Bang your head to this uncompromising DIY tribute to the Greek gods, recommended for fans of that 80’s Speed Metal sound sparkled with heavy and punk influences.
Founded in the second half of 2018 in Ottawa, Canada’s capital located in the east of southern Ontario, Speed Metal power trio Aphrodite is the result of a collective effort between the creative minds of Canada’s own multi-instrumentalist Jo Steel (Ice War) and guitarist Yan Turbo (Colorsfade), and Chilean unrelenting vocalist Tanza Speed, a true metal nomad known for bands like Outline and Demona. Now in 2019, with the help from Heidi Stockdale, who developed the lyrical concept revolving around Greek Mythology, Aphrodite are unleashing upon us their debut full-length album entitled Lust and War, a DIY production recommended for fans of that 80’s Speed Metal sound sparkled with heavy and punk influences in the vein of Acid, Znöwhite, Agent Steel, S.D.I. and Vectom, among many others.
Jo and Yan’s frantic riffs and beats ignite the opening track Hades in the Night, before Tanza comes ripping with her old school-Japanese-inspired-punk-thrashing vocals, resulting in a fun, straightforward song perfect for enjoying a beer inside the pit, whereas in Pandora’s Box Unleashed the guitar duo keeps slashing their strings mercilessly, firing razor-edged riffs and solos inspired by classic Thrash Metal and Punk Rock, as well as rumbling, metallic bass punches. In other words, I can easily visualize them playing this at an underground, obscure rock pub. Then in Ares, God of War wicked guitars and frantic beats dictate the rhythm while its simple but effective lyrics tell the story of the one and only god of war (“Feeder of thieves / Master enslaver / World on its knees / Ransack the land, scepter in hand / Lord of greed, madness of man / Loathsome war leader / Lord of greed, madness of man / Loathsome war leader”), feeling like a North American version of the crushing music by Japanese masters Abigail but obviously with a more complex theme.
Aphrodite keep blasting their raw, dirty Speed Metal in Lightning Crashed, where Tanza seems slightly “inebriate” on vocals (or maybe that was the original plan, who knows) while Jo does a great job on drums once again, not to mention Yan’s piercing guitar solos. Slowing down their madness a bit, the trio offers the Megadeth-inspired tune Pentheselia, with Tanza delivering less strident and more tuneful vocals, and yet again presenting gripping guitar riffs and solos; followed by Gorgon Medusa, which sounds like a copy of one of the previous songs from the album, albeit not as thrilling neither as fast, but still bringing a good dosage of crudeness and rebelliousness to our ears. And Aphrodite, Queen of Lust, the song that carries the band’s name, is another punk-infused thrashing composition where the sharp sound of the guitars builds an interesting paradox with the song’s low-tuned bass lines.
Getting back to a more rockin’ sonority the trio offers us Orpheus Charms the Gods of Death, spiced up by another blast of interesting but never too complex lyrics (“Thracian Orpheus, blessed by the gods / None can resist enchanting song / His melody sways the mountains and trees / Melting the heart of the beast”), and let’s keep slamming into the pit with Thesus and the Minotaur, with the rhythmic beats and thunderous bass punches by Jo generating a dense background for Yan’s crisp solos. Their Rock N’ Roll party goes on in The Odyssey, where Tanza continues to fire her raspy, feminine vocals while Yan and Jo are ruthless with their cutting riffs and beats, before Gladiators (Gladiators), and I must say I have absolutely no idea why the song is called “Gladiators” twice nor if this is a cover song for a very old band called Gladiators, closes the album on an accelerated manner, with Tanza’s vocals walking hand in hand with the song’s main riff as if they were one.
Lust and War might not be a Speed Metal masterpiece (as a matter of fact, it’s not even close to that), but taking into account all the effort and limitations Jo, Yan and Tanza had during the production stages of the album we have to admit that in the end they did a pretty good job. Hence, don’t forget to show our support to Aphrodite by following them on Facebook, by listening to Lust and War in full on YouTube and on Spotify, and of course by purchasing the album from the band’s own BandCamp page, from the Fighter Records’ BandCamp page, from the Xtreem Music webstore in CD or LP format, from Apple Music or from Amazon. As this is a DYI album, utterly uncompromising and free of any type of pressure, of course there are many flaws to be fixed and adjustments to be made, but after all is said and done I’m sure you’ll have a very good time listening to this 80’s Speed and Heavy Metal-inspired tribute to the Greek gods.
Best moments of the album: Hades in the Night, Ares, God of War and Orpheus Charms the Gods of Death.
Worst moments of the album: Gorgon Medusa.
Released in 2019 Fighter Records
1. Hades in the Night 3:02
2. Pandora’s Box Unleashed 3:48
3. Ares, God of War 2:31
4. Lightning Crashed 3:21
5. Pentheselia 2:56
6. Gorgon Medusa 2:50
7. Aphrodite, Queen of Lust 3:22
8. Orpheus Charms the Gods of Death 3:10
9. Thesus and the Minotaur 3:26
10. The Odyssey 3:58
11. Gladiators (Gladiators) 3:52
Tanza Speed – vocals
Yan Turbo – lead guitar
Jo Steel – guitars, bass, drums