Witness the spiritual putrefaction of men in the form of raw extreme music, crafted by a cryptic Venezuelan duo that refuses to compromise or embrace standardized creation processes.
On their horrific debut opus entitled Typhomanteia: Sacred Triarchy of Spiritual Putrefaction, Venezuelan Black/Death Metal abominable duo Cthonica unravels almost an hour of blood-curling and slithering ritualistic aural terror the hideousness and repulsiveness of which has rarely been seen on this earth, being highly recommended for admirers of the extreme noise blasted by bands such as Immolation, Incantation, Beherit, Blasphemy and Portal. Adding hazy layers of purulent noise and sepulchral dark ambient murk to further disfigure their abhorrent creation, Cthonica have crossed a new threshold in Extreme Metal, setting an entirely new standard of sonic inversion with their raw and decaying sound, and taking the glorification and worship of death and perversion to an entire new realm of conceptual and audial atrocity.
Formed in the Venezuelan capital city of Caracas in 2016 by D.V. on guitars, bass and drums, and H.K. on vocals, noise, electronics, lyrics and concept, rising from the ashes of a previous incarnation of the project called Okkvlt, Cthonica are a proudly home-recorded project, both for necessity due to the precarious access to resources in the tumultuous Venezuelan society and general lack of most things out there, and for the complete refusal by the core duo behind the project to compromise or embrace standardized and commonly acceptable creation processes. Mixed and mastered at Necrosound Studio, and featuring an artwork of surreal visual horror by Venezuelan artist Bryan Maita (BMS Illustration), Typhomanteia: Sacred Triarchy of Spiritual Putrefaction deals with the Tehomic-Typhonian metamorphosis of every man’s reason through what they call “spiritual putrefaction”, or the progressive human corruption through the guidelines of opprobrious disciplines and their teachings, and even if you have no idea of what this means at all simply (try to) relax and enjoy over 50 minutes of first-class, utterly raw extreme music made in Venezuela.
Typhomanteia: Sacred Triarchy of Spiritual Putrefaction, which seems to be purposely split into two distinct parts, kicks off with the first act of the first part, Act I: The Chalice, sounding dissonant, disruptive and absolutely raw from the very first second. H.K. begins growling deeply and rabidly in great Death Metal fashion while D.V. does an amazing job with both his flammable riffs and demonic blast beats, generating a Stygian ambience that will crawl deep inside your skin like a putrid maggot, resulting in a very atmospheric experiment with phantasmagorical passages and creepy intermissions to make things even more mesmerizing. Act II: The Lantern begins in full force, with the duo smashing our souls with their crude Experimental Black Metal, and you can easily sense the dirtiness flowing from D.V.’s devilish riffage throughout the entire song. Furthermore, H.K. continues to fire gargantuan harsh gnarls like a beast in this brutal and disturbing ode to the void, followed by Act III: The Verb, just as gruesome and infernal as its predecessors, with D.V. unleashing pure obscurity from his Doom Metal beats. Put differently, it can’t get any more experimental than this, and it’s quite impressive how they captivate our senses no matter how lengthy and intricate their wicked creations might be. In addition, H.K. not only is a talented growler, but his background noises and tones also add an extra touch of lunacy to the music.
Featuring guest vocalist İanzél (Ancient Blood, Desesperanza, Precaria), IV:I: Nor The Deadliest Disease Shall Be Compared With His Gift of Salvation… (the first aria of the second part of the album) brings to your ears a humongous wall of blackened sounds that will crush you like an insect, with the guitars and bass by D.V. reaching a new level of malignancy and sulfur while H.K. darkly vociferates the song’s words from the very depths of the underworld. This is the perfect sample of what underground extreme music is all about, which can also be said about V:II: … for the Children of he Who Lurks Beyond Shall Not Witness This Showcase Of Glory…, showcasing a tribal and absolutely vile intro led by the scorching hot riffs by D.V. while H.K. fires his trademark enraged roars. Its strident riffs and solos, together with its crisp beats, generate a dense and furious sonority that flows smoothly until everything ends in the most aggressive and demented way possible. Then prepare your ears and minds for another onrush of obscurity and dementia in the form of raw Black Metal by the duo titled VI:III: … Not As Those Who Served and Preached in Obeisance., where visceral blast beats and riffs permeate the air, blackening your heart and thoughts while H.K.’s vocals get more and more deranged as the music progresses. And to properly conclude the album we have the cinematic outro VII: Ω De Derelictum Domum Sacrorum with its eerie noises, haunting screeches and demonic tones, putting a beyond devilish ending to such unique opus.
This precious and raw gem of underground extreme music made in South America can be appreciated in full on Spotify, but of course if I were you I would show my utmost support to H.K. and D.V. by purchasing Typhomanteia: Sacred Triarchy of Spiritual Putrefaction from one of the several locations where the album is on sale, such as the Sentient Ruin Laboratories’ BandCamp or webstore (if you fancy the vinyl format), the Cagliary Records’ BandCamp or webstore (for admirers of the cassette format), from the Clavis Secretorvm’s BandCamp or webstore in digipack format or as a black or white double LP, and Apple Music. The current state of Venezuela might be precarious and extremely delicate, but even facing all types of barriers and against all odds Cthonica managed to deliver an excellent debut album for our total delectation, proving once again that the underground is (and will always be) alive and kicking, and that the spiritual putrefaction of the human being can be useful at least as fuel when Black Metal is the music in question.
Best moments of the album: Act II: The Lantern and IV:I: Nor The Deadliest Disease Shall Be Compared With His Gift of Salvation….
Worst moments of the album: None.
Released in 2019 Clavis Secretorvm/Sentient Ruin/Caligari Records
1. Act I: The Chalice 11:19
2. Act II: The Lantern 7:49
3. Act III: The Verb 9:51
4. IV:I: Nor The Deadliest Disease Shall Be Compared With His Gift of Salvation… 6:34
5. V:II: … for the Children of he Who Lurks Beyond Shall Not Witness This Showcase Of Glory… 8:20
6. VI:III: … Not As Those Who Served and Preached in Obeisance. 5:30
7. VII: Ω De Derelictum Domum Sacrorum 2:57
H.K. – vocals, noise, electronics
D.V. – guitars, bass, drums
İanzél – additional vocals on “IV:I: Nor The Deadliest Disease Shall Be Compared With His Gift of Salvation…”