while Skalder dictates the pace through his intricate yet bestial beats in an awesome display of pure Black Metal.

The title-track Age of Curse is a lecture in old school, unfiltered Black Metal by Lord Of Pagathorn, with the band’s guitar duo being in total (and infernal) sync with Skalder’s drums, not to mention how vile the screeches and roars by Corpselord are, and more of their spine-chilling sounds permeate the air in the venomous Crush The Holy Spirit, a nonstop hurricane of Black Metal riffs, beats and growls that will please all fans of classics the likes of Mayhem, Immortal and Marduk. There’s no time to breathe as the band’s Stygian onrush of sounds goes on in Prophecy of Androgyne Being, bringing to our avid ears more of Corpselord’s demonic screams amidst a pulverizing and melodic sonority. And last but not least, the gates of hell are wide open to the sound of the sluggish and grim Dragging in the Dust, another wicked Black Metal extravaganza spearheaded by the neck-breaking beats by Skalder, all spiced up by Doom Metal elements carefully inserted into the band’s trademark sound.

lord-of-pagathorn-2021You can easily join the Black Metal cult led by Lord Of Pagathorn by following the band on Facebook, but of course if you want to prove to the entire world you’re a true servant of darkness you should purchase Age Of Curse (which is by the way available for a full listen on YouTube) from the Woodcut Records’ BandCamp page or webstore, as well as from Record Shop X or from Discogs. Lord Of Pagathorn are one of those bands that will always be loyal to the foundations of Black Metal, having followed the dark path since their very first demo released in 1993, and based on the sulfur and obscurity flowing from their excellent new opus I’m pretty sure the Black Metal scene in their homeland Finland will stand strong for decades to come.

Best moments of the album: Baneful Curse To Destroy Them All, Age of Curse and Crush The Holy Spirit.

Worst moments of the album: Insatiability of Man.

Released in 2021 Woodcut Records

Track listing   
1. Intro – Burning Ominous Words 1:36
2. Baneful Curse To Destroy Them All 3:15
3. Conqueror of Im-Kharasak 5:29
4. Insatiability of Man 5:06
5. Over Throned 6:23
6. Age of Curse 5:26
7. Crush The Holy Spirit 4:41
8. Prophecy of Androgyne Being 6:01
9. Dragging in the Dust 7:56

Band members
Corpselord – vocals, guitar
Skrubb – guitar
Ronitor – bass
Skalder – drums

Album Review – Rioghan / Blackened Sky EP (2021)

An up-and-coming Finnish poet and lyricist translates her work into music in her debut EP, deeply rooted in Progressive, Gothic and Progressive Metal.

Formed in 2019 by Finnish singer Rioghan Darcy, Lapua, Finland-based Alternative/Gothic Metal entity Rioghan is deeply rooted in Progressive, Gothic and Progressive Metal, translating into fresh and captivating music Rioghan’s work as both a poet and a lyricist. Now in 2021 our dauntless artist teamed up with Jonne Soidinaho, Eemeli Bodde and Atte Pohjonen, all skilled musicians from the Finnish music scene, to come up with a four-song EP entitled Blackened Sky, her debut installment as a vocalist. With all instruments being recorded and programming done by Eemeli and Jonne in various locations while vocals were recorded with Ville Hautaluoma in his studio in Seinäjoki, Finland, Blackened Sky brings something new to the table, being recommended for fans of rock and metal music who are not afraid of exploring newer, more alternative lands that are at the same time heavy, obscure, whimsical and fascinating.

Atmospheric and ethereal form the very first second, the opening track Hollowness already presents Rioghan’s delicate, enfolding vocals boosted by the song’s gentle background keys in a stylish fusion of Progressive and Alternative Rock and Metal, whereas sick Groove Metal riffs and bass punches together with tribalistic beats generate the perfect ambience for Rioghan’s piercing voice in Enough, where she showcases her more aggressive side and, therefore, turning this song into a must-listen for fans of the music by bands like Tesseract and Jinjer. Then investing in a much more alternative sound Rioghan brings forth the stylish Wither, where you won’t find the heaviness of the guitars from the previous song but instead electronic and atmospheric elements like what’s seen in the music by Lorde; and lastly, it’s time for an embracing, orchestral ambience in Corrupt, with Rioghan being supported by classic acoustic guitars while the music flows smoothly until everything fades to the sound of her comforting vocals.

I guess there’ll be a lot of discussion among fans of alternative music if Rioghan is rock, metal or something else, and that’s in my humble opinion the beauty of her music, avoiding any labels while at the same time bringing forth stunning elements from an array of musical styles, with Blackened Sky perfectly representing the first step in her promising career. Hence, don’t forget to show your support to Rioghan by following her on Facebook and on Instagram, by streaming her music on Spotify, and of course, by purchasing Blackened Sky from her own BandCamp page (or by pre-saving it to your desired music library by clicking HERE). I truly hope she doesn’t take too long to mesmerize us all once again with another EP or, even better, with her first full-length album, but until then let’s close our eyes and relax to the sound of the unique creations found in Blackened Sky, a short and sweet display of what this talented musician from the land of ice snow is capable of doing.

Best moments of the album: Enough.

Worst moments of the album: None.

Released in 2021 Inverse Records

Track listing
1. Hollowness 3:25
2. Enough 4:46
3. Wither 3:18
4. Corrupt 3:26

Band members
Rioghan Darcy – vocals

Guest musicians
Eemeli Bodde & Jonne Soidinaho – all instruments, programming

Album Review – Korpiklaani / Jylhä (2021)

The Finnish clan of the wilderness is ready to put us all to dance around the firepit once again with their majestic fusion of folk elements and heavy sounds.

Forged in the already  distant year of 1993 (first as Shamaani Duo and later as Shaman), Finnish Folk Metal institution Korpiklaani is more than ready to put us all to dance around the firepit once again with their fusion of folk elements and heavy sounds found in their eleventh studio album, titled Jylhä, and let me tell you there couldn’t be a better name to describe such awesome record. Jylhä is the Finnish word for “majestic”, which is exactly what frontman Jonne Järvelä, guitarist Kalle “Cane” Savijärvi, bassist Jarkko Aaltonen, violinist Tuomas Rounakari, accordionist Sami Perttula and drummer Samuli Mikkonen have to offer throughout the album’s 13 original compositions in the impressive span of one hour of music, all embraced by the beautiful artwork by Finnish designer Jan “Örkki” Yrlund (Darkgrove Design), resulting in one of the most sonically diverse records they’ve ever written and, therefore, proving why they’re considered one of the most important names of the genre alongside giants the likes of Finntroll, Eluveitie, Ensiferum and Turisas.

The tribal beats by Samuli kick off the dark and folk Verikoira (“bloodhound”), a headbanging, beer-drinking tune by those old school Finnish guys with the violin by Tuomas and the accordion by Sami taking us back on a journey to a distant time, whereas it’s time to slam into the circle pit and drink some vodka in the name of Folk Metal in Niemi (“the cape” or “peninsula”), a song about the triple murder in Lake Bodom in 1960 that shocked the whole Finland, with Jonne leading his horde with his inebriate vocals while the slashing guitar by Cane adds some extra spice to the overall result. Then we have Leväluhta (“algae”), with its name taken from a spring in Isokyrö where remains of approximately a hundred Iron Age bodies have been found buried, highly inspired by Finnish traditional folk music where Samuli’s beats dictate the rhythm accompanied by the wicked accordion by Sami; followed by Mylly (“the mill” or “grinder”), the story of a man’s journey to the mill who on his way sees a figure sitting on a fence, a “devil” with a hoof as a  foot. Musically speaking, it’s another entertaining round of their fusion of Folk and Heavy Metal where Jonne nicely declaims the song’s dark words.

A melancholic and pensive intro led by Jonne’s introspective vocals evolves into a dark and metallic Folk Metal extravaganza titled Tuuleton (“windless”), showcasing the razor-edge riffs by Cane in constant paradox with the crying violin by Tuomas, while in Sanaton Maa (“wordless land”), inspired by a legend known at least in Kaukola and Valkeala in Finland, a beautiful melody flawlessly flows from their unstoppable riffs, violin and accordion, resulting in a Folk Metal headbanger that will please all fans of the band. The violin by Tuomas keeps crying in Kiuru (“lark”), not as inspiring nor as vibrant as its predecessors despite the decent job done by Jonne with his trademark raspy vocals and the always stylish riffs by Cane; and Cane continues to extract electrifying sounds from his stringed axe in Miero, showcasing elements from Doom and Melancholic Metal carefully inserted in their traditional Folk Metal, therefore exhaling sadness while Jonne is effectively supported by his bandmates’ backing vocals.

Get ready to prance around the fire pit together with the boys from Korpiklaani in the fun Pohja (“base” or “ground”), where Samuli is on fire with his crushing drums while Cane and Jarkko make our heads tremble with their riffs and bass jabs, not to mention Tuomas’ incendiary violin solo. Then more traditional, old school Finnish music in the form of Folk Metal is offered to us all in Huolettomat (“careless”), keeping the atmosphere light and exciting while Jonne’s vocals sound like a drunk minstrel from the past; and never tired of drinking and partying around the fire, the band brings to our ears the straightforward Anolan Aukeat, with Samuli and Jarkko providing Tuomas and Sami a strong base for their refined violin and accordion sounds. Their second to last display of insanity and booze comes as the semi-acoustic extravaganza titled Pidot (“feast”), which should work really well if played live mainly because of how much fans of the band love this type of dancing tune, and last but not least Korpiklaani fire the grim and heavy Juuret (“roots”), presenting their usual dexterity and musical roots infused with pensive and sluggish sounds, changing its shape and form as the music progresses and with Cane, Tuomas and Sami displaying all their passion for folk music.

In a nutshell, we can rest assured that as long as the Finnish clan of the wilderness is among us, our good old Folk Metal will remain alive and kicking, with albums like Jylhä beautifully showing how majestic and fun Scandinavian Metal (as well as all other styles from the north) can be. Hence, don’t forget to give the guys from Korpiklaani a shout on Facebook and on Instagram, to subscribe to their YouTube channel and to search for them on Spotify for more of their first-class music, and of course to buy your copy of Jylhä by clicking HERE​ or HERE. Every single time Korpiklaani release a new album, you know it’s time to stretch our legs and arms, grab some cold beer, start the fire and get ready to spend hours and hours dancing around the firepit, celebrating the Scandinavian culture and, above all, our deep passion for heavy music together with those unstoppable Finnish metallers.

Best moments of the album: Niemi, Pohja and Huolettomat.

Worst moments of the album: Kiuru.

Released in 2021 Nuclear Blast

Track listing
1. Verikoira 6:19
2. Niemi 3:42
3. Leväluhta 3:50
4. Mylly 4:43
5. Tuuleton 5:50
6. Sanaton Maa 4:29
7. Kiuru 5:26
8. Miero 4:21
9. Pohja 4:28
10. Huolettomat 4:16
11. Anolan Aukeat 3:05
12. Pidot 3:47
13. Juuret 6:19

Band members
Jonne Järvelä – vocals, mandolin, hurdy gurdy, violafon, shaman drum, djembe, flute
Kalle “Cane” Savijärvi – guitars, backing vocals
Jarkko Aaltonen – bass
Tuomas Rounakari – violin
Sami Perttula – accordion
Samuli Mikkonen – drums

Album Review – Revulsion / Revulsion (2021)

This ruthless Finnish unity is on fire in their debut full-length opus, offering us all an aggressive, sharp and viciously groovy form of Death Metal that begs for repeat listens.

Hailing from Pohjois-Pohjanmaa, a region of Finland that borders Lapland, Kainuu, North Savo, Central Finland and Central Ostrobothnia, as well as the Russian Republic of Karelia, the unrelenting Death Metal unity known as Revulsion has been carving their name in the local and international scene with their aggressive, sharp and viciously groovy form of Death Metal that begs for repeat listens. Now in 2021, this furious five-piece act comprised of Aleksi Huhta on vocals, Jari Toppinen and Jarkko Viitasalo on the guitars, Tuomas Alatalo on bass and Atte Karppinen on drums returns in full force with their self-titled debut full-length opus, following on the very positive feedback received for their 2010 demo Undressing External Humanity and their 2011 EP Defiled, being highly recommended for fans of bands the likes of Dying Fetus, Depravity, Suffocation and Morbid Angel, among several others. Featuring a straightforward artwork by Polish illustrator Kuba Sokólski, the album brings forward Death Metal that is contemporary and practical, taking the best elements from all over and delivering it flawlessly without pulling any punches, helping the band pave their destructive path that started in the already distant year of 2005.

Revulsion kick off the album with Last Echoes of Life, a pulverizing, demonic extravaganza serving as the welcome card by the quintet where Aleksi is a true beast on vocals, and you can already sense a lot of Groove Metal influences in their sick Death Metal as mentioned, whereas the razor-edged riffs by Jari and Jarkko, together with the classic beats by Atte, generate a thunderous atmosphere in the menacing tune Pyre, displaying an amazing job done by all band members (in special Tuomas with his Alex Webster-inspired bass jabs). Then it’s time to slam into the circle pit like a demented metalmaniac to the sound of Walls, where Aleksi continues to bark and growl manically while his bandmates don’t let the energy level go down not even for a single second in this hammering Death Metal chant. After such infernal tune we’re treated to Mustaa Hiiltä, or “black carbon” from Finnish, and as the name already indicates it’s by far the darkest and most devilish of all songs form the album, blending the heaviness of Death Metal with the obscurity of Doom Metal, and once again presenting Tuomas’ rumbling bass to make things even more infernal; while Lihaan Sidottu Kirja (“a book bound by flesh”) brings forward another round of their deranged music, presenting Jari and Jarkko’s trademark riffage and the brutality flowing from the kitchen crafted by Tuomas and Atte. Put differently, this is Death Metal at its finest.

Revulsion Wooden Coffin Box

Blasting their sonic weapons without showing a single drop of mercy, those Finnish metallers will decimate your ears in Wastelands, again bringing forward a perfect sync between Aleksi’s hellish growling and the vicious drumming by Atte, and more of their classic Death Metal comes in the form of Unravel, offering the listener blazing riffs and smashing drums while Aleksi continues to vociferate the song’s words with tons of anger, albeit not as dynamic nor as creative as its predecessors. Back to a more ferocious sonority, it’s time for Atte to take the lead with his wicked beats and fills in Silence, while the band’s evil guitar duo continues to slash our ears with their dirty, intricate and venomous riffs; followed by Pawns, a high-octane, straight-to-the-point Death Metal explosion crafted by Revulsion that will please all fans of old school savagery, with Atte displaying all his heavy artillery throughout the song’s two intense minutes. Finally, there’s nothing better than closing the album with six minutes of sheer darkness and malevolence like what they offer us in Viimeinen Rituaali (“the last ritual”), the perfect tune for banging your head like a deranged maniac, with the Stygian riffs by Jari and Jarkko being a work-of-art.

You can find more information about Revulsion, their music, tour dates and plans for the future on Facebook and on Instagram, and of course in order to show those Finnish death metallers all your support and admiration you can purchase their bestial self-titled album from their own BandCamp page or from the Transcending Obscurity Records’ webstore by clicking HERE or HERE, but if I were you I would definitely go for the jaw-dropping Revulsion Wooden Coffin Box with laser engraving of the band logo, containing the wooden box and an 8-panel digipak CD with metallic effect and UV lamination, plus an autographed card, a metallic logo patch, a badge, a beer coaster, a bottle opener with keychain and a metallic sticker. What else can you ask for, right? This is top-notch Death Metal made in Finland that’s definitely going to stand out in your collection, showing everyone in your family and all your friends that you’re indeed a revulsive headbanging bastard.

Best moments of the album: Pyre, Mustaa Hiiltä and Lihaan Sidottu Kirja.

Worst moments of the album: Unravel.

Released in 2021 Transcending Obscurity Records

Track listing
1. Last Echoes of Life 3:06
2. Pyre 3:23
3. Walls 3:13
4. Mustaa Hiiltä 5:21
5. Lihaan Sidottu Kirja 3:49
6. Wastelands 2:42
7. Unravel 3:53
8. Silence 3:21
9. Pawns 2:09
10. Viimeinen Rituaali 5:59

Band members
Aleksi Huhta – vocals
Jari Toppinen – guitar
Jarkko Viitasalo – guitar
Tuomas Alatalo – bass
Atte Karppinen – drums