Album Review – U Kronakh / Archaic Dance of the Winds (2025)

Playing a harmonious blend of Atmospheric Black and Death Metal since their inception, this Ukrainian creature returns with their incendiary third opus.

Playing a harmonious blend of Atmospheric Black and Death Metal since their inception in 2020, with lyrics predominantly dedicated to the raw mysticism of the Carpathian Mountains and events of ancient times, Chernivtsi and Lviv, Ukraine-based creature U Kronakh has just unleashed their third full-length offering, titled The Archaic Dance of Winds (or “Архаїчний Танець Вітрів” in their mother tongue), following up on their 2024 opus Night Devours Being (or “Ніч Поглинає Буття”). Mixed and mastered by Roman “Morvudd” Sapozhnikov, and once again featuring a grim artwork by Ksenia Vasylevska (aka Wintersomnia), the new album by Wormwood on vocals, Voidger on the guitars and bass, and Lycane on drums showcases more of the project’s experimentations with an array of styles, resulting in a unique blend that doesn’t follow any rules nor fit into any specific music genre, as the band believes creativity exists precisely for such freedom.

The melancholic guitar lines by Voidger kick off the nine-minute atmospheric tune titled Black Mountain, offering an overdose of Post-Black Metal sounds as part of their core Atmospheric Black and Death Metal. Then investing in a more direct Black Metal sound with Death Metal nuances we have The River Named Opir, with Wormwood’s harsh vociferations exhaling hatred and obscurity while Lycane hammers his drums with tons of energy and fury. Into Lightless, Uncharted Depths keeps the atmosphere dense and pensive while adding an extra touch of melody to their core Atmospheric Black Metal thanks to the striking riffs and solos by Voidger; and the trio sounds in total and absolute sync in Night Visions Fade, breathing fire and darkness through their sonic weapons, with the lancinating roars by Wormwood reeking of insanity. Lastly, it’s time to break our necks headbanging to the closing tune About Those Who Are Silent Now, with Voidger and Lycane building a Stygian ambience perfect for Wormwood’s devilish gnarls.

Fans of bands the likes of Ezkaton, Silvern, Harakiri For The Sky, Ellende, and Moonsorrow, among several others, will have an absolute blast listening to Archaic Dance of the Winds, another solid step forward in the dark and exciting path taken by U Kronakh in their short but extremely prolific career so far. The uncanny musicians behind U Kronakh are waiting for you armed with their atmospheric sounds on Facebook and on Instagram, and don’t forget to also stream their entire discography on Spotify (or any other streaming service), and above all that, to purchase Archaic Dance of the Winds from BandCamp, or click HERE for all things U Kronakh. Their music is just as mysterious and distinctive as their name, and I’m sure it won’t take long for the band to stun us all once again with the successor of Archaic Dance of the Winds, because if there’s one thing that the guys from U Kronakh know how to do, that’s to keep working hard and crafting high quality grim music nonstop.

Best moments of the album: The River Named Opir and Night Visions Fade.

Worst moments of the album: None.

Released in 2025 Archivist Records

Track listing
1. Black Mountain 9:15
2. The River Named Opir 6:17
3. Into Lightless, Uncharted Depths 9:08
4. Night Visions Fade 7:31
5. About Those Who Are Silent Now 7:44

Band members
Wormwood – vocals
Voidger – guitars, bass
Lycane – drums

Album Review – Dying Grotesque / Celestial (2024)

Depicting the violent absurdity and the grim futility of human existence, the sophomore opus by this Ukrainian band will crush you like an insect in the name of Death Metal.

Depicting the violent absurdity and the grim futility of human existence, which appears to be completely insignificant comparing to the endless darkness of cosmic void and all the undiscovered mysteries it conceals, the pulverizing Celestial, the sophomore album by Ukrainian Death Metal band Dying Grotesque, is highly inspired by bands the likes of Bloodbath, The Black Dahlia Murder, Entombed, Dismember, Edge of Sanity, Gorefest, and Suffocation, among others, being the perfect follow-up to their 2020 debut Sunflower Tide. Mixed and mastered by Vadym ‘Silvan’ Tsymbaliuk at Intermodulation Studio, and with a sinister artwork by Yevhen ‘Gxreparty’ Konovalov (Shinagawalove), the new album by Vadym ‘Silvan’ Tsymbaliuk on vocals and guitars, Volodymyr ‘Liquidator’ Degtyarenko on guitars and bass, and Andriy ‘Nordwind’ Butok on drums perfectly represents the band’s trademark mixture of various genres and styles including Death, Doom and Thrash Metal, and even some synth and folk elements, proving how talented and dynamic the band can sound.

The metallic, vibrant sounds of their guitars and bass ignite the metal machine titled Nuclear Meadows, with Vadym roaring deeply like a demonic entity, exhaling pure Death Metal with a Slavic twist, whereas Satellites is an infuriated blend of Death Metal by the trio with Vadym and Volodymyr firing sheer aggression through their axes, supported by the massive beats by Andriy. And let’s keep banging our heads frantically in Burial Fields, where Andriy sounds even more demonic behind his drums, inviting us all to also head into the circle pit like true metalmaniacs. They definitely don’t care at all about trying to sound mellow or more commercial, as Purification is in-your-face, brutal Death Metal played from their blackened hearts, led by the cadaverous guttural by Vadym.

Point Of View brings forward another four minutes of insanity, fury and violence crafted by this talented Ukrainian horde, with the caustic riffs by Vadym and Volodymyr penetrating deep inside our skins in great Death Metal fashion, and investing in a more 90’s inspired sound the likes of Unleashed, the band offers a decent tune titled Pneuma, showcasing their love for the riff and all extreme things. Their second to last feast of violent and ruthless Death Metal is offered to us all in the form of Lilith, where Andriy keeps hammering his drums supported by the scorching riffage by Vadym and Volodymyr, while also showcasing their undeniable dexterity and hatred. There’s still time for one last visit to the circle pit to the sound of the venomous Mortality, where their 90’s Death Metal vein pulses stronger than ever spearheaded by the always crushing drums by Andriy.

After all is said and done, I bet you’ll go back to the start of Celestial and listen to it again and again, as those Ukrainian metallers know how to blast our ears with tons of rage with their harsh yet very melodious sounds. You can also start following them on Facebook and on Instagram for news, tour dates and so on, listen to their crushing music on Spotify, and above all that, grab a copy of Celestial on BandCamp or by clicking HERE. Those Ukrainians will crush you like an insect in the name of Death Metal armed with their new album, and not only you’ll enjoy that, but you’ll also keep asking for more without a shadow of a doubt.

Best moments of the album: Nuclear Meadows, Purification and Lilith.

Worst moments of the album: Pneuma.

Released in 2024 Archivist Records

Track listing
1. Nuclear Meadows 5:34
2. Satellites 4:04
3. Burial Fields 5:11
4. Purification 3:53
5. Point Of View 3:58
6. Pneuma 5:22
7. Lilith 3:39
8. Mortality 4:36

Band members
Vadym ‘Silvan’ Tsymbaliuk – vocals, guitars
Volodymyr ‘Liquidator’ Degtyarenko – guitars, bass
Andriy ‘Nordwind’ Butok – drums

Guest musician
Oleksandr ‘Archon’ Kharechko – bass