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Album Review – Panzerchrist / Maleficium – Part 2 (2025)

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This ruthless Danish beast is completing their ambitious double concept album, centering around the theme of witchcraft with a blistering new chapter of Blackened Death Metal brutality.

Rooted in the legacy of the 90’s Scandinavian Death Metal underground, Aarhus, Denmark-based Blackened Death Metal beast Panzerchrist is completing their ambitious double concept album Maleficium with Maleficium – Part 2, the follow-up to their 2024 demolishing opus Maleficium – Part 1 and a blistering new chapter of Blackened Death Metal brutality. Produced, mixed and mastered by Tue Madsen at Antfarm Studios, the newborn spawn by Sonja Rosenlund Ahl on vocals, Frederik O’Carroll and Danny Bo Pedersen on the guitars, Rune V Wasmer on bass, and Ove Lungskov on drums sees the band expand their sonic palette with explosive tempos, melodic synth textures and apocalyptic doom passages, forging a sound that is both savage and cinematic, while its lyrical concept once again centers around the theme of witchcraft, this time diving deeper into narratives of persecution, grief, moral corruption, and their reflection in today’s world.

The second part of their phenomenal concept double album about witch hunts and trials begins in full force with Witchfinder General, with its haunting intro exploding into modern-day, caustic Blackened Death Metal led by the piercing roars by Sonja, whereas in Harmbidder the band continues to kick us hard in the head to the brutal beats and fills by Ove, while Frederik and Danny deliver pure Death Metal from their axes. Needless to say, it should sound fantastic if played live. Sonja sounds even more infuriated in Catalyst Of Chaos, delivering her trademark she-devil roars supported by the thunderous, vicious music blasted by her bandmates, followed by Hex Maleficium Pex, another song that goes absolutely heavy on the blast beats by Ove while Rune fires metallic, ruthless bass lines for our total delight, sounding perfect for breaking our necks headbanging. Or in other words, as Sonja herself says in the song, “the only good witch is a dead witch.”

Then the most cryptic and vile intro of all songs warns us all for the feast of darkness and brutality that’s about to come in Suffer My Fury, the most demented composition of the entire album, with Ove once again demolishing his drums in the name of violence and hatred. The quintet has simply mastered the art of crafting a sinister, visceral hybrid of Black and Death Metal, which is exactly the case in the menacing On Walpurgis Night, again led by the scorching riffs by the band’s unrelenting guitar duo. It’s time to dance with the witches, no doubt about it. The second to last burst of aggression by Panzerchirst is offered in the form of Black Mirror, with the deep gnarls by Sonja walking hand in hand with the demonic riffage by Frederik and Danny; and last but certainly not least, let’s join the band’s demonic coven one last time to the sound of The Descent, putting a climatic and melodic ending to such a magnificent album.

Delivering one of the most extreme and refined statements of their career, a release that marks a new high point for one of Denmark’s most enduring names in Death Metal, Panzerchrist are at the peak of their form with Maleficium – Part 2 (available in full on YouTube and on Spotify). “The songs on Maleficium reach a new level of depth and rawness, which has given me the opportunity to experiment with both lyrics, wordflow and vocal techniques. I am honestly so proud of the result,” commented the ultra talented growler Sonja. “Maleficium – Part 2 completes the work that was started with part one. Together, perhaps the best collection of songs from the band,” complemented Frederik, and if you want to know more about one of the most unrelenting names in the history of Danish metal you can find the band on Facebook and on Instagram, stream their music on Spotify, and of course purchase the phenomenal Maleficium – Part 2 from BandCamp or by clicking HERE. The time of the witches is upon us, and Panzerchrist are among us to make sure it’s going to be a savage and furious era to the sound of their incendiary new album.

Best moments of the album: Witchfinder General, Harmbidder, Suffer My Fury and On Walpurgis Night.

Worst moments of the album: None.

Released in 2025 Emanzipation Productions

Track listing
1. Witchfinder General 4:53
2. Harmbidder 4:10
3. Catalyst Of Chaos 4:03
4. Hex Maleficium Pex 7:19
5. Suffer My Fury 4:01
6. On Walpurgis Night 6:01
7. Black Mirror 3:45
8. The Descent 6:58

Band members
Sonja Rosenlund Ahl – vocals
Frederik O’Carroll – guitars
Danny Bo Pedersen – guitars
Rune V Wasmer – bass
Ove Lungskov – drums

Interview – Anthony Kaoteon

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In this exclusive interview, Lebanese vocalist and multi-instrumentalist Anthony Kaoteon talks about his brand new project Death Tribe, his already established band Kaoteon, and his always delicate connection to the Middle-East.

Anthony Kaoteon (Kaoteon, Death Tribe)

The Headbanging Moose: Let’s begin with a very simple question, and that is who’s Anthony Kaoteon? When did you begin your life in metal music, and who influenced you the most to follow that path?

Anthony Kaoteon: I am a Lebanese kid who grew up at the end of Civil War, witnessed the Syrian occupation, the religious hatred of my countrymen, the bombs in the streets of Beirut, the Israeli mass airplane attacks on the country to mention a few big events that scarred me as a child and made me realize that the world is blind and needs someone loud enough to hear the truth.

THM: What’s your goal with Death Tribe, and what’s the main difference from your already established band Kaoteon? Can you tell us more about the story behind Death Tribe and the reason for the band’s name?

AK: Death Tribe is more of a personal project where I am experimenting with Metal genres. It is not a side project but it has no restrictions or limitations as it has no genres, not one vocalist or one sound. The only restriction is me as the only fixed member in the band but working with new musicians opens my mind and allows me to explore areas I would have never explored otherwise. If I was a polyamorous guy, then KAOTEON would be my lover and Death Tribe my date.

Album Review – Death Tribe / Beyond Pain And Pleasure: A Desert Experiment (2019)

THM: Regarding your brand new album Beyond Pain and Pleasure: A Desert Experiment, how was the recording process of the album? Did everything go as planned, and do you think the final result sends the message you had in mind to the listener?

AK: The recording process was very lengthy, expensive and time consuming especially that it was recorded in several regions and studios around the world. The biggest impact on sound were the mixing engineer – namely Karim Sinno from The Audioloft in Lebanon. He brought everything together and kept it crystal clear.

THM: Beyond Pain and Pleasure features an array of excellent guest vocalists such as Walid Wolflust, Serge the Slave, Adnan Mryhij, Youmni Abou el Zahab and JM Elias. Apart from Walid Wolflust, who sings for your other band Kaoteon, are they all your personal friends? How did you invite each one of them to sing in the album?

AK: They are all personal and close friends of mine who have their great bands and I wanted to promote their sound through mine while promoting my sound through theirs. We come from a very talented region that is undiscovered and deserves much more support.

THM: My favorite songs from Beyond Pain and Pleasure are the title-track Beyond Pain and Pleasure, Neurotic Breakdown and Nuclear Hate. I personally think they’re very powerful and rebellious, which I believe is what you want the listener to feel while listening to the album. Having said that, what song from the album better represents yourself and your never-ending fight for freedom?

AK: That is the beauty of an album like BP&P, every person will have a different favorite. I enjoy Hollow, BP&P and Implode Explode a lot but this varies every now and then. The overall sound of the album is rebellious so I surely wanted that but what I really wanted is to deliver an eclectic album that brings all genres together under one record.

Anthony Kaoteon (Kaoteon, Death Tribe)

THM: I’m pretty sure the metal scene in the Netherlands, your current home, is a lot more developed than in your homeland Lebanon. Are there any bands you would recommend from the Dutch underground scene?

AK: I am still not very active in the scene due to a lot of shit happening in my personal life that I will not discuss but the bands here are very talented. I see a huge stoner metal movement. I cannot chose one band top of mind as it wouldn’t be just but there is definitely a lot of bands to check that won’t disappoint.

THM: Now talking about your connection to Lebanon and the Middle-East, how harmful do you think the combination of religion and politics is in that region not only to metal and non-metal music, but to all forms of art? And do you see an end to that in the future?

AK: It is detrimental and I am afraid I don’t see an end to it anytime soon. It is a deeply rooted plague that is still being nourished by the west to control its masses and use it when and where needed.

THM: Do you think one day you’ll be able to return to Lebanon and start making metal music again there? And what do your family and friends that are still in Lebanon think of the type of music you play?

AK: Most people don’t know what is metal unless they like it and play it. We live parallel lives so that we don’t get judged. I don’t see myself returning to Lebanon to play music any time soon.

Album Review – Kaoteon / Damnatio Memoriae (2018)

THM: What’s next for Anthony Kaoteon? Can we expect a new Kaoteon or Death Tribe album in a not-so-distant future, and do you have any plans for touring with any of your bands around Europe or in North America? I would love to see either Kaoteon or Death Tribe performing in Canada.

AK: For touring, KAOTEON is the horse of choice and we are releasing the 3rd album soon hopefully as we finished the recording with Adrian (Erlandsson) from At the Gates on drums and Linus (Klausenitzer) from Obscura on bass again. The mixing and mastering were finalized by Tue Madsen in Denmark at Antfarm Studios and the artwork is getting ready with Vincent Fouquet in France.

THM: Thanks a lot for your time, Anthony! It’s always a pleasure interviewing relentless musicians like you who keep the underground metal scene alive and kicking. Please feel free to send a final message to our readers, and anything else you would like to say to all fans of heavy music out there.

AK: Thanks a million for the opportunity to speak and promote the music Gustavo. People like you keep the dream alive and I hope you will keep it up. As for the readers and music lovers, if you want bands to keep making music – support them!

Links
Kaoteon Facebook | Instagram | YouTube | BandCamp
Death Tribe Facebook | Instagram | YouTube | BandCamp