Metal Chick of the Month – Miranda Wolfe

Free the beast within, Miranda!

It has become a tradition here at The Headbanging Moose to kick off a new year with a badass bass player on our Metal Chick of the Month section, and it couldn’t have been any different than that this January 2022 with our metal lady Miranda Wolfe. Born on July 31, 1987 in Edmonton, the capital city of the Canadian province of Alberta, Miranda is not only a fantastic bass player from the Canadian underground scene, but also a talented designer and tattoo artist, and I’m sure you’re going to love her music, her art and her charisma when she’s hammering her bass together with her Thrash Metal band Mortillery. In other words, you better get ready as things are about to get heavy-as-hell to the sound of Miranda’s infernal bass, starting 2022 in style.

It’s simply impossible to pay a tribute to Miranda without talking about Mortillery, as she was one of the founders of the band back in October 2008 in Edmonton together with guitarist Alex Gutierrez and drummer Emily Smits when they decided it was time for their city to have a thrash band that represented the origin of the genre, because although the punk and metal scene had always been strong in Edmonton and there were a few crossover bands, there was nothing specific to that classic 80’s Bay Area Thrash sound at that time. Shortly after, vocalist Cara McCutchen joined the band, and James Guiltner was added as a lead guitarist to finish up what was the original line up. However, the band parted ways with James, replacing him with Alexander Scott, and later in 2013 replacing Alexander with Kent Quinlan. Emily also left the band back in 2010, with Kevin Gaudet being then responsible for the drums. For months the band tried to come up with a name, but every cool name they came up with was taken, and therefore they just made up a word by combining “mortal” and “artillery”.

Playing classic 80’s Thrash Metal in the vein of thrashing beasts Nuclear Assault and singing about topics like hell, death, evil, murder and the apocalypse, the awesome Mortillery, who are by the way on hold for now, released their self-titled debut demo in 2009, their self-titled EP in 2010 (containing the two songs from the 2009 demo plus other songs), and the full-length albums Murder Death Kill, in 2011, Origin of Extinction, in 2013, and more recently Shapeshifter, in 2016, not to mention the band was also featured on the 2016 Metal Hammer compilation Maximum Metal Vol. 218 with the song Radiation Sickness. Not only Miranda played bass in all of the band’s releases to date, but she was also responsible for the booklet artwork for their 2013 album Origin of Extinction, and the layout for their 2016 album Shapeshifter, showcasing another side of our metal lady that will be discussed shortly.

You can have an absolute blast with Miranda and her Mortillery on YouTube by enjoying their awesome videos for the songs Radiation Sickness, Age Of Stone, Torture and F.O.A.D., as well as the live versions for Murder Death Kill and Countless Suicide, and their cover versions for Razor’s Evil Invaders and Anthrax’s all-time classic Madhouse. You’ll certainly notice how metallic, visceral and rumbling the bass lines by Miranda sound in each of those songs, proving she’s much more than “just” a talented bass player, but a true metalhead that nurtures an absolute passion for what she does (also showing a deep passion for her partner, her two cats and dog, and for traveling and touring, by the way). And in case you’re eager for more of the music by Mortillery, you can also find all of their creations on sale and for streaming on BandCamp and on Spotify.

Highly influenced by monsters of metal such as early Metallica, Toxic Holocaust and Judas Priest, our beloved bassist is also huge into Punk Rock and very early Thrash Metal, with bands the likes of Exodus, Exciter, Annahilator, Razor, Broken Bones, Crucifix, GBH, Flotsam & Jetsam, Anthrax and Municipal Waste being a regular part of her playlist. Furthermore, Miranda and Mortillery have already shared the stage with some of their idols such as Death Angel and Anvil, to name a few, with their first show ever being the supporting act to the one and only Toxic Holocaust. As we’re talking about touring and supporting major bands, it’s important to mention that Mortillery use no special effects at all during their live performances, simply because they want their music to be heard for what it is with no distractions. And when asked which bands Miranda and the rest of the band would love to tour with, they mentioned playing alongside Overkill, Anthrax or Helloween would be a dream come true. Moreover, when asked about the metal scene in Edmonton, Miranda and the band mentioned there are lots of really dedicated bands and fans in the city, but the distance to other cities and the frigid temperatures in the winter can be a real barrier to touring, and if you want to check other amazing Canadian bands like Mortillery you should take a listen at Skull Fist, Diemonds, Cauldron, Kobra And The Lotus, Unleash The Archers, Tarantuja, Gatekrashor, Crystal Mess and Untimely Demise, among many, many others.

This slideshow requires JavaScript.

In one of her interviews together with Cara, the girls were asked if they have to prove themselves twice as female musicians in a male dominated scene, or if this is not an issue anymore these days. Miranda and Cara simply answered that they don’t need to prove anything to anyone, that they just do what they enjoy and that their sound will always remain the same no matter what. In addition, they mentioned that if you are good at what you do, you should be recognized for that regardless of what sex you are, complementing by saying that they don’t believe that women “need” any special attention just because they are women, and that there was never a lack of recognition for the women that play metal, but just that there’s a lot more of women in the metal scene nowadays. There’s also an awesome panel online called “Women Who Rock” held in 2016 by Napalm Records (which can be seen in full HERE) featuring Fernanda Lira of Nervosa, Tatiana Shmailyuk of Jinjer, and of course Miranda and Cara, covering questions like “What does it mean to you to be a woman in metal?” and “Who’ve inspired you and what got you into metal?”, among other questions, where Miranda mentions Girlschool and Wendy O. Williams, two of the most important names in the history of rock and metal regarding female musicians, as the ones who got her into becoming a musician.

And last but not least, as aforementioned our unstoppable bassist took care of the booklet artwork in Origin of Extinction and the layout in Shapeshifter, and that talent in the arts and design field led her to open her own tattoo studio in 2021, simply named Miranda Wolfe Tattoos, a high detail custom tattooing studio specializing in blackwork, dotwork and traditional, being fully licensed, health board approved and bloodborne pathogens certified. Miranda has been tattooing since 2016 and she has always been a very artistic person who cares a lot about her work and her clients, always putting the most towards each and every piece she does, big or small. Hence, if you want to give Miranda Wolfe Tattoos a try and turn your idea for a tattoo into reality, you can get in touch with her by email, by Facebook or by Instagram, and I’m sure she will provide you with first-class customer service and all the attention you can get from a multi-talented metalhead like her. Who knows, maybe you can finally get that Thrash Metal-inspired tattoo you’ve been dreaming of with a real thrashing tattoo artist like Miranda, right?

Miranda Wolfe Tattoos’ Official Facebook page
Miranda Wolfe Tattoos’ Official Instagram
Mortillery’s Official Facebook page
Mortillery’s Official Instagram
Mortillery’s Official YouTube channel
Mortillery’s Official Twitter

Metal Chick of the Month – Heidi Shepherd & Carla Harvey

heidi_carla

Ladies and Gentlemen, children of all ages… Step right up and get your tickets to the greatest show on earth!

Love them or hate them, we all must admit that the two female metallers chosen to celebrate the third anniversary of The Headbanging Moose have a strong influence on contemporary Heavy Metal due to their unique (and aggressive) attitude, which obviously includes their sexy looks and fiery and chaotic music. They deal with their sexuality more naturally than we prepare a simple orange juice, and although some people might consider their work futile or even too obscene, let’s not forget that heavy music is above all things a form of art where artists can freely express their thoughts, ideals and beliefs through their compositions and, in many cases like for example in Black Metal, through their image. Besides, their music is a billion times better than anything Lady Gaga does, a woman who calls herself a true metal fan but in reality keeps playing second-class meaningless pop stuff. With that said, let’s raise our horns to frontwomen Heidi Shepherd and Carla Harvey, the dynamic duo responsible for the amusing blend of violence and rebelliousness bred by American Metalcore/Groove Metal band Butcher Babies.

Before we talk about each “butcher baby” in more details, let me provide you a short and sweet overview of this Alternative Metal band from Los Angeles, California in case you have never heard of them in your life. Formed in 2010, Butcher Babies probably have one of the most solid lineups in the history of heavy music despite being just a few years old. Apart from Heidi and Carla, the band is also made up by guitarist Henry Flury, bassist Jason Klein and drummer Chris Warner, all still playing together since the band’s inception and, based on how healthy their relationship is, that’s the way things are going to be for many years to come. The name of the band came from the song Butcher Baby by American Punk Rock band Plasmatics, spearheaded by the iconic singer, songwriter and actress Wendy O. Williams. Both Heidi and Carla acknowledge how important Wendy O. Williams was (and still is) for the increasing acceptance of women in heavy music, which is one of the reasons why they wear such eccentric attire during their live performances including wearing nothing but black tape over their nipples (albeit they’ve ditched it in recent years).

Despite their short period of existence so far, the band has already released the single Blonde Girls All Look The Same in 2011, the EP Butcher Babies in 2012, their first full-length album Goliath in 2013, another EP entitled Uncovered in 2014 and finally their most recent full-length album, Take It Like a Man, in 2015. You can have lots of fun with their music and sexiness in songs such as They’re Coming To Take Me Away, Ha-Haaa!, Igniter, Magnolia Blvd, Mr. Slowdeath, Dead Man Walking, I Smell a Massacre, Gravemaker and The Butcher, or you can simply enjoy their entire 40-minute performance at the always superb Graspop Metal Meeting in Dessel, Belguim in 2015. There are also tons of cool interviews with Heidi and Carla on YouTube, such as backstage interviews at Knotfest in 2014 and at Rockstar Mayhem Tour in 2013; their explanation for abandoning the nipple tape and covering up; a nice interview for Metal Hammer at Soundwave 2015 where they talk about hugging koala bears, fighting kangaroos and their adventures in Australia; an interview to German channel BunchTV in 2011 still with the nipple tapes; and a very relaxed interview to FeMetalTV in 2015.

HEIDI SHEPHERD

heidi01

Enough said already, now it’s all about the girls. Let’s begin with the sometimes blonde, sometimes red-headed hurricane Heidi Shepherd, the woman accountable for the high-pitched screams and growls for Butcher Babies. Born on April 17, 1985 in Utah, United States, Heidi is more than “just” a metal singer, being also a radio DJ, actress and casting director best known for the 2008 thriller Animals and the TV series MANswers, as well as minor parts and uncredited appearances in different shows such as My Name Is Earl, Ghots Whisperer and CSI: NY.

Heidi, who by the way is the oldest of 6 kids, grew up in Provo, Utah, the third largest city in the state and located around 43 miles south of Salt Lake City, where she attended Provo High School, graduating in 2003. Still in high school, believe it or not Heidi was an accomplished track and field athlete, even traveling to Russia to participate in the Junior Olympics. She also graduated from Southern Utah University, where once again she showcased all her athleticism participating in competitions such as high jump and long jump. Also, as a girl raised in the Mormon religion, Heidi has a very interesting view of the concept of Heaven and Hell, stating those are things the human being made up to make ourselves feel comfortable about the afterlife, something to give people a purpose and life goals.

In regards to her passion for music and how it helped her become a better person, our unrestrained vocalist said music was basically the only thing she could relate to in her childhood, having as her personal heroes distinct names such as Slipknot, Wendy O. Williams, Gwen Stefani and Joan Jett, most of them being females that defy the male dominance in music as you can see. However, it’s Slipknot, a top to bottom male band, who had the strongest influence on her vocal style and stage performance, saying when she saw a picture of them for the first time (she was around 12 or 13 only) it really scared her but intrigued her at the same time. Once a girl who developed an intense fear of the dark, Heidi learned to embrace fear and use it in her creative process through the years, something we can definitely connect to what Slipknot aim with their unique approach.

This slideshow requires JavaScript.

If you think she’s a party girl who doesn’t sleep at all and drinks every alcoholic beverage in sight, you’re absolutely wrong. Well, of course she always has her share of fun, but Heidi mentioned already in different interviews that if she doesn’t get enough sleep every night her live performances suffer a truly negative impact. On top of that, Heidi said that despite loving whiskey she can’t drink it on the road anymore, as the effect of the alcohol hurts her vocal chords, so she saves it for when she gets back home. If you’re a singer I’m sure you can relate to that, because you can be tired and drunk and still play a guitar, for example, but the impact alcohol can have on your vocals can be devastating without any doubt.

Lastly, as a lover of horror flicks and a believer of supernatural and paranormal forces, which in my opinion is an excellent source of inspiration for the type of music played by Butcher Babies, Heidi mentioned that among her favorite recent movies we can find titles like the new Evil Dead, V/H/S and V/H/S/2, You’re Next and The Purge, all pretty decent films with interesting storylines, don’t you think? And who knows, maybe it’s time for a slasher movie with a main female character named “Heidi the Butcher”, who not only chops and dismembers her victims, but does that screaming like a maniac while listening to some vicious heavy music. Or maybe it should be a sanguinary duo of Heidi and Carla? Read the rest of this essay and take your own conclusions.

Heidi Shepherd’s Official Facebook page
Heidi Shepherd’s Official Twitter
Heidi Shepherd’s Official Instagram

“There’s no reason why girls can’t get up there and rock just as hard as, if not harder than, the boys. And I’m so happy to say that I’m seeing a movement.” – Heidi Shepherd

CARLA HARVEY

carla01Of course Butcher Babies wouldn’t be complete without the charisma of the daredevil vocalist, author and actress Carla Harvey. Born on October 4, 1976 in Detroit, Michigan, United States, Carla is what we can call a very successful “experiment” as she is of Ethiopian, Finnish, Irish and Italian background, and her contribution to Butcher Babies comes in the form of hellish growls deeper than the screams by Heidi, endless energy on stage and some of the weirdest faces you can think of. Put differently, when Carla is performing with the band, she becomes a true female demon like Lilith, for example.

Carla attended Glenn Levey Middle School in Southfield, Michigan, before going to Mercy High School (an all-girl private Catholic school) and Harrison High School, both in Farmington Hills, Michigan. Her first job in Hollywood was as an Entertainment Reporter for the Playboy Channel, also taking part in several movies such as Frankenstein vs. the Creature from Blood Cove (2005), Happy in the Valley (2009) and Dry Run (2010), and other TV shows like Root of All Evil, Sex Chronicles and, just like her partner Heidi, MANswers. In addition, she took a break from the entertainment world to earn a degree in Mortuary Science from Cypress College in California, and worked as an embalmer and funeral director before forming Butcher Babies.

Our raven-haired (with some blue nuances) brawler said she’s been into music since she was a little kid, playing instruments like guitar and bass but always knowing she was born to be a singer. Her first appearance in a band happened when she was around 17 years old, but it wasn’t until Butcher Babies were born that she reached true stardom. Among her main influences, we can find kick-ass names like Slayer and Slipknot, with Slash and Jimi Hendrix being her personal heroes especially due to their roots. As a biracial girl growing in Detroit, seeing musicians that were also of African-American descent playing the music she loved was essential for her to keep pursuing her dreams and overcoming the odds imposed by society on her. Another huge influence on her vocal style and onstage performance in the one and only Phil Anselmo, the iconic frontman from Pantera and Down, who she has admired since she was a kid, highlighting how humble and easy-going he is as a person after finally being able to meet him on the road.

This slideshow requires JavaScript.

Heavily influenced by horror movies such as The Texas Chain Saw Massacre, House of 1000 Corpses and The Devil’s Rejects (these two directed by another one of her idols, Rob Zombie), Carla is also passionate about writing, drawing and reading comic books since she was a kid, something that helped her cope with loneliness as an introverted child, and from that fusion of horror flicks, comics and Heavy Metal she became a “comic book mastermind” according to Hustler Magazine. Her first comic book, entitled Butcher Babies (illustrated by Anthony Winn from Deepcut Productions), was released at the San Diego Comic-Con in 2011, followed by her first full-length novel Death and Other Dances in 2014, and more recently the comic series Soul Sucka, the story about an African-American vampire, in 2015. Carla is always drawing “naked girls” and other stuff, and if you’re interested in taking a look at her work you can visit her Big Cartel page.

And finally, just like what was written about Heidi in terms of drinking and partying while on tour, Carla also said drinking lots of water and hot tea is what truly helps keep her vocal chords moist, together with the obvious and necessary amount of sleep per night. However, she mentioned she also enjoys drinking Jägermeister as it coats her throat rather than drying it out. Although I’m a beer guy, I’m an admirer of Jäger too and I understand perfectly what she’s trying to say about the effect of this exquisite German digestif on your throat. If your job requires you to cut off alcohol, all you have to do is improvise and find other alternatives. And it looks like being creative and always trying new stuff doesn’t scare our roaring metal babe at all.

Carla Harvey’s Official Facebook page
Carla Harvey’s Official Twitter
Carla Harvey’s Official Instagram

“I wish, some day people stop using the female fronted this, female fronted that, because it always takes the focus away from the band itself, because you know, we are all just Heavy Metal bands, we are all doing the same thing.” – Carla Harvey

Butcher Babies’ Official Facebook page
Butcher Babies’ Official Twitter
Butcher Babies’ Official Instagram

Metal Chick of the Month – Alexis Brown

alexis01

What be this beast here that lies deep… asleep right in the heart of me?

With the year of 2015 almost coming to an end, we metalheads must keep on rockin’ as loud as we can, and in order to spice things up a little let’s talk about a stunning ebony girl full of attitude, energy and passion for heavy music. Hailing from Clarksville, Tennesee, United States, the fifth largest city in the state behind Memphis, Nashville, Knoxville and Chattanooga, respectively, breaking down all gender and racial barriers comes the beautiful Alexis Brown, the electrifying frontwoman of American Metalcore band Straight Line Stitch and one of the most prominent black women in heavy music today.

Alexis started in music in her childhood playing violin and the cello, and of course she has always been a singer, with her background being from all kinds, genres and subgenres of music. Despite having such a hardcore attitude on stage with SLS, Alexis hasn’t been into metal music since the beginning: because she is a black girl, she thought she should be doing R&B music instead of anything else, but thanks to her stepfather and her brother she started developing her love and passion for Heavy Metal. Besides, Alexis herself thought that if she had continued with R&B, she would have become just one more black girl doing that. Not that she doesn’t enjoy the unique voice of R&B singers such as Billie Holiday and Stevie Nicks, but she truly wanted to do and be something different in her life and career, and metal ended up being the perfect fit for her vocal range and style.

Before joining SLS, Alexis was part of a Hard Rock band called FSN for five years, and she still remains friends with all original members. After FSN traded out some concerts with SLS, she fell in love with their music, and after some talks with the drummer for SLS she was invited to join the band. A couple of weeks later she ended up accepting the challenge and moving to Knoxville. Formed in 2000, SLS had just released  a demo and an EP before she joined the band in 2003, which basically means there’s no SLS without Alexis Brown and vice-versa today. After her debut album with the band in 2006, entitled To Be Godlike, she has already recorded the EP The Word Made Flesh (2007) and the self-titled EP Straight Line Stitch (2014), two full-length albums named When Skies Wash Ashore (2008) and The Fight of Our Lives (2011), and more recently a new EP entitled Transparency (2015). Although she’s always on tour with SLS, mainly around the United States and some very specific dates in the UK, Canada and the Netherlands, our tattooed goddess mentioned she would love to take her music to completely different and distant places like Hawaii, Australia, Japan, South America and Russia.

This slideshow requires JavaScript.

Because Metalcore and Hardcore always have a huge focus on vocals, SLS were very lucky to find Alexis in their path and to be able to have her join the band. Not only her guttural vocals are amazing, as you can see in the powerful tracks Conversion and Remission, but also her clean singing is way above average as in the smooth One Reason. You can also take a listen at her awesome vocal range and performance in other excellent songs like Black Veil, Taste of Ashes and Never See the Day.

When asked about the increasing exposure and acceptance women in metal have been getting in the past few years, our high-minded diva mentioned that although this is indeed very positive, we shouldn’t forget women have always had a huge impact in heavy music, with names such as Wendy O. Williams, Joan Jett and Lita Ford being some of the pioneers, rocking our world for decades already.

Alexis has a very eclectic taste for music: her iPod contains music by Drake, Bee Gees, Barbara Streisand (by the way, she loves her voice), an English Rock band from the 60’s called The Zombies (famous for their debut single She’s Not There, from 1964), as well as many new and indie bands. In regards to her hobbies outside music, she mentioned she loves watching old horror movies and reading lots of Harlequin romance books.

And finally, when asked about the craziest thing that has ever happened to her on the road, Alexis said that she met and kissed somebody famous once, but she didn’t mention who that person was out of respect for his privacy. I guess the question here is not just who the guy was, because that’s too bland and do not represent how blessed he ended up being. We should scream the question, it has to represent what it is to be kissed by such an amazing girl, something like “WHO WAS THAT MOTHERFUCKIN’ LUCKY BASTARD?”

Alexis Brown’s Official Facebook page
Alexis Brown’s Official Twitter

“To me every show is memorable be it good or bad. It’s memorable when the whole crowd is singing all the words to our music, and it’s also memorable when some stupid heckler tells me to show my boobs.” – Alexis Brown